Bluesy soul in its finest form, Australian songstress Meg Mac is back with some gorgeous new material. Low Blows is her debut LP and hones in on her minimal recording style and incredibly soulful and melliflous vocals which struck a chord on her self-titled EP back in 2014.
Following her first Triple J Unearthed upload straight out of university, Mac has experienced some fairly rapid success. She’s toured the US with the likes of D’Angelo and Clean Bandit, as well as headlined her own, played a round of gigs at SXSW, become a mainstay at our largest festivals back home, and collaborated with some incredible talent all in the space of just a few years. Recorded in Texas with Niles City Sound (who also produced Leon Bridges’ debut), Low Blows is the next milestone in Mac’s burgeoning catalogue and features the raw, lyrical stories that have become a staple of her signature style.
Her next national tour kicks off in September and this is something you don’t want to miss. We caught up with the songstress herself for a quick portrait session on her record release day.
Tickets: https://www.megmac.com.au/tourdates
https://www.youtube.com/watch?v=PbVceVtYoX4
Photos: Dani Hansen/Howl & Echoes
On a sweltering Thursday night in Brisbane’s Fortitude Valley with storms surrounding the city and lightning cracking the sky, a sell-out crowd packed themselves into local institution The Tivoli to witness a team-up by two of Australia’s premiere young talents currently enjoying a co-headlining national tour: Jarryd James and Meg Mac.
The opening act is a local, and one whose star has shot skyward all year and at warp speed following the release of her Like You Want To EP, the ultra-cool Kita Alexander. Possessed with an absolutely stunning voice completely belying her 19 years and using it to croon over some of the cleverest and most satisfying synth-pop hits to grace your ears all year, Kita closes her set with a one-two knockout blow of Go My Own Way and Like You Want To, both of which were spun like tops over the Triple J airwaves from about as soon as they were released, keeping the slowly swelling Tivoli crowd enthralled the entire time. Rest assured this young lady is going to go wherever she wants in the very near future.
https://www.youtube.com/watch?v=MweO0cr8YLg
It takes all of about five minutes following Kita Alexander’s exit for The Tivoli to all of a sudden turn into a sardine tin. Meg Mac wastes little time in taking to the stage and proceeds to hammer home an absolutely fantastic set. She’s joined by her regular back-up singer Dani as well as her sister Hannah (who wasn’t with her in Brisbane for the last tour). We caught her last time on her solo headline tour at Max Watt’s in Brisbane’s West End and were left with goosebumps for days afterwards, this set brought them all roaring back.
https://www.youtube.com/watch?v=aSIHoQJjDKk
All the usual favourites are there, a bonechilling rendition of Known Better, her always heartfelt cover of Grandma’s Hands made originally famous by Bill Withers, the barely restrained fury of Every Lie. As far as new material goes, she throws in her own utterly stunning version of Jimmy Ruffin’s What Becomes Of The Broken Hearted, plays Cages, a song she introduced us to here for the very first time the last time she was out and one she dedicates to her brother as ‘the only reason he came to the show in Sydney’ and also plays us yet another brand new song, exploring some rough days if you paid attention to the lyrics, though you’d be forgiven if you found yourself lost in that heavenly voice at all, it happens to the best of us.
https://www.youtube.com/watch?v=AZ-l6FDu7T4
There’s no sign of co-headliner Jarryd as Meg closes the show in thunderous fashion, threatening to explode all of our brains with Roll Up Your Sleeves and this year’s smash hit Never Be back-to-back. Once again, Meg has ripped the absolute roof off. Somehow her voice gets better and better and reaches untold heights every single time I see her. She exits the stage to a deafening ovation but I have a feeling we’ve not seen the last of Meg Mac just yet…
https://www.youtube.com/watch?v=nVZfhc1JXA4
Having made the mistake of waiting too long to head inside for Meg’s set and being stuck waaaay way up the back, I suck it up and get out of the fresh air early to get a good spot in the front for Jarryd James. The humidity is reaching atrocious levels, everyone who held onto their paper ticket using it as a fan, but thankfully the wait isn’t too long for the final set.
https://www.youtube.com/watch?v=f43T6OuM3hI
Meg Mac is a nigh-impossible act to follow from a vocal perspective but Jarryd is well up to the challenge. The temperature might be volcanic but he injects a whole lot of cool into the Tivoli from the moment he takes the stage and plays everyone’s favourites from his unfathomably good debut LP Thirty One. He stuns the audience with his live renditions of the tracks they’ve spent the whole year falling in love with. The gorgeously lilting Sell It To Me, the laid back lounge neo-soul of Sure Love, the foot-stomping raunch of Give Me Something, the chorus of which drops the floor out from underneath everyone.
https://www.youtube.com/watch?v=NaMufZNa2lQ
In between tracks Jarryd is humble and soft-spoken, expressing how thankful he is at how far he’s come so very quickly, admitting it’s still incredibly difficult for him to get up and do this in front of an audience (it really doesn’t seem like it Jarryd!) and engaging in a bit of banter with the audience (chuckling momentarily at the enormous dude just near me who keeps making what sound like really odd bird calls to break up any silences). Out of nowhere, a familiar voice breaks out and Meg Mac is floating onto the stage to fill in for Julia Stone and lob Jarryd up the alley oop pass on the sublime Regardless.
This is the moment everyone has waited all night for, the galactically outrageous collision of two of the most superb young voices in the entire country, and boy does it not disappoint for even a second. Chills and goosebumps and shivers all at once for an amazing duet that finishes and sees Meg take her second exit far too soon.
https://www.youtube.com/watch?v=avBECwDvdBk
The heat is long forgotten as Jarryd belts out more stunners in his repertoire, This Time (Serious Symptoms, Simple Solutions) an absolute hair-raising treat. All of a sudden, after over an hour spent with jaws on the floor everywhere, he’s running through a monolithic, slow-burning rendition of Do You Remember, unquestionably his biggest hit to date, and reality sets in that the show is almost over. The lights go out for a brief moment, and when they return it’s Jarryd, Meg and backup singers Hannah and Dani onstage again for one last go around. They leave an audience beyond stoked and satisfied with a sizzling duet of Ray Charles‘ Misery In My Heart, there’s a whole lot of it in mine not knowing when we’ll ever see these two performing alongisde each other again
https://www.youtube.com/watch?v=QQ7XJG0Z2ho
Absolutely. Fucking. Amazing. If we can get a Watch The Throne album from these two I think a lot of us would die happy. What a stellar moment for Australian music and such a bright and wonderful vision of its future to have two of its absolute best come together and join forces on a tour like this.
Please do it again soon.
2015 has been quite the comeback year for folk four-piece Mumford & Sons. Last week they toured Australia, showing off their latest album Wilder Mind. Stops in Brisbane and Melbourne had their own special guests, and they were all brought together (and then some) in Sydney, with mini-festival Gentlemen of the Road. Meg Mac, The Jungle Giants, The Vaccines, Jake Bugg, Future Islands and of course, Mumford & Sons and more gave it their all. Here’s what we saw on the day:
Jake Bugg
[youtube http://www.youtube.com/watch?v=nVZfhc1JXA4]
[youtube http://www.youtube.com/watch?v=QQ7XJG0Z2ho]
[youtube http://www.youtube.com/watch?v=MweO0cr8YLg]
Friday, 4th December
Enmore Theatre, Sydney
Lic/All Ages
Tickets
I’ve been positively swooning over honey-throated local songstress Meg Mac for a long, long time now. She absolutely amazed us with her ludicrously good set at this year’s Splendour In The Grass, and so we were all kinds of keen to catch her live again as soon as humanly possible. This time it was in the far more intimate confines of Brisbane’s Max Watt’s (the venue formerly known as the Hi Fi) in the heart of West End for the very last show of her Australia-wide Never Be tour and by God, she brought the heat.
The line outside the Max Watt’s doors before 9pm kickoff is huge considering Her Royal Meg-ness doesn’t go onstage for a couple of hours. Opening act and Brisbane local Big Strong Brute (aka Paul Donoughue) eases the show-goers in with some deliciously easy listening rock full of nifty pop hooks. I had never heard of him before now but I do particularly enjoy the kickass lo-fi riff of Heavy Mountain as well as the absolutely gorgeous Wedding Pages.
https://www.youtube.com/watch?v=bVYP_1hb4oY
We already knew beyond a shadow of a doubt that second act Banff (aka Benjamin Forbes) is an absolutely fantastic singing-songwriting talent, having given us a ripper of an interview earlier in the year and then straight murdering it just a few short weeks ago at Brisbane’s BIGSOUND festival, but it seems as if a fair few in the steadily growing crowd were blissfully unaware of his existence up until now and so it’s really nice to hear murmurs of ‘wow, this guy is so good’ while the man proceeds to serenade us something fierce.
He plays a mix of old stuff as well as recent tracks from his Future Self EP, finishing his set by clearing the stage of his very talented band and giving us a haunting solo cover of Roscoe by Midlake. Amazing.
https://www.youtube.com/watch?v=fnVA1fFDbSw
And then, with the crowd sardine-tinning the moshpit and up the sides and damn near every inch of Max Watt’s, Meg Mac takes the stage a full two minutes earlier than her scheduled time of 11pm in the most anti-diva gesture possible. The crowd, a refreshing mix of young and some slightly older folks is absolutely nuts for it and her voice is like a majestic eagle soaring high over a smoky, burning forest from the word go.
https://www.youtube.com/watch?v=AZ-l6FDu7T4
For a singer so quiet and unassuming in her presence when not performing, as soon as she turns the switch on she is a wrecking ball of energy and passion. She rips through crowd-pleasers like Every Lie (claiming everyone was scared of her after she wrote such a scathingly acidic and yet mesmerising rebuke of someone less than truthful in her life) and she has the crowd screaming the chorus at the top of their lungs for ‘the song that got her into this’, Known Better.
She takes the time to clarify that her lone backing singer tonight is Dani and not in fact her sister Hannah (they get mixed up a lot), who joined her for the first time onstage at Splendour as well as for a chunk of this tour but sadly isn’t in the house tonight to join Dani in providing some of these beautifully anchoring vocal harmonies.
https://www.youtube.com/watch?v=lZxIAaacWwQ
Meg’s cover of Bill Withers staple Grandma’s Hands is nothing short of breathtaking, but I think I’m most blown away all night with the rendition she gives of her new song. She hasn’t decided what it’s called yet, currently it’s titled Cages but based on its chorus she’s thinking about switching it to October. It matters so very little, she could title it Farts and it still wouldn’t be any less than utterly fantastic.
She tells the crowd that up until this tour she has been too nervous to play keys and sing onstage at the same time but that she’s giving it a go tonight anyway. As someone who knows that struggle even in their own bedroom, hats off to Meg for stepping up fearlessly to the plate here and crushing it. She of course blows everyone right the hell away, playing and singing Cages like she could do it in her sleep with both arms tied behind her back. This song needs to come out yesterday.
The crowd then roars its approval as the opening piano chords of the foot-stomping Roll Up Your Sleeves kick in, everyone swaying as one and bellowing out that comforting pep talk chorus. It’s a song that means a heck of a lot to me and to hear it live once again is just whole body goosebump-inducing. She wraps up her official set with a thunderous performance of newest release Never Be that threatens to tear the roof off the building with its sheer enormity.
Whatever Meg Mac does to keep that voice of hers in shape, she has absolutely black belt-level mastered it, because I haven’t heard it even hint at faltering in the slightest all night despite the volume of the Everest-sized notes she has been consistently hitting. She bounds back onstage to give an encore performance, choosing a run through of her Like A Version-storming cover of Bridges by Broods to send everyone happily out into the night.
https://www.youtube.com/watch?v=TFlBNMvIAMw
Absolutely. Fucking. Stunning. Thank you to Meg Mac for putting on one absolute hell of a night. If you thought she was done there for the year though, think again. She’s teaming up with Jarryd James for joint headline shows along the East Coast in December. I don’t think my body is ready for that…
If you want to see what a live Meg Mac show looks like up close and personal, we took some bloody good photos of her at her Sydney show last month, check them here.
You done goofed royally if you missed out on the sensationally talented Meg Mac at Splendour In The Grass just gone.
Girl doesn’t even have a full album to her name and yet she’s already won the Triple J Unearthed Artist of the Year award for 2014, been nominated for Rolling Stone Australia’s Best New Talent award and toured the USA under the wing of no less than goddamn D’Angelo.
Her aforementioned Splendour set was attended by a muddy throng of several thousand awestruck festival folks and was a personal, goosebump-inducing highlight. If you missed it you also missed her unveil a brand new track by the name of Never Be. Thankfully, Meg wasn’t mucking around at all, and dropped that bad boy today for us all to enjoy. Check it:

Ah man, I haven’t heard a song of hers yet that didn’t have me in absolute awe at the power and range of her voice, and this is no exception. Talent apparently runs in that Mac family, you can hear younger sister Hannah, who joined her onstage at Splendour, killing backup vocals.
Produced by M-Phases, the cut of this track is dark and smoky with tinges of both soul and gospel and is an utter pearler. It builds across several peaks and valleys before ending with a fantastically good crescendo, Meg absolutely belting every note into the stands along the way.
Touring later in the year with heavyweights Mumford and Sons as well as a national headline tour of her own and (hopefully? maybe? please???) a debut album sometime soon, there’s no telling just how high into the stratosphere this lovely lady is going to be come the end of the year.
(High. The answer is very high)
Meg Mac’s ‘Never Be’ tour dates are as follows:
Fri, Sep 4th: Odd Fellow, Fremantle
Sat, Sep 5th: Capitol, Perth
Fri, Sep 11th: Metro, Sydney
Sat, Sep 24th: Uni Bar, Adelaide
Sat, Sep 26th: Corner Hotel, Melbourne
Sun, Sep 27th: Corner Hotel, Melbourne
Tue, Sep 29th: Corner Hotel, Melbourne
Fri, Oct 2nd: Max Watt’s, Brisbane
Meg Mac is set to slay the stage at Spendour In The Grass at the end of the month, but now she’s announced another surprise for her Aussie fans. She will be going on a national tour in September to celebrate the release of her upcoming single Rather Be.
Though she may be soft-spoken, this girl’s got a big voice that will blow you away. Her music’s dark tone drips in pure emotion that will show you why she’s become so popular overseas. Her debut album, and last year’s single Roll Up Your Sleeves, scored so much praise. Even the New York Times said “…the hunt for the next Adele — rooted in soul with just enough contemporary production — has helped songwriters like Meg Mac of Australia, who’s fond of minor keys and brooding thoughts….”
She’s currently working on her debut album, and revealed the stage she was at with that on Triple J this morning. “I’ve done all the hard emotional songwriting work and now it’s to the performance and the recording,” She says. “I feel like I’m more confident as a singer now, I feel like a real singer. I’m not afraid to let stuff out and maybe sing in some confronting ways that I haven’t done before.”
I can’t wait to hear what she has in store, and I’m sure you feel the same way. Thankfully, she’s putting on some shows in September so we won’t have to wait much longer. She kicks off her tour on September 4th in Fremantle. Then she’ll spend the rest of the month travelling in Perth, Sydney, Adelaide and Melbourne. She’ll finish up in Brisbane at the beginning of October.
Here are the dates:
Friday 4 September – The Odd Fellow, Fremantle (Tickets Here)
Saturday 5 September – Capitol, Perth (Tickets Here)
Friday 11 September – The Metro, Sydney (Tickets Here)
Thursday 24 September – Uni Bar, Adelaide (Tickets Here)
Saturday 26 September – Corner Hotel, Melbourne (Tickets Here)
Friday 2 October – Max Watt’s, Brisbane (Tickets Here)
Don’t miss out, buy now!









































































































































