I’ve seen a number of concerts at the famed Sydney Opera House lately, and while they never disappoint, they are always a little strange. This is primarily because the artists I see there are the kind of artist you’d more typically see at a bar or a standing venue, where you can move, talk, dance and generally hang loose. The Opera House, conversely, is an enormous theatre, vast in both space and significance. While built for ballet, orchestras and, obviously, opera, it has been used for contemporary acts with growing frequency over the past few years. It has since become a coveted rite of passage for artists of all genres – including Hiatus Kaiyote, for whom this was to be their Opera House debut.

As such, it is always interesting to watch artists navigate an audience who, although just as excited as any other to be there, automatically feel stiff, timid and reserved because they’re sitting down in an opera hall. It’s fascinating to see how artists combat this, or whether they simply embrace or ignore it.

African Australian rapper Sampa The Great opened for Hiatus Kaiyote for the Vivid Live performance. Armed only by her producer, the wonderfully talented Godriguez, Sampa’s voice echoed with a power and clarity throughout the predominantly full hall. It was clear that she noticed the dullness caused by a room full of people sitting down, though, and for the first couple of tracks she tried to encourage dancing and moving about. Ultimately that didn’t really work, so she got on with the set, choosing to ignore it (but not without a shout-out to the brave few dancing in the aisles). Her set was as good as the many other times I’ve been lucky enough to catch her, and while I do feel there was an initial struggle coming to terms with the unusually quiet audience and the gargantuan space, she nevertheless managed to well and truly warm us up before the main event, once again reminding me why she’s my favourite Australian rapper today.

I’ve never seen Hiatus Kaiyote live before, although I’ve been a long time fan of their incredible, intricate releases, which often sound so much bigger than music you might expect from a four-piece from Melbourne. Off the back of two Grammy nominations and widespread acclaim and support from some of the most important names in the music industry, the band have steadily developed an incredibly well-deserved international audience. Their 2015 album Choose Your Weapon received universal acclaim, and finally seeing it performed live only made that much more exhilarating. The band had recruited the genius that is lighting extraordinaire Timeboy, and the endless rainbow of visuals were among the most dazzlingly brilliant I’ve ever seen – no surprise, considering Timeboy has previously worked with Flying Lotus, Kanye West, Prince, The Weeknd and Erykah Badu among others.

The band, who were joined by three backing singers, was of course fronted by singer and guitarist Nai Palm. While I don’t usually comment on what the band were wearing, it would be impossible to not mention her unbelievable attire, made up of a colourful headdress, a long, faux fur scarf and a one piece entirely adorned in shiny silver sequins. Incredible.

But what was more incredible was the music. The performance engaging, precise and perfect; I constantly found myself wondering how the hell these songs were conceptualised and written, how they were rehearsed, and how they were remembered. Their sound’s rich pageant traipses between technically astounding jazz rhythms, to razor sharp percussion, to crunchy, synth-heavy industrial blowouts. Along with the help of Timeboy’s electrifying visuals, I was enraptured from start to end. The Opera House acoustics are obviously unparalleled, and it is no more appreciated than when you get to experience a band like Hiatus Kaiyote, in all their intricate polyrhythmic detail and glory, in that space. Their presence and the lighting filled the stage in a way that meant the audience sitting down no longer felt withdrawn; rather, it simply allowed us to fully take in the whole experience. That said, when they returned to a standing ovation for their encore, the energy and atmosphere picked up thousandfold, for a rapturous finale to a phenomenal show.

Image: SMH/Prudence Upton

We can’t get enough of Sampa The Great here at Howl & Echoes, so when she goes and drops two cuts on Soundcloud overnight, it’s like Christmas came early – and this is exactly what has happened.

Sharing 2 4 and Blessings overnight, both cuts are short and sweet but are certainly not lacking in vibes. From the swagger of 2 4 and it’s stuttered beat, with Sampa’s voice echoing out “2 4 come and get on the floor,” it’s a woozy tune that meanders and slumps its way along. Featuring some musings and mutterings in between the hook, it shows a lot of potential for a really solid song. Listen below:

The same goes for Blessings. A shorter cut again, this nevertheless shows the skeleton of a total jam. Sampa reflects on this introspective number, with lines like “Every step I take, pre-meditated/ Every night I meditated now my soul is educated,” discussing her spirituality. It’s less dance-y than 2 4 but shows off Sampa’s lyrical prowess in all it’s powerful glory. Featuring some beautiful keys and gentle guitar licks, Blessings is an afternoon’s breeze.

Whilst there is no official word on anything happening with these two tracks (produced by Godriguez), we can’t help but hope that fully fledged versions find their way into our earholes ASAP. Until then though, these will do just fine.

Image: Soundcloud

A slew of new hip-hop video clips have hit the net today, so to make it easy for you, we’ve gathered together the best for your viewing pleasure below. Enjoy!

YG & Lil Nipsey Hussle, FDT (Fuck Donald Trump)

YG and Nipsey Hussle let their thoughts known about Presidential hopeful Donald Trump with the video for FDT (Fuck Donald Trump). The filming of the protest video was shut down by police a few weeks back, but that hasn’t stopped the two from releasing what footage they could gather. The black and white clip – with flashes of patriotic red and blue – opens with a short message reminding people of the advances made by President Obama and how if the wrong candidate is elected in the current race to the Whitehouse, all Obama’s good work could be reversed.

This isn’t actually a bad track. While the refrain, “Fuck Donald Trump,” isn’t the most positive of slogans, I applaud YG and Nipsey Hussle for using their position to advocate their political beliefs

[youtube https://www.youtube.com/watch?v=WkZ5e94QnWk]

Trouble, Ready (Remix Ft. Big Bank Black, Young Thug & Young Dolph)

Released last month, Atlanta rapper Trouble delivers the film clip for the remix of hit cut Ready. Joined by Southern alumni Big Blank Black, Young Thug and Young Dolph, the four MC’s kick it in the street with their posses as 90s visual effects flash on screen.

[youtube https://www.youtube.com/watch?v=iX34S53M4a0]

Bankroll Mafia, Out My Face

The latest in a long of hip-hop super groups, Bankroll Mafia is lead by the team of T.I. and Young Thug with able support from Shad Da God and Peewee Roscoe. While Roscoe is currently facing prison time following the shooting of Lil Wayne’s tour bus last year, the group look set to continue as a trio, as evident by new single Out My Face. Fellow Hustle Gang label mate London Jae joins the three on this trap banger, with the video showing the quartet hanging out in a warehouse with their crew while footage of money burning is intercut throughout.

Bankroll Mafia’s debut album is set to drop this Friday April 22.

[youtube https://www.youtube.com/watch?v=vLQtqMQYO1w]

Curren$y, Grand Theft Auto

Ahead of the release of Curren$y’s 4/20 celebrating project, Bourbon Street Secrets, the New Orleans rapper has dropped the visuals for new tune Grand Theft Auto. Produced by frequent collaborator, Purps of 808 Mafia, Curren$y’s smooth rhymes float over the bouncy production as he stands around some fancy cars smoking spliffs. What a life.

Bourbon Street Secrets is released this Friday April 22.

[youtube https://www.youtube.com/watch?v=fq8eidzw-ks]

Homeboy Sandman, Talking (Bleep)

Stones Throw Records’ Homeboy Sandman is less than three weeks away from dropping his new album Kindness For Weakness (May 6), and today sees the video release for recent single Talking (Bleep). It feels like a kind of parody take on the typical hip-hop gangster video, with boxing and martial arts, street shootings, running from men in black suits and so on.

Homeboy’s crystal clear storytelling lyrics slow down the video’s dramatic pace just enough to allow you to take in each scene. Remarkably surreal, mostly due to the small embellishments, like how some characters’ mouths are stretched wide, are creepy and eerie to say the least. The pace and lyrics work in an interesting way with the video, with the clear storyline essentially making the entire visual experience even more hyperreal and off-kilter.

https://www.youtube.com/watch?v=xgsossmuDXA&feature=youtu.be

Remi, For Good (ft. Sampa The Great)

Undoubtedly the best Australian hip-hop track of the year so far, Remi‘s For Good, featuring Sampa The Great, now has its own visual accompaniment. This is the first single from Remi’s forthcoming album with Sensible J titled Divas and Demons, and if it’s anything to go by, we’re in for something truly special.

The video splices scenes of Sampa and Remi dancing and performing with theatrical scenes of a lone girl sitting at a restaurant table, having been stood up on a date – by the guy we soon see riding in a car with two girls and a bottle of wine. He’s having a great time, she’s feeling incredibly low. After a minute he eventually shows up, so late that he sees another guy chatting to her. Fed up when he begins to argue with the other guy, she leaves, obviously distraught.

It’s not exactly a feel good clip. Here’s Remi explaining the song’s straightforward inspiration: I was a scandalous prick, and I wanted to outline how it went down and how it effected everyone involved. The best way to do this was to have both the male and female perspective.”

https://www.youtube.com/watch?v=UrW7GNFwPsM

Written by Tobias Handke & Lauren Ziegler

Image: Billboard

Madness descended on Geraldton, Western Australia over the weekend as triple J gave the collective masses the best “One Night Stand” of their lives (probably). With UrthboyBoy & Bear and Alison Wonderland all on the lineup with their own special guests, triple J once again pulled off bringing one hell of a live music experience to a small town that misses out. Coming from a town similar to Geraldton, I can attest to how special events like this are and how important they are for the creative scene and community as a whole. Nothing brings people together like live music, and the footage of Urthboy bringing out Sampa The Great is proof of this.

In the thick of his set, Urthboy had the whole town of Geraldton in his hand as he brought out Sampa. Fresh from , jumping on festival bills around the country and just days out from graduating university, Sampa made the stage her own as she helped Urthboy perform their track, Second Heartbeat. Quickly whipping the crowd into a frenzy, their energetic and infectious vibe was quickly picked up by the huge crowd, who gave it right back to them. Check out the video below:

https://www.facebook.com/triplej/videos/10156885296265160/

“Collectively lose their shit,” they did!

Image: Facebook

It’s that time of year again. Sydney is braced for a bevy of bright lights and brilliant live music, as the annual Vivid Sydney Festival draws ever closer. As snap happy photographers ready their cameras, music enthusiasts our now licking their lips at the talent attracted down under, with the lineup for the festival released today. Here are just a handful of the shows that are certified “must-sees”:

Bon Iver

Justin Vernon has reemerged from his musical slumber and is set to bring Bon Iver back to Australian shores as part of the CERCLE series of performances. With only three prior Sydney shows to his name, this is a must for any music fan that can appreciate lyricism and talent in it’s rawest form. Attendees at the Sydney Opera House will be the very first in the world to see his new show premiered, and considering it was only recently that we learnt Bon Iver wasn’t actually done and dusted, news of his return is among the greatest musical announcement we’ll see this year!

Where: Concert Hall (Opera House)
Date: 27-30 May
Tickets Here

https://www.youtube.com/watch?v=TWcyIpul8OE

Bjork

The eccentric songstress is headed back down under to showcase her newly developed Bjork Digital experience, an exhibition set to showcase: “five unique spaces that will premiere a new virtual reality project from the musician, alongside other collaborations with some of the finest filmmakers and programmers in the world.”

Bjork has recently dabbled with VR technologies, and her work looks set to culminate in Sydney as she tantalises our senses from all angles, an experience that is set to add yet another layer to the mystique of her performance, which will no doubt see the Australian live debut of music from her powerful, emotionally intense 2015 album Vulnicura.

Where: Carriageworks
Date: June 3
Tickets: Here

https://www.youtube.com/watch?v=MWHpoJT3qK4

Polica

When Justin Vernon labels you “the best band I’ve ever heard” you can be certain that you are in for an aural treat when Polica take to the stage to unleash their unique fusion of electronic sounds and indie pop. Returning to Australia after a three year hiatus, we can only imagine that Polica is ready to take Sydney by storm all over again, performing from their gorgeous new album United Crushers, which came out earlier this month and has garnered stellar reviews.

Where: Joan Sutherland Theatre (Opera House)
Date: June 3
Tickets: Here

https://www.youtube.com/watch?v=Rl03afAqeFQ

New Order

The presence of the synth-pop legends at Vivid is sure to set tongues-wagging, with the group set to celebrate 35 years with a “live retrospective” performance that will undoubtedly satisfy even the most hardcore fans. Rejoined by synth wizard Gillian Gilbert, New Order will introduce a brand new generation to the wonders of their discography.

Where: Concert Hall (Opera House)
Date: 1 June, 5 June
Tickets: Here

https://www.youtube.com/watch?v=ftJZomwDhxQ

Oneohtrix Point Never

Described by organisers a “rock-inspired rampage set to stun audiences with cutting synthesizers and decimating bass,” we can breathe easy knowing that we probably won’t be able to hear properly for the rest of the night after catching Oneohtrix Point Never’s Vivid Live performance. Fans can of course expect to hear much of OPN’s stellar 2015 release, Garden of Delete (his seventh album to date), a Nine Inch Nails-inspired industrial, experimental, eclectic electronic album that featured on many end of year best-of lists.

Where: Joan Sutherland Theatre (Opera House)
Date: May 29
Tickets: Here

https://www.youtube.com/watch?v=td-e4i2BL_Q

Anohni

Performing an Australian exclusive premiere as part of Vivid, the astounding talents of Anohni, leader of Antony and the Johnsons, in the form of what is sure to be a stunning live staging of her fifth studio album Hopelessness. Anohni was the first performer announced for this year’s festival, and will no doubt provide a unique and soulful experience, as the self described ‘electronic record with sharp teeth’ takes its rightful place on centre stage.

Where: Joan Sutherland Theatre (Opera House)
Dates: 27 May, 28 May, 30 May, 31 May
Tickets: Here

These are of course just some of the headliners we can expect to see as part of the festivities, with a range of other masterful talents on display:

Deafheaven

And now for something a little different: off the back of their incredible 2015 release New Bermuda, and completely unlike anything else on this bill, heavy-hitting Deafheaven are set to bring their thunderous walls of pristinely complex noise to the Opera House’s Joan Sutherland Theatre. While still a relatively new act in the scene, they have more than made their mark with their three studio records, and have quickly become one of the most important heavy bands in the world. This will be a simply breathtaking show – and for those who aren’t in Sydney, you can catch them on tour across the country.

Where: Joan Sutherland Theatre (Opera House)
Date: 2 Jun
Tickets: Here

https://www.youtube.com/watch?v=d4tyCchDlhM

Hiatus Kaiyote with Sampa The Great

One of the absolute highlights of Australian music circulating today, two-time grammy nominees Hiatus Kaiyote will be bringing their immense talent and impeccably well composed jazz-infused tunes to the Opera House’s main stage. In tow will be Sampa The Great, who, in a nutshell, is Australia’s Lauryn Hill (except hopefully she’ll be a little more frequent with her music output and less so with her tax fraud.) Sampa has toured with Hiatus Kaiyote before, and even remixed a full series of their tracks last year. Arguably two of the best Australian acts around today, this is not to be missed.

Where: Concert Hall (Opera House)
Date: 31 May
Tickets: Here

https://www.youtube.com/watch?v=p3tErZ5LUJY

This is only the beginning of the Vivid announcements, with a myriad venues including Oxford Art Factory, Newtown Social Club, Freda’s, The Lord Gladstone, The Basemen, The Argyle and plenty more set to hold events throughout the festival. Needless to say, we probably recommend taking a couple days to relax and get some sleep before it all kicks off, because there’s something happening every single night.

While the light show and musical performances attract much of the attention and allure of the festival, let’s not forget some of the brilliant minds that are heading our way to deliver “Game Changer” talks. Director extraordinaire Spike Jonze, the genius behind Being John Malkovich, Her, and Adapation will be joined by none other than Beau Willimon (of House of Cards fame) and Jenji Kohan (Orange is the New Black) to inspire and motivate attendees as they bestow their creative wisdom upon us, sharing their insightful gems and anecdotes as they recount their storied careers.

Indigenous Australia is also set to be highly recognised by organisers, with the Sydney Opera House set to be lit up with the works of six prominent Indigenous artists, in a work entitled Songlines.

With 2015 numbers soaring to heights of almost 2 million attendees, we can be sure that this stellar lineup will see 2016 break new ground and further establish Vivid as one of the world’s most stellar culminations of culture and art.

Head to Vivid’s official website for more

Image: Vivid

Two of my favourite Australian hip-hop artists, Remi and Sampa the Great, have joined forces for a cruisey, guitar-laden new track, For Good.

The laid back production sets a chilled tone, perfect for the balmy early Fall weather that much of Australia is currently enjoying.

I really love the breezy instrumental, said to be inspired by the great J Dilla. The two artists inject their unique inflections atop the choppy guitars; a playful duet, both featuring vocal harmonies and echoed lyrics throughout the verses. Remi’s deep voice has a richness that I’ve always loved, and Sampa’s fine tone is the perfect complement, particularly during her understated guest verse.

Having supported some of the biggest names in the game including Danny Brown, Vic Mensa, Joey Bada$$ and De La Soul, it really is exciting to see hip-hop of this quality coming from a country who has long been ridiculed for its rap output. Rappers like Remi and Sampa are truly heralding in a new generation of impeccably produced, unique, complex hip-hop that could easily rival that coming from the US. And I’m pretty damn proud of that.

https://soundcloud.com/remzilla/for-good-featuring-sampa-the-great

Remi has also announced a national headline tour to celebrate the release! Full details below:

unnamed (2)

Originally published on Indie Shuffle

 

Words by Louella Deville

It’s rare that you see an all female hip-hop line up that’s not advertised as “all female hip-hop.” Not that I’m opposed to that. As a woman involved in the music and hip-hop industry, I strongly support and encourage female unity, but I think it’s important to have all emcees showcased as just that: an emcee.

Last week’s Little Simz sold out show at Howler was an exceptional showcase of talented emcees and DJs. The night began with Mat Cant, a local DJ who has opened and supported acts such as Big K.R.I.T, Clipse, A-Trak, Freddie Gibbs, SBTRKT, DJ Snake, Ladyhawke, and many more. Moving between BJ the Chicago Kid, Lady Leshurr, Konan, and even throwing in some Marcia Atkins, Mat Cant had the balance between what the audience wants and what the audience needs.

https://www.youtube.com/watch?v=QL6hrZLaetI

Next up, was the one and only Sampa the Great. Now this was the first time I’ve seen Sampa live, and I must admit I was very excited, because every other time the universe has got in my way. After listening to The Great Mixtape, I was not surprised to find her as captivating, talented, and energetic live as she is on record. She’s tiny: a five-foot pocket rocket. She walks onto the stage, fro flowing with a comb to go, looking relaxed and ready to give Melbourne what she’s got. Intro begins and my feet start tapping. While she’s chanting, “I’m obliged to be your friend not your enemy,” the sincerity of her words capture the crowd and you can’t help but feel even more drawn to her and reminded, this is real hip hop. “You know this is a queens’ night right?” she calls into the crowd. “You got me and you got Little Simz.” She looks out into the crowd she asks “Where’s all my queens at?” All the women cheer, including myself. Watching Sampa perform is one of those moments when you know you’ll look back at it and say, “Yep, I witnessed the beginning of something GREAT”. I couldn’t think of a better support for Little Simz.

https://www.youtube.com/watch?v=lHoE43gcB1A

Little Simz aka Barz Simzon. What can I say? She knows how to rock the mic, she knows how to keep a crowd’s attention and she knows how to turn up. As she walks onto the stage, I can’t help but smile at the ease and confidence she oozes. She’s like a swagged out hippy, and I dig it. “Melbourne!” she booms over the mic. “I’ve got one question. Are you going to do it better than Sydney?” Instantly I know, that she knows, how to connect with the crowd. How can she not? She has been writing music since the age of nine, performing from fourteen, and has a career in both performance and acting.

Persons blasts and the lyrics “Everybody knows that I’m King now” ascends over the crowd and everyone in the venue goes wild. She stops after several songs to address the audience, “Melbourne, I turned twenty two yesterday and I’m still celebrating. Fuck it I’m celebrating all week.” And celebrate is what she did. I would too if I had international sold out shows, dropped three projects in one year, one including her debut album A Curious Tale of Trials and Persons (a conceptual piece around fame and fortune) and had my own record label Space Age 101.

After warming the crowd up with Persons and Wings, came Lights, a more down tempo song produced by Tiffany Gouché, an Inglewood singer-songwriter and producer with one of the most beautiful voices I have heard in a long time, who has worked with the likes of Dr. Dre, Jill Scott, Missy Elliot, and DJ Khalil.

https://www.youtube.com/watch?v=QL6hrZLaetI

Suddenly there was a small technical difficulty and instead of running off stage, Little Simz apologies to the crowd and decides to gives us a freestyle. A fire freestyle might I add, beat boxing in-between words. “Why don’t they like seeing women in charge?” she raps. The whole crowd cheers. After five minutes, the music starts again with an apology from the DJ.  The crowd didn’t seem fazed and I felt like if this happened at any other hip-hop show, the crowd would have become impatient, but the way she was interacting with the crowd, you felt like you were her long time friend there to support her growing success and not just some punter who’s paid to see a musician they like.

“Okay, I think we’re warmed up enough. I just have one more question for you guys … Have you ever seen a Dead Body?” This was what I was waiting for. I think it was what everyone had been waiting for. Dead Body is probably her most recognised song and the one that put her on a lot of people’s radars. I had to go from the back of the room to the front, stop writing and just experience the energy in the room. Following Dead Body, she played one more song, said thank you and walked off stage.

https://www.youtube.com/watch?v=44Zvdaa5eWc

I stood there thinking, ‘Wait, what, that was one of the shortest sets I’ve seen from a headline show.’ I felt kind of disappointed. Then all of a sudden she ran back onto stage. “So you guys think I travelled twenty four hours just to perform eight songs?! Nahhhhhh! Melbourne, make some mother fucking noise!” The crowd got wilder, the music got louder; the bass literally had my whole body vibrating. She pulls up a guitar that’s been sitting on stage and begins playing Interlude, one of my favourite songs from her most recent EP, Age 101: Drop X (which actually features German singer/songwriter Bibi Bourelly, a name everyone should become familiar with who wrote Rihanna‘s Bitch Better Have My Money). Little Simz plays the guitar as effortlessly as she raps and I think to myself, ‘What can’t she do?’ The transition from vocals to guitar is seamless and the crowd loves it. An artist who can not only sell out shows internationally, but can hype a crowd up with her unique brand of hip-hop, and then serenade them with guitar? It’s safe to say, Little Simz is on her way to international stardom.

Read more: The New King – An Interview With Little Simz

Image by Michelle Grace Hunder for Howl & Echoes. See the full gallery here.

Words by Maxine Johns

Hip-hop has come an incredibly long way in Australia, and wouldn’t be where it is today without the trailblazers of the breakthrough years, who put forth the hard yards and paved the way for the community to survive and thrive as well as it has.

Paying homage to artists such as 1200 Techniques, Hilltop Hoods, Bliss N Esso, Bias B, Urthboy, 360, Kerser, MC Trey, Maya Jupiter, Tzu, Seth Sentry and many more who kicked down the door and made the world take notice of Australia’s hip-hop industry, the following list of artists are a definitive representation of how the local community is evolving, celebrating its diversity and putting Australian hip-hop on the global map.

These artists represent their culture, their creativity and above all else, their undeniable talent, showcasing just how broad and diverse Australia’s hip-hop industry really is. Original, driven, innovative and socially aware, these artists are indeed game changers in our hip-hop community!

BRIGGS –  Shepparton, VIC

Adam Briggs, aka Briggs, is an Australian rapper, comedy writer and actor.  He is an Indigenous Australian of the Yorta Yorta people with his tribe name tattooed on his forearms, proudly representing for his culture through every song he makes. He has released one EP, Homemade Bombs, and two albums, The Blacklist and Sheplife. His stellar single And The Children Came Back was a standout release for 2015, elevating Briggs to national hero status. He has amassed a loyal following of hip-hop fans, not just akin to his unapologetic and honest style of rap, but as supporters of his active stance against racial injustice and cultural indifference when it comes to matters of Indigenous issue and inequality in the music community. Apart from his music, Briggs also joined television series Black Comedy as a writer and actor for the second season in 2016.

https://youtu.be/3-wMbFntrTo

L-FRESH THE LION – Sydney, NSW

When you first meet L-FRESH the LION, you see a man walking proudly in representation of his traditional Punjab Indian heritage, as he rocks out on stage with the pride in his long beard and turban. L-FRESH is an artist who is sans ego, focusing on creating music with a message and paying respect to those that paved the way to make his journey possible. Like the socially aware hip-hop sages that serve as inspiration to his current wordplay, it is safe to say that L-FRSH The LION can hold court with the likes of Common, Talib Kweli, Chuck D and Mos Def when it comes to rapping for a reason. A big call, some would say, but when you have the great KRS-1 stating that L-FRESH “IS hip-hop,” the ante is upped and the game is changed. L-FRESH has released an album called One and appeared on several singles with local rappers including Hau, Remi and Omar Musa. He is an artist that represents all that is real and true in our community, and is determined to hold Australia in the highest hip-hop light.

https://youtu.be/DPiKjk6isuU

LEE MONRO & ELLO C – Sydney, NSW 

Indulging in an exciting collaboration project called Lee Monro x Ello C, the pair are creating a new wave of hip-hop in Sydney, with a growing following, from their two mixtapes Overtime and Overtime 1.5, as well as their live performances. Monro has been active, relative and true to form throughout his journey, which began in the early 2000s as part of Figgkid, stepping up to the mantle as one of our most impressive rappers at the time. Now, in 2016, he is yet to waver as an artist unafraid to spit it like it is. Enter Ello C, the young up and comer from Sydney’s West, of Filipino heritage, who has broken new ground as one of the most lyrically on-point rappers today. With an appreciation for hip-hop beyond his years and solo work that encouraged him to release his No Name Fame mixtape, Ello quickly gained major internet buzz. Strong on their own but indestructible together, the grouping of these two lyrical geniuses will always be one of the best hands the hip-hop gods have played. Honest, raw and real, Lee Monro & Ello C wave the flag for Australian rap holding on to its core values of authenticity, integrity and originality.

https://youtu.be/tDqhLZrvY28

BLAQ CARRIE – Brisbane, QLD 

Every once in a while, an artist comes along who just knocks the breath out of you. They are powerful, confident, passionate and fearless in their pursuit of creating hip-hop their way, in a style which not only appeals to you personally, but resonates with your spirit on a greater level. One such artist is female hip-hop artist Blaq Carrie, the Harare-born, Brisbane-based femcee whose style and flow is raising the bar within the independent Australian community. For an artist who is still finding her footing in the ever evolving hip-hop landscape, Blaq Carrie has released a banging EP, Best Wishes, along with an impressive discography on her SoundCloud page, proving she is an artist that possesses a keen sense of storytelling with purpose.

https://youtu.be/QZqmGBk4WzY

B-WISE – Sydney, NSW

B Wise is an African-Australian hip-hop artist whose infectious single, Prince Akeem, an upbeat colourful track named after Eddie Murphy’s character in Coming To America and produced by Raph Lauren of Jackie Onassis/The Meeting Tree, offers a glimpse into the creative narrative of this uber talented Sydney emcee. B Wise, aka James Iheakanwa, is the son of a country girl from Stockinbingal, NSW and a dad from Nigeria, who spent his early years between Sydney and rural NSW before his family settled in the city’s South West. As a product of childhood bullying and racism, Wise drew on the strong sense of African pride instilled in him by his parents and uses it as the main drive in his music today. His first single, Like You, captured the attention of mainstream music media like Rolling Stone and Acclaim, who shone a light on the vocal stylings of this enigmatic emcee. Working on his first full length album featuring production credits from Nic Martin (360), Raph Lauren, Momo (Diafrix), Pro/Gram (Bliss n Eso, Hau) and Colourd Noyz, B Wise is making his position known as Australia’s Prince of hip-hop!

https://youtu.be/ea2vXsWdqnM

KEV HANNIBAL – Sydney, NSW 

Watching Kev Hannibal on stage, in the moment where all an artist needs is one mic, you can really see, hear and feel the passion in his music. It’s a performance that grips the audience and delivers the heat – not bad for a young man from the hard knock roots of Southside Jamaica Queens, a suburb in New York synonymous for its pride, passion and servitude to the hip-hop legacy. Before creating a new life in Sydney’s Western suburbs, Hannibal’s childhood was plagued with family tragedy, providing the foundations for enough life experience to write a book on. Using rhymes and a mic as personal therapy, his tracks are empowering and educative. His lyrical skill is unsurpassed, with a talent for beguiling storytelling and in your face delivery, Kev Hannibal is real. His recent single, Colour of Your Skin is enjoying local and international radio love, and his multifaceted talents range from songwriting, production and acting, with Hannibal featuring in films as well as musical releases, continuously pushing the barriers of his hip-hop artistry.

https://youtu.be/ut7i_67w-eg

DIAFRIX – Footscray, VIC

Momo and Azmarino make up Diafrix, a dynamic duo out of Footscray, Melbourne. Having formed back in 2001, the pair have supported everyone from Bliss n Eso to Macklemore and Ryan Lewis, and their single Running was adopted as the official theme for the Western Sydney Bulldogs Football Team in 2013. Both artists hail from Melbourne, with Momo originally born in the Comoros Islands and Azmarino in Eritrea. Representing for the culture through their music, their sound has been referred to as “anthemic” for the multicultural areas they grew up in. With musical influences ranging from Nas to Bob Marley to Fat Freddy’s Drop, three solid albums and a a spitfire new single,The Sign, Diafrix are a creative force to be reckoned with.

https://youtu.be/L9pHTcyoUZY

STAN BRAVO – Sydney, NSW

Stan Bravo is no stranger to this rap game. With over a decade in the industry, he’s experienced the highs and lows that hip-hop can offer, been to the show, and bought the t-shirt in a manner of speaking. Considered a well-versed veteran in the game, Harlemite Stanley Campbell aka Stan Bravo has continued to do what comes naturally, spitting forth handcrafted rhymes that leave his contenders in the dust. As an APRA Award winning songwriter, he has featured on numerous singles with Jeremy Gregory, Ricki Lee and J Wess, released a highly successful and official mixtape compilation Blazin’ Vols 1, 2, 3 & 4 with DJ’s Nino Brown & DJ Samrai and plenty more. With a newly minted album just released last December, Bravo continues to rep for Sydney’s Western suburbs, never forgetting his Harlem NYC roots!

https://youtu.be/qtakak7AXNM

KWEEN G – Sydney, NSW

This Ugandan born, Sydney raised Queen is no stranger to struggle and knows that to get what you want in this life, you have to settle for nothing less than the best of yourself. As the only daughter in a family of three boys, Kween G grew up listening to the hip-hop that her brothers played, including Tupac, Biggie Smalls, Nas and Rah Digga, soon foraying into the frays herself, cultivating one of the illest femcees to have ever come out of Australia. With more than just emcee on her resume, Kween G is an award-winning dramatic producer who has studied at NIDA and beyond. Her single Speak Up is as powerful, raw and fearless as she is:

https://youtu.be/WKerjKsbSss

HAU LATUKEFU – Canberra, ACT

For this Queanbeyan, ACT, born and bred musician, his Tongan heritage is at the forefront of all he creates. Having already built up a widely praised discography from his Koolism years, his solo career kicked off in grand style with the nationally lauded success of 2014 mixtape Football, Feasts & Funerals. As the Hau steam train continues, he gives us his current single Kill I Am, an edgy, abstract and catchy hit that is off his upcoming debut album The No End Theory, due for release in late May. Regardless of where this hip-hop journey takes him, Hau is always humble, authentic and true to himself and his craft. Never one to take himself too seriously, Hau is as real as it gets when it comes to his insight, knowledge, passion and respect for hip-hop and its culture!

https://youtu.be/EgBxTKcHmwU

JERIET DWIGHT – Sydney, NSW

Jeriet Dwight is a force to be reckoned with. Jeriet, or JD, is a South Sydney hip-hop artist breaking new ground since the release of his debut single All Falls Down in mid 2015. JD has been chasing his dream of hip-hop infamy since his teen years, when hip-hop became the soundtrack to his life. Raised in Austria for most of his young life before moving to Australia, JD is fast becoming the name on everybody’s lips. All Falls Down was produced by famed Australian hip-hop producer Cam Bluff (Illy, Hilltop Hoods.) The single gained major traction across hip-hop and urban radio shows across the nation, and with Triple J giving Dwight the Unearthed Artist blessing earlier last year, on top of electronic collaborations with Hermitude and Flume, things are definitely looking up for this super talented songwriter and rapper.

https://youtu.be/ST33TartZx8

REMI KOLAWOLE – Melbourne, VIC

Melbourne’s Remi Kolawole is a definitive groundbreaker. Born in Australia, Remi’s mother is from Tasmania and his father from Nigeria. His message encompasses racism, partying, social justice and urban dislocation, a collective representation of all parts of his heritage. As the recipient of the Australian Music Prize for his album Raw X Infinity in 2014, Remi is the first hip-hop artist ever to win the country’s premier music prize, putting him in a league all his own. Remi carries with him the pride of finally achieving hip-hop recognition on an industry-wide basis in the Australian music community. The beauty about a socially and politically aware artist like Remi is that his hip-hop is of a purpose, and his reach is that of those hear hip hop and not just listen to it. His unique vocals and raw appeal has gained him major international success and respect from artists such as Danny Brown, Vic Mensa, De La Soul and Joey Bada$$, and his live performance skills, alongside producer/beatmaster Sensible J, are second to none.

https://youtu.be/pyL_Y_Krk4I

MIRRAH – Sydney, NSW

Mirrah encapsulates the very essence of what it means to be multi-faceted and multi-talented. She calls Australia her adoptive home, and is proud of her multi-cultural background and beginnings. Yet, this humble but fiercely passionate rapper, performer, writer, radio personality, mentor and humanitarian holds her ground on an international stage that has seen her perform alongside some of hip-hop’s most iconic names. Mirrah is a woman whose mission in life is to create music and a dialogue that stretches beyond society’s definition, to inspire urban youth all over the world to seek their own path through music and to be an original in all she does. Last year she dropped the powerful single Wassup, and is gearing up to drop an EP this year under Green Room Studios. Touring as hype woman and cherished member of L-FRESH The Lion’s band, Mirrah is a quintessential artist, focused on not only empowering fellow women in hip-hop, but on creating music that is positive in sound, delivery and message, ensuring the youth of our community have strong female role models to look up to in this industry.

https://youtu.be/Svr6v-VGw9o

SAMPA THE GREAT – Sydney, NSW

A poet, singer and songwriter, pint-sized Sampa the Great was born in Zambia and grew up in Botswana before relocating to Sydney. Last year saw her release The Great Mixtape to critical acclaim, showing off a stunningly conposed marriage of jazz, neo-soul and hip-hop. Having opened for artists including Hiatus Kaiyote, Thundercat and Little Simz, it’s only a matter of time before Sampa takes on the world. One of the most lyrically proficient, rhythmically talented rappers Australia has ever seen, she can float between Lauryn Hill-esque sensuality and Angel Haze-esque aggression in a matter of moments. Known for putting on some of the most energetic, lively and quite simply, fun live performances in the country – either with a DJ or a full band including backup singers and multiple percussionists – there is absolutely no doubt that she will go on to become one of the most well-known and revered artists in Australia and beyond.

https://www.youtube.com/watch?v=lHoE43gcB1A

GILL BATES – Brisbane, QLD

African-Australian electro/hip-hop artist Gill Bates may be a relative newbie on the scene, but he’s already touring nationally, with an ever-growing fanbase that continues to break new numbers on the daily. Born in Sudan, Gill lived in Sydney’s Parramatta before relocating to Brisbane with his family in 2004. Life has been nothing but surreal since first emerging onto the Australian music scene in early 2015, when he received major industry attention and public love for first single She Knows featuring Allday, second release Don’t Mind, and his recent single release Diamonds & Gold. Definitely one to watch, Gill Bates is unassuming and not about the hype, rather focusing on creating music that people can vibe to and sharing with the world his message through music.

https://youtu.be/eGbVPmxc2EE

OMAR MUSA – Canberra, ACT

Omar Musa is a rapper, author and poet from Queanbeyan, ACT. For this Malaysian-Australian rapper, his artistry is more than just hip-hop fame and glory, he is an artist of purpose and reason. With two solo records, spawning singles Dead Centre and the recently released Laksa, plus an album with international duo MoneyKat, Musa has gone on to share stages with acts such as Dead Prez, Pharoahe Monch, Gil Scott-Heron, Horrorshow, Thundamentals and Daniel Merriweather to name a few. He has appeared on ABC’s Q&A and received a standing ovation for his performance at TEDx at the Sydney Opera House. On top of that, his debut novel Here Come the Dogs was longlisted for the Miles Franklin Award, and he was named one of Sydney Morning Herald’s Best Young Writers in 2015. Musa is an artist pushing the envelope for hip-hop in Australia to be a vehicle of positivity, social change and awareness on a global scale, and by sharing his message through spoken and written word, is fast becoming one of the nations most lauded creatives.

https://youtu.be/EHMMEFfcWqE

Sampa The Great

Little Simz

Read our interview with Little Simz
Read our album review of Little Simz’ ‘A Curious Tale Of Trials + Persons’

This week once again brought the goods, as every week does, when it comes to brand new music. It’s a difficult job narrowing it down to just ten top tracks, but someone’s gotta do it (even though we secretly love it). Spanning a multitude of genres, this playlist has something for everyone. Enjoy!

Spookyland, God’s Eyes

Sydney band Spookyland have returned, not only with a brand new song, but also with the announcement of a debut album due for release in May. God’s Eyes is the first taste of that record, Beauty Already Beautiful, and it is fucking awesome. The one-of-a-kind vocals courtesy of Marcus Gordon gives an extra element as he sings the powerful lyrics whilst the song meanders its way into a roar. It feels like an Australian rock anthem waiting to happen.

SMILE, Holiday

Droning guitars, scuzzy vocals, a sluggish drum beat and a vibe that sounds like a male fronted Yeah Yeah Yeahs on xanax, Melbourne band SMILE are onto something really good here with Holiday. Gearing up for the release of their forthcoming record, Rhythm MethodHoliday serves as a pretty great taste tester, and we can’t wait to hear what is going to come next!

Urthboy, Second Heartbeat (Ft. Sampa The Great and Okenyo)

Three of Australia’s best all on one track, Urthboy has done himself a huge favour teaming up with not just one, but two of the most exciting up-and-comers around right now. Sampa The Great and Okenyo each bring their own unique flavour to this uplifting track that will put you in a good mood within seconds of listening to it. Its got soul, swagger and a hook that has been stuck in my head since I first heard it a few days ago – but it sounds so good I don’t even mind.

Yuma X, Keep Me Up

Yuma X are a mysterious duo that keep to themselves mostly, apart from when they release sublime tracks like this one. Keep Me Up is the latest in a slowly growing number of Yuma X tracks, and it’s also one of their best. Gentle, sparse and delicate, you almost feel like you’re being let in on a little secret. It’s quiet and soothing, and yet another example of just how much these two can do.

GoldLink, Zipporah (Gravez Remix)

GoldLink will be touching down in Australia in just a few weeks for St Jerome’s Laneway Festival, and whilst my excitement levels were already pretty damn high to see him action, LA producer Gravez has shared a remix of his track Zipporah that has tipped me over the edge! Amping up the soul, he keeps it light with airy synths and tinkering beats, and shows off a whole new side to the rapper – a side we really enjoy.

AlunaGeorge, I’m In Control

AlunaGeorge have made their long awaited return to the scene this week with a new single, I’m In Control. Featuring Popcaan (who was also on Jamie xx’s I Know There’s Gonna Be (Good Times)), the duo have made their return loud and clear with this one. It’s got a really awesome dancehall feel, with Aluna’s commanding vocals sounding better than ever. It’s been a while since we’ve heard new stuff from these guys, but we’re glad they’re back!

SG Lewis, All Night (Ft. Dornik)

Dornik reminds me of Michael Jackson which is a very good thing, so basically any track he has anything to do with is more than alright in my books. This latest, a collaborative effort with SG Lewis, is a sultry RnB number that shows off both artists in all their glory. Deep bass, swirling synths and funky guitars, All Night is a fun, uplifting track but still maintains a relaxed, mellow quality that might come in handy in the, uh, bedroom. All Night indeed!

Poliça, Wedding

This song only came out this morning, and immediately landed itself as one of the best songs of the week. Thumping drums, trickling synth sounds, droning guitars and commanding vocals, Wedding is full on in all the best ways. Having triumphantly returned at the end of last year with Lime Habit, this latest single is the second cut from the band’s forthcoming record United Crushers – a record we are increasingly keen to hear after listening to this.

Majical Cloudz, Wait & See

Majical Cloudz released a new EP this week called Wait & See, and the title track is one that immediately caught our attention. Having already released their critically acclaimed Are You Alone? record last year, vocal Devon Welsh said of the release that they were a collection of old tracks that didn’t really fit on the album, but they still wanted them to be released and we’re really glad they did.

Le Pie, Up All Night

Sydney artist Le Pie is an act you may or may not have heard of. If you have, this latest song is for you. If you haven’t, this latest song is also definitely for you too. Energetic, punchy and lots of fun, her voice gives an angsty-teen feel over the rolling guitars and sharp, fast drums to give it a sense of urgency. It’s a great track, and is the perfect move for her as she builds on the success she saw last year.