When it comes to contemporary art and culture, the Sydney Opera House is in a league of its own. From hosting an array of incredible shows from the likes of Bon Iver, The National, Deafheaven, Sleater-Kinney and Hiatus Kaiyote to TED Talks, specialised lectures, and exclusive cinema screenings, the traditional venue has become a hub of contemporary cultural activity over the past two decades.
Now, the venue is expanding further into the realm of audio information, today announcing the interview-based It’s A Long Story podcast.
Similar in format to television programs like Australian Story, the program sets to unpack what made influential individuals decide to follow their convictions and pursue their ambitions.
Hosted by award-winning journalist Hamish Macdonald, the first season of the podcast launches this month and will include nine interviews with influential individuals like the great Henry Rollins, Alicia Garza, co-founder of the #BlackLivesMatter movement and Jesse Bering, author of the critically acclaimed novel Why Is The Penis Shaped Like That? Additionally, the music for the Podcast is also composed by Hrishikesh Hirway, creator and host of Song Exploder.
Head of International Development and co-curator of the Festival of Dangerous Ideas Daniella Harvey says of the podcast that the Opera House is “a place of discussion of issues of local, national and international importance… It’s A Long Story is a way of telling the stories behind the stories on our stages.”
Podcasts have become a staple of the cultural landscape of today, with Laura Marling launching her own series earlier this year to document sexism and the challenges faced by women in the male-dominated music industry.
It’s A Long Story expands well beyond the musical sphere, but the cultural treasures that it no doubt holds are incredibly exciting.
Listen to the first podcast here:
Images: Supplied
If you listen very carefully, you’ll hear what sounds like a huge gust of wind but is actually the original Sad Boy (sorry Yung Lean) who used to front The Smiths, one Morrissey, breathing an enormous sigh of relief at what can only be described as the best news he’s heard in his entire life.
The news? Morrissey is officially off of Henry Rollins‘ ‘Kill List’, (something most sane human beings have, right?) after somehow surviving being on it for a good few years. Here’s an actual interview with actual things said by Henry Rollins when he was a guest on Australian institution rage.
https://www.youtube.com/watch?v=O8EXFS7ruU4
If you couldn’t be bothered watching it, Rollins detailed the hypothetical untimely end he would most like to see befall Morrissey (spoiler: it’s with fire):
We’d get a sound mic in the air and just hear the sound of his polyester shirt burning the skin and his last cries on Earth. What we could do is put a house beat behind it, put it on a 12-inch and sell it to all these emaciated kids with bad teeth who don’t have enough vitamin C and never get outside.”

Uhhh… sure Mr. Rollins. Please don’t hurt us.
In an interview with The Guardian recently though, Rollins unequivocally retracted those past statements, having thoroughly mellowed out in the intervening years apparently. Regarding that past interview, Rollins had this to say:
“Well, I like the guy. I think he’s very intelligent and has real good taste in music. It’s nothing I’d say on stage now because I think it’s poorly meant, but that’s why we humans are allowed to subtly evolve here and there.”
How very benevolent of you, Henry. Rest assured though, Rollins definitely confirmed the existence of a kill list but stopped short of naming names, there are apparently two of them, simply stating that ‘Every day I don’t get them I consider a partial failure’. A statement I’m unsure of whether to laugh at or wet my pants. The name Donald Trump was brought up in the same interview with Rollins slamming him, so make of that what you will…
https://www.youtube.com/watch?v=Fsbvo5GVK10
There’s been no response from Morrissey just yet.
Yesterday, Henry Rollins got us thinking about musicians who have also dabbled in acting. While we could just write an entire post about the muso guest stars who, alongside Rollins, appeared in Sons of Anarchy (Courtney Love, Dave Navarro and Marilyn Manson to name a few,) we thought we’d mix it up a little and present to you some of the other Slashies who have made the successful (or not to successful) transition onto screen.
Aaliyah
Before her death in 2001, Aaliyah had started filming scenes as Zee in The Matrix Reloaded (the role then went to Nona Gaye and was re-shot.) Prior to being approached by The Matrix franchise, the late R&B songstress starred in vampire flick Queen of the Damned, as well as Romeo Must Die. While the film was poorly received, Aaliyah’s acting chops were highly praised.
David Bowie
While he might be credited as himself in a number of movies including Zoolander and Disney abomination Bandslam, Bowie holds a special place in the hearts of many as Jareth The Goblin King in Jim Henson’s The Labyrinth. He’s cheeky, creepy, and dons a gravity-defying hairstyle.

Debbie Harry
Best known as the front-woman of Blondie, new-wave punk icon Debbie Harry has at least a dozen film and television titles to her name. As well as appearing in the pilot episode of Sabrina, The Teenage Witch, she played Velma Von Tussel in John Waters’ 1988 version of Hairspray.
Iggy Pop
Iggy Pop has a pretty extensive filmography, including Blood Oranges, which is set to be realised this year, and the film adaptation of German horror short story, Der Sandmann, or The Sandman. One of his earlier (and stranger) roles saw him star in the John Waters-directed Cry Baby, alongside Johnny Depp.
Jennifer Hudson
Jennifer Hudson won the Academy Award for best supporting actress in her role in Dreamgirls: the same film that earned Beyoncé some serious film cred and also featured Jamie Foxx. Two years later the former American Idol contestant played Carrie Bradshaw’s sassy as fuck assistant in the Sex And The City movie with the single best line of the entire film; “ain’t nothin’ in there for you.”

Meatloaf
In The Rocky Horror Picture Show, Meatloaf’s character Eddie pretty much rides in, sings Hot Patootie (Bless My Soul) and is murdered. In Fight Club, he still takes a bashing but gets the luxury of a little extra screen time as former body builder, steroids abuser and testicular-cancer survivor Bob.
Mos Def
He’s credited as playing “himself” in Talladega Nights and has appeared in a handful of documentaries, but Mos Def has also acted in a number a number of films. His roles span a versatile range of genres including Ford Perfect in The Hitchhikers Guide to the Galaxy, Monster’s Ball alongside Sean “P-Diddy/Puff-Daddy/Diddy” Combs, while Be Kind Rewind had him sharing the screen with Jack Black.
Rihanna
A movie about a board game. A pretty shitty board game at that. Unless you’re playing against someone who doesn’t realise their entire fleet of ships is displayed in the window reflection behind them, playing Battleship is the board-game equivalent of watching paint dry. Unfortunately, Rihanna’s mundane performance in Battleship does not rescue this snore fest.
Taylor Swift
Not the movies one might hope to find at taylorswift.porn, but T-Swizz did play a terrifying loved-up teenager in Valentine’s Day alongside her then-beau Taylor Lautner. She also appeared in an episode of New Girl and voiced Audrey in The Lorax.

Will Smith
Let’s just call it how it is: Will Smith might just be the most successful contemporary musician-turned-actor…Turned musician/actor. We still fondly remember the days when a Will Smith film would be accompanied by a cheesy Smith performed theme song (hello Wild Wild West and Men In Black)
Henry Rollins is a man of many passions which see him undertake countless projects in a number of different creative industries. The former Black Flag vocalist and Rollins Band front-man is also an outspoken human rights activist, producer, journalist, publisher, radio presenter and an actor. While he’s said that he would never play SXSW as an up and coming musician (“there’s too much ‘please like me,'”) it seems he can’t stop his other projects appearing at the festival, with his most recent film premiere, He Never Died, actually premiering there.
No stranger to dark, aggressive and undeniably confronting roles, Rollins is one of those musicians who seems to transition pretty damn seamlessly into the worlds of film and television. His portrayal of the violent white supremacist AJ Weston in Sons of Anarchy is just one example of Rollins’ clear (and fairly disturbing) affinity for portraying dark, twisted characters on screen.
(AJ Weston, all ’round nice guy)
He had a year to prepare for his new character, his first leading role, Jack: a clinically depressed, no bullshit, blood drinking, body part gnawing cannibal, aka “living person who is post-life.” In a recent interview with Rollins and director Jack Krawczyk discussed everything from the casting process (and pretty much confirmed that Rollins was always the first choice to play Jack,) to the fight choreography and doing whatever it takes to perfect a scene.
You can check out the entire CoS interview with Rollins and Krawczyk below:

