Making the list of ‘Collaborations We Never Thought We’d See Happen Ever’, today Willow Smith has released her latest track, twentyfortyeight 2.0, which features none other than Michael Cera as producer. Cera, who released his own album of home-made recordings lo-fi tracks True That back in 2014, is no stranger to recording music, but this takes it to a very new level. Followers of Smith’s Twitter may have guessed the collaboration was on the way with a tweet about Cera’s beauty, and Youth In Revolt – a 2009 film Cera starred in – just last week.
Michael Cera is extremely beautiful.
— WILLOW (@OfficialWillow) May 12, 2016
Youth In Revolt
— WILLOW (@OfficialWillow) May 12, 2016
twentyfortyeight 2.0 isn’t too far from what Cera has done before, with dreamy piano sounds, folk style percussion and building vocal harmonies coming together to make something which (sorry to say this Michael), sounds like it belongs on the soundtrack for Juno. Willow floats all over the top with a spoken verse, touching on the sadness the universe feels towards “a society that runs on the backs of those that choose to victimise.” It’s pretty in line with Willow’s recent work, which includes her album ARDIPITHECUS which released towards the end of last year. It’s all very ethereal and spiritual, and she seems to be developing her own sound more and more.
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The music world definitely wouldn’t say no to more Michael Cera. Aside from the group that no doubt appreciated his album, he’s a character and a half, and lord knows that the music industry doesn’t have enough of them (lol). As for Willow, she’s working with more big names as time goes on, with recent rumours she was set to feature on Drake‘s VIEWS, no doubt we’ll be seeing plenty of her.
Image: Jack Colquhoun for Howl & Echoes
This week has had more good videos than we could fill a lazy morning hangover with, but luckily for you, we have narrowed it down to the cream of the crop. With something for everyone, these clips will get your weekend off to the right kind of start. Get clicking below:
Lil Dicky – Save Dat Money
This nine-minute jaunt is actually more like a short documentary, and is goddamn hilarious. The unconventional white boy rapper takes to the streets of L.A. to complete his music video, as the title would suggest, for as little money as possible. He talks his way into swanky locations including the opulent home of an old lady, a McClaren dealership, and a yacht, and picks up a few guests along the way. The clip features half a verse from Fetty Wap (because a full one would be too expensive?) and appearances from the Broad City gals, Kevin Durrant, Sarah Silverman, and T-Pain to name a few. With lines about signing up for free trials, getting Netflix logins from his cousin and coffee refills it’s a laugh out loud track we can all identify with, but what’s more, the guy can actually rap.
[youtube http://www.youtube.com/watch?v=yvHYWD29ZNY]
Wavves – Way Too Much
Have you ever wondered what happens when you mix Wavves’ high energy brand of surf rock with underground wrestling? Probably not. But here is the answer anyway. The clip for first single Way Too Much, off upcoming album V, explores the violent and bloody world of Underground Empire Wrestling in Los Angeles, where play-acting and skits are about as realistic as the smiling characters at Disneyland. The inspiration for the clip came from frontman Nathan Williams infatuation with the sport, and sheer surprise at attending one of the events. “They had a baseball bat with duct tape wrapped around it, and thumbtacks stuck in there, and they were hitting each other in the head with it,” he recently told Rolling Stone. Yeh, it’s pretty gnarly, but the kind where you can’t look away.
[youtube http://www.youtube.com/watch?v=gPdx7Il9DrM]
Deerhunter – Breaker
Deerhunter have released a second track from upcoming album Fading Frontier and it’s another sublime trip down lo-fi lane. The band’s own Bradford Cox and Lockett Pundt directed the clip that accompanies the release, and have accomplished a psychedelic, lazy Sunday, melted ice cream sort of feel. It’s also the same time they have performed vocals ont he same track. The strangely hypnotic visuals depict the band members faces transposed over the top of each other with a layering effect, spliced in with washed out colours and patterns. The song itself is all kinds of good, and a tantalising taste of what the album will hold when it’s released on October 16th.
[youtube http://www.youtube.com/watch?v=UCVWrqxyt3Y]
Mazde – Pitch Black feat. LissA
Mazde makes music with a cinematic quality that tells a story with its slow moving electronic frames. It is fitting then, that the video for Pitch Black is shot with all the grandeur of a film. Each frame is a photo in an album tracing the steps of a couple as they move through the motions from meeting to heartbreak. The story itself is pretty formulaic but when narrated by the vocals of LissA it becomes more than your standard love story. The strength lies in the direction from David Engledo, who translates the bittersweet emotions of the track into a self contained narrative. The 21 year old Berlin based producer is set to support Odesza on his upcoming Europe tour, so I am sure we will be seeing plenty more from him in the future.
[youtube http://www.youtube.com/watch?v=rBsqtCnf7Kc]
Willow Smith – Why Don’t You Cry
Willow Smith continues to etch her way as an artist with latest clip for Why Don’t You Cry. The song itself has the makings of a hit with charging synthesisers and an emotionally rich vocal track, and continues to explore the singer’s exploration of self-discovery. The opening sequence sees Smith arguing with staged parents about going to a party before releasing all that angst in a series of thrashing dance sequences and gut wrenching shouts under the watchful eye of an ethereal twin. When she succumbs to the howling line “why don’t you cry?” with a release of tears, it is with a smile before a mirror, advocating crying as a release. It’s a heady and passionate number, and probably her strongest to date.
[youtube http://www.youtube.com/watch?v=sSVdGh3iylc]
Ibeyi – Stranger Lover
Ibeyi is a duo made up of the twin daughters of Beuna Vista Social Club drummer Anga Diaz, and they have been making all kinds of waves with their self-titled debut album. With the clip to accompany stunning track Stranger Lover, they further cement their eclectic style. It’s a little bit world music, a little bit soul, a little bit jazz. The simple clip shows the faces of the two women grabbed and moved by masculine hands with motions that tread the line between passion and violence. The black back drop at times hides the silhouettes of the sisters before revealing them in their natural beauty with all that wonderful hair. It is a stirring and lovely exploration of femininity firmly rooted in their cultural upbringing.
[youtube http://www.youtube.com/watch?v=YLfuR7m2uFk]
Love Signs – Not Used to Losing
With their latest video, Brisbane’s Love Signs take us on a journey to a set reminiscent of The Virgin Suicides. It’s an eerie high school movie feel with a distinctly Australian bent. As the all female four-piece sit in bleachers from their home city, pulling roll-ups between their teeth, there is a real twang of nostalgia for slow moving summer days. It takes almost two minutes to reach the oh so catchy chorus, but it’s well worth the wait, with harmonies straight from the 50’s and an 80’s beat to match. As the scene transitions between karaoke rooms, malls and abandoned warehouses it’s a hazy, dreamy stroll through the fun and poppy sound of this fourtet. I want more.
[youtube http://www.youtube.com/watch?v=p6EiFsIGHSY]
With anticipation rapidly growing ahead of the release of his forthcoming album View From The 6, Drake has hinted that it may include a certain member of the Smith family. Reports that Willow Smith is involved in the album’s production sparked when Drake posted the below picture of Smith on Instagram with the caption “Young muse all on views. @gweelos”.
While it’s not officially confirmed, it looks pretty obvious. She and Drake both performed at Wireless Festival in London over the weekend. Around the same time, Smith and Drake both posted snaps at Abbey Road Studios on Instagram.
If you haven’t kept up with Smith since she released Whip My Hair four years ago (I don’t blame you), she has grown a lot as an artist. She and her brother have been posting music onto their soundcloud accounts over the past few years. On her bio, she writes, “I just want to make music so I can raise the consciousness level on this planet.”
Rta is just an example of what she has become.
We should also mention that her old man may be collaborating with Drake as well. This was mentioned by Will Smith himself on his son Jayden‘s radio show, when talking about his own album. This will be his first in 10 years. Smith said, “I’m not sure what I’m going to do yet but I’m exploring. I’m in a creative ceiling. I can’t write and stop, I have to keep going and going and write them out.” Considering Jayden has also collaborated with Ta-Ku earlier this year, it’s definitely a very exciting year in the Smith household!
Willow Smith, F Q-C #7
It’s excusable to forget about Willow Smith, given that she’s not Jaden Smith, and presumably less insane. Although, she did drop a song called Whip My Hair, and here, she sings about climbing trees, ditching class and amethyst crystals. (Man, these kids make me really pretty grateful that I experienced things like “discipline” and “humility” growing up.) Anyway, despite the lyrics, this song is actually fucking cool. Oozing with a stripped-back, quirky cool, the eclectic vocals are precisely halfway between Bjork and Rihanna – perfectly complemented by the retro-hippie film clip. By the way, the track name is pronounced Frequency Number Seven. Duh.
Jones Jnr, Never be Lonely
Australian duo Jones Jnr consists of Ev Jones and Thundamentals’ founding member Morgan Jones. The pair have just dropped Never Be Lonely, the lead single off forthcoming EP Step on Sleep. It’s a fun little disco-inspired track, with punchy rhythms and a wicked bass line. The hilarious video clip takes you through a kind of warped, retro, cheesy-dance-filled speed dating. I imagine it’s the kind of speed dating everyone who has ever done speed dating, wishes it was like. A fun little track that’ll be great for a boogie, I’m looking forward to hearing the full EP when it drops on May 29.
The Beach, From Above
There’s something somehow sinister and really quite dark about this gorgeous track, and as such, I like it a lot more than most indie-folk. With an angelic voice to rival James Vincent McMorrow and guitar flickers that hint at John Butler-style talents, this heart-wrenching track is accompanied by an appropriately dark, and strange video clip. Schoolyard bullying, longingly looking out windows, being chased through the streets suddenly give way when each of the victims suddenly begin to levitate. It’s “The Perks of Being a Wallflower” meets “Misfits.”
Olympia, This is Why We Can’t Have Nice Things
Another folk-inclined track with something different totally unique about it, Olympia’s Feist-esque lilt is almost angelic enough to stop you realising that the lyrics are actually quite dark, in reference to the “sticky, unresolved nature” of relationships, reminiscent of the celebrated films of Almodovar. Visually, her blonde bob, over-shiny red dress and guitar channel a kind of off-kilter, grungy elegance, while the film clip features a whole range of breathtakingly beautiful gymnastic moves, slowed down to a point where even the most graceful leap become a visceral heave of flesh.