Canadian producer Claire Boucher, A.K.A Grimes, has released the title and artwork for her forthcoming album, and it could be here as soon as next week!
The hype has been steadily building for the new record, ever since we heard back in May. In her own words, it’s slated to be “super different.”
On Tuesday, Boucher took to Twitter to tell fans that the new album will be titled Art Angles, as well as revealing the album artwork and the information that new music and a video will appear ‘next week’.
art angels: album cover.
music and video next week
artwork by grimes pic.twitter.com/xG9jOVHHpb— 𝖦𝗋𝗂𝗆𝖾𝗌 ⏳ (@Grimezsz) October 19, 2015
If Grimes’ statements and press releases ring true, we could be hearing the follow up to 2012’s critically acclaimed Visions in a matter of days.
The artwork, which depicts a creepy, three eyed human-elf hybrid with a trunk-like neck in comic strip formatting, was designed by Boucher herself, and encapsulates everything ‘Grimes’.
Art Angles comes after a three year wait between albums for the producer. In that time, Boucher scrapped an entire blueprint for a new album and has released only a handful of new songs – the polarising Go, which received really mixed responses, and the far more popular REALiTi.
https://www.youtube.com/watch?v=vIi57zhDl78
https://www.youtube.com/watch?v=N9XKLqGqwLA
Other endeavours for Bouchard of late have included singing to Jay Z’s management company Roc Nation, vocal features with Indie Pop band Bleachers, and speaking out against sexism in the music industry.
https://www.youtube.com/watch?v=1qZJyQeZnAc
Grimes has always been an outspoken musician. She isn’t afraid to call out the blatant misogyny levelled at women in the music industry and when it comes to politics, she’s no different. In an interview with Vice, the singer expressed her dismay with Canada’s current Prime Minister and Conservative Party leader Stephen Harper.
“Getting anyone besides Conservatives/Harper into power is priority number one,” said Grimes.
During the interview, Grimes, real name Claire Boucher, was dismayed that young Canadians weren’t taking more of an interest in their politics governing their country.
“I don’t think a lot of the people involved know how to reach the youth. Most of my friends engage more with American media than Canadian media.”
“Such a small group of people need to be motivated to get the Conservatives out for this election. In 2008, the Vancouver South riding was decided by 20 votes, for example. I’d love to motivate those 20 people to vote. I think if more young people in the public eye can start motivating our peers and fans we can make a real difference!”
[youtube http://www.youtube.com/watch?v=N9XKLqGqwLA&w=560&h=315]
She said people’s perception of Canada as environmental utopia of free health care and equal treatment was way off the mark, adding that her main concerns for the upcoming election were the environmental degradation and the murder of indigenous women.
“I’m happy about The New York Times and The Guardian and other outlets who have been shining a spotlight on important issues like Canada’s tar sands, the massive environmental destruction, and corruption within the Harper government and the treatment of Canada’s poor.”
In the meantime, Grimes has announced her European tour, called the Ac!d Reign Tour, to promote her forthcoming new album, which is expected to come out sometime this month.
Claire Boucher aka Grimes loves to keep busy. On the eve of releasing her highly-anticipated new album, she is also pioneering her own artist cooperative called Eerie Organization, focused on helping artists get recognition without sacrificing any of their independence. In a press release Boucher says:
Eerie Organization is an artist co-operative founded by Grimes that exists to help artists accomplish more than they would be able to on their own, without sacrificing any of their independence in the process. Although Eerie Organization will release music, it’s not a staffed record label and will not be accepting submissions. Eerie will be releasing Grimes’ upcoming album in Canada only. Future Eerie projects could take many forms, reflecting Grimes’ own mercurial, multidisciplinary approach to creativity.
The first artist signed to the collective is fellow Canadian Nicole Dollanganger, with her album Natural Born Losers to be released on October 9th. Speaking about the first time Grimes heard Dollanganger, she says, “It blew up my brain so hard that I literally started Eerie to fucking put it out because it’s a crime against humanity for this music not to be heard.” And she is right. Get a taste below, with the sweet electronic dreamscape that is first single You’re So Cool.
[soundcloud url=”https://api.soundcloud.com/tracks/219897723″]
With an endorsement like that, stay tuned to hear a lot more from this up and coming songstress.
Full track listing:
01 Poacher’s Pride
02 Mean
03 White Trashing
04 Swan
05 In The Land
06 Alligator Blood
07 Executioner
08 American Tradition
09 Angels of Porn (ii)
10 A Marvelous Persona
11 You’re So Cool
It’s been three years since ethereal pop princess Grimes released her self-professed hastily produced Visions, and we’re aching for a followup. “I made Visions in a couple weeks,” she told Entertainment Weekly, although it sounds like the work of a much longer process, experimental and glittery and dark and featuring Grimes’ typical child-like vocals blended with layered electronic soundscapes.
But her new work will see her move in a slightly different direction, with perhaps a more polished sound. “This is the first record I’ve made with an audience…this time the songs are kind of written,” she continues to EW. “You could theoretically play them all on the guitar or on the piano. In terms of the sound design, I got a lot better.”
This is refreshing news that comes of the back of Grimes’ announcement that she had ‘scrapped her album cuz it was depressing and I didn’t want to tour it.’
On the actual details of the album, Grimes has teased different alter egos, including “Screechy Bat…the metal one…and one that’s super vampish and sexy… like Ginger Spice.” Drawing from ’90s and nu-metal influences, she’s described tracks called Flesh Without Blood (a “staccato rocker”) and SCREAM.
Personally, we’re still hoping that the final cut of the very good REALiTi will make it onto the album, even though Grimes has expressed her distaste of her previous singles. “It’s a lazy song,” she says about REALiTi. “I hate Oblivion too. All the songs that are singles are songs people have to force me to do…I always hate the songs that are singles.”
If it’s any consolation, we thought Oblivion was absolutely bangers. Here’s hoping that her new work comes swiftly and delivers as much of a punch as Visions.
Female musicians are banding together and speaking out against sexist, misogynist and often abusive behaviour from fans, which they say they deal with on a daily basis.
Most recently, Canada’s thriving electronic songstress Grimes has revealed everything from vile, personal messages she receives to the physical danger she feels when performing on stage.
“I get threats constantly—all female musicians do,” she said in an interview with The Fader. “People want to, like, rape and kill you. It’s, like, part of the job.”
Grimes talks of how her rapid rise to fame brought a legion of fans, who loved her quickly and all at once – which could become overwhelming at times, and brought a myriad of problems.
“One time I was backstage at a show, and there was this random guy in my dressing room, and he just grabbed me and started making out with me, and I was like, Ah!, and pushed him off. Then he went, ‘Ha! I kiss-raped you’ and left. Shit like that happens quasi-frequently.”
But when it isn’t explicit sexual abuse, it comes in the form of implicit and everyday sexism from producers and other artists. As a self-producing, ass-kicking electronic artist, Grimes has a mastery of her equipment.
“I’m a producer and I spend all day looking at fucking graphs and EQs and doing really technical work,” she said.
Yet despite this, she laments that engineers barely take her seriously and will rarely let her touch the equipment herself.
“I was like, ‘Well, can I just edit my vocals?’ And they’d be like ‘No, just tell us what to do, and we’ll do it.’ And then a male producer would come in, and he’d be allowed to do it. It was so sexist. I was, like, aghast.”
As a result, her new album will feature several diss-tracks aimed at these male producers, who more often than not come crawling back after realising that she was not an air-head as they had presumed all along.
The wonderful and extremely talented Montaigne shared her contempt for this mysoginy, and came out in support of Grimes on Facebook, demonstrating how widespread the problem is.
Several other artists have mirrored this sentiment, namely the lead singer of CHVRCHES Laura Mayberry in an op-ed in the Guardian back in 2013.
As a band shaped and brought into being through the Internet, Mayberry accepts that CHVRCHES owe a lot to the people that helped kick start their success, however this does not meant that she should lie down and accept the abuse that the Internet churns up.
While also receiving extremely positive messages from fans, Mayberry has read all of the rest that stream through their Facebook page as well. Some of the more disgusting she revealed to the Guardian:
“I have your address and I will come round to your house and give u anal and you will love it you twat lol”
“This isn’t rape culture. You’ll know rape culture when I’m raping you, bitch”
As she reflects, these comments have come solely from men but assures that this has nothing to do with hating men but rather comes from her feminist standpoint of equality of the genders.
“Is the casual objectification of women so commonplace that we should all just suck it up, roll over and accept defeat? I hope not.”
Ultimately, the Internet provides a murky arena in which our anonymity allows us to forego responsibility and culpability for our words and our actions. However, this everyday sexism permeates more than just the music industry and is by no means contained to it. However, with more female artists coming together and exposing the dangers – both physically and mentally – they suffer from these misogynistic people, hopefully the conversation can continue and progress to a point where artists, and particularly female artists can go about their passion without fearing for their safety.
Grimes, also known as, Claire Boucher, has been featured as the cover story of The Fader after a super interesting interview with Emilie Friedlander. Aside from looking totally gorgeous on their front cover, we got a great insight into who Claire Boucher is, her struggles in the world of music and what we can expect from her in the future.
The wonderful piece Grimes In Reality starts off with Grimes showing Friedlander her upcoming LP. One of her tracks Flesh Without Blood was described as a “guitar-studded power-punk anthem” and another, which features three female rappers as a “ferocious-sounding club track with twanging subs” and about being “too scary to be objectified.” The excitement is real.
In other music news, she mentioned the project that was said to be scrapped, actually wasn’t. She said she was writing a bit of music before Rihanna‘s Go (which she says was “never intended for the record” despite of what was reported). “I was like, ‘You know, my life is getting a lot better. I’m going to put all this stuff on a hard drive and start again. There were just hundreds of songs — on this album that I’m making now, there’s at least a hundred songs that won’t make it onto this. I think all musicians have songs that don’t make it onto records,” she said.
Her identity was also a topic of discussion. Boucher revealed that Grimes isn’t her only alter-ego. “Okay, there’s Grimes, but there’s other ones too now—and they’re like a girl group,” she says. “There’s Screechy Bat, who’s the metal one. There’s one that’s super vampish and sexy now—I don’t know her name yet, but she’s like the Ginger Spice.”
What does that mean? Are we in for something very different in the near future?
She touches on some of the struggles all female musicians face, such as not being taken seriously by the industry. “The thing that I hate about the music industry is all of a sudden it’s like, ‘Grimes is a female musician’ and ‘Grimes has a girly voice.’ It’s like, yeah, but I’m a producer and I spend all day looking at fucking graphs and EQs and doing really technical work,” she said.
Another was the lack of safety of female musicians. She says she, and other musicians, get rape and death threats all the time. She even shared a story. “One time I was backstage at a show, and there was this random guy in my dressing room, and he just grabbed me and started making out with me, and I was like, Ah!, and pushed him off. Then he went, ‘Ha! I kiss-raped you’ and left. Shit like that happens quasi-frequently. When I play a show I have to have, like, three bodyguards in front of the stage, and then I have to have bodyguards on the side.”
There’s so much more to read in this incredible interview, which is available via The Fader’s website.
It turns out Grimes isn’t just a talented musician, she’s a pretty good illustrator too. She has joined the likes of Courtney Love, Ghostface Killah and Amanda Palmer (who have all designed their own covers) and designed an alternative comic book cover for the 14th issue of The Wicked + The Divine, which is due to be released on September 9th. The book, by Kieron Gillen and Jamie McKelvie, is about the reincarnation of a group of gods called ‘The Panthenon’ into popstars. Very fitting.
The cover was shown at Comic-Con in San Diego over the weekend. Here’s the perfectly grotesque cover:
It’s been a while since we’ve had some new music from Grimes following the release of Visions in 2012. She had thrown out an entire album earlier this year because she didn’t like the vibes it was projecting. “The album was scrapped cuz it was depressing and I didn’t want to tour it.” she wrote on Tumblr. “I’m really not that sad or insecure of a person.”
She has, however, teased on Twitter than there will be a new album release sometime in Autumn (Spring for Australia). She says it will be a surprise release, so as far as we know there will be no release date (read more on that here).
Let’s hope we get to hear some new stuff soon. Keep your eyes (and ears) peeled!
The long awaited follow up for 2012’s Visions could potentially be dropping in October, according to Grimes. After responding to a few tweets from fans, she not only gave the month it should be out, but a few extra insights into the record too.
The series of replies stemmed from real name Claire Boucher tweeting, “Studio I work in is on skid row, dark, isolated and sometimes populated by unfamiliar and intoxicated large men, wish I had a dick rn lol” which is slightly concerning. Check the tweets below and here’s hoping October hurries up!
@blacknbhdwhite oct!
— dolly dothraki (@Grimezsz) May 24, 2015
@Luis_RIbarra fall but it’ll be a surprise release cuz I want fans to get it b4 press and the tracks should be heard together
— dolly dothraki (@Grimezsz) May 24, 2015
@lanerodges album will be surprise released all at once prob w 2 singles at the same time cuz every track is super different
— dolly dothraki (@Grimezsz) May 24, 2015
@untouch3d neither it’s real instruments very different from anything Previous
— dolly dothraki (@Grimezsz) May 24, 2015
Welcome to The Soundtrack, a column where we plumb the depths of our musical knowledge to bring you the best* (subjective) music to listen to for very specific life situations. In our first column of the year and on International Women’s Day, we bring you tunes to celebrate and appreciate the women, femmes & non-binary lovelies in your life.
Miss Blanks – Fuck Real Slow
Miss Blanks is not on Spotify, but she is one of the most important voices in Australian music right now. Her crowd-pleasing tunes are a combination relentless and wholly justified bravado and sticky, sweaty beats. Miss Blanks doesn’t just put sexuality & sexual expression on display, she struts confidently all over it with a wry grin to the camera. In a political and social climate where women – particularly WOC, and more particularly trans women – are consistently shamed, degraded and much worse for daring to be sexual, Fuck Real Slow bears a timely and important message. That being said, it’s entirely possible you’ll be too busy grinding to this to reflect on that too hard because it’s a CERTIFIED GOLD BANGER.
Crime Mob – Stilettos (Pumps) feat Miss Aisha
It’s a truth universally acknowledged that women are consistently made to feel that they are lesser if they have interests that line up with what some consider to be “feminine”. We are constantly made to feel like we are worth nothing unless we decry things like manicures and high heels with gusto, declaring ourselves to be “not like the other girls”, when in reality there is nothing wrong with other girls or being like them. Miss Aisha & ex-Crime Mob member Diamond do not give a fuck. They gets their nails and hair done, they wear stilettos, they go out to the club with their girls, and they know they look damn good doing it. If you’re someone who enjoys these things, you deserve to feel good about that, so this is for you. If you’re someone who loves pizza and video games, that’s awesome too, because it’s what you like! Of course, it is very possible and very common to enjoy ALL these things, but don’t anyone tell cis men that. Their heads might explode. (Just kidding, PLEASE TELL THEM)
Rachel Maria Cox – A Phone I Can’t Use
Rachel Maria Cox is the founder of the wonderful Sad Grrrls Club, a DIY record label/bookings agency that began in 2015 and has a commitment to working with non-male artists. Their songs are intimate, anecdotal and cuttingly relatable – perfect for when you really need to have a good cry (which we all do, sometimes). There’s some really lovely guitar work here, all clean and chime-y, but it’s the raw, honest exploration of longing that really draws you in. Being vulnerable is a radical action in a society that aims to stamp it out, and it’s easy to forget to nurture that side of you when the goings-on of the world call so consistently for armour and biting your tongue.
Sampa the Great – F E M A L E
How many modern, local tracks boast a bloody upright bass? That is cool as heccc, and that’s to say nothing of Sampa The Great and what she unpacks on this track. Sampa is a certified badass and she’s all about shouting out to empower others. This song will help anyone who identifies as female celebrate on all the things that make you such an untouchable boss. The adversity you’ve overcome (and keep overcoming every day)? I can’t speak for everyone, but that shit feels like water off a duck’s back while I’m mouthing along with Sampa: F E M A L E, F E M A L EEEE. Would recommend screaming the same at anyone who ever gives you grief over the course of your life, honestly (please do not do this in a TERF-y way, gender and sex are social constructs).
Grimes ft Aristophanes – SCREAM
This collaboration, off Grimes‘ objectively perfect LP Art Angels (yes, objectively – fight me) features kick-ass Taiwanese artist Aristophanes, who spits dark, gory bars in Mandarin over the top of heaving production. It does not even matter a little bit if you don’t speak or understand Mandarin. What makes this track so cathartic is its ability to be completely unapologetic about being loud, messy, and angry; three things women & femmes are historically Not Allowed To Be. The release comes in the chorus, made up of piercing, prolonged screams that culminate in guttural growls – and what a release it is. Have you ever been spoken over by a man? Have you been cat called or otherwise objectified? Does your boss constantly undervalue you? Do you watch men get showered with praise for things you never get recognition for? Are you carrying trauma with you? It’s not my place to tell you how to deal with any of these things, but personally I find it very therapeutic to SCREAM.
Image: The Odyssey Online
For the past few months years, Gorillaz have been hinting that their “really fuckin’ special” new album will be on its way to our ears in 2017. The year is now here, meaning that the pressure’s now on to deliver on their promise. To kick things off for 2017, animated guitarist Noodle has shared an awesome all-female playlist featuring a selection of leading ladies who have inspired her during her search for “new sounds and new inspiration”. Posted to SoundCloud, the playlist includes tracks from Grimes, Empress Of, Kali Uchis, Fatima Al Qadiri and our own Hiatus Kaiyote, showcasing some of the most intriguing and unique voices across a wide range of genres – even ending on the famed theme song from Doctor Who, originally composed by Delia Derbyshire. Along with Evelyn Glennie, Derbyshire also narrates the continuous half hour mix.
In search of new sounds and new inspiration, I found these kick-ass women who in their own individual ways are true pioneers…
— gorillaz (@gorillaz) January 2, 2017
…in the writing, production and creation of MUSIC. They have inspired me, and I hope they inspire you too! あけおめ!!https://t.co/zgpT7CqF3o pic.twitter.com/TlcfwFI1D5
— gorillaz (@gorillaz) January 2, 2017
Feat: #MystereDeVoixBulgares @AnnaHMeredith @ThisLully @Grimezsz @KALIUCHIS @FatimaAlQadiri @EmpressOf @HiatusKaiyote @OnlyAnExpert @abra…
— gorillaz (@gorillaz) January 2, 2017
Listen here and check out the full track list below:
Tracklist:
Narrated by Delia Derbyshire and Evelyn Glennie
Mystere De Voix Bulgares (Bulgarian Women’s Choir), Kaval Sviri
Anna Meredith, Nautilus
Lully, Slow D’s
Grimes, Realiti
Kali Uchis, Ridin Around
Fatima Al Qadiri, Szechuan
Empress Of, Woman is a Word
Haitus Kaiyote, Molasses
Laurie Anderson, O Superman
ABRA, Vegas
Mica Levi & Oliver Coates, Barok Main
Delia Derbyshire, Doctor Who Theme
FEATURE: A Look Back at Gorillaz’s Mighty Debut Album
Read next: Gorillaz Release Next Chapter of Their Animated Chronicles – Phase Four
Image: Wikipedia


