Mick Jagger and Martin Scorsese’s HBO series Vinyl is set to end in just over a month. To celebrate, the second volume of the show’s soundtrack will be released just before the finale on April 15th. During the run of the series, mini-soundtracks have been released every Friday. The fifth and most recent one was released on Friday and features covers from Iggy Pop, the Arcs, the Kills’ Alison Mosshart and The Strokes’ Julian Casablancas. 

Set in the 70s, the series follows music executive Richie Finestra who is focused on saving his record company as rock and roll starts to take a backseat in the wake of other genres. Its soundtrack has an incredibly strong, significant rock and roll sound (as you can guess by Jagger’s involvement). The acclaimed show stars Bobby Cannavale, Olivia Wilde, Juno Temple, Ray Romano, Paul Ben-Victor and P.J. Byrne. Jagger’s son James also has a role as Kip Stevens, the lead singer of the Nasty Bits.

The mini-soundtrack consists of five tracks: Casablancas has covered The Velvet Underground’s White Light White Heat, while Iggy smashes Nervous Breakdowns’ I Dig You Mind. Mosshart quickens the pace of The Punks’ My Time’s Coming and The Arcs take on Bobby Packer’s Watch Your Step.

Listen to these four incredible renditions below and take a trip back in time.

https://www.youtube.com/watch?v=5_C2pxz5p5A

https://www.youtube.com/watch?v=Yf-1QgWRqs0

https://www.youtube.com/watch?v=JpWz_CdXCNU

https://www.youtube.com/watch?v=iNjlR65IneE

Vinyl Volume 1.5 is available now via iTunes. Vinyl Volume 2 will be released on April 15th.

Image: Spin

A few years ago, Julian Casablancas started perhaps one of the stranger side-projects we’ve stumbled across of late. It’s apparently been a while in the making, with The Strokes front-man having filed a patent for the ultimate lazy-person’s machine: a folding, pedal-less, electric bicycle, some years ago. The idea behind the invention stems from a number of problems Casablancas has encountered, including (but not limited to) those of storage and unwanted energy expenditure (causing highly undesirable sweat). As the background of the invention states:

“Often times the distance one must travel is seemingly too short or too inconvenient to ride a bus or subway or to drive a car, but too long to walk…. Although riding a bicycle for transportation can alleviate the above drawbacks, bicycles typically are bulky and inconvenient for portability and storage. This inconvenience of portability and storage often results in bicycles being left outside, leaving them susceptible to theft.”

As for the part about not having pedals? “Current folding bicycles typically have pedals, thus requiring the user to exert a substantial amount of energy to ride. Exerting the amount of energy necessary to ride a bicycle often results in the user sweating upon arrival at his or her destination. Because riding a bicycle causes the rider to sweat, the user often must dress down and change into appropriate clothing upon arriving at his or her destination. This is yet another drawback of current folding bicycles.”

He may have the patent along with a number of images of how the bike would work (can we really call it a bike?), but getting the production of the machine off the ground has taken a lot longer than the singer had anticipated. Speaking to Rolling Stone, Casablancas said that it was “kind of breaking my heart with how long it’s taking….The only people who want to do this are these German engineer guys. They have this thing called Free Cross, it’s like an exercise machine. And this is the exact opposite… This is just a lazy man’s thing so you can kind of be transported without spending any energy.”

Want to see some other baffling side-projects and business ventures? We’ve got a whole list of ’em.

 

Dev Hynes aka Blood Orange aka Lightspeed Champion is a vocal activist for racial awareness and change. You only need to spend a couple of minutes on his Twitter to understand that he has strong opinions when it comes to the current state of African American rights in the USA. So, recently when he submitted an interview to Oyster Magazine, it shouldn’t have come as a surprise that such topics might come up in conversation.

The interview was originally conducted last year for an unnamed magazine between Julian Casablancas of The Strokes and Hynes, who have worked together on a number of occasions. The conversation was supposed to be an open exploration of their work, their past and their opinions on a variety of topics. When said magazine refused to put out the interview unedited, the pair decided to take it elsewhere: enter Oyster. Despite agreeing to the terms, the magazine recently released a heavily revised version, and Hynes was understandably pissed.

Hynes has been on a long hiatus from social media, expressing feelings of hopelessness about being heard and being subject to continual criticism while in the public eye. He recently returned to his Tumblr with the following statement in response to the publication:

Oyster Magazine.

End of last year Julian and I had a conversation for a magazine (that I don’t need to name) in which we openly had a conversation for an hour, talking about music, racial politics and our past. This magazine in question didn’t want to put the interview out without it being edited… fair enough. So we took it elsewhere.

Oyster magazine agreed to post it un edited.

They just posted the interview, I don’t know who it was involved, magazine, publicist… so i won’t fully point blame in any true direction right now… but they fully edited and censored it without telling us. Cutting out everything to do with race and my past that I discussed, which was not easy for me to do. Why? So they can have another bullshit piece to add to the noise of the internet? Keep us talking about prince & MJ, of course… but lets take out the section about the million man march… Let’s keep the section talking about first bands we played in… but take out the part where i talk in detail about being assaulted by security and having my knee knocked out of place at Lollapalooza.

It’s very disheartening… & yet again left with the feeling of a lack of trust & hope. In fact, i’m certain that you don’t even see what the real problem is here? I’m sure most people won’t. It’ll be seen as “Dev lashes out at oyster magazine” or “why is he moaning about being featured in a magazine…” it’s not about that to me, I could care less about any of that shit, none of that matters on a day to day in the real world… but the idea of being able to speak freely about things that I think are bothersome to me & to JC, and to others, when told that I could.. was really special to me. I don’t do many articles/interviews because it’s all the same noise, not even slightly an ego thing, in fact it’s more like the opposite. So I was happy when this opportunity arose to talk openly and un-edited with a friend.

I spoke about such personal things, things that weren’t easy for me because I thought that it could be helpful maybe for someone somewhere out there, as well as myself, and you just took it out… like it was nothing… nothing but a distraction to your own world distraction.

You had a chance to really add to something, and show people that there are real conversations taking place in the world right now, but you chose otherwise. And prove yet again that the censorship of a free speaking Black man is of less value to you than retweets.

It is a passionate response from an artist who put himself out on a limb by speaking publicly, and was again disappointed by the results. Of course magazines will edit content to get the best story, but the end product is pretty vanilla focusing on chats about choreography, Rocky and Live V Smash Mouth. It could have definitely benefited from the edgier omitted content, but that’s just our opinion.

You can be the judge and check out the Oyster piece here.

If you find yourself wanting to cause power surges in public spaces (you’d find a way, you know you could) just so the ‘Christmas’ it will stop, here’s a nice little festive list that doesn’t involve power ballads or a Glee soundtrack. Oh – and maybe, if you work in retail or hospitality, you can send your boss this article along with a big ole hint: you will not endure another twenty-odd days of Michael Buble and Mariah Carey. Together, we can make a change.

1: Frightened Rabbit, She Screams Christmas
Consistently beautiful and constantly overlooked, Frightened Rabbit like to put out Christmas songs out for free quite often. There was a lot of toing and froing, but eventually, 2012’s She Screams Christmas won out. It’s got all of the usual Frabbit cosy charm, matched with and a soft, wintery echo that makes it sound like it belongs in a movie soundtrack.

2: The Knife, Reindeer
If it weren’t for the fact that the opening lyrics are “Reindeerreindeerreindeer” you probably wouldn’t even think this was a Christmas song. Maybe it still isn’t, but it’s a great alternative to renditions of Rudolph The Red Nosed Reindeer. Creepy, confusing and enthralling all at once, it’s the Knife, doing what the Knife do (or rather, did) best.

3: Los Campesinos! When Christmas Comes
Familiar with the whole ‘writing your own Christmas songs’ (past festive offerings have included Kindle a Flame in Her Heart and A Doe To A Deer) bit, Los Campesinos! have come out with their offering for the 2014 season. It’s a 6-track EP titled A Los Campesinos! Christmas and When Christmas Comes is the lead track, making not of the fact that once November comes, Christmas has pretty much already begun. Complete with bells, chimes and layered vocals, it’s possibly the most “Christmassy” thing you’ll find on this list.

4: Sufjan Stevens, Did I Make You Cry on Christmas Day? (Well, You Deserved It)
In one box-set alone, Sufjan Stevens has 42 Christmas songs. Released over the course of five years (2001-2006) Songs For Christmas is a collection of five separate EPs. If not for the hilarious title or the dream-like qualities of the song itself listen to Did I Make You Cry on Christmas Day? for the pure relatability of dysfunctionality that seems to come Christmas-time described in the lyrics.

Honourable mentions:

Iggy Pop, White Christmas (or even just his Season’s Greetings video from last year for some major WTF factor). That is all.

Bad Religion, Joy To The World
What is it about punks and Christmas? There are many a punk-Christmas cover out there, Bad Religion came out with an entire album of them last year. Joy to The World was the lead track.

Julian Casablancas, I Wish It Was Christmas Today
SNL live cover? Check. Sleigh bells? Check. Casablancas drawl? Check. Get on it.

Paul Kelly, How to Make Gravy
For when you’re a bit drunk and ready to just feel the feels.

Run DMC, Christmas in Hollis
Run DMC + Christmas. There are no actual words. Other than “yes”.