With their debut album Growing Up released earlier this year to an incredibly positive reception and some extended time on the airwaves, we had an in-depth chat with Bugs frontman Connor Brooker on how the noise pop trio have juggled full-time work, writing and recording their debut and trying to establish and set themselves apart as relatively fresh faces in a Brisbane music scene that has rarely been more populated with young and hungry artists just like them.

Hey Connor, how are you doing?

Yeah good dude, how’s your day been?

Not too bad, what are you up to?

Just on the bus home right now from work after being there for nine hours so pretty wrecked.

What a fun day.

Yeah, I work in retail but everyone was in a good mood today so it was pretty chill. Usually people are just shit and rude.

You’ve got about a month or so left of chill before it starts getting awful for Christmas right?

Yeah dude, it’s crazy. Last year I got told I ruined about eight people’s Christmases ‘cause we didn’t have stuff in stock like, “I’m sure that’s a reflection on my lack of preparedness and not yours.”

You absolute Grinch.

Yeah I just have to cop it, that’s fine. I can deal with that. I kind of just feed off it now, get energy off of ruining people’s Christmases so it’s actually a good thing. The more I ruin the stronger I become.

Congratulations on your debut album released this year, Growing Up.

Thanks man! Appreciate it.

It’s definitely been on high rotation on my Spotify since it came out, what do you think of the response you’ve had thus far?

Yeah it’s sick. We never really expected much to be honest, we’re not really confident people so we’re pretty stoked that anyone even listened to it at all, let alone the support that it’s gotten. Especially for singles like When I Know and Instant Coffee and especially Instant Coffee. It’s had over 40 spot plays on Triple J or something and we’ve had so many friends message us about different songs they like. The reach of it has definitely surprised us.

We’re just happy to have released the album at all really, to have gotten our shit together to do something like that. We’ve just done self-produced EPs for a while so an album was a nice milestone to get out of the way. Brock (Weston, drums) and I have been working towards that for about a year and a half now.

The response has been great. Live if anything it’s been a little better and our new songs have been responded to super well in a live setting so that’s even more rewarding. Having people dance and sing along and have a good time, that’s the best kind of response you could hope for.

You mention you’ve been working towards this for quite some time now, has that included the creative process as well? Had you been writing material for Growing Up for that long or was it a situation where the songs were written in a fairly condensed space of time?

Pretty quick writing-wise. I write like crazy man, about 10 songs a week. They’re not all good, don’t get me wrong *laughs*, heaps of terrible ones but for that album it was all written in December. We’ve got so many songs kicking around at the moment and it’s frustrating because it’s all getting backlogged.

But yeah, the end of last year I wrote the album and then did pre-recording demos and had an idea of what we wanted to achieve sound-wise. I wrote it all over the space of about two months just to maintain a bit of consistency with the themes. It’s not a concept record or anything but I was going through some mental maturing at that point and wanted to reflect that in the lyrics. I like to condense writing into a period for a release because it gives an accurate snapshot and a pretty cool perspective of where my head was at around that time. Looking back on it like an emotional photobook kind of thing *laughs*.

So yeah, two months writing at the end of last year, smashed out the recording at the start of this year and then just tried to get everything organised for the release.

Speaking on the kind of central themes of the record, there’s something inherently fun and relatable about the music of Bugs. Is this reflective of the creative process that you find yourselves writing in?

Oh God yeah man. Thank you so much for starters, that’s really nice of you to say. Yeah, it’s just fun man. I respect other people’s processes completely if they take it seriously like a job almost and I know other writers who are meticulous and look over their work with a fine tooth comb. Not saying I’m not a perfectionist to some degree, being like that just kind of takes away from the honesty and spontaneity of it for me I guess.

I just like to keep it as genuine as possible by keeping the whole process easy and fun and relaxed. Brock and I, we’ll just put together a song on an acoustic guitar over a couple of weeks and never feel any pressure to get it done by a deadline or anything. We work it all out with our new bassist Jordan in a really friendly and casual setting bouncing ideas off each other. There’s never any sort of angst around what we’re going to do.

We’re just looking to have a good time and hopefully channel that into our music. That’s the kind of people we are.

https://www.youtube.com/watch?v=h5rXXebQWPg

You mentioned you write about 10 songs a week. I know you’re a fairly busy dude with other projects like Pro Vita and your ongoing crusade against other people’s Christmases. How do you balance it all?

*Laughs*. Dude it’s so hard. In terms of the music it makes no money. There’s money coming in from APRA and playing gigs but that all goes straight back into paying for things like graphic designers and to keep the band self-sustainable.

In all honesty, trying to do all of that is pretty much a full-time job as well because I handle all the management and creative aspects of these projects like videos, art and formulating direction. It can be a bit messy but I’m just trying, as I get older, learn from other people around me.

A great mentor and a person I have admiration for is Jeremy Neale. He’s one of my favourite songwriters ever. I’ve known him for a while now and he’s just so calm about what he does and he wasn’t like that when I first met him, so seeing how much happiness music has brought into his personal life and his work and other aspects of his life outside of music, so I’m just trying to get my own working life and family life and everything else organised so that the music is a non-stressful part of it. When it gets time-consuming it gets really stressful because music doesn’t pay the bills and work does and sometimes you have to take work off to do the show that’s not going to give you any money.

As an adult, I’m sure you can understand this because you’ve got bills to pay too, it can get pretty stressful but I’m getting better at time management and starting to have a bit more of an adult approach to my life so that flows on into the music. It’s all well and good to be off the cuff in saying this but it’s only going to get you so far if you just keep doing this your whole life, you have to have a plan and the only way you can do that is by slowing down every so often.

What’s it been like for Bugs as a relatively new band trying to establish yourselves in a fairly thriving music scene in Brisbane right now. What do you have to do to set yourselves apart just to get those shows?

I used to live on the Sunshine Coast so coming to Brisbane it was really daunting coming to this, for lack of a better word, incestuous culture in that everyone was in each other’s pockets and knew each other and I was just this 18-year-old coming from the Sunshine Coast and it seemed fairly impossible trying to get in with a booker or become friends with bands.

I looked at the strength of it back then with people like Violent Soho and Dune Rats coming through and just thinking “how the hell is anyone gonna know us making our shitty noise pop?” So not long after I got here I lost that mentality of wanting to be noticed and just kept plugging away at it for our own enjoyment. I guess that worked for us organically, because people started liking the music and showing up to gigs and you’d see these familiar faces.

The whole Brisbane community has been amazing though. We’ve established ourselves through a few years of live gigging now and the bookers are amazing. People like Pat at the Foundry, Jesse at The Brightside, the guys at The Zoo. The guys in The Creases and a bunch of bands have been so good to us as well and it doesn’t ever feel like a competition in this area because it feels like everyone is working together to make each other stronger.

It seems like the most boring thing ever but there’s no competing. There’s no “oh we’re playing on the same night as this band and they’re the same demographic as us so they’re going to steal all the fans. We need to make the door cheaper!” There’s none of that crap going on. If you dig other people’s work and they’re nice people you just want them to succeed.

It’s such an established scene as well. It’s nothing but motivation seeing artists like Jeremy Neale and Babaganouj leading the way, especially as older artists, I look up to those guys and it’s been great being accepted and helped by them. It’s been a lot more natural than I thought I guess.

https://www.youtube.com/watch?v=QKGXhnvMAyQ

The support has definitely paid off for you guys, you’ve played shows now alongside the likes of Modern Baseball, Twin Peaks and PUP just recently. I’m sure this is going to be a nightmare to nail down but has any one experience stood out to you from the last year?

Ah man… I’m saying this because it’s still so fresh in my mind but PUP not long ago were fucking crazy dude.

Twin Peaks was great, don’t get me wrong, but it didn’t seem to sell that well. I don’t give a shit how many people are there to watch us, I just mean that I love Twin Peaks and for them to come all the way from Chicago and only have 150-200 people in the room I was like “Noooo, you guys deserve so much better!” *laughs*.

I’m a huge Twin Peaks fan and I was overseas for that show so that’s heartbreaking to hear.

I thought it was going to sell out for sure, but yeah, with the PUP show though it was so amazing to see so many people show up so early and watch us. I don’t give a shit if they didn’t know who we were before they came, the room was 100% full when we played and the reception everyone gave us was super overwhelming. The number of people who came up afterwards for a hug or to tell us that they’d had a good time or we’d had an effect on their night was just awesome.

And the PUP guys were the nicest dudes ever. I’d say that would probably be it. If not it’d be talking to Brendan and Sean from Modern Baseball. I didn’t really get too much of a chance to hang with PUP because they were super tired and hungover from their show in Sydney. They were really nice guys but they had to bail pretty quick but the Modern Baseball dudes hung around for a chat and to pass on some knowledge.

Just watching them, after being a successful touring band for so many years, they’re just the best fucking friends having a great time and are just in genuine disbelief to be where they are playing music every night. They’re genuinely appreciative and humble people and that’s a really good example to set. Seeing those guys after so much success and so much positivity come their way and to still be such genuine dudes. I don’t know…

You see a lot of older international bands become a bit douchey so it was great to see some of my heroes be who you believed them to be. Not just meeting your expectations but exceeding them, it was really cool.

That’s awesome to hear.

Yeah I’d say it was one of those two moments, but you can pick *laughs*.

Why not both! Your next big show is Deadlam for Halloween…

Yes!

It’s one of the best calendar dates of the year for Brisbane music and this is one of the biggest bills they’ve ever had I think.

So I keep hearing from people about this little old Deadlam thing. As a new Brisbanite I hadn’t really heard about it but so many people I talk to are like “dude it’s going to be so wild!”

Is there anyone in particular playing that night that you’re looking forward to perhaps meeting or chatting to?

Oh I’d love to meet the guys from Shining Bird, they make some really cool music. GL too, some funky as shit tunes, I’d love to chat to them about their production because they make some really dense tunes as well.

I’m really looking forward to seeing Twin Haus. I work with Dan from Twin Haus and we’re really good mates but I haven’t seen them play since their show at The Brightside last year and I was so blown away. You Beauty too. Coming from someone who also sings with a twangy Australian accent I absolutely love You Beauty. Squidgenini too! Holy shit I’m so keen to see Squidgenini live because it’s an absolute racket apparently.

Keen to talk to the guys from The Drones as well if the opportunity presents because, even though I’ve not really listened to a lot of their music, they’re incredibly talented musicians and they’re held in such high regard in the music industry and have probably been through and seen a whole lot of things in their time.

I’m just keen to talk to anyone who can pass on any knowledge about the way they do things, that’s invaluable to me and The Drones have done some really impressive things around some really great music over the years.

https://www.youtube.com/watch?v=6pHho6TubME

Getting to your own performance on the night, you guys are quite known for your covers in live sets, I heard a pretty mean one of Cher’s Believe at the Mountain Goat Valley Crawl earlier this year and I think the same night we heard What’s My Scene by the Hoodoo Gurus as well, can we expect anything new covers-wise at Deadlam this year?

There was something we mashed up the other day we were going to do. *Off phone* Hey Brock!? What was that fucked up cover we were thinking about doing?…

Oh yeah, we’re doing that I’m A Bloke song, can’t remember the proper name but it’s the knockoff version of that I’m A Bitch song from the 90s *sings the chorus*. We’re doing that and then we had something else but I think it’ll have to stay a surprise because I can’t think of it right now *laughs*.

Probably better not to reveal everything in advance. I think your cover of Bloke is going to go off like a frog in a sock though!

*Laughs* Nice colloquialism there by the way.

It’s tried and true. Any ideas for Halloween costumes too?

I grew up with two older sisters who used to dress me up as Spice Girls but I might do something a bit safer. I saw a guy dressed up as a bag of ice on Facebook the other day so maybe I could go as either party ice or party party ice *laughs*. I think that’d be pretty funny. I was going to go as a cigarette but I think The Durries already did that.

RIP! You could do it as an homage?

Yeah, kind of like a walking tombstone to them *sighs* God those guys were great. Ah well, we’ll always have the EP.

Gone too soon. Just to wrap up here Connor because I know you’ve had a long day at work but what’s next for Bugs?

We’re just trying to take it as it comes. We’ve got Deadlam and then Jungle Love and then we’re keen to just have a bit of a relaxed end of the year playing some fun shows and get some writing done so that we can have a big new release to work on over the summer and hopefully have something out by January-February.

We’re thinking hopefully a 6-8 track EP because an album takes a huge commitment as we’ve just found out. Before then we might put out one last single from Growing Up post-Deadlam with a video and hopefully get some more traction with that. Hopefully it goes well but if not we’re chill, we got the next EP and about a million more songs backed up.

Never too worried about the future man, especially with the shittiest news just gone with Fergus Miller from Bored Nothing passing away so suddenly. I mean… if that doesn’t put into perspective how goddamn lucky I am to be here to be here in such a happy and positive headspace then I don’t know what would. It’s super sad and it upsets me a lot but at the same time I couldn’t be more appreciative for how lucky I am.

Thank you so much too for taking the time to do this interview.

It certainly does put a lot of things into perspective. Not at all, looking forward to seeing a lot more of Bugs in the future.

Dude thanks so much, it really means a lot.

Catch Bugs at Deadlam this Friday night in Brisbane. Tickets available here

Image: Facebook

It’s video roundup time! Once again, Howl And Echoes are coming in hot with the freshest, most eyeball-stimulating music videos to be dropped by the artists you love and some of the artists you don’t know you love yet this week. We do all the dirty work and herd them all into one convenient web-based location for you to enjoy every Friday so that you don’t have to. Have yourself a good old gander at the latest offerings from:

Mitski – Happy

https://www.youtube.com/watch?v=EJ0O2vDT0VE&feature=youtu.be

We were loving New York’s Mitski when she last appeared in the roundup for the video for Your Best American Girl, she’s back again with the latest single to precede her highly anticipated fourth studio effort Puberty 2Happy is the title, opening with a synth backbeat that sounds like a skipping CD and Mitski sounding like she’s crooning through a bad dial-up connection. There’s a discordant atmosphere immediately before the layers of sound are built upon (a low saxophone snaking its way in and out) and Mitski’s vocals shine through before the song picks up the pace, slowly building more and more frantically.

The video accompanying it is a wonderful short horror film, set in the 50s, it watches Mitski slowly unravel as she discovers her partner is cheating on her (the ending accelerates to 100 in about three seconds). This one really satiated my love for both horror movies and music videos with clear narrative arcs.

Puberty 2 is out June 17th on Dead Oceans via Inertia.

NO ZU – Hi Gloss

https://www.youtube.com/watch?v=osM1dQlCRY8&feature=youtu.be

Melbourne eight-piece NO ZU have released their latest single Hi Gloss. It’s five minutes of raucously experimental synth pop sounding straight out of the 90s. It’s an unholy blend of different instrumental parts and vocal harmonies, so many unexpected bursts of noise that will keep your ears beyond stimulated.

The video is fantastically lo-fi and matches the bygone era sound with some vintage 3D graphics. Designed by 3D animator Alex Last, there’s as much going on in this video as there is in the song behind it. It’s almost impossible to explain but it looks like something you’d see on early 90s ABC and it’s an amazing throwback sonically and visually.

Nicholas Allbrook – A Fool There Was

https://www.youtube.com/watch?v=AmxdWeMBdT0

Howl And Echoes loves us some Nick Allbrook too, and the POND frontman has his latest single out as well as his second solo studio album today in Pure GardiyaA Fool There Was opens with a furious staccato guitar riff before mellowing into a marching rock tune, the choruses punctuated by the same shredding guitars from the beginning, Allbrook’s positively theatrical vocals engaging the listener at every turn.

The video, directed by Matt Sav, is an Australian homage to Osez Josephine by French rocker Alain Bashung and features a mysterious figure circling Allbrook and a few companions in an illuminated carpark, creating a dizzying effect for a rollercoaster of a song.

Pure Gardiya is out today via Spinning Top Records.

Wild Beasts – Get My Bang

https://www.youtube.com/watch?v=8nkdZhFzglA

Across the pond to Kendal in the UK for this next one, with rockers Wild Beasts announcing their fifth album Boy King and releasing a brand new single simultaneously. Get My Bang is the first, a slow-burning electro-rocker that coils and uncoils across three and a half minutes before a twisting guitar solo plays it out.

The video artfully mirrors the dark feel of the song, a pair of lovers dancing through the dimly lit streets of Belgrade while the band plays. It’s an exciting introduction for what’s to come on Wild Beasts’ next album.

Boy King is out August 5th on Domino.

Whitney – No Matter Where We Go

https://www.youtube.com/watch?v=SN-9ZAr2ePQ

This. Is. Nice. Indie rockers Whitney are just a few days away from the release of their debut album after wowing crowds at this year’s SXSW and have released their latest single this week in the breezy No Matter Where We Go.

The Eagles vibes are palpable in the jangly, southern-flavoured classic rock guitars and stomping percussion, singer Julien Ehrlich’s falsetto putting this summery tune on a nimbus cloud. The video, directed by Alan Del Rio Oritz, visualises the feelgood nature of the song, shots of the band jamming mingled with intimate looks at several different happy relationships.

Light Upon The Lake is out June 3rd on Secretly Canadian via Inertia.

Oh Pep! – Doctor Doctor

https://www.youtube.com/watch?v=eGgy0GoemCU

A contemporary folk-pop duo out of Melbourne are Olivia and Pepita, collectively known as Oh Pep! Doctor Doctor is their latest single, coming just shy of the release of their debut album dropping as soon as July does. The track is a slice of clever, quirky pop with a scuttling backbeat that remains blissfully lighthearted despite lyrics dealing with self doubt. The hook ‘I know what I want, it’s not what I need‘ is just built for a singalong.

The video is positively gleeful, a pair of mates enjoying a cracker day out including throwing eggs at a soccer team and transporting each other around via such conventional means as a beat up hatchback and a pram found by the bins before they enjoy a beer and a sunset together. Truly beautiful.

Stadium Cake is out July 1 via Barely Dressed/Remote Control.

Bugs – Instant Coffee

https://www.youtube.com/watch?v=QKGXhnvMAyQ

Presently one of my favourite bands in Brisbane are punk shredders Bugs. Having just released their latest record Growing Up yesterday, the most recent single from that album Instant Coffee received video treatment this week as well. Frenetically fun, the Bugs boys take pop punk and give it a distinct Australian flavour. Like good instant coffee (if there is such a thing) it never feels too sweet or saccharine, the main riff is a fish hook and the chorus is unbelievably catchy as well. Bugs shred and Instant Coffee is just one piece of a very fine record.

Its accompanying video is a ripper, with coffee beans flying everywhere while the duo enjoy a sunny day at home, although that bowl of Moccona drummer Brock Weston eats like its cereal is the stuff nightmares are made of. Overall stellar stuff from yet another promising band out of Brisbane, try listening to this or anything else by Bugs and not be wearing a shit-eating grin in seconds.

Growing Up is available now via Bugs’ bandcamp.

A$AP Ferg – Yammy Gang (ft. A$AP Mob, Tatiana Paulino)

https://www.youtube.com/watch?v=MQvb_oGWzgk

Wrapping up this week is Harlem hard-hitter A$AP Ferg and his new video for Yammy Gang, a shout out to their fallen comrade in A$AP Yams. From Ferg’s huge new album Always Strive And ProsperYammy Gang Featuring the rest of the A$AP Mob including Rocky, Twelvyy and Nast as well as a touching spoken word outro from Yams’ mother Tatiana Paulino about continuing her son’s legacy.

Yammy Gang goes hard like everything else on Always Strive And Prosper and the whole mob rightfully throws down in honour of Yams, Rocky’s verse exactly as nifty as you would expect. The video is a lo-fi desert trip (almost looks like the Joshua Tree), where the A$AP Mob ride in SUVs and chill out in half-built desert houses.

Always Strive And Prosper is out now on RCA.

Image: Supervisor Wire

It’s video roundup time! Once again, Howl And Echoes are coming in hot with the freshest, most eyeball stimulating music videos to be dropped by the artists you love and some of the artists you don’t know you love yet, of this week. We do all the dirty work and herd them all into one convenient web-based location for you to enjoy every Friday so that you don’t have to. Have yourself a good old gander at the latest offerings from:

Dear Plastic – Zero

https://www.youtube.com/watch?v=1duzFJa78Fo&feature=youtu.be

Here with the debut single from their forthcoming EP Heaven Machine are Melbourne five-piece pop experimentalists Dear Plastic, whose video for Zero is a visual delight. The track is killer, a sweet little slice of electro-pop full of cosmically warped synths and ethereal vocals from Scarlette Baccini that all of a sudden turns it up to 11 for the chorus, those dreamy lullaby vocals all of a sudden transitioning to shrieks, the synths adopting a somber and almost funereal tone. It was enough to have me go bolt upright in my chair.

The video is a fantastic trip, a moving portrait directed by Leigh Young and featuring artwork from Nadia Toukshati. Pastel colours and shapes kaleidoscope their way across some frankly unsettling close-ups of the band, really complementing the sound and atmosphere created, I was hooked instantaneously.

Look for Heaven Machine to arrive later on this year.

Gypsy And The Cat – Inside Your Mind

https://www.youtube.com/watch?v=j_QUQ1Kj_Xw&feature=youtu.be

Sticking in Melbourne for this next one from duo Gypsy And The Cat, the first taste of their upcoming album due this year. Inside Your Mind is the name, the sparkling acoustic guitars blending magnificently with breezy synths and some cloud-soft percussion, this is some of the easiest listening you’ll ever do.

The video was shot in Tokyo and features the duo in cat-catcher mode, going full cartoon donning jumpsuits and carrying oversize nets around as they search for a terrifying creature with the body of a slacker and the head of a cat (the famous cat head of Housetu Sato no less). Cat lovers will go ape for this, I find that head remarkably unsettling though. Nonetheless a clever video.

Catch Gypsy And The Cat on their Inside Your Mind tour of Australia when it kicks off next week.

ANOHNI – Drone Bomb Me

ANOHNI is a name you may recognise as being behind the vocals of Antony And The Johnsons. She has a new album HOPELESSNESS on the way, a joint collaboration between herself, Oneohtrix Point Never and Hudson Mohawke, so you already know production is going to be galactically good. To mark the occasion she’s released the first single and video today for the politically-charged Drone Bomb Me.

Haunting, almost operatic vocals tell the bonechilling story of a young girl whose family have been killed in drone attacks. It’s absolutely heartbreaking and the delivery by ANOHNI is full of emotion. The video features supermodel Naomi Campbell clad in camouflage and seated in a dimly-lit room. Shots of her openly weeping are interspersed with frenetic dancing and create an entirely jarring experience that warrants multiple views and listens.

HOPELESSNESS is out May 6th via Rough Trade/Remote Control Records.

 

Cosmic Rays – Teen Bank Robbers On Heroin

https://www.youtube.com/watch?v=bp5kU0_SOP4&feature=youtu.be

This single from ScotDrakula side project Cosmic Rays hands down wins the belt for best song title this week. Teenage Bank Robbers On Heroin  is the latest single from Australian by way of Canada Matthew Neumann; the mastermind behind both ScotDrakula and Cosmic Rays. This latest single is taken from the latter’s debut EP Yeah, Cool that was released last year. Dark and atmospheric with downtuned vocals and an uncompromising rhythm section (featuring a bassline that just wants to drill its way into your skull) that finds itself offset by some positively bright and gleaming synths. It’s altogether an intoxicating sound.

The music video was entirely self-produced and follows the exploits of a Melbourne suburbs Bonnie and Clyde of sorts, featuring mini-heists and many intense staring contests between the two. For the cost of $70, Neumann has created a great visual story to go with a cracker track.

There’s a new ScotDrakula record inbound but you can check out Yeah, Cool for now out on Future Popes.

Sunflower Bean – Easier Said

https://www.youtube.com/watch?v=xykuu_pVZak&feature=youtu.be

The first international act on this week’s list are Sunflower Bean all the way from New York City. Their latest single Easier Said comes from their just released debut album Human Ceremony. Clean and spritely guitars are the order of the day here, accompanying some gorgeously lilting vocals from frontwoman Julia Cummings.

The video is filmed in what looks like a gloomy stretch of upstate New York in late Fall, grey skies and leafless trees scattered across the landscape. Cummings is the focal point, taking a dirtbike ride in a gold jumpsuit and blue angel wings before the rest of the band join her for a casual jam by a roaring fire.

Human Ceremony is out now on Fat Possum via Inertia.

Bugs – When I Know

https://www.youtube.com/watch?v=h5rXXebQWPg

I caught Brisbane duo Bugs when they played the Mountain Goat Valley Pub Crawl just a couple of weeks ago and was thoroughly blown away. Be it their stellar punk and roll covers of Cher’s Believe or the Hoodoo Gurus’ What’s My Scene to their own pop-punk infused tunes that had the crowd bouncing off the walls. The riffs were heavy and the lyrics honest and with that Aussie-accented twang that adds just that little extra flavour they were a highlight of the night.

When I Know is their latest single, released this week with an accompanying video. Sharp and punchy and with lo-fi guitars that jangle and fuzz, the soaring hook of the chorus will lodge itself in your head for ages and lay eggs there that demand you listen to more. The video is a rainbow-splattered, bedroom-quality collage of different shots of the duo singing and playing.

Catch Bugs launching When I Know in Byron Bay and Brisbane in the next couple of weeks. They are a fuck-ton of fun.

King Gizzard And The Lizard Wizard – Gamma Knife

https://www.youtube.com/watch?time_continue=4&v=nC7ii3Ir-no

Experimental noisemakers King Gizzard And The Lizard Wizard are one of the most productive bands in Australia and they are on a roll. They’re just over a month out from releasing another album, Nonagon Infinity, and this week they’ve released a new single and video: Gamma Knife.

Working in a cancer clinic that’s just installed an actual Gamma Knife machine and knowing how cool it is (seriously, read about what they can do), I was expecting laser-sharp riffs and a warped out cosmic vibe from the track going into it and that’s exactly what I was delivered. The song is just a whirlwind of speed and sound and is the type of song that will have crowds losing their ever-loving shit live (the extended drum solo is utterly fantastic and harkens back to late-70s prog so nicely)

The video is what you would call wacky, the band playing in a circle in a sun-dappled field. It’s 360 degrees of King Gizz, the camera rotating around each member, all clad in black robes and faces painted. Multicoloured warlock looking dudes soon join the circle before the entire thing ends with everyone lying motionless beside a gigantic egg. Like the drum solo, it’s a very prog-rock affair and it just rules.

Nonagon Infinity is out April 29 via ATO.

Young Thug – My People (ft. Duke)

https://www.youtube.com/watch?v=ObXGRPNzX60

Summer vibes abound in the latest single and video from Young Thug. My People comes from his recently released mixtape I’m Up. It features Duke and is a sweltering hot track full of island rhythms, Young Thug spitting fire across all of it.

The video features Thugger leading a band of black clad militants in ski masks. They stand resolutely on a bridge, fists to the sky, as Young Thug raps around them. Striking visuals that contrast with the party feel of the song but an excellent clip all the same.

Look out for Young Thug keeping productivity sky high. Having just dropped I’m Up, he’ll be releasing his debut LP Hy!£UN35 to kick off May and arguably having an even bigger year than he had in 2015.

(Image via Rip It Up)

I love anyone that embraces their Australian accent, especially if that encompasses their singing voice. Bands that accept who they are, don’t mess around pretending to be something they’re not, and wholeheartedly grab their signature Aussie twang and run with it are held in pretty high esteem in my books, which is why I felt the need to share the new EP from Brisbane pop punk duo Bugs.

Based on the EP name alone, things are off to a good start. Too Fast For Satan is an ambitious and cool as fuck name in my opinion. Good job. Also, any EP with a track called Tinnies – equally rad. But the best thing about Bugs (aka Connor Brooker and Brock Weston) is the lyrics. Earnest, relatable, and refusing to beat around the bush, Bugs say what they mean and mean what they say.

Having such an accomplished grip on lyricism is no mean feat, and one that elevates Too Fast For Satan to a level higher than your average punk offshoot act. From the high energy ballad Heal, that sounds more like a song you would scream at a pub with your friends than a heartfelt and exposing song about rejection, to the second aforementioned Tinnies – with it’s thick Aussie accent and extremely relatable lyrics – things are well and truly off to a good start.

The EP takes a turn for the melancholy with Everything I Said, showing a more intimate and vulnerable side to Brooker – a side also shown in Self Conscious, with the punchy drums and jangly, garage guitar giving the songs an almost misleading upbeat feel. The sparse verses of these songs give room for the emotion to swell, this is where Bugs really shine – something I hope is indicative of future releases. Rounding things off very nicely indeed is Best Friend, fitting considering how much Brooker has just filled you in on in the four previous tracks. Sunshine-y, punchy and perhaps the most pop punk of them all, and although it’s a slightly cheesy love song, it’s so much fun all is forgiven.

Too Fast For Satan is gutsy, ambitious and promising. It shows a lot of potential, and immense growth for the duo who only have a very small number of gigs under their belt. Making mistakes is one thing, accepting them is another, and writing about them in such a way as this is something else entirely. But Bugs make it okay to be yourself, and that is the best thing about this EP. Sure there are some classic tunes about getting pissed with your mates, but the more exposed and vulnerable Bugs are, the better. A job very well done!