In what was supposed to be an intimate one-off performance in Newcastle’s Cambridge Hotel, actor-turned-rapper Childish Gambino was apparently booed off stage last night. After turning up with a large entourage, it is said that Gambino spent the first 40 minutes of the show idling behind turntables as his friends, and even fans performed on stage.

Performing what appeared to be his only headline show as part of his Australian visit for Listen Out festival, Gambino was reportedly shocked at the negative reaction from fans. Just hours before the Newcastle show, Gambino cancelled what was supposed to be a second sideshow, in Canberra, citing that “his busy touring schedule taking a toll”. Perhaps the two are related?

Although as stated by one commenter on the Cambridge Hotel’s Facebook page:

“This was meant to be a DJ set, blame the hotel for misguiding most fans.”

The performance has left many fans enraged, and we’ll have to follow the story more today to find out if this is a gaffe on the part of the hotel, or promoters, and whether they misrepresented what the show was supposed to be, or rather if the touring schedule has taken too much of a toll on Gambino and is to blame for the underwhelming performance.

It’s disappointing to see the Listen Out brand disappoint fans twice this week alone with sound issues marring Melbourne’s performances. Especially for a festival that sits at the high end of attracting touring hip hop artists.

But one thing is for sure, fans spend a lot of money on seeing their favourite artists, and especially for teenage music fans who get very little opportunity to see the musicians they love, and they have every right to be angry about receiving a performance that was less-than-advertised. While no statement has been released by the tour agent or promoters, it does seem that now there is a growing selection of people who actually enjoyed the show and are dismissing the previous reports of an entire audience filled with angry fans, but rather paints a group of the fans as rude and aggressive.

It’s hard to know who to believe, but weirdly, both sides of the argument have a point.

Look at the difference in how the shows were advertised for Sydney and Newcastle.

royalty

Clearly, the Newcastle poster would not make it seem as if it were to be a Royalty DJ set featuring Childish Gambino. Even now the anger is starting to be directed towards the tour promotors rather than the artist. And for those expecting a DJ set, they probably had a grand old time.

The Cambridge Hotel though maintains that the show was intended to be a Childish Gambino headlining performance and has stated that:

“We’re very disappointed,… Unfortunately we can’t control the artist, and on the night we said something but unfortunately nothing changed.”

This back and forth is sure to continue through the day, but here’s hoping some fans enjoyed the show and for what it’s worth, it does look like some were for 15 seconds or so here:

 

 

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#childishgambino #soldout #thecambridgehotel #newcastle

Posted by The Cambridge Hotel on Thursday, October 1, 2015

 

Long time collaborators Madlib and MF Doom of Madvillain fame have hooked up again to bring us Knock Knock. Surprising everyone with only a few hours notice, the track dropped earlier today and is a preview track for the soon-to-be released Bad Neighbor. Not quite a Madvillain track though, MF Doom is only featuring on a larger collab between M.E.DBlu and Madlib. With a distinctly Los Angeles flavour the track opens with Doom’s verse, and if that is anything to go by, the record is going to be scorching.

With a star studded cast of features, Bad Neighbor is set to include contributions from Hodgy BeatsDâM-FunK, Oh No, Aloe Blacc, Mayer Hawthorne, and Phonte, amongst others. In an interview with Rolling Stone M.E.D and Blu discuss the upcoming record, the origins of the collaboration, and how they managed to get some of the featured artists. Most interestingly though is M.E.D’s explanation of the wait between records for he, Blu and Madlib. It gives a little bit of insight into the improvisational nature of these collaborations and the work that is put in over time to craft such dynamite singles.

From Rolling Stone:

You know when you’re dealing with Madlib, he’s such a creative cat. He has so many projects going on at once. Me and Blu actually recorded about 30 songs. We’re going to possibly manage to do something with some of the other leftover joints. Madlib always figures out things to do with songs and stuff.

Med also enlightens us on the crafty nature of Blu in managing to entice AMG:

Blu got collab-happy, man. I ain’t gonna lie. He told me, “I got AMG.” And I was, like, “Bitch Betta Have My Money AMG?” And he was, like, “Yo, he’s trying to charge a crazy number.” And I was like, “We don’t got that in the budget.” Somehow Blu pulled it through

The album Bad Neighbor is out October 30th via BangYaHead! and is available for pre-order here.

You can stream Knock Knock here, or check out the video below for MF Doom’s verse and a clever animation.

[youtube http://www.youtube.com/watch?v=qgWY8ful7DQ]

Actor turned rapper Donald Glover A.K.A Childish Gambino is a busy man. Juggling both acting roles, putting out new music, and touring internationally. But if any of it is weighing him down, you wouldn’t tell by his recent interview with Conan O’Brien on his late night show ‘Conan’. Except for the hockey-esque playoff beard, Gambino seems completely at ease with his double life as an actor starring in Ridley Scott’s The Martian, and musical performer set to headline Listen Out festival next week! There doesn’t appear to be a Bruce Willis/ Bruno situation developing just yet for the Atlanta born performer. Yet.

Whatever you think of Gambino’s music, you have to admit that as far as switching disciplines, Glover has been about as successful as you could imagine. A founding member of comedy troupe Derrick Comedy, Glover got his start writing for 30 Rock, before moving on to the role of the beloved Troy in NBC’s Community. All the while however, alter-ego Gambino was working on his music, preparing to make a splash on the hip hop world.

Gambino ruminates during the interview, discussing the horror of his mother that he would consider leaving a prosperous writing job to pursue a career in music, he notes “It was a bad decision, but I didn’t know it—so it worked out great!” Clearly though, the creative talents of Glover are insuppressible, having achieved great success in writing/stand-up/acting/music he is the ever-rare quadruple threat.

When pressed on the differences between stand-up and performing in concert, Glover quips, “It’s really bad when people know all the words to your jokes,” and continues to note that he’d once had a bar of soap thrown at him on stage at a Gambino show, and how he’d much prefer to deal with that at a music show than during a comedy performance. Charming as always, Glover once again displayed his appealing nervousness that endears him to people, and works so well with his clever lyrics and urgent cadence.

Kurt Vile has become quite a prodigious singer/songwriter since his early days in Philly with The War On Drugs, gearing up to release his sixth record b’lieve i’m goin down… on September 25th. The melancholic musician recently caught up with none other than Kim Gordon, of Sonic Youth fame, to discuss his new record.

The interview ran in the autumn/winter issue of Dazed, and rather than the usual ‘how did you write this song?’ ‘where can we see you next?’ re-tread questions, it’s quite refreshing to read about two friends, and mutual musical admirers, shooting the shit. Having written the bio to accompany the release of b’lieve, Kim has an upbeat and fun dynamic with Kurt that helps bring out his personality. The comfort between the two of them really gives Vile an opportunity to express his musical intellect as well as showing the fun-loving side of him, that is anything but apparent in the soulful, vulnerable wails that sit a-top his low-fi rock and roll guitar playing.

Above all else though, Kim is clearly a fan of Kurt, but not in a way that ever comes across as gushing. Her takes on Kurt’s songs and album comes across more as insightful than fangirl-ish, which makes sense, what with Kim being part of one of the worlds most seminal rock bands, she’s hardly going to be overwhelmed by another musician.

As Kurt talks about the darkness in his records, he articulates about his music ‘I think that some – OK, all – of the lyrics are darker on this album, but I think my lyrics are always pretty dark’  it’s not all darkness though Kurt reveals as he continues ‘It’s not total despair, I would just say they’re melancholy.’ On the idea of darkness Kim shares her own astute thoughts on the record, ‘For me, I didn’t really think of the record in terms of darkness. There are melancholy melodies, but I thought the lyrics were especially good and I thought that they were kind of mature, like someone who knows themselves and who is singing about ‘how it is’, but making that sound poetic.’

As well as getting a glimpse into the musical minds of two innovative and pioneering artists, the interview offers some levity with the two sharing some brief, but amusing anecdotes about Kurt day-drinking at the Jim Jarmusch curated ATP festival in 2010, as well as a missed opportunity to hang out with Neil Young.

If you’re a fan of either artist, the interview is worth checking out, and in case you missed it, b’lieve i’m goin down… is available to stream ahead of it’s release date in four places:

KEXP
WXPN
WFUV
KCMP

b’lieve i’m goin down… is officially released on September 25th via Matador Records.

https://www.youtube.com/watch?v=kmUndmDgNEU

And if you’re lucky enough to nab tickets you can catch Kurt performing at Falls Festival, or at Southbound.

 

 

 

The Brian Jonestown Massacre and their Silver Jubilee tour have today added to the jubilation, by announcing even more more stops along their psychedelic schedule.

Arousing excitement with their first announcement, the band has now ostensibly completed the tour schedule by adding a second and final Sydney show at the Factory Theatre. Doubling down on the excitement the BJM has also decided to kick off their tour in Byron bay at The Northern Hotel rather than starting as they initially planned in Brisbane at The Triffid.

As previously announced the band intends to play a collection of new and old songs, including some that have never before been performed live. One can only wonder what enigmatic frontman Anton Newcombe has planned for the auspicious tour celebrating the bands 25th anniversary.

The Brian Jonestown Massacre has undergone several transformations since their humble formation in San Francisco in 1990, but one thing is for certain, they are as musically pioneering as ever and their shows promise to be an unforgettable experience.

Tour Dates: 

Thu, Nov 12: The Northern Hotel, Byron Bay
Buy tickets here

Fri, Nov 13: The Triffid, Brisbane (Supported by Martyr Privates)
Buy tickets here

Sat, Nov 14: Odeon Theatre, Hobart (Supported by Flyying Colours)
Buy tickets here

Sun, Nov 15: Town Hall, Melbourne
Buy tickets here and here

Wed, Nov 18: Factory Theatre, Sydney (Supported by The Laurels)
Buy tickets here

Thu, Nov 19: Metro Theatre, Sydney (Supported by Masco Sound System)
Buy tickets here

The former Sonic Youth guitarist/singer Thurston Moore is returning to Australia this december under the moniker of The Thurston Moore Band. The low-fi legend will be delighting fans with an array of his material stretching back to his first solo album Psychic Hearts, all the way through to his latest effort The Best Day released in 2014 by Matador Records.

As well as his own work, Moore is set to perform a collection of Sonic Youth singles aided by former band-mate Steve Shelly. It will be the first time he and the former Sonic Youth drummer have performed together since 2007. Sonic Youth blazed a musical trail through the late 80’s into the nineties, known for their no-wave rock’n’roll and for raiding Peter Frampton’s cooler in the Simpsons. The Thurston Moore Band tour kicks off in Auckland on December 3rd before moving onto Sydney, Brisbane and Melbourne.

For those of us east-coasters who missed out on tickets to Meredith Music Festival; where Moore and his band joins an absolutely stacked line-up, we can at least rejoice in the fact that we can catch the music pioneer on his own headlining tour.

Don’t miss out on what will surely be an excellent show that brings sonic-auditory bliss to all music fans!

And to get you excited check out Thurston live on KEXP performing the title track from his latest album The Best Day.

[youtube http://www.youtube.com/watch?v=YWFXthQx8nQ]

Pre-sale tickets are available for Frontier members on the 23rd of September before general sale kicks off on the 28th.

Tour Dates:

Thu, Dec 3: Powerstation, Auckland
Buy tickets here

Sat, Dec 5: Metro Theatre, Sydney
Buy tickets here

Mon, Dec 7: Old Museum, Brisbane
Buy tickets here

Thu, Dec 10: Prince Bandroom, Melbourne
Buy tickets here.

 

Let me preface this by saying that I have not seen Bessie, I probably won’t watch Bessie, in fact I doubt I will watch any of the programs nominated for the 2015 Emmy’s Television Movie category. Does that mean I can’t unflinchingly demand that Queen Latifah win the award for outstanding lead actress in a limited series or a movie? Of course I can, even if I’m completely unqualified to do so. Does anyone actually think the right person wins for these awards anyway?

It’s lucky I’m not too worried about being cool, because otherwise I would be tentative to state that I only very recently encountered Latifah’s music career. Until a few months ago, to me, she was just that lady from that terrible Jimmy Fallon movie Taxi. I was then introduced to her 1993 classic Black Reign, and then I realised why she’s famous. Hint: it wasn’t for her performance in Bringing Down the House.

Now none of this is to deride her acting career, because she’s actually matured into quite a talented thespian with over 60 credits to her name, including some pretty decent performances. And from all accounts, she kills it in Bessie. But finally with some progress towards diversity in film and television, and I’m not saying we’re even close to equity in that regard, but with a show like Empire crushing television ratings and getting nominated, wouldn’t it be apt to reward one of hip hop’s pre-eminent MCs, someone who paved the way not just in hip hop culture, which is everywhere, but for women in the entertainment industry?

It’s not a brave statement to say that women and racial minorities should be treated equally by all industries, especially in entertainment, which is pervasive and helps to shape our perspectives in everyday life. And that’s not what this article is about, I don’t want to come across as a condescending white male who’s ‘throwing the little guys a bone’, like the Oscars seem to do every few years, and how the film industry only seems to respect films about the black experience that are torturous or historical enough to make them feel guilty. I just really like Queen Latifah.

If you need any convincing of Latifah’s dopeness, then let’s begin:

[youtube http://www.youtube.com/watch?v=f8cHxydDb7o]

The saxophone opening gets me every single time. Try to listen to this song and not have the chorus stuck in your head all day. Seriously, even thinking about the song I’m repeating “you-enn-aye-tee-why das a unity” in my head over and over again. U.N.I.T.Y was Latifah’s biggest hit and even nabbed her a grammy in 1995. At a time when hip hop wasn’t exactly known for it’s propensity to be respectful towards women, wait, has hip hop ever been known for that? Anyway, Queen Latifah was a badass feminist of the highest order, standing up for what she believed in and promoting a positive message in a medium that many at the time considered volatile and perverse.

It’s not just her ability to interweave a political message into a catchy tune. She can also capture a feeling, and express it with some pretty fresh rhymes.

[youtube http://www.youtube.com/watch?v=YkGY5EzA-h4]

Just Another Day was another track on Black Reign to receive a music video, and thank god. That outfit should be immortalised somehow. Seriously, that belongs in a museumJust Another Day has to be in the all-time list of chill driving songs, up there with It Was a Good Day and Gin and Juice.

We haven’t even mentioned her ability to craft those ‘pretend you hate them but actually secretly love them’ pop songs either. You know the ones, those TLC, Natalie Imbruglia, ’90s jams that you sing when you’re driving and hope nobody sees you.  Superstar is pretty damn good at filling you up with that poppy nostalgia. Oh, and if it’s not good with Queen Latifah, then it’s incredibly bad:

[youtube http://www.youtube.com/watch?v=umELmojqsX0]

So now we know what inspired Shaggy‘s career, and don’t try that “it wasn’t me” bullshit, we know it was you Weekend Love.

For those of you that already love Queen Latifah, I hope you had a nice trip down memory lane, and for those of you that didn’t, you’re welcome. Oh, and after she wins the Emmy for Bessie, Y’all need to update your EGOT pools, because she’s coming for that Oscar, and the Tonys? Pssh, the one woman Black Reign stage-play that I may or may not be penning as we speak will sweep those goddamn things.

 

Rapper Lil Dicky earlier today released his latest video for his album Professional Rapper. The premise: How can he make the most epic rap video for no money.

Apparently, pretty easily.

The video begins with Lil Dicky proposing his concept via door knocking and intercom to Beverly Hills mansion owners and seemingly falls short, until one nice lady opens up her doors for him and his crew. What follows, is 8+ minutes of hilarity and not a bad track.

Featuring a Lamborghini, a yacht, a hijacking of T-Pain‘s own music video shoot, Lil’ Dicky certainly accomplishes his goal. With over 600,000 views on youtube within just 15 hours of the video posting online, it looks like the internet has a new hip hop force. The track itself is full of self-referential humour and toes the line of parody in the realm of The Lonely Island and Jon Lajoie but still offers a crisp, well crafted and clever rap song.

[youtube http://www.youtube.com/watch?v=yvHYWD29ZNY]

And if there is one word to describe Lil Dicky, it’s exactly that: clever. The song is like a beefed up, blinged out version of Lajoie’s Everyday Normal Guy, and the video is the same. The production values are great, the song is fun, and pulling it off is quite an achievement.

One can only wonder if T-Pain is feeling a little like Kanye right now, after his video which surely cost a fortune, might be outshone by a clip that cost nothing to make ALA OK GO‘s VMA winning video.

I’ll keep this short in the spirit of $avin’ Dat Money, but either way, Lil Dicky has provided us with some pretty decent entertainment recently, and if he keeps it up his videos will be highly anticipated by rap fans and regular folk alike.

More: Why We’ve Fallen In Love With Lil Dicky

The spate of music films continues this year with Toronto International Film Festival (TIFF) featuring too many music documentaries to count. Along with the successful release of Straight Out Of Comptonthe documentary selection at TIFF promises to continue the exciting trend of music films being released this year.

We had a little fun predicting and suggesting music films we’d like to see in the future, but for now we’ll just have to get by with these tangible and existing films, with two created by Oscar winning documentary filmmaker Morgan Neville (producer of 20 feet from stardom).

The music films featured at this years festival include:

Keith Richards: Under the Influence

[youtube http://www.youtube.com/watch?v=NHh24Y9LrY0]

Janis: Little Girl Blue

The Reflektor Tapes

The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble

Miss Sharon Jones!

Thru You Princess

It’s hard to make a documentary about music without extreme passion, so we can always expect high quality story-telling in movies like these. With TIFF showing so many this year, and with two of the last three oscar winning documentaries being about music (Searching for Sugar Man and 20 Feet From Stardom) we can expect this upward trend of films about the art we all love to continue!

 

Young Thug‘s new mixtape Slime Season hit the internet yesterday, causing a stir as it featured the track Take Kare, previously released as a Rich Gang track featuring Young Thug and Lil Wayne in October of last year. It wasn’t so much the quality of the tape as it was the featuring of said track seemed to suggest that the beef between Thug and Wayne was finally over.

In what has been a tumultuous year for Thug, Wayne, and YMCMB alum Birdman, could we be finally seeing the end of one of hip hop’s most conspicuous beefs?

Wayne, who Young Thug at different points considered his idol, even going so far as to say that he would rather record with Lil Wayne than Michael Jackson, had been embroiled in a battle over the rights to his music, even suing Birdman over the failure to release his ‘final’ album Tha Carter V before antagonising his former label by releasing a tidal exclusive track. With Carter V on the shelf, Young Thug in a respectful homage was set to name one of his mixtapes Carter 6, but was forced to change the title to Barter 6 after Wayne took umbrage to the theft of his Carter franchise.

The war of words quickly spiralled out of control. Wayne and Thug exchanged disses, with Thug going so far as to perform in Wayne’s home town on the release day of Barter 6. Obviously things had been brewing for a while, but reached a head that night when Lil Wayne’s tour bus was shot at. In a bizarre turn of events, in the indictment of the alleged shooter Jimmy “Peewee” Winfrey, Young Thug and Birdman were named, namely due to phone calls being made to each of them before, and after the shooting. In other words, shit got real.

It didn’t stop there, as Young Thug was arrested only two months later after being told to dismount his hovertrax scooter by a mall cop, his response: threatening to shoot the cop in the face. With a court date yet to be set it seemed as if the beef was finally beginning to simmer down, and like always, time appears to heal all wounds. Now with the release of Slime Season, it appears as if the feud may be over. But of course, this was a track released nearly a year ago, and I’m skeptical until we see Thug and Wayne recording again. And let’s hope it’s soon so we can get some more great collaborations.

[youtube http://www.youtube.com/watch?v=6JDp1HNTayI]