It’s been an absolutely huge year for Brisbane based producer Joey Da Rin aka Young Franco. After releasing the funky Drop Your Love back in March alongside LA based trio DiRTY RADiO, Franco embarked on a huge European tour, only to return with his latest incredible tune and reminding us once again how much we missed his signature disco and funk-laced sound.

Described as the “next piece of the puzzle,” Miss You continues to build upon Franco’s undeniable grooves but in a more relaxed style. Driven by a springy house beat, subtle and smooth keys make way for a tranquil voal hook, gliding smoothly into a synth-tangled, bass booming wonderland. It’s impossible not to lose yourself in the lively and upbeat sound and we can’t wait to see what he has up his sleeves next.

If you listened to Miss You and found yourself in the mood for a boogie, then luckily for you Young Franco is going on a national tour this January and he’s bringing his close friend and collaborator UV boi فوق بنفسجي with him.

The pair first linked up on their explosive tune Anywhere, and have since been side by side in their success, sharing the stage on a number of occasions, but never on a tour this size.

Joined by a number of yet to be announced “very special guests”, you can assume with their combined list of features, from KLP to Feki, you can be sure that these buzzing Brissie producers will have some surprises to follow. Listen to Franco’s mind-blowing new tune below and check out the all tour dates and information there as well.

For further reading checkout our interviews with Young Franco HERE and UV boi فوق بنفسجي HERE!

https://www.facebook.com/yfrnco/videos/910546209044887/

 

Get Tickets HERE!

Image: Subtype Store

Welcome to The Soundtrack, a column where we plumb the depths of our musical knowledge to bring you the best* (subjective) music to listen to for very specific life situations.

Most of us, hopefully, aren’t complete disasters in the kitchen. Sure, when nobody’s looking you might sometimes revert to a cheese and tomato toasty for dinner, but you probably have a solid handful of go-to meals you’re pretty confident with, if nothing more than a nice colourful stir-fry (if not, please work on yourself). Regardless, that’s actually not what this week’s The Soundtrack is about. This week we’re talking about those times you’ve bitten off more than you can chew (heh) and gone absolutely ham (heh heh) with cooking something far fancier than you’re comfortable with.

Perhaps it’s a first date you want to impress, or the in-laws are coming over, or you’re throwing your first Grown Up Dinner Party. Something has motivated you to crack open that dusty old French dining cookbook your parents gave you in the hopes you’d grow up to be a fully functional human being (sorry, mum and dad). You’ve bought the ingredients, got the right cookware, and are now completely broke and scared shitless that you might not actually be able to pull this off. You need to remain focused and calm, but the clock is also ticking and your confidence needs a boost – you need The Soundtrack.

Björk – It’s Oh So Quiet

Let’s get stuck in while your anxiety is still relatively low. This song will make you feel like you’re cooking in a light-filled apartment in Paris, with posies in your window-box and nothing but time. You’re not a cuisine-challenged twenty-something, you’re Amélie and everything you’re doing is super quirky and endearing, even – especially – the mistakes you make as you go along. It should be noted that yes, this is a cover, but it’s arguably even more intrinsically charming than the original, and that’s what you need right now. It is a truth universally acknowledged that woodwinds in a pop song will transport you to another, much more Wes Anderson-y reality. Knead that dough lovingly with the confidence that Our Lady and Saviour Björk is watching over you, and she believes in you.

Kelis – Jerk Ribs

Alright, perhaps the song this album is from (Food) is what made it spring to mind initially, but just you fucken try chucking this bad boy on and telling me it’s not perfect. Hear that beat? That definitely sounds like pots and pans, right? You’re a regular Nigella Lawson, playing each kitchen instrument just so to make this meal sing. That meaty brass section is the key here – taking organised chaos to a more self-assured level. It feels just like it should” – I mean, you can’t argue with that. The water is boiling, you’ve lined up the spices you’re going to need to use all nice on the bench in front of you. Honestly? Maybe this won’t be so hard. Maybe you ARE a culinary god/dess after all?

The Internet – Gabby

Okay, don’t panic, but you forgot to include butter way back at the start when you needed it. Look, it’s okay, it’s fixable, but this is your first really huge roadblock, and you’re going to need something that will play backdrop to your valiant corrective efforts as well as berate you gently for being such a fucking moron. This little slice from The Internet is simultaneously smooth as HELL – to soothe your frazzled nerves – and kinda uncomfortable in its chord movements, creating the same sort of environment as a good friend telling you “Look, you screwed up, but she’ll be right mate”. And you will, if you can keep your cool, which leads us right into…

Desmond Cheese – Dope Vhs Master

There’s only one kind of song that can help you level out now: a slow-moving soulful instrumental jam. Something steady, something that feels as fresh as it does familiar. Brisbane duo MakCheese and Desmond Bagely are otherwise known as Desmond Cheese, which is simultaneously both the coolest and grossest name I have ever heard. Everything they do is incredibly groove-based and delightfully weird, but this song is the ticket to the state of calm you’re going to need to make it through this stressful time. Warped, tropical synths and a simple motif that repeats but develops each time will ground and inspire you as you carefully back-track to where you went wrong. You’re good now. Everything looks as it should, basically. Give yourself a well-deserved pat on the back – except…

UV Boi فوق بنفسجي  – Running Out Of Time

Oh shit. Your guest(s) are due in like twenty minutes and, according to this incredibly convoluted recipe, you have thirty minutes of work left to do before you plate up. This is literally your own personal version of MasterChef, and the clock is ticking. You might be rolling your eyes at me for choosing a song with such an obvious title for this situation – chuck it on and I think you’ll see just how appropriate this is. Suspenseful, rolling toms dash in and out of the mix, with some particularly apt clock-tick effects thrown in for good measure, reminding you that you are literally the worst ever at time management. But this track isn’t all about stressing you the fuck out – faux-choral sounds take this vibe back from the edge of tension and throw it all the way back to the whimsical. Because, let’s be honest you guys – it’s just dinner. If you royally screw it up, there’s always Deliveroo.

Image: Wallpaper Cave

George Maple has returned to her home country Australia for a headline tour. Fresh from releasing new track Buried with What So Not and featuring Rome Fortune, as well as a remix package for her single Sticks and Horses, also featuring Rome Fortune. After performing to sold out crowds across the USA and beyond, this week saw her return to Australia for a headline tour, with support from UV Boi and Jia Lih. A special cameo from Tkay Maidza also gave the crowd an unexpected surprise!

I can admit, I had underestimated the powerhouse that is George Maple going into last night’s show. Sheer brilliance is the only way I can describe her as a performer, with both incredible stage presence and the most amazing costumes I’ve seen in a long while. The strength of her voice is undeniable with an already solid repertoire of songs that kept the crowd wanting more by the end of her set. Watch this space, this girl is going to be massive.

You can read our full review of Maple live in Sydney here, and you can click here to check out our full interview with this wonderful artist.

George Maple’s tour continues on to Oh Hello in Brisbane this Friday, July 15, before wrapping up at Jack Rabbit Slims in Perth on Saturday July 16.

UV Boi

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George Maple

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All images: Michelle Grace Hunder / Howl & Echoes  

In the past year, 19 year old Brisbane producer UV Boi فوق بنفسجي has quickly become one of Australia’s most unique and impressive producers thanks to his distinctive, genre melding, 808 style. Blowing up thanks to his diverse SoundCloud page, he’s now embarking on an Australian and overseas takeover. Half way through his national tour, we spoke to him about his beginnings, social media, the proposed Brisbane lockout laws and what the future holds.

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Hey how’re you going?

Good, how are you?

I’m great man – I started listening to you back in 2014 and it’s been crazy to see you grow. You’ve had a huge year playing Splendour in the Grass, Beyond the Valley and FOMO, as well as going onto supporting the likes of Yung Lean, Flosstradamus, Kaytranada. How’s the experience been? 

Ahh what’s the word? It’s been unreal.

You also just dropped your new「L-UV」EP and now you’re touring the country, how’s the crowd reaction been to it so far?

It’s been amazing. It’s crazy to see people react to something so personal that you’ve created in such a positive way. It’s unbelievable.

Starting with your roots- you began by sampling vinyl, citing MF DOOM as one of your inspirations, did you start by making classic hip-hop, and how did you evolve to the UV Boi we know today?

Before UV Boi, I had another project, and I’d create all types of genre and experiment with everything I suppose. I moved from hard-style to hip-hop and dubstep, and I guess that’s really shaped and allowed me to create what I make now – having those different influences.

The Australian electronic scene looks to be growing really strong, are there any artists you think should be getting more recognition?

Yeah, on SoundCloud I come across a bunch of people all the time. It’s amazing to see new artists come up, and you know thinking about it, two years ago that was me. There’s too many to artists to name.

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As a Brisbane resident and artist, what are your thoughts on the proposed lockout laws and how do you think they will effect the electronic community? 

It’s tough. I don’t support it, but it has gotten people to talk about violence and alcohol and everything. It’s unfortunate that so many innocent jobs are going to be lost, and music venues especially will see the effects of it. I don’t think it’s the best solution, and it’s not the only solution.

On a lighter note, I’m a big fan of your social media, how has the different forms of media affected your identity?

*laughs* With the power of the internet you can reach all your fans all across the globe, but you shouldn’t see it as the most important thing. Just have fun with it, it’s a nice way to reach your fans.

How important has the SoundCloud culture been, obviously with you blowing up with the help of it? 

It’s definitely affected it, it boosted me to another level. SoundCloud has nourished so many amazing artists. It’s such a nice free platform for people to listen to your music on.

You and Young Franco seem to be hanging out all the time over social media. Did you link up with him over SoundCloud? 

I actually met him in a club, Nina Las Vegas was performing, Franco was one of the acts playing there. I had heard of him before going and he knew of me, so it was nice to finally meet each other and say hello. He just invited me over to his place, and then the next week I went over and we created a song together (Anywhere). Ever since then it’s just been such a great friendship.

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Can we expect anything else from you in 2016?

Yeah, I’m working on a sequel for this EP, something with a darker turn from the first EP.

Yeah the EP definitely had brighter sound compared to some of your other tracks

Yeah, it was all about ‘will he find love’ and ‘does love exist’, for this next EP it’s like ‘did it happen’, ‘did it work out’, so yeah we’ll wait and see what happens.

So for the rest of the year there’s touring and going overseas and seeing how far we can push things. There’ll be different things apart from music too so that will be awesome to get happening too.

 

Remaining Tour Dates

Saturday, 23 April
Woolly Mammoth, Brisbane
Friday, 29 April
Transit Bar, Canberra
Satuday, 3o April
Oxford Art Factory, Sydney
Satuday, 7 May
Flinders Social, Townsville

Tickets and Tour Info Here

 

Image: Hoffisbetter

Words by Lauren Ziegler and Emma Jones

Australia’s summer is officially here, which means everyone has finally shed their winter coats and are gearing up for the festive season that lies ahead. This also means lots of fresh, new music to fuel the festivities. What a convenience it is then, that your trusted Howl & Echoes has once again delivered a playlist of this week’s best songs to get you through the weekend. All wrapped up in a neat little playlist, this week has once again brought the goods in all different shapes and sizes, and we’ve narrowed down the best of the best for your aural pleasure.

Cleopold, Scarlet

When he’s not busy working with Cassian or Miami Horror, Cleopold is actually hard at work on his own solo material. He caught our attention with his debut, Down In Flames a few months ago, and now he’s set to do it all again with the release of Scarlet. Passionate, catchy, groovy and warm, Scarlet has come just in time for summer and that is very good news indeed. He’s linked with Chet Faker‘s record label Detail Co., and if there were any questions remaining about who he is and what he’s about, Scarlet well and truly answers them. We’re predicting really big things from this guy.

High-Tails, My Heart

There’s something utterly refreshing about the clean, bouncy guitars and melody that carry High-Tails’ dreamy new track. The simple and effective track has a way about it, it’s catchy, it puts a smile on your face, it’s incredibly easy to slip and out of the groove. Blending elements from pop, rock, ska and more in a way that allows the track to feel frozen in time, it’s a reminder that you don’t always need gushing atmospheres and intricate layers to creat something really fun.

Just A Gent, Heavy As A Heartbreak (ft. LANKS)

Our favourite freshly-18-years-old Newcastle producer has made his long-awaited return, with a wonderful new single featuring Lanks on vocal duties. Written, produced, mixed and mastered in his own bedroom (as if you’d expect any less), this expansive track is overflowing with energy from the moment the beat kicks in. I love the sheer tonal diversity throughout, as if every percussive input splashes a new colour onto the canvas. Lanks’ vocals complement it so well, adding a rich, earthy tone to the steely beats and backing chords.

Aquilo, Never Seen You Get So Low

Aquilo was brought to my attention a few months ago, and they’ve stuck in my memory since. Their new self-produced track comes ahead of their debut album, due for release next year. The mellow, understated rhythms and breathy melody is soothing and invigorating at once, with a watery, introspective atmosphere. It’s easy to hear the influences of their collaborators SOGN and Olfaur Arnalds, both of whom are slated to feature on the album.

Manor, Grand Mal

Melbourne duo Manor had us hooked a few months back with their previous single Can You Hear Me Talking At You, so we were REALLY excited to see they had more new music for us to undoubtedly love as well. Grand Mal is an intense, sparse, dark track with brooding lyrics and pensive instrumentation. It’s distorted, industrial, dull but never boring and a hugely exciting step up for the duo. We can’t be too sure just yet where they’re headed, but we can’t wait to go along for the ride!

Golden Vessel, Can’t Stay (ft. Allthingslost)

Brisbane producer Golden Vessel has a knack for making really good songs, and another knack for teaming up with really good vocalists. First it was the stunning Tiana Khasi for his track Borrowed Time, and now it’s fellow Brisbanite Allthingslost for Can’t Stay. Careful, precise and considered, Golden Vessel keeps it light and restrained whilst Allthingslost breathes soul and emotion into the song. The duo are a match made in heaven, and we can only hope this is the start of something really exciting.

Asdasfr Bawd, Negative Energy

This is the second single taken from Asdasfr Bawd’s forthcoming EP out early next year, and once again it has us counting down the days until we can jam that straight into our ears. Creating some of the most unconventional, innovative and exciting music to come from Australia’s continuing electronic boom, Asdasfr Bawd does things on his own terms, and we love every single second of it. Minimal but still so full and complete, he melds his classical training with his electronic side to create something you probably haven’t heard before. Keep an eye out for his Underpass EP out March 7th!

CANVAS, Another Time (ft. Andrew Montgomery)

Swedish duo CANVAS have made a name for themselves with their beautiful brand of electro pop, delicate and soft but packing more than a few punches. Now, they’re set to remind us all once again just who they are, by teaming up with vocalist Andrew Montgomery for Another Time. Featuring some modern flutters and flourishes, the track ebbs and flows with gentle synths and crisp beats, whilst Montgomery’s voice soars soft but strong over the glittery bed of electronica. Said to be taken from their forthcoming EP out next year, Another Time is an example of what to do to make a great electro pop song. Producers, take note.

UV Boi فوق بنفسجي, If She, If He (ft. EASTGHOST)

Brisbane’s UV Boi returns with a lush, explorative new track, with a slow building atmosphere, and a really unique blend of jungle-inspired beats, auto-tuned vocals, and stringy, melodic backing beats loops. There’s a lot going on in this murky, yet totally enjoyable track, to the point where listening to it actually feels like a journey – you never know what you’re going to hear next. It’s a really unusual track. but there’s something quite beautiful about it.

World Champion, Shakes

World Champion have been on everybody’s lips for some time now, and with every release, that reason only grows clearer. The Sydney duo today return with Shakes, a blissfully hazy, summery, catchy new offering, just in time for Summer. The combination of bright chords, a shuffling rhythm and crunchy bass create a unique and really interesting, psychedelic soundscape. I can hear the Tame Impala and Revolver-era Beatles influences already knocking down the door.

The Metro was the place to be last Saturday night, as record label Future Classic and BBE brought together some of this year’s best talent for their Xmas Weekender, celebrating a year full of musical greatness. A special shout out goes to special attendee Flume, blending into the crowd seamlessly as punters milled about restlessly in anticipation of a night full of electronic goodness.

Being a music label Christmas party, you’d expect the line up to be pretty phenomenal, and Future Classic did not disappoint with international imports such as Lido, SOPHIE, Nadus and QT coming in all the way from the UK, Norway and the US to perform. Local talents such as the magnificent George Maple, HWLS and UV Boi also made an appearance, making for a pretty impressive set list of performances.

First up were the FC DJ’s, followed by Brisbane-based producer and DJ UV Boi, pumping out tunes like A Q U A T I C. Soul-pop chanteuse George Maple was up next, delivering beautiful renditions of her hits Talk Talk, Fixed and Vacant Space among others, with Touch Sensitive supporting her on keyboard. Norwegian DJ Lido delivered an amazing set, playing some of his classic remixes such as Why I’m Single, Ain’t No Sunshine and Zhu’s Faded, interspaced with some playful crowd banter, before finishing off with his two biggest hits Often (Lido Remix) and I Love You.

George Maple

George Maple performing her amazing set

On stage next was the mysterious and elusive producer SOPHIE, who, despite going under a female pseudonym, is actually a guy who decided on this particular moniker because he thought “it tastes good and it’s like moisturizer.” The London-based producer teamed up with QT to deliver some of their iconic collaborations, such as Hey QT and Lemonade, incorporating high, pitch-shifted vocals with QT’s brilliant but bizarre tin-foil jacket get-up.

Burning the midnight oil was homegrown Aussie act HWLS, who kept the crowd going with the conveniently and consecutively named playlist of tracks 001, 002, 003 and probably his most well-known 004 w/ Noah Breakfast. Last, but not least, was Nadus. The American, hailing from Newark, New Jersey, capped off a night of brilliant performances with Nxwxrk, his remix of Kanye West’s Send It Up, Sharpe James and many more.

George Maple, Nadus and QT were all spotted mingling with the crowd after each of their respective performances. I think it’s always great when artists take the time to interact with their fans, it allows for that level of interaction and dialogue between the two parties. The venue was full, but not packed, with everyone in the audience having enough elbow room to dance and really appreciate the music. To say it was an epic night would be an understatement. More like the perfect send off for an amazing year of music and emerging artists. Check out Future Classic’s playlist of the night to get a little taste of what went on at the best kind of Xmas celebrations.

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