Language is ever growing. From the earliest days of man, the way that people communicate has evolved in such intricate and complex ways that people have dedicated their entire lives to studying it. In the world today, there are roughly 6,500 spoken languages being practiced. With the invention of the written word, these languages were able to be shared more easily, and even more so with the printing press, and the internet after that. The internet in itself has spawned countless words that cross all language barriers. LOL, OMG, ROFL. All of these are understood by almost everyone in the world with access to the internet. Some of these words are now able to connote something more than simply a reaction, like that of a feeling or an experience. One of these, that should need no explanation, is 420.

Marijuana, has always had a relationship with music of all genres, particularly hip-hop. Rappers talk about weed all the time, smoke it in their video clips, and some even now have their own weed-related products on the market. On December 10th 2012, the private consumption of marijuana was made legal in Colorado, America’s 38th state. Weed culture has been booming there over the last three and a bit years, and this year, on the most holy of weed days, April 20th (04/20), there’s going to be a hell of a lot of hip-hop happening there too.

https://www.youtube.com/watch?v=KlujizeNNQM

Denver’s Fiddler’s Green Amphitheatre, Red Rocks Amphitheatre, Cervantes’ Masterpiece Ballroom, Gothic Theatre, Herman’s Hideaway and many, many more will set the stage for a 420 that Colorado will no doubt ever forget. Kevin Gates, Future, Snoop Dogg, Tory Lanez, Flosstradamus, Raekwon, Ghostface Killah, Redman, Method Man, Afroman and tonnes more will be converging on the state to play gigs and, we assume, smoke a fuckload of weed. This is a night that smokers and non-smokers will simultaneously feel a huge amount of FOMO over, and we cannot wait to see what sort of fried antics get recorded and reported about.

Check the full list of people playing here.

Image: Jack Colquhoun for Howl & Echoes

Tory Lanez concert was ended over the weekend after a riot broke out at the venue where he was performing.

The R&B singer was appearing in Midland, Texas when things turned sour. The singer reportedly labelled security at the show “bitch asses” before all hell broke loose. The crowd then allegedly threw chairs, bottles, and tables as tensions began to escalate further before the police stepped in and ended the show prematurely.

The video shows Lanez attempting to bring the crowd closer to him before the riot started, but as he started his song Diego security rushed onto the stage and tried to halt the show. He dodged out of their way and continued with the track as long as he could.

Fans then began to flee the venue as violence began to erupt within the crowd; according to TMZ, the report filed after the incident states that the promoter and venue owners are both considering legal action against Lanez for inciting the riot.

There were also unconfirmed reports of someone possessing a firearm but fortunately no shots were fired. Multiple people were arrested though at the Austin Music Hall, which was a part of the SXSW festival. Lanez headlined the night while K Camp and Dipset also featured on the bill.

Lanez has been in the news recently as he has been involved in a beef with Drake. The Canadian rapper referenced him in his track Summer Sixteen, but the singer seemed unfazed by the diss.

“I’m just a young kid. Me personally, I don’t think I’m even hot enough to be getting dissed but hey, at the end of the day he must look at me as a threat. The music is appealing, and I don’t know why he did it but more blessings to him,” Lanez said at the time.

“I’m a fucking Drake fan. Drake could diss me 20,000 times, and I would never diss him.”

Watch footage of the incident via HipHopDX below:

https://www.youtube.com/watch?v=U8iDBSwCjQg

Read our interview with Tory Lanez here.

Image: Hot new hip hop

Tory Lanez is a young man who knows who he is. Coming from very humbling beginnings, homeless at the age of 15, Tory, real name Daystar Peterson has never stopped acting on his goal of becoming the biggest artist in the world. In the 16 mixtapes he’s produced over the last seven years, his own brand of soulful singing, mixed with hard hitting rap verses has become known to many as Swavey – a genre of his own making. Alongside his music, he does work in fashion, his brand Forever Umbrella, and in the direction of his own videos.

The last year in particular has seen a lot of growth for Tory, collaborating with Wedidit on his Cruel Intentions EP, featuring on tracks by YG and Freddie Gibbs, and being covered by Ed Sheeran for his Summer single Say It. Say It saw his signing to Interscope Records, the announcement of his debut album out later this year, and a bunch of shows all over the U.S. and Europe. With all these successes under his belt, Tory’s never been more confident in himself. We caught up over the phone to talk his rising fame, and looking back on how far he’s come.

https://www.youtube.com/watch?v=CqrG6dW5TSw

Hey Tory, how are you dude? What’ve you got going on today?

I’m just out in California, I’m in the Hills just chillin’ out, how about you?

I’m very well dude, I’m talkin’ to you! First up, there’s no denying that over the last year you’ve blown up more than ever, how does it feel?

It feels good, I mean it’s a blessing from God.

How do you feel that your upbringing has affected your attitude towards your fame?

Um, I mean nothing has really changed, I still feel like the same person, it hasn’t changed me or anything. I just try to stay on my toes, I don’t try to reach for anything or try to be someone I’m not, y’know?

Do you think that it’s made you more humble in regards to your fame though? 

Oh of course, most people- it gets to their head but I’m just a humble person because of the things that’ve happened to me and the situations that I’ve already been in.

If you could give yourself a message as you were just starting out seven years ago, what would you say?

I’d be like, I don’t know – because I’ve been saying that I was going to be big since I was a little, little, tiny kid, so I would probably just tell myself, just, you know, don’t worry about anything. Always remember that I came from here, if I was talkin’ to myself seven years ago.

Over the last seven years that you’ve been making lots of music; you’ve released sixteen mixtapes, and you’ve got your debut album out later this year – what drives you to put out so much material?

You know I wasn’t the artist that put out one number one record for people to listen to me, I was the artist that had to put out a hundred number one records… When I was 22 I was like, what else was expected of me? I’m supposed to have that much amount of music for that much amount of time. For me, to be an artist working on his craft, that means that if I’m talking and talking and telling stories about my life, it must be a lot of music from 16 to 23. There needs to be over somethin’, over 10 mixtapes or otherwise you just have nothin’ to talk about. You know what I’m sayin’? There’s just so much for me to connect to with my fans and with my audience that I have to let it out.

As you get busier with all your work, do you think you’re going to have to hone your focus on certain parts? Is there any one particular element that you’re drawn to aside from your music?

I don’t think we have to sacrifice anything ever. I mean me making music is a sacrifice in itself on all the rest of my real life.

Yeah absolutely, but is there any one element you’re drawn to?

Oh man, I’m sorry about that. I definitely put fashion and directing videos of course – you know the Forever Umbrella Clothing line created by us and also my videos are directed by me too. For me personally, I’m definitely involved in a lot of other things that you know of course, making music does cut into these things but in a weird way they all come around full circle so, I don’t really ever have to kind of exclude one to do the other, they kind of fall hand in hand.

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You’ve worked with huge producers like RL Grime, Shlohmo, and with rappers like YG, Meek Mill, and most recently Freddie Gibbs. What do you take away from some huge artists that you put into your own music? Is there any key lesson someone like Freddie Gibbs has taught you?

Freddie Gibbs is a nice guy man. He’s a helpful person and has a great personality and makes good music. We weren’t in the session together when we made that song, but you know there’s not necessarily anything I take from any artist. But he’s a great guy and I do respect people with good personalities, and Gibbs has a great personality.

What about other artists?

No. Nobody ever really took the time the time to do anything like that. All me brother, at all times.

Chixtape 3 and The New Toronto were released on the same day, but have super different sounds. You seem to be able to work in different minds in different projects. Do you work on a million different projects at once, or do you pump it out one at a time?

No, I mean I knew I was doing those two tapes at one point so, I was only working on those two tapes – I made those in like a week, those tapes didn’t take me long. It was just like a week of work.

Yeah but say you’re working on Chixtape 3 and The New Toronto, would you be working on stuff for your album at the same time or now that you’ve finished those you’re only now working on your album?

I’m working on my album now. Like, I’ve been working on it since Say It. Since I created Say It, I’ve been working on my album. So, since that dropped I’ve been working on my album.

Years and years ago you said that you’ve never bought an album because you want yours to be the first one. With your debut out later this year, have you thought about the second album you’re going to buy?

Damn man that’s a good question. No, I haven’t. I really have not thought about the second album – maybe my second album.

https://www.youtube.com/watch?v=xUq1rZ7mmns

You’ve said a number of times that you want to be the biggest artist in the world – how would you define that?

Nope, I’m going to be – I don’t want to be, I’m going to be the biggest artist in the world.

How would you define that?

I think that it’s when I succeed to a level of importance. I think to the world, where it’s just self explanatory that I am the biggest. I don’t see a certain amount of achievements or a certain amount of Grammys and statistical things because if you talk in that matter, there’s people that have been behind the scenes that have big statistics that are not the biggest. But for me, I personally feel like you know, there’s just certain things that make you the biggest artist I guess. Like you know when Adele comes outside, you know when Justin Bieber comes outside, you know when Taylor Swift comes outside because these are the biggest artists in the world right now, of our time right now, and it’s gonna be self explanatory when I’m there.

Who in your opinion is the biggest artist in the world now?

Honestly brother, I just really can’t tell you that. I just can’t. There’s no one that’s dominating that spot so much to the point where it’s just unfair – and that’s what I’m coming into.

When you become the biggest artist you’re going to be the biggest.

Yes sir. The music is going to be so big brother, it’s going to be so massive. It’s going to be so much bigger than what people are expecting.

Did it hurt when you fell off that balcony last month?

I didn’t fall, I landed on my feet. I jumped off, it was the end of my show. I walked off stage, it was my exit.

https://www.youtube.com/watch?v=ffQ_RNdrw-0

You’re doing a huge number of shows in the future, can we expect to get some love Down Under any time soon?

You’re asking if we can expect what?

Haha, can we expect you to come to Australia any time soon?

Yeah I believe we should be coming very soon actually. I would have to look and double check but I believe we have some sort of stop out there. Do we have a stop out there Jericho?

Tory’s manager jumps in: The first stop of the tour is just Europe, so Australia dates are still being scheduled – but we’re going to Europe next month for sure.

What’s next for you?

I’m gonna be dominating all year. I’m not playing dopeboy games, I’ll tell everyone that I’m the best and I’m the biggest, I’m just not playing any more games with anybody – I don’t have time for that.

 

Photo Credit: thissongissick.com

If two is better than one, eleven is definitely better than ten and such is the case for your beloved weekly playlist of top songs. Sure, one came out last week (looking at you, Cub Sport) but we can’t help that it was so good it still deserved a spot in this week’s cut as well!

We’ve got a lot of local flavours in this week’s list, with three acts hailing from Brisbane – the aforementioned Cub Sport as well as Emma Louise (who was remixed by Little Dragon) and Feki (who remixes Anna Of The North). We’ve also got some surf-psych jams from WA (Gunns), a couple of Melbourne acts (Hoodlem and Private Life) as well as Sydney’s Tigertown. Not to mention some international takes like a Louie Lastic remix of Kelela featuring GoldLink, some Bishop Nehru, a collab between Katy B and Kaytranada and not to mention a lit remix of Tory Lanez by Shlohmo and we have once again got you covered with the top songs you should have heard this week!

Gunns, Who’s Gonna Be Your Dog

WA darlings Gunns have a lot to be happy about right now. They’re about to join Albert Hammond Jr on tour (yes, the guitarist from The Strokes), they’re releasing their debut EP on February 12th AND it’s on the same label as a few fellow Western Australians like POND and that tiny band called Tame Impala. They’ve also shared a brand new single this week, titled Who’s Gonna Be Your Dog. Sounding like an Aussie version of Temples in the best possible way, this dreamy psych-surf band are bound for great things, and this song once again proves it.

Kelela, Rewind (Louie Lastic Remix ft. GoldLink)

Kelela was just in the country for a mindblowing whirlwind mini tour, and GoldLink is just about to touch down for Laneway. Although they didn’t cross paths in the literal sense, they certainly have in the sonic sense with this latest release. Jumping on a guest verse for producer Louie Lastic, the two have spun Kelela’s huge single Rewind into an old-school jam, complete with upbeat, bubbling synths, skittering beats, and a groove that just won’t fucking quit. It’s a total jam.

Anna Of The North, The Dreamer (Feki Remix)

Brisbane producer Feki has once again shown he really means business, and has remixed the hell out of Anna Of The North’s The Dreamer. We’ve had our eye on him for a while and each and every time he releases something, he sucks us in even more with his forward thinking, future-RnB production. He capitalises on the sad vibes and hones in on it, amping up the dark vibes and heaping on the emotion. Anna Of The North said it best herself when she told Nylon, “The Dreamer is already a sad song, but I like that Feki’s remix is darker. He makes it ok to cry at the club.” Damn straight.

Hoodlem, Kintsugi

Melbourne duo Hoodlem blew me away when I stumbled upon them at last year’s BIGSOUND in Brisbane, and I’ve been hooked ever since. Thankfully, they’ve finally released some new music this week, which earned them a spot in this playlist instantly. The duo are a powerhouse in a live setting, and have been bringing their A-game with each release since they dropped their tremendous single Through last year. Now they’re gearing up for the release of a new EP coming in March and they’re sounding better than ever. Kinstugi is the first taste of that record, and its glitchy, soulful vibes with their typically fantastic production skills makes for a very exciting release indeed.

Tigertown, Lonely Cities

Tigertown have an uncanny knack of making you think you’re listening to an unassuming indie track, but then catching you by surprise and blowing you totally out of the water with how great they sound. It’s a risky move but they always seem to pull it off, so why the hell not? The band return with their second single of the year, Lonely Cities, and it’s huge. Although the lyrics aren’t exactly celebrating the feeling of being lonely, they’ve juxtaposed them with some totally liberating, joyous and borderline euphoric singalongs, guitar melodies and sharp drums. If only all loneliness felt this good!

Bishop Nehru, Forever And A Day

You might know Bishop Nehru from his feature spot on Flight Facilities‘ excellent debut album, Down To Earth, on the track Why Do You Feel, but it is about time everyone knew him for his capabilities on his own as well. This song is a sultry, inviting, groovy number with some fierce verses and Nehru’s easy flow, he talks about his rise to fame and how his drive keeps him go. He doesn’t sound like he’s quitting anytime soon judging from this track, and that is some very good news for Nehru fans new, old and those still to come. It’s only up from here!

Katy B x Kaytranada, Honey

Anything that Kaytranada lends his hand to has a 99.99% chance of being amazing, and this latest track is no exception. Working with Katy B, this is a smoky and smooth number that shows B’s impeccable vocals and Kaytranada’s flawless-as-ever production. It’s the first taste from her forthcoming Honey LP (which has a tracklist that features everyone from Craig DavidMajor LazerFour TetFloating Points and more), and it’s impressive to say the least. It’s got a groove that is perfect for the bedroom, and Katy B’s sexy hook doesn’t go too bad either for the bedroom vibes. Thank us later.

Tory Lanez, Say It (Shlohmo Remix)

There was a time where Shlohmo was making some of the most experimental music of his career, and the days of him working with Jeremih felt like a bygone era. However, this latest remix is Shlohmo back to his RnB remixing best, as he takes Tory Lanez’ Say It, and makes it fucking lit. It’s still got his trademark dark sounds, and has an air of mystery about it, but it’s also got some token hip-hop drums, crashing cymbals, trap leanings and more to keep it dance-y and fun. Is this a sign Shlohmo is heading back towards his hip-hop roots?

Private Life, Dragon

Melbourne indie two-piece Private Life are fighting the good fight to make “pop” not such a dirty word anymore, and their latest track, Dragon is a perfect example of how well it can be done. Showcasing some huge vocals, crashing cymbals, a hook that won’t quit and some unpredictable production courtesy of Nicolas Lam (from Red Bull Music Academy), Private Life sounds like Australia’s answer to CHVRCHES with one less member and one hell of a knack for good songs. Dragon is explosive yet gentle, uplifting yet fragile, and seriously, SERIOUSLY impressive. We’re expecting big things from these guys.

Emma Louise, Underflow (Little Dragon Remix)

I mean, if you are going to get anyone to remix your comeback single, surely Little Dragon are pretty high up on the list of desired artists to do so. Brisbane artist Emma Louise has achieved just that, with the Swedish band stepping up for rework duties this week on her track Underflow. It was already an absolutely stunning single in its own right, so it’s only fitting that it gets an equally stunning remix, and it sounds like it was in pretty safe hands with Little Dragon. A racing almost-heartbeat like thump keeps the track running along as more and more is carefully poured into the mix. Splashy cymbals, vocal loops and subtle synths carry it along as Emma Louise’s vulnerable original vocals remain in tact. This marks the first remix in four years for the band, so if that alone doesn’t tell there is something great about this track, we don’t know what will.

Cub Sport, I Can’t Save You

Brisbane band Cub Sport fell off the grid for a while there, but towards the end of 2015 it was confirmed that their absence was indeed intentional as they returned to the fray with the release of Only Friend. Back on form, the band have now shared another brilliant track titled I Can’t Save You – another exciting cut from their forthcoming album, This Is Our Vice. A glimmering exercise in synth-driven indie-pop, Cub Sport are wasting no time in reminding us who they are, and keeping our excitement levels at worryingly high levels in the lead up to This Is Our Vice‘s March 4th release.

Image of Hoodlem via Facebook