Katy B – Honey

I’ve always been a fan of UK artist Katy B‘s fusion of classic UK garage and house genres spiked with modern electronica. While sophomore album Little Red failed to live up to her brilliant debut On A Mission, third album Honey has been high on my list of most eagerly anticipated albums of 2016.

Honey is a collaborative project with Katy B hooking up with some of the electronic world’s biggest artists and producers, and should see Kathleen Anne Brien finally break into the American market. The album is full of hits, from the Kaytranada produced album opener Honey, the up-tempo house number I Wanna Be and the juicy Four Tet and Floating Points collaboration Calm Down. The highlight for me is the Major Lazer and Craig David assisted Who Am I. 2016 marks the official return of David, and so far, everything he’s touched has turned to gold. This track is no exception, with the harmonies between both David and Katy spectacular and Major Lazer’s production as polished as ever.

Verdict: This should be the album that sees Katy B finally crossover.

[youtube https://www.youtube.com/watch?v=LuRRCyOxL_M]

De La Soul – For Your Pain And Suffering

De La Soul‘s crowd funded album, And The Anonymous Nobody, was set to be released last Friday – the same day as Drake’s Views – but never materialised. The group emailed their 11,000-odd backers and let them know main reason for the delay was due to the amount of guests on the album needing to be cleared. To keep the peace they have issued this four track EP For Your Pain And Suffering.

Well, it’s really only a two track EP with two skits. The Devil Likes Candy is a strange skit about the devil and closing track, Schoolyard Studio, is another ponderous, and really rather weird skit. Of the two actual songs, TrainWreck is focused around a throbbing bass line while Dave West pops up on the funky Beautiful Night. So this is more like a two track sample. While it’s great to hear new De La Soul, you’re better off giving this one a miss and waiting for the full length project.

Verdict: Listen to 3 Feet High And Rising.

[youtube https://www.youtube.com/watch?v=Yum_Bnwkt_I]

Travis – Everything At Once

Scottish act Travis hit the big time in 1999 with their massive hit Why Does It Always Rain On Me? They experienced a few years of great success before seemingly dropping off the face of the earth. Unbeknownst to me, Travis have been putting out albums every few years since then, with Everything At Once the latest addition to their burgeoning record collection.

Anyone unfamiliar with Travis should understand they are the original Coldplay, with Chris Martin reportedly having called himself a poor man’s Fran Healy (Travis frontman). With that in mind, you know what to expect when listening to Travis’ eighth album. The winning formula of melodic guitar pop (3 Miles High, Radio Song), anthemic sing-a-longs (What Will Come), and classic Britpop (Paralysed) is in tact and heard throughout Everything At Once. They might not be re-inventing the wheel, but that’s never been Travis’ aim. They’ve always made great pop music with heartfelt  lyrics you could soundtrack a romantic comedy to, and the songs on this album are no different. While not everyone’s cup to tea, I dig this album.

Verdict: They might not have the same profile as 15 years ago, but Everything At Once is a terrific reminder of how influential and great Travis are.

[youtube https://www.youtube.com/watch?v=w45_dsXLHNg]

Image: Josepvinaixa

If two is better than one, eleven is definitely better than ten and such is the case for your beloved weekly playlist of top songs. Sure, one came out last week (looking at you, Cub Sport) but we can’t help that it was so good it still deserved a spot in this week’s cut as well!

We’ve got a lot of local flavours in this week’s list, with three acts hailing from Brisbane – the aforementioned Cub Sport as well as Emma Louise (who was remixed by Little Dragon) and Feki (who remixes Anna Of The North). We’ve also got some surf-psych jams from WA (Gunns), a couple of Melbourne acts (Hoodlem and Private Life) as well as Sydney’s Tigertown. Not to mention some international takes like a Louie Lastic remix of Kelela featuring GoldLink, some Bishop Nehru, a collab between Katy B and Kaytranada and not to mention a lit remix of Tory Lanez by Shlohmo and we have once again got you covered with the top songs you should have heard this week!

Gunns, Who’s Gonna Be Your Dog

WA darlings Gunns have a lot to be happy about right now. They’re about to join Albert Hammond Jr on tour (yes, the guitarist from The Strokes), they’re releasing their debut EP on February 12th AND it’s on the same label as a few fellow Western Australians like POND and that tiny band called Tame Impala. They’ve also shared a brand new single this week, titled Who’s Gonna Be Your Dog. Sounding like an Aussie version of Temples in the best possible way, this dreamy psych-surf band are bound for great things, and this song once again proves it.

Kelela, Rewind (Louie Lastic Remix ft. GoldLink)

Kelela was just in the country for a mindblowing whirlwind mini tour, and GoldLink is just about to touch down for Laneway. Although they didn’t cross paths in the literal sense, they certainly have in the sonic sense with this latest release. Jumping on a guest verse for producer Louie Lastic, the two have spun Kelela’s huge single Rewind into an old-school jam, complete with upbeat, bubbling synths, skittering beats, and a groove that just won’t fucking quit. It’s a total jam.

Anna Of The North, The Dreamer (Feki Remix)

Brisbane producer Feki has once again shown he really means business, and has remixed the hell out of Anna Of The North’s The Dreamer. We’ve had our eye on him for a while and each and every time he releases something, he sucks us in even more with his forward thinking, future-RnB production. He capitalises on the sad vibes and hones in on it, amping up the dark vibes and heaping on the emotion. Anna Of The North said it best herself when she told Nylon, “The Dreamer is already a sad song, but I like that Feki’s remix is darker. He makes it ok to cry at the club.” Damn straight.

Hoodlem, Kintsugi

Melbourne duo Hoodlem blew me away when I stumbled upon them at last year’s BIGSOUND in Brisbane, and I’ve been hooked ever since. Thankfully, they’ve finally released some new music this week, which earned them a spot in this playlist instantly. The duo are a powerhouse in a live setting, and have been bringing their A-game with each release since they dropped their tremendous single Through last year. Now they’re gearing up for the release of a new EP coming in March and they’re sounding better than ever. Kinstugi is the first taste of that record, and its glitchy, soulful vibes with their typically fantastic production skills makes for a very exciting release indeed.

Tigertown, Lonely Cities

Tigertown have an uncanny knack of making you think you’re listening to an unassuming indie track, but then catching you by surprise and blowing you totally out of the water with how great they sound. It’s a risky move but they always seem to pull it off, so why the hell not? The band return with their second single of the year, Lonely Cities, and it’s huge. Although the lyrics aren’t exactly celebrating the feeling of being lonely, they’ve juxtaposed them with some totally liberating, joyous and borderline euphoric singalongs, guitar melodies and sharp drums. If only all loneliness felt this good!

Bishop Nehru, Forever And A Day

You might know Bishop Nehru from his feature spot on Flight Facilities‘ excellent debut album, Down To Earth, on the track Why Do You Feel, but it is about time everyone knew him for his capabilities on his own as well. This song is a sultry, inviting, groovy number with some fierce verses and Nehru’s easy flow, he talks about his rise to fame and how his drive keeps him go. He doesn’t sound like he’s quitting anytime soon judging from this track, and that is some very good news for Nehru fans new, old and those still to come. It’s only up from here!

Katy B x Kaytranada, Honey

Anything that Kaytranada lends his hand to has a 99.99% chance of being amazing, and this latest track is no exception. Working with Katy B, this is a smoky and smooth number that shows B’s impeccable vocals and Kaytranada’s flawless-as-ever production. It’s the first taste from her forthcoming Honey LP (which has a tracklist that features everyone from Craig DavidMajor LazerFour TetFloating Points and more), and it’s impressive to say the least. It’s got a groove that is perfect for the bedroom, and Katy B’s sexy hook doesn’t go too bad either for the bedroom vibes. Thank us later.

Tory Lanez, Say It (Shlohmo Remix)

There was a time where Shlohmo was making some of the most experimental music of his career, and the days of him working with Jeremih felt like a bygone era. However, this latest remix is Shlohmo back to his RnB remixing best, as he takes Tory Lanez’ Say It, and makes it fucking lit. It’s still got his trademark dark sounds, and has an air of mystery about it, but it’s also got some token hip-hop drums, crashing cymbals, trap leanings and more to keep it dance-y and fun. Is this a sign Shlohmo is heading back towards his hip-hop roots?

Private Life, Dragon

Melbourne indie two-piece Private Life are fighting the good fight to make “pop” not such a dirty word anymore, and their latest track, Dragon is a perfect example of how well it can be done. Showcasing some huge vocals, crashing cymbals, a hook that won’t quit and some unpredictable production courtesy of Nicolas Lam (from Red Bull Music Academy), Private Life sounds like Australia’s answer to CHVRCHES with one less member and one hell of a knack for good songs. Dragon is explosive yet gentle, uplifting yet fragile, and seriously, SERIOUSLY impressive. We’re expecting big things from these guys.

Emma Louise, Underflow (Little Dragon Remix)

I mean, if you are going to get anyone to remix your comeback single, surely Little Dragon are pretty high up on the list of desired artists to do so. Brisbane artist Emma Louise has achieved just that, with the Swedish band stepping up for rework duties this week on her track Underflow. It was already an absolutely stunning single in its own right, so it’s only fitting that it gets an equally stunning remix, and it sounds like it was in pretty safe hands with Little Dragon. A racing almost-heartbeat like thump keeps the track running along as more and more is carefully poured into the mix. Splashy cymbals, vocal loops and subtle synths carry it along as Emma Louise’s vulnerable original vocals remain in tact. This marks the first remix in four years for the band, so if that alone doesn’t tell there is something great about this track, we don’t know what will.

Cub Sport, I Can’t Save You

Brisbane band Cub Sport fell off the grid for a while there, but towards the end of 2015 it was confirmed that their absence was indeed intentional as they returned to the fray with the release of Only Friend. Back on form, the band have now shared another brilliant track titled I Can’t Save You – another exciting cut from their forthcoming album, This Is Our Vice. A glimmering exercise in synth-driven indie-pop, Cub Sport are wasting no time in reminding us who they are, and keeping our excitement levels at worryingly high levels in the lead up to This Is Our Vice‘s March 4th release.

Image of Hoodlem via Facebook

UK artist Katy B has called on two of the most inventive, expansive and unique electronic producers working today for a brand new track. Four Tet and Floating Points (both of whom are in Australia over the next few weeks, by the way) have come together for Calm Down, to be featured on Katy B’s upcoming album Honey. It doesn’t have a release date yet, but it’s set to be her first release since Little Red in 2014.

Watery synths and a bouncing rhythm open the track, while B’s smooth, neo-R&B melody leads the way with effortless cool. The animated rhythm is complex and snappy, with as much attention to minute detail as you’d expect from Four Tet and Floating Points. The jaunty atmosphere has a dark side, though, a kind of seductive franticness that comes out through immediate and bumbling string embellishments.

It’s a really interesting and expectedly unique sound, with the marriage of the eclectic production work and Katy’s breezy melody spawning a thoroughly enjoyable electro-pop offering, one that is remarkably catchy considering the usual scope of the mad scientist producers.

Four Tet released Morning/Evening earlier this year, while Floating Points recently dropped his stunning debut Elaenia. Floating Points is also in town this week for his debut Australian performances. Meanwhile, Four Tet will be performing at Let Them Eat CakeLost Paradise and more.