We love new music. You love new music. Here’s some of our favourite new music that we think you’ll love.

Illy, You Say When (ft. Marko Penn)

You Say When is the third single from Illy’s recent ARIA award nominated album Two Degrees, which pairs the dizzying romance of a new relationship off with the hedonism of getting faded in a hotel room. It feels like a club hit, with dark pulsing synths and a bass drop in the hook that’s bound to get audiences jumping on his upcoming Australian Tour.

The video features beautiful moody lighting to match the aesthetic of the tune, as well as Illy himself fully-clothed and half-submerged in water. Shot on Sydney’s northern beaches, the video showcases exactly what you’re likely to find there: two beautiful people being all emotional.

Lyrics like “Ain’t no emoji for the feeling/Let ’em autocorrect that” made me cringe but generally the song really captures that overly-romantic, love-drunk feeling we’ve all felt on a night out with a crush. Besides, this is a real pop tune from Illy, so maybe he gets away with referencing emojis?

https://www.youtube.com/watch?v=Qh35NOGfynI

 

DJ Premier & Miguel, 2 LOVIN U

Any fans (me) of Miguel‘s 2015 album Wildheart might recognise this collaboration with the legendary DJ Premier.

The vocals are taken straight from Wildheart‘s track Damned, but DJ Premier’s incredibly simple version flips the original’s halftime stadium-rock haze for a choppy, clean Strat sound that lands somewhere between classic rock and disco. Underneath, the simplest drum beat ever drives the track forward and leaves you skipping back to the beginning wanting more.

A real ‘less is more’ masterclass from DJ Premier. More collabs like this please, gents.

Lonelyspeck, Settle

Taken from their debut Lave EPout on Friday 3rd March, Settle comes from Adelaide outfit Lonelyspeck.

Coming very much from the Shlohmo and Lapalux school of trippy, glacial hip-hop sounds, Settle plods and whirs at the same time as it builds up an incredible amount of energy in its sub-three-minute length.

When it kicks in, the band live up to their name by making us feel like lonely specks. It feels as though the cosmos is opening out to meet you in all its dreamy euphoria as the vocals echo benevolently above the mix. One for walking home at night, studying or bed time.

 

Billie Eilish, Bellyache

This girl is 15. Fifteen. Years. Old. What are you doing with your life, eh?

This is the fourth track Billie Eilish has released – the first, Ocean Eyes, came out back in 2015. We’re yet to hear a full EP from her, but Bellyache feels like a statement of intent from the young Californian about what 2017 might have in store.

Compared to her other tracks, Bellyache leans much closer to the hip-hop production that proliferates the charts right now. Supposedly written in her bedroom with her brother, it features Eilish’s wonderfully folky overdubbed voice and a creative lyricism that you would expect from someone much older.

Age has no doubt been a talking point when it comes to Billie Eilish, but that is to do her music a disservice. Bellyache is a neatly written tune that show her talents transcending her years.

 

Confidence Man, Bubblegum

A few months ago I got an email from a friend at work that said “CONFIDENCE MAN” and a link to the Brisbane band’s first track Boyfriend (Repeat). I was hooked and couldn’t wait for the next funk-filled track to come out. Then it happened.

New single Bubblegum picks up where the Triple j Unearthed artists left off. With a maddeningly catchy hook and far-too-simplistic lyricism, the track grooves, bounces, flirts, and shakes. I dare you to listen to it without having a little desk boogie.

Excitingly, Confidence Man have just signed to UK label Heavenly Records – also home to King Gizzard and the Lizard Wizard – and have announced a bunch of AUS dates including Golden Plains Festival, Newtown Social Club and Hot Dub Wine Machine.

 

https://www.facebook.com/confidenceman1/photos/a.970351809730879.1073741827.970346429731417/1227318300700894/?type=3&theater

Image: Confidence Man (Supplied)

It has been another incredible good week for new music. As always, we try to share as much as we can throughout the week, but here’s a playlist of everything we may have missed, but it’s too good to leave behind. Enjoy!

  • Azad Right – Enough Of You (Prod. Sango, Atu & Dpat)
    Azad may not be a familiar name, but as VPrecord label Mind of a Genius (ZHU, Gallant etc) you may well be aware of his influence. This is the first track which features his own vocals, and it’s immediately clear that his talents stretch far beyond label prowess. Understated and smooth, with a low, seductive tone and emotive instrumental layers, this is a sentimental, sensual track, reflecting on a recently ended relationship in an intimate way – the kind of conversation you have with yourself once you’re starting to see straight and think clearly.
  • Montaigne – Because I Love You
    Okay, so this track came out at the end of last week, but I couldn’t let it slip by without writing about it. Time and time again Montaigne proves herself to be one of the best Sydney artists around. This one’s a lot more synth-pop-y than her previous tracks, showcasing a brighter, and I suppose, more straightforward sound to what we’ve heard before. Admittedly it isn’t my favourite of hers (I’m such a sucker for the big, sweeping dramatic numbers), but it’s all relative – this track still rocks in many ways.
  • NYNE – Bad Trip (Prod. CHIEF)
    This is a really cool electro-pop track from Melbourne’s NYNE, noted for her OVO connection – the resident producer of which, Sevn Thomas, worked on her previous single Can’t Sleep Alone. The lyrics of Bad Trip essentially say it all – this is a pretty damn relatable song about making bad decisions late at night, at a time when you really shouldn’t be texting back. The rhythm and atmosphere can totally put you into that mindset; it’s great hearing more stuff like this coming out of Australia.
  • Hanni El Khatib – Miracle
    I have all the time in the world for Hanni El Khatib, and I truly adore everything he releases. Earlier this year came three new tracks in the form of a three-track EP Savage Times Volume 1, and now a fourth, Miracle, is upon us. Drunkenly emotive and melodically gorgeous, not many people can make bluesy tunes this raw and this enjoyable in 2016.  Although originally intended for a full band, he absolutely made the right decision keeping it stripped back with just voice and a guitar. I’m hoping there’s a Savage Times Volume 2 on its way!
  • Torii Wolf – 1st ft. Dilated Peoples (Remix) (Prod. DJ Premier)
    Smooth, so so smooth. I’ve been listening to a LOT of Dilated Peoples lately, so this is a really exciting new addition to the DJ Premier-produced collaboration. The verses are engaging and excellent, all the while backed by gentle piano and a driving beat. Upcoming Mass Appeal artist Torii Wolf’s voice is really special, with a really unique, wavering, breathy tone that seriously works so well with the verses and Premier’s production. I’m really excited to hear more.
  • DΔWN, Serpentine Fire
    Serpentine Fire is the third offering in Adult Swim’s weekly singles releases for 2016. Each has been remarkably different, and this week’s, from Dawn Richards, is a floaty electro-house track with heavenly vocals and a pumping beat coming together for a bouncy, dance-floor ready rhythm. Although only two minutes long, it’s hard not to start bopping along. I’ve avidly followed the Adult Swim Singles Series for a long time now – check back next week for week four!
  • River Tiber, Heart of Stone
    This is an incredible new single from one of my favourite new discoveries. I love how Tiba has taken a well-done sound (ie, rich electro-R&B) and injected it with something totally fresh and totally seductive. The way that his vocal melody plays with dramatically lengthened phrases and stark instrumental layers kind of reminds me of James Blake here. After about two-and-a-half minutes the track drops, adding a really nice synth rhythm, intricate percussion and a deeply satisfying bass line. This is certainly my favourite track on this week’s playlist, and I’m really, really looking forward to his upcoming album Indigo, due out on June 24. (not on the playlist below – listen here
  • Tourist Dollars, Ageless
    Anyone who knows me knows that tracks like is aren’t my usual fare, but last night while I was lying in bed, trawling through my alarmingly full inbox, I found this song and it made me smile. Ageless offers a floaty warmth with backing harmonies that kind of sounds like a woozy, slow-mo barbershop quartet. It’s tropical sure – just look at the Hawaiian shirt artwork and the ocean sounds in the outro, but it lacks the corniness that typically makes me cringe. The Melbourne trio’s debut EP is out this week – take a load off, and enjoy.
  • BLYDVS, Pressure (ft. Jace XL)
    I came across this gem on Soundcloud yesterday and have listened to it about 12 times since. This is the only song on BLYDVS (Billy Davis)’ page, and it’s gorgeous. Featuring guest vocals from Hiatus Kaiyote backing singer Jace XL, this soulful song is just gorgeous. Musically, it is sensual and intricate, evoking an intimate late-night atmosphere, complete with a soft trumpet and a melody and verse made of pure velvet. My one and only criticism is that there aren’t more songs to follow this up.
  • Braille Face, Backwards/Medicated
    The second track from Melbourne’s Braille Face is luscious and confronting. From the song’s grounding of rumbling percussion, keys and incoming strings, comes a bulging, shuffling rhythm and a tender melody singing a stark story. “I’ve been here before, backwards and medicated,” it begins. Listen carefully and you’ll find something very real throughout this song, something intimate, and confessional. With this melody ringing out atop an instrumental that retains delicacy as it grows more frantic, it hits remarkably hard. Braille Face’s debut album is out later this year and if this is anything to go by, then I’m really looking forward to it.

Image: Hanni El Khatib – Supplied

Torii Wolf‘s upcoming album Flow Riiot is pretty special. Not only is it her debut album, it’s also unique because it will be entirely produced by hip-hop legend, DJ Premier.

DJ Premier has accrued quite a list of people that he has managed to work with over the year’s including the likes of Gang Star, Dr. Dre, The Game and Royce da 5’9” among many others. What’s unique about this pairing is that this will be the first time DJ Premier has entirely produced a female artist’s album.  Although Premier has attempted to shine the spotlight on other artists who he has produced, it hasn’t always stuck. However, if this first single is anything to go by, this could be the year where it all turns around.

1st is the cleverly titled first single from the upcoming Flow Riiot and immediately showcases the unique and captivating vocal prowess of Torii Wolf. While she’s asking, “what does it take to keep you from running away”, Premier lends his trademark scratching to the tracks hook with, “I’ve seen the last-come first, I’ve seen the first last” – a repeating chorus which distracts (in a positive way) from Wolf’s ethereal sound.

While this first single is enjoyable as fuck, it will be interesting to see once the album drops, just how the pair find ways to keep the listener captivated as they bounce off each other’s vastly different styles. One song is rarely an indicator of the overall album, and while 1st had all the makings of a solid track, Wolf and Premier will have to dig deep to keep the listener’s enthusiasm from waning.

With both artists firmly having something to prove, their enthusiasm and determination will hopefully ensure that this upcoming album is a success for both of them. We will keep you updated regarding the album’s release date.

Image: pitchfork

I am surely not the only who has been caught unawares by New York rapper Papoose’s latest work. After his first studio album, The Nacirema Dream, was delayed, I somehow stopped hearing news about Papoose (even though he was keeping busy putting out at least 29 self-released mixtapes). Papoose’s You Can’t Stop Destiny has been out for a few months and is definitely worth a listen.

I really got into Papoose when I was a teenager and he was dropping his Law Library tracks, which is now a full mixtape in its own right. I used to listen to them while shooting hoops in the front yard, which is pretty fitting now as Papoose just dropped a DJ Premier produced track, Hold The City Down, that will appear on the NBA 2K16 soundtrack. The soundtrack has been put together by DJ Mustard, DJ Khaled and Premier – look out for the full OST to drop soon.

Papoose and Premier have always put their city first and this song is no different; it’s New York hip hop in all its glory. Papoose comes with that gritty New York flow made famous by Jay-Z and Big L, and Premier brings that boom bap style with his signature scratching.

Check out the track below.