Although the White Stripes formally ceased in 2011, Jack White has never strayed far from our musical consciousness. He has now announced a new album release, aptly named Acoustic Recordings, to be released September 9 of this year.
The record is set to be an eclectic release, comprising tracks from throughout White’s career with the White Stripes, the Raconteurs and as a solo artist. With track listing of 26 songs, Acoustic Recordings contains album tracks, B-sides and alternate versions. Also the previously unreleased track from the White Stripes, City Lights, which has been shared online this week.
Originally written for the White Stripes’ 2005 album Get Behind me Satan, the song is an off the wall, melodic performance with White’s trademark strangled vocals. Those who pre-order Acoustic Recordings will receive a free download of City Lights as of tomorrow, as taster well ahead of the LP release date. It is officially the first new release from the duo since 2008.
https://www.youtube.com/watch?v=F2ftZ8qVrcA
In the elapsed time we’ve seen releases from White with The Dead Weather, his solo record Lazaretto, and guest spots on Beyoncé‘s album and with The Muppets. Plus a number of other ventures, including the continuation of his own Third Man Records, which is putting out Acoustic Recordings in conjunction with Columbia.
You can check out the full track listing below for Acoustic Recordings, nearly all songs are written and produced entirely by White. The exceptions being Honey, We Can’t Afford to Look This Cheap, produced by Beck, and Never Far Away with T. Bone Burnett. Also Carolina Drama and Machine Gun Silhouette, which were both co-written. The first with Raconteurs’ Brendan Benson and the second by artist Rob Jones.
Acoustic Recordings 1998-2016
01 Sugar Never Tasted So Good
02 Apple Blossom (Remixed)
03 I’m Bound to Pack It Up (Remixed)
04 Hotel Yorba
05 We’re Going to Be Friends
06 You’ve Got Her in Your Pocket
07 It’s True That We Love One Another
08 Never Far Away
09 Forever for Her (Is Over for Me)
10 White Moon
11 As Ugly as I Seem
12 City Lights
13 Honey, We Can’t Afford to Look This Cheap
14 Effect & Cause
15 Love Is the Truth (Acoustic Mix)
16 Top Yourself (Bluegrass Version)
17 Carolina Drama (Acoustic Mix)
18 Love Interruption
19 On and On and On
20 Machine Gun Silhouette (Acoustic Mix)
21 Blunderbuss
22 Hip (Eponymous) Poor Boy (Alternate Mix)
23 I Guess I Should Go to Sleep (Alternate Mix)
24 Just One Drink (Acoustic Mix)
25 Entitlement
26 Want and Able
Image: Pitchfork
Sydney’s Volumes Festival is returning for its second year, and this week saw a second round of artists confirmed for the lineup of the two day event. Extending you an invitation to “Take a trip through a portal of sound & vision”, Volumes has now confirmed more acts from the most interesting and innovative artists that Australia has to offer.
The latest announcement lists a load of excellent names to be added to the bill:
Buzz Kull, Corin, Felix Lush, GUSSY, Jaala, Kato, Kimchi Princi, Low Ton, Makeda, Middle Kids, Morning TV, Privacy, Thhomas, Rebel Yell and Wax Witches.
They will be joining artists like Nicholas Allbrook, Silent Jay x Jace XL, Donny Benet, Mossy, Darts, Summer Flake, Angie and Solid Effort – to name just a few! In total, the festival is presenting more than eighty musicians, labels, collectives and visual artists across six stages and multiple Sydney venues. Check out the full line up here.
Creating immersive experiences in the live spaces, art collectives and 3D visual and projection artists will be helping audiences engage and interact with performances. Visual artists include Zender Bender, Danny Wild (Low Flung), Ego & Belvie, Sam Whiteside (Voena), Gina, Tablou Collective plus others. The festival also boasts the ‘Portal of Curiosities’ presented by Hendrick’s gin.
Event sponsors ROLLA’s jeans will also be joining forces with a handful of artists to design and create a run of exclusive limited edition band merchandise, set to be released and sold at the event. Volumes have also reaffirmed their collaborative work with not-for-profit group Do Darlo, whose aim is to support business to business collaboration, showcasing some of the best local food outlets and businesses in the neighbourhood.
More festival information and set times are due to be announced in the coming weeks, ahead the event on August 26 and 27.
Image: Volumes Festival
Chicago rapper Vic Mensa may have been sober for the last six months, but in a recent interview he opened up about a time when that wasn’t the case. Anyone who’s checked out Mensa’s EP There’s Alot Going On may have noted the lyric “I did acid in the studio one day and almost killed myself” on the title track. It turns out that particular line holds more truth than you might have thought.
Talking to the Phoenix New Times, Mensa clarifies that although he still has a drink of an evening, he has left drugs behind. Like a number of other artists, he describes how at an early point his career he was relying heavily on different substances to fuel his creativity; “It was really like a handicap, but I got to a point where I just felt like I needed drugs to write, to be creative, and thought it was psychedelic drugs.”
Asked directly about that lyric, Mensa confirms that the track was inspired by real events. Telling how his overuse of certain substances just caused him to have bad trips, he relates how he progressed to acid. “I was in the studio with some of my friends and we did acid and we started buggin’ out, somehow things just took a really negative turn. I just felt really low and at the bottom of it, and I was on the ground trying to sink into the floor.” He also told how he happened to have a toy pistol in his car, and in retrospect he is sincerely grateful that it wasn’t a real one.
https://www.youtube.com/watch?v=d4VflaXIJCQ
Mensa confessed that that experience actually left him “scarred” for at least a year while he felt the depressing after effects of the bad trip. Saying that “I was just thinking about bridges and all that suicidal shit,” he goes on to imply that he would never touch acid again but he also puts his experience down to his state of mind as well as the drug itself.
It seems that Mensa is exploring more than just his previous drug addiction in his music, with themes of personal relationships and childhood across the album. Questioned about whether he’s worried about alienating fans with darker concepts in his music, he replied “No. I’m just worried about being real, making dope music, and it’ll reach the people that are ready for it, and hopefully make some of those who aren’t ready for it open their eyes and their ears and their hearts.”
Image: DJBooth
Anyone who has become jaded by the commerciality of live music, especially festivals, could find some relief this October. Bon Iver’s Justin Vernon, along with various other industry figures including Aaron and Bryce Dessner of The National, have announced a new two day music “happening” in Berlin. The event is entirely not-for-profit and currently without an official name. It will take place October 1 and 2 at FunkHaus studios.
In the announcement, organisers cited “egolessness” as a “guiding system” for the event. Rather than coalescing around a single venture, the idea is “based on friendships and relations of people that have evolved over years and the desire to put something together”. Although no formal lineup is to be announced, so far eighty artists have been confirmed.
That list includes members of Bon Iver, Alt-J, Poliça, The Staves plus My Brightest Diamond‘s Shara Nova, Lisa Hannigan, Damien Rice, Alexander Ridha (aka Boys Noize), Yoann Lemoine (aka Woodkid), Vincent Moon, Fog‘s Andrew Broder, Hauschka and many more. The statement from organisers continued to say that “It’s about new material, collaborations, unique arrangements, and dissolving borders”.
There will also be no set performances, with artists gathering together a week before to rehearse and experiment. Audiences will then be guided through the various studio spaces to witness the various performances.
Every artist involved will be making their contribution without expectation of any fees, and patrons are assured that the cost of a ticket covers production costs only. Even more importantly, the event is also entirely free of commercial sponsors, meaning audiences won’t be bombarded by advertising or promoted merch. Although the event is presented by Michelberger Hotel.
This is not the first time that Vernon and Dessner have turned their hands to live music. Next week sees the Eaux Claires Music & Arts Festival take place in Wisconsin, brought together by the two musicians.
You can check out full details for their Berlin event here, including the full list of confirmed artists so far and information about tickets.
Image: The Independent
Following their packed out show at Splendour In The Grass, Sydney band The Preatures have dropped their latest single after debuting the track live at the festival. In what would have been particularly emotional show for the band, as they said farewell to guitarist Gideon Bensen. I Know A Girl was released earlier this week, the first new music to be released by The Preatures since their 2014 debut album Blue Planet Eyes.
It’s a lush pop frenzy, channelling 80s icons like Pat Benatar and infused with a grunge edge to bring it back down to earth. The irresistible intro with its tight beats, skating electric guitar and atmospheric riffs is luxuriously nostalgic, and pretty perfectly delivered. Vocalist Izzi Manfredi gives out something between rock and diva, including the particularly sweet delivery of the line “I could do do anything / Kick her face in”.
Manfredi gave her own synopsis of the track; “I know a girl is about the sisterhood, girls relationships and how they talk about each other”. There’s a pleasant bite to the song underneath the infectious melodies. Produced and mixed by lead guitarist Jack Moffitt, I Know A Girl was recorded at the band’s studio, Hibernian House, in Sydney’s Surry Hills.
Despite the elapsed time between The Preature’s debut, they have obviously made good use of the time. The band embarked on an eight month hiatus, although it has been no secret that they have been writing and recording in that time. Despite the announcement of Gideon’s departure, I Know A Girl holds the promise of some excellent new material to be expected from the band.
Check out the track below:
Image: the AU review
Nina Simone once asked “please don’t let me be misunderstood”. That is a pretty plain message right there, but often we don’t fully comprehend what musicians are trying to say. We soundtrack our lives with heartfelt ballads to sob to, slushy love songs for gazing into each other’s eyes and pumping anthems for all those good times.
But what if we’ve got it wrong?
Some other smart person once noted that “we only hear what we want to hear”, and music is a pretty perfect example of that. Growing up with The Police often on the stereo, it was clear to me that Every Breath You Take was a simplistic, if sickly, love song. These days it’s common knowledge that those lyrics were written with darker and uglier meaning, although opinion is divided as to whether Sting is narrating the part of a stalker, or governmental big brother.
Listening to The Stranglers gentle melodies, you would be forgiven for assuming that Golden Brown was some kind of endearment to a lover, as “she lays me down, with my mind to run”. Not a byword for heroin, as confirmed by the band’s singer and lyricist Hugh Cornwell. And even as the world went crazy for Gangnam Style, who amongst us realised that the song was mocking the excessively wealthy lifestyle of the Gangnam district in Seoul?
Here are five more songs that may not mean quite what you thought they did. If ever there was a time for a ‘spoiler alert’, this is it…
Total Eclipse Of The Heart – Bonnie Tyler
This is the ultimate power ballad pleading for a lover’s return, right? Wrong! Bonnie’s mega-hit from 1983 was actually about vampires.
In 1981, Tyler took on a new manager who, in turn, set about looking for a new producer to work with her. After seeing Meat Loaf perform Bat Out Of Hell live, they approached producer Jim Steinman. In the course of recording, Steinman presented Tyler with Total Eclipse of the Heart, which went on to become her most successful song.
In speaking about the track, Steinman is quoted as saying “with Total Eclipse of the Heart, I was trying to come up with a love song and I remembered I actually wrote that to be a vampire love song. Its original title was Vampires In Love because I was working on a musical of Nosferatu, the other great vampire story. If anyone listens to the lyrics, they’re really like vampire lines. It’s all about the darkness, the power of darkness and love’s place in dark…”
And he isn’t lying. As Bonnie’s “holding on forever” to the love that’s “like a shadow on me all of the time / I don’t know what to do and I’m always in the dark”, it all becomes clear. And who could blame her for being “a little bit terrified” at the thought of dating the undead?
https://www.youtube.com/watch?v=lcOxhH8N3Bo
Born In The U.S.A. – Bruce Springsteen
This track is possibly the most publicly, and phenomenally, misinterpreted song of all time. Despite the fist pumping chorus, Springsteen was actually making a fairly damning, bleak commentary on the life that awaited returned veterans of the Vietnam War.
Released in 1984, Born In The U.S.A. was actually original demoed for Springsteen’s earlier album Nebraska. A somber, acoustic based release by Springsteen, Born In The U.S.A. grew out of that sensibility. Protesting the harsh conditions of the working class life in America, portraying a broken character isolated from his family and from the government.
Oddly enough, the song was then , and somehow still is today, taken up by American political figures as a sort of anthem and affirmation. Cited by critics and politicians as the embodiment of American values, as a figure of hope, Springsteen was even praised by President Ronald Reagan; the man behind the administration that Springsteen was condemning.
All can be blamed on that infectious chorus refrain “Born in the U.S.A.”, despite the intended irony. In 2000, journalist Brian Doherty made the interesting point that even though the song is continually misunderstood, “who’s to say Reagan wasn’t right to insist the song was an upper? When I hear those notes and that drumbeat, and the Boss’ best arena-stentorian, shout-groan vocals come over the speakers, I feel like I’m hearing the national anthem.”
https://www.youtube.com/watch?v=EPhWR4d3FJQ
Waterfalls – TLC
Anyone born before 1990 knows that this song is for putting your arms around your girlfriends and singing along – preferably loudly and a little out of tune. It is the R&B ballad of the era, the gentle encouragement that pushed us 90s kids to follow our dreams and not to chase waterfalls, encouraged by the maternal vocal stylings of Left Eye, T-Boz and Chilli.
Actually, Waterfalls was written to tackle the illegal drugs trade, promiscuity and HIV/AIDS. The band wanted to make their point without “seeming like preaching”, hence the slightly ambiguous chorus.
Once you start listening to the lyrics though, you hear the story of the mother who sees her son caught up in crime “Cause he can’t seem to keep his self out of trouble / So he goes out and he makes his money the best way he knows how / Another body laying cold in the gutter”. Or the tragedy of the AIDS virus as it sweeps through populations; “His health is fading and he doesn’t know why / Three letters took him to his final resting place”
Critics often comment that the famed chorus is urging audiences to stick to the calmer, safer dreams, characterising those waterfalls as seemingly exciting and adventurous ideals, which in reality are dangerous and will carry you too fast into peril.
https://www.youtube.com/watch?v=8WEtxJ4-sh4
My Sharona – The Knack
Another belter, this one is best for driving with the windows down to. My Sharona is unmistakably a love song, if a raunchy one, but did you know that the titular Sharona was only 16?
In 1979, the song was famed as “the song that killed disco”, as one of the very few rock songs charting at the time. Obviously about a girl, the lyrics were talking about a girl that The Knack singer, Doug Fieger had met and fallen for. Fieger, then 25, had struck up a relationship with Sharona Alperin, who was underage. She actually appeared on the single’s cover at the time of release.
Most people simply skirted over the more telling lyrics in the song; “Such a dirty mind, always get it up / For the touch of the younger kind” that went alongside unmistakable innuendos like “When you make my motor run”. The couple continued to date for several years, and Sharona inspired more songs for the band, including the worryingly titled That’s What Little Girls Do.
https://www.youtube.com/watch?v=F2dicpOe4HE
Imagine – John Lennon
Lennon’s hope for the world has lived on in this song ever since its release in 1971. The poster boy, and indeed the poster song, for world peace and unity. Imagine was played on nearly every radio station after the 9/11 bombings, often voted as Britain’s favourite song and described by Rolling Stone as “an enduring hymn of solace”.
There is a general sort of assumption as to the meaning of Imagine, but it’s only when you look a little deeper that you encounter widely differing interpretations. Yoko Ono has said that “It was just what John believed — that we are all one country, one world, one people. He wanted to get that idea out.”
But at the time, Lennon was quoted as describing the lyrics as “virtually the Communist Manifesto”. He went on to explain. “Even though I am not particularly a Communist and I do not belong to any movement…. But because it is sugarcoated, it is accepted… Now I understand what you have to do,” Lennon noted. “Put your political message across with a little honey.”
It has also proved divisive, hinting at a kind of Communist utopia, others have questioned whether it is similarly fatally flawed. Or commented on the hypocrisy of the vastly wealthy Lennon imagining no possessions or “No need for greed”. Bono has told how he loves ” the Buddhist core of the song”, and Tori Amos is certain that “It’s a song about sanity”. Iconic protest singer Joan Baez has said of Imagine that “It has tremendous meaning in places that are in the throes of social change.”
And maybe that is the key to the song. It is not so much a matter of being misunderstood, but actually that Lennon managed to write a song that was so utterly open to interpretation. It may have been the manifesto of John and Yoko, but it has also been moulded into thousands of personal and global manifestoes, with thousands of different meanings.
https://www.youtube.com/watch?v=DVg2EJvvlF8
Image: Youtube
In this age of uncertainty, more and more people are looking for answers. From star signs to psychics, it’s easy to see the appeal of being forewarned. Or at least reassured that your life will amount to more than ‘a tall, dark and handsome stranger’…
In a similar way, fans often look to their icons for guidance, as role models and as leaders. So imagine if your idol could tune into your inner psyche and tell you what’s in store? Well, Erykah Badu’s fans have been enjoying this kind of close encounter with the singer as she has been giving palm readings via Twitter.
Dishing out both the mystical and the practical, Ms Badu undoubtedly shares a psychic connection with her fans…
I'm seeing that u will catch the first gay Pokemon … https://t.co/Y1wmjoVvfL
— ErykahBadoula (@fatbellybella) July 25, 2016
You will Lay off the porn for 2 weeks. https://t.co/0odO8BVuX4
— ErykahBadoula (@fatbellybella) July 25, 2016
I see many children in your future in a weird form today..Like 123 or 124.. I see Netflix and I see..Is that chill? https://t.co/KnHDj2Bpku
— ErykahBadoula (@fatbellybella) July 25, 2016
You are in need of a nap.. I see a cool side of a strange pillow in your future. https://t.co/i4IqYSjK9h
— ErykahBadoula (@fatbellybella) July 25, 2016
Although the proverbial “tall dark man” does make an appearance…
Ok . Hmm. I see a tall dark man. It's your husband. He loves you. https://t.co/jZEf5eFAvd
— ErykahBadoula (@fatbellybella) July 25, 2016
Interestingly, Badu’s psychic dabbling was actually predicted by fellow chiromancer Tony Leggett. In a fan-requested video, Leggett made the following commentary on Erykah Badu’s own hands; “Interesting hands,” he mused. “She has psychic hands, with potential. Long fingers and long palms show that there’s a spiritual connection somewhere down the line.” Uncanny.
It looks as though Erykah is still riding those psychic vibrations, so if you fancy getting her opinion on your paws upload a photo to twitter asap to find out your fate.
Image: Fevatv
Canadian sister duo Tegan and Sara have put out the latest visuals from their new album Love You To Death. The video for Faint of Heart was released this week and features a poptastic, glitzy “lip sync battle”. The contenders are all LGBTQ artists made up as iconic pop stars such as Prince, Madonna and David Bowie.
The song itself tells a familiar story of love overcoming the odds, Tegan explains that “The song was simply a reminder to listen to my heart and not worry about what other people think.” As both sisters are strong advocates for the LGBTQ community, Tegan and Sara also feel the importance of their fans feeling represented through them. As such, they chose to spotlight other amazing LGBTQ talent in the Faint of Heart video.
Starring Tyler Ford as Prince, Ella Giselle as Madonna, Dominic Ravina as Elvis, Olabisi Kovabel as Grace Jones, Cooper Treibel as David Bowie, and Eli Erlick and Ni Ching-Marino as Sara and Tegan, respectively. Gloriously produced, set on a slightly seedy stage with familiar side show props like metallic streamer curtains and neon lights. Each performer retains their own identity despite playing their superstar roles.
[youtube https://www.youtube.com/watch?v=MFAZf4TS8tY]
Filmed the day after the tragic shooting at Orlando nightclub Pulse, the video assumed a truly heartfelt aspect in its making. Tyler Ford described the process; ”Working with other trans and gender non-conforming folks fills my heart up, and the fact that LGBTQ youth will be able to see possibilities for themselves in this video is so vital,” adding that “being on set with so many LGBTQ folks — especially the day after the Pulse shooting — was so necessary, nurturing, affirming, and healing. It’s so important to be able to create with and within our communities.”
Clearly looking to express more than just another music video, Tegan described her hopes for the effect the clip will have on audiences; “Some of the themes of the video — mentorship, finding community, expression, bravery — are things you see so many LGBTQ youth actively pursuing in order to thrive. We need to be strong against a lot of hate in this world.”
Image: Stereogum
They say that parting is such sweet sorrow. So sweet, that goodbyes seem to last a lot longer than they used to in the music world. Where audiences were once rocked by shock announcements, on stage departures and even sudden death, bands today are taking their time with their farewells, announcing that they’re breaking up months or even years beforehand.
Some of the most famous band breakups seemed to come without warning. Often coinciding with an album release, or sometimes occurring mid tour or even mid concert, the general feeling was often that artists had reached the end of their tether. Like Noel Gallagher who announced “I quit Oasis tonight… I simply could not go on working with Liam a day longer.” Or The Spiders From Mars who were as shocked as anyone to hear that their show with David Bowie at London’s Hammersmith Odeon would be “the last show we’ll ever do.” And who could ever forget the day Geri walked out on The Spice Girls?!
So far, 2016 has been a year of goodbyes. Some undoubtedly tragic and sudden – to borrow a popular question, no one is saying that David Bowie was holding the fabric of the universe together but… Others however have not turned out to be quite as immediate, or final, as they first appeared. We are getting news of premeditated splits months in advance, artists are labelling releases as “final albums” before they have even been recorded. Farewell tours are no longer reserved for aged rockers and reunion shows. At what point did breaking up become a key part of an musician’s career?
As early as 2014, Coldplay were hinting at a final album. Likening their seventh project to “the last Harry Potter book”, Chris Martin described A Head Full Of Dreams as the “completion of something”. It’s not exactly announcing that the band were breaking up, but there is enough finality there to send the rumour mill churning – as I’m sure Martin well knew. The album dropped December 2015, and lo and behold, Coldplay are still touring throughout this year. If the band are planning on calling it a day, they have worked off a pretty long notice period by this point.
[youtube https://www.youtube.com/watch?v=KvhT9FpeDOg]
Coldplay aren’t alone in planning out their own demise, or working through a split with no apparent animosity. Earlier this year, heavyweight alt-rockers Brand New confirmed a new album release and also hinted that the end may be nigh. Frontman Jesse Lacey warned fans that “this isn’t going to last much longer” back in 2015, but went on to announce that the band is not breaking up, at a show last month. However, since May, Brand New have adopted a logo stating “2000-2018” which has sparked conjecture that the split will happen two years from now.
Florida’s Yellowcard have also announced their split, scheduled for the end of a tour to promote their self-titled album. The announcement of their break up actually came before said album has even been released; “After countless discussions and months of thought, we have decided that it is time for Yellowcard to come to an end. This will be our last album and our final world tour.”
Just last week, Melbourne’s Gypsy & The Cat announced that their third album will be their last, with the duo’s national tour set to be a farewell. The provocative M.I.A, along with Hot Hot Heat, Lupe Fiasco, Mos Def and Ja Rule who have all recently announced “final” albums. As to whether or not they’ll stay true to these promises, only time will tell.
The concept of a final album, or farewell tour isn’t exactly new. But to have planned them as such, so far in advance is something of modern phenomenom. Given that we exist in an era of immediacy, it’s an interesting development in the marketing of music.
Profit making in the music industry has been a continual conundrum for years now; sales are down, digital rules albeit unpredictably, streaming rises but revenues fall. Touring is anyone’s gamble! Everyone appears to be in agreement that the solid venture of an album is no longer viable. And in turn, a single venture as an artist or band is no longer as appealing either. As such, artist identity is assuming a fluidity. Where side projects were once an interesting spin off, musicians move constantly between not only acts, but genres.
A strung out, meaningful ending may be at odds with a current feel for immediate gratification, but the apparent ease of these endings does echo a trend for disposability. Surrounded by opportunity and no longer constrained to choose an idea and stick with it, maybe artists themselves are becoming disposable? We no longer seek to possess physical copies of their music, and in turn why should we hold attachments to the physical entities as we know them?
Posing a more cynical question, could this simply be a more devious marketing ploy to push consumers? Confronted with the idea that a product may be coming to an end, we are all familiar with the instinct to get it while you still can. Are these drawn out demises designed to engage the wandering attention of music fans?
There is a certain chagrin that would have been known by fans of Oasis, The Beatles, Fleetwood Mac or Guns N’ Roses, as their idols fell apart overnight – or on stage. But on the other hand, I don’t know that I will ever be as smug as my own mother as she tells me (again) how she was there, at the Hammersmith Odeon, the night that Ziggy Stardust committed rock and roll suicide.
I would count myself a fan of Brand New, but will I feel that nostalgic sense of loss once 2018 rolls around? With two years to get used to idea, probably not. I’m almost jealous of One Direction fans, the sudden departure of Zayn Malik was something like rock n’ roll history in contemporary culture as fans collapsed in shock! But let’s not be too downhearted, if history teaches us anything, it’s that there will always be a reunion tour at some point.
Image: Google Play
We’ve all heard artists complaining of exhausting touring schedules and the draining weeks of international shows. Not so much for Flume, by the looks of things. Following appearances throughout Europe and major festivals over the last few months, the Aussie producer has uploaded a video clip of his recent adventures. And if he’s stressed by the experience, we can’t see any evidence of it.
This year saw huge acclaim for Flume following his latest LP release, Skin, and his recent shows have been some of his biggest stage productions. The clip shows the young producer working calmly on lighting shows and sound checks, psyching himself up for the massive audiences he now commands. Gearing up with what looks like a cup of tea, you can also check out his decent skills at foosball and table tennis.
There may not be too much direction of dialogue in this one, but it’s an interesting insight into tour life for a rising star. It seems that Flume is still firmly two feet on the ground, wandering around festivals in the rain and commenting on the relaxed nature of festivals in Europe. Clearly envious of the campfires, which is understandable for the Northern Beaches resident in the middle of a European “summer”.
For those catching Flume at Splendour in the Grass this weekend, get excited, it looks like you’re in for one hell of a show:
https://www.youtube.com/watch?v=yVUShtW2t1I
Image: Music Feeds




