It’s that time of year again when rain, shine and music collide to bring us the ultimate summer experience at Falls Music and Arts Festival. One of the largest events happening across the New Year period, Falls has been going strong for a quarter of a century and still never fails to amaze. The bill for the 2017/2018 tour included a bunch of stellar international names including Fleet Foxes, Run The Jewels, Vince Staples, Liam Gallagher, Foster The People, Glass Animals and The Kooks, as well as homegrown favourites like Flume, Angus and Julia Stone, Methyl Ethel, Allday, The Jungle Giants and Julia Jacklin. And that’s just a preview.
Of the four idyllic locations the festival plays, we made our annual pilgrimage to Byron Bay which delivered its usual medley of hot, balmy weather, rainy afternoons and… mud, lots of mud. Clearly it’s our favourite way to ring in the new year.
Day I eased us into things with sets from Daryl Braithwaite, The Jungle Giants, Thundamentals, Foster the People, and Flume rounding out and counting down to 2018. The definite highlight though was watching a crowd of tens of thousands singing every word to Braithwaite’s iconic 1990 hit Horses.
Photos by Dani Hansen.
Check out our galleries for Day II and Day III!
Daryl Braithwaite
The Jungle Giants
Thundamentals
Foster the People
Flume
Photos: Dani Hansen/Howl & Echoes
Sydney’s music scene is still feeling a little down and out these days, what with all of the venue closures gripping this vibrant city. That’s why this news is just so damn beautiful. A piece of the city’s musical heritage is back from the dead with The Lansdowne Hotel reopening its doors over the weekend. After a near 90 year run, the historic venue closed shop back in 2015 following the introduction of the lockout laws, as well as a number of other setbacks.
Jake Smyth and Kenny Graham of Mary’s/Unicorn Hotel fame have teamed up with The Annandale’s Matt Rule to breathe new life into one of Sydney’s lasting mid-sized venues, following the demise of the Newtown Social Club. They have moved the live music portion upstairs and kept downstairs free for daily trade i.e. punters who just want to play a game of pool and throw back a Mary’s Burger pizza (as you do).
To announce their resurrection, the guys decided to throw a four-day-long party featuring a bunch of absolutely stellar names, including The Preatures, Palms, The Pinheads, Skegss, and Sydney’s own supergroup A Band.
Comprised of Elliott Hammond and Michael Tramonte (The Delta Riggs), Thomas Champion (The Preatures), Paddy Cornwall, Seamus Coyle and Freddy Crabs (Sticky Fingers), they belted out a slew of covers along with some special guests, including Royal Headache’s Tim “Shogun” Hall, Gideon Bensen, Hayley Mary of The Jezabels and Johnny Took (DMA’s) on slide guitar duties.
We snapped up all of this and Skegss at the tail-end of a massive Sunday lineup, flawlessly closing out the four-day bender.
Needless to say, we’re stoked to have The Lansdowne back and are looking forward to a sweaty mess of new memories.
A Band
Skegss
Photos: Dani Hansen
Some of Australia’s best hip-hop artists have teamed up with NITV and Start VR for a powerful new track, Change The Date. With January 26 right around the corner, the conversation about changing the date of Australia Day could not be more relevant nor important. The track, which is not only powerful, but really great on a musical level, is bound to make people think twice before throwing “another genocide on the BBQ,” as Birdz spits.
The track and its accompanying video features some of Australia’s best talent with rhymes including Urthboy and Ozi Batla from The Herd, Thundamentals’ Tuka and Jeswon, L-Fresh the Lion, Nooky, Birdz (Nathan Bird), Kaylah Truth, Tasman Keith, both Erica and Sally of Coda Conduct, and Hau. The video is an impressive 360-degree affair put together by Sydney-based virtual reality studio Start VR in partnership with National Indigenous Television (NITV) and SBS.
Hip-hop has given a formidable voice to Indigenous MCs who are using their platform to spread the message and open our eyes to the life of their people. Last year in particular saw hip-hop jump leaps and bounds ahead in terms of really taking a stance, spearheaded by powerhouse duo A.B. Original and their phenomenal protest track January 26.
Change The Date is another big step towards educating the community to acknowledge that Aboriginal people consider January 26 to be a day of mourning for many obvious reasons. Each artist delivers a powerful verse, with no holding back or sugarcoating the message.
The video was released in conjunction with NITV’s Always Will Be Festival leading up to January 26th. Check out the video below, be sure to drag the video around the cypher to heck out everything going on. The lyrics to the track are also available on the SBS website.
https://www.youtube.com/watch?v=x4vf8uF1rq0
On the creation of the video, Start VR Managing Director Angus Stevens said, “when NITV reached out to us we immediately said yes. It’s exciting to be a part of something that you believe in and to be able to join the conversation by using our VR and 360 video experience to explore the debate to change the date has been fantastic.
“VR allows the viewer to really feel like they’re in the room with the artists, and this project encapsulates that sense of immediacy and intimacy,” Stevens added “It’s been a great experience to work with NITV and we can’t wait for everyone to check it out.”
Image: SBS
2016 was a huge year in music, no question. Release after release of insanely high quality music and 2017 is shaping up to be a very promising year in music as well. Here are some of the albums we’re looking forward to in the new year and some of the rumours that are getting us excited for what’s to come:
The xx, I See You
Expected release date: January 13
It’s been just a little over four years since The xx released their sophomore effort Coexist. The friend who introduced me to what is now one of my favourite bands once described their self titled debut and Coexist as ‘the stories teenage infatuation followed by the stories of adult relationships’ as their sound matured over time. We’ve been given a taste of what is to come with lead single On Hold and the newly dropped Say Something Loving, we may be looking at an xx album that explores the moments where you realise your relationship isn’t working, and you have no idea where you go from here. Prepare to feel.
https://www.youtube.com/watch?v=blJKoXWlqJk
Kehlani, SweetSexySavage
Expected release date: January 27
After dropping her mixtape You Should Be Here in 2015 to massive acclaim, 2016 was an intense, emotional year for Kehlani. Following a damaging social media incident, Kehlani was briefly hospitalised. Soon, she returned to the live scene with the beautiful 24/7, in which she shed light on the incident and, before following it up with teaser singles CRZY, Distraction and Advice. From what we’ve heard so far, SweetSexySavage is going to be an R&B-heavy album with incredibly personal lyrics. Kehlani was named ‘one to watch’ in 2015 and in 2017 I believe she’s about to prove that.
https://www.youtube.com/watch?v=A1waZCoYbts
Big Sean, I Decided
Expected release date: February 3
After crafting a modern classic with his 2015 third album Dark Sky Paradise Big Sean is only moving from strength to strength. Last year he joined forces with Jhené Aiko to release TWENTY88, commenced work on G.O.O.D Music’s second compilation album Cruel Winter and was nominated for a slew of awards. Released in succession, lead singles Bounce Back and No More Interviews immediately set the bar high, as well as new single Moves, which came out with the official album announcement late last month. One of G.O.O.D’s most consistently promising artists, this should be a great album indeed.
https://www.youtube.com/watch?v=phr1pOFK1V8
Sampha, Process
Expected release date: February 3
On a routine flight between Melbourne and Sydney some time ago, I opened the inflight magazine. In the music section was a feature on, at the time, up and coming electronic musician SBTRKT. The visuals were so intriguing that I went a bought his self-titled debut the same day. This also introduced me to British crooner Sampha, who features heavily on SBTRKT’s work, and has since been called up to sing and produce with some of the world’s biggest names, like Kanye West, Drake, Solange and Frank Ocean. Sampha’s voice is a work of art in and of itself and his production talents are second to none. Having released two EPs and featuring on so many other songs over the past few years, it’s almost difficult to believe that Process is his debut album, but we absolutely cannot wait to experience the fully realised project, particularly as a solo artist, rather than as a collaborator. Pre-released singles Timmy’s Prayer and Blood On Me are both outstanding – this will undoubtedly be one of the best “debuts” of 2017.
https://www.youtube.com/watch?v=_oM1DFL43Lk
Thundamentals, Everyone We Know
Expected release date: February 10
Sydney legends Thundamentals have been off the scene since their 2014 release So We Can Remember but have come roaring back with the announcement of their next album Everyone We Know. In 2016 we were treated to four singles Late Nights, Never Say Never, Think About It and Ignorance Is Bliss as well as a huge national tour with Pez and Mallrat (check out H&E’s review of their Melbourne show here). 2017 is set to be a huge year for the Thundas, let’s get it.
https://www.youtube.com/watch?v=t61f8PZtK8k
Rumours
G.O.O.D MUSIC (Various artists), Cruel Winter– G.O.O.D Music/Various Artists
Kanye West’s beloved imprint released its first compilation Cruel Summer was released back in 2012, and its follow-up, Cruel Winter has been constantly rumoured ever since. In the middle of 2016, West released a massive collaborative track, Champions, featuring heavyweights Gucci Mane, Big Sean, 2 Chainz, Travis Scott, Yo Gotti, Quavo and Desiigner. The track, as well as a few related social media posts, sparked more interest in the compilation. It has now been rumoured for a February release, although this is completely tentative; considering how busy Kanye West has been in both his personal life and careers, not to mention so many of their artists releasing their own albums and embarking on world tours (Desiigner is in Australia right now and Big Sean’s album is out next month, to name just two examples,) exactly where they found the time to piece it together is unknown. That said, they have had almost five years, so you never know.
https://www.youtube.com/watch?v=fyfOvJ6ByIY
Arcade Fire
During a reddit AMA in mid-2016, the band’s frontman Win Butler hinted that the next Arcade Fire album could be ready for the North American spring of 2017. Back in October, the Canadian group also played a secret show, during which they apparently debuted several new songs. Considering that Will Butler released his solo album last year, the 3+ year break since 2013’s Reflektor is understandable, but we’re hoping that 2017 will see the band’s fifth studio album.
Arctic Monkeys
Arctic Monkeys members have been busy with their own projects, including Alex Turner’s Last Shadow Puppets, and drummer Matt Helders spent much of 2016 touring with Iggy Pop. Now that that’s all been wrapepd up, it’s looking like a follow-up to 2014’s AM is on its way; the boys were recently spotted arriving in their home town, spurring rumours that they’re back in the studio.
https://twitter.com/1892AnfieldRoad/status/807193215703142401
Bad Religion
Donald Trump is President of the United States, so of course Bad Religion are making an album.
Gorillaz
Gorillaz creator Damon Albarn has been hinting at a new Gorillaz album throughout 2016, sending the internet into a frenzy. Now slated for 2017 the album is rumoured to feature Vic Mensa, De La Soul, Snoop Dogg, LCD Soundsystem, André 3000 and The Horrors, just to name a few.
London Grammar
Fresh from performing at Falls Festival, London Grammar dropped an ethereal new track on January 1, no doubt a first taste of their long-awaited follow up to 2013’s If you Wait. Judging by the ethereal atmospherics and the spotlight firmly focused on Hannah Reid’s stirring vocals, it’s looking like the album will no doubt expand on the sound fans came to know and love on their groundbreaking debut.
https://www.youtube.com/watch?v=jqhgXAGP4Ho
Schoolboy Q
Although he only dropped Blank Face last year, Q recently posted on Instagram that he’s already working on a new album, which will hopefully see the light of day this year. We’re cool with that!
System of a Down
SOAD have been spotted on Instagram practicing new material, and have just announced a string of new shows. If this is a new album, it’s the bands first in 12 years. Further evidence of new material is that they have announced a few European tour dates, and it’s looking like they’ll perform at a few festivals as well.
https://www.youtube.com/watch?v=CSvFpBOe8eY
It’ll be hard for 2017 to live up to the amazing music that 2016 produced, but considering that these are just a tiny percentage of the albums we’re waiting on, it’s looking pretty promising.
From the ashes that were Melbourne’s Palace Theatre and Shebeen, Brunswick’s Howler and Thornbury’s The Croxton Bandroom have risen proud. Tonight we found ourselves at The Croxton Bandroom to catch Thundamentals along with a few special guests.
It’s been three years since Thundamentals dropped So We Can Remember, something of a staple for Australian hip-hop. Now, the guys are back with new material ahead of a new album, and are on the Never Say Never tour around the country. Joining them for the ride is Mallrat, fresh from the release of her Uninvited EP and Pez, supporting his sophomore record Don’t Look Down, who was joined by 360 for a portion of his set.
Tuka, Jeswon and co. took to the stage to the blistering Noodle Soup mixed with elements of Dr. Dre’s The Next Episode amid cheers from the audience. Their set mainly consisted of tracks from the new album, giving fans a welcome taste of what’s to come, and the crowd ate it up with whoops and cheers. Ignorance Is Bliss saw the Thundas working a trap-style flow, demonstrating their ability to change, experiment and constantly evolve.
As with all Thundamentals shows, the message is of love and tolerance. Tuka stopped the show to address two punters having a disagreement in the front row and asking them to ‘hug it out’, they requested the audience shake the hand of someone they didn’t know and they spoke extensively to their primarily white audience about the need for calm in increasingly xenophobic times. Prior to performing their major hit Got Love, they announced that portions of their merch sales would go towards an Indigenous support group as part of their continued charity and advocacy efforts.
Tuka then asked the audience, “Do you want to know something no one else does, we thought we’d tell you in person instead of on the Internet.” He continued, “We want to tell you the name of our next album. It’s called Everyone We Know. When we say So We Can Remember, you say Everyone We Know!”
I shared a moment with the person next to me during their reworking of Matt Corby‘s Brother, he rapped the verses while I sung Matt’s hook as the set began to come to a close. Stating how much they hate the whole, pretending to leave before the encore ‘bullshit’, the group finished in style with major players Smiles Don’t Lie and Something I Said.
As you can always rely on them to, the boys from Thundamentals put on a hell of a show, and left huge anticipation for Everyone We Know.
Read our interview with Tuka on the Got Love Initiative and vulnerability in creativity
Since hip-hop outfit Thundamentals dropped their third album So We Can Remember over two years ago, they have continuously managed to stay on the frontline of local hip-hop. Last month Thundamentals announced a massive national tour (with guests Pez and Mallrat) and dropped the first single off their new project, Never Say Never. Last week they dropped another single Ignorance Is Bliss, which officially kicked off round two of their Got Love Initiative. The Got Love Initiative is a fundraising event hosted by Thundamentals, where they raise money through merchandise sales on tour, to support organisations who serve the community day in and day out. This year they are proud to be partnering with National Centre of Indigenous Excellence.
Fans will be able to purchase Thundamentals new range of Got Love merchandise from their upcoming Never Say Never Tour and online from here. You can also donate money through the purchase of Ignorance Is Bliss.
Both singles show yet another evolution from the Blue Mountains-born group, as has been true from project to project. Thundamentals are always naturally progressing, never standing still or going stale.
This new project is starting to build some massive hype, so we had a chat to Tuka about the project and what’s coming next.
Has everyone been using the break from Thundamentals to work on their solo stuff?
Yes, and no. We released the record then we toured it pretty extensively for about a year and half afterwards. While that was happening, I was putting together my solo stuff. Then we took a little bit of time off, maybe eight months, to kind of remember what real life is like and now we are back.
It’s good to have you guys back and have a couple of new singles, which have really put a new flare into what you guys have been doing.
Yeah, we haven’t let the scope of the project out of the bag yet. It’s a really special thing, what we are about to do, it’s been hard to put together and there have been all these obstacles so far. But the roll out of the campaign will have people start understanding the records which going to be interesting. I don’t normally talk about a project with this much passion – I really like this one. Unfortunately, I can’t tell you much about it, but these first two steps, as in Never Says Never, and Ignorance Is Bliss, they are just the start of the puzzle.
[bandcamp width=100% height=120 track=2021402180 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]
I really liked Ignorance is Bliss and the launch of the Go Love initiative. Can you tell me about what that involves and how it came about?
The year before, what we did with the Asylum Seeker Center, we released a song called Got Love with Solo and the chorus goes, “take a fist, make a peace with it,” and then on the tour we created specific merch and sold that at the merch desk and all proceeds went to this cause. We raised about 20 grand and was honestly the most rewarding aspect of my career. Out of everything we have ever done I felt like contributing to the community in a real way – using the platform is something that I feel like when I started, years ago, that’s what it was about. Now we can honour that promise we made to ourselves to continue to contribute to culture, rather than just benefit from it. This year we have a new cause, it was Jeswon‘s idea to start the Ignorance Is Bliss song, and he wrote the initial parts of the song. It’s a very current conversation, and the climate around racial issues and white privilege is happening right now. We obviously make hip-hop music, of which the bulk comes from America, and the system and community and a culture that happening over there. We make our own version of that music, and we felt like we should contribute to this conversation but also put the money where our month is and physically contribute to the issue as well. We felt that was really important – if we are going to put out a song about white privilege, not to just talk about it but to actually do something about it. At this point there hasn’t been a lot of backlash either, which is crazy, we thought people would have some issues with it and we are really stoked that people are receiving it in a really positive way, so far.
It’s an amazing song, and I think if people can see what you’re trying to do and see the proceeds going somewhere important, hopefully you continue to have no backlash.
It’s nice to know our listenership and our following are on board with it and supportive of it, it is really nice to have intelligent, compassionate fans. Because not all bands have that, we are really proud of everyone’s response so far. We are very thankful.
Where is the money going this year?
It’s for the National Centre of Indigenous Excellence, there are centres around everywhere and it will go to all of them. Basically, it fosters people to have a platform to achieve aspirations in their life. So whether it would be people coming in from other parts of Australia and needing accommodation so they can stay in Sydney for a little bit while they tee up things in their life, or an after school care thing. It’s just a great cultural hub that works really hard to help people springboard off that, and we thought that was a really good cause. We aren’t trying to be politicians or in authority of justice or anything like that, we just want to support and contribute to people who are already doing great work in the community and to plug into it. We aren’t professionals in this field, we are just trying to do something in a tangible way that helps. Not just benefit from this culture and community and take, take, take. It’s really important to have the conversation and give the energy back.
https://www.youtube.com/watch?v=juYPruAIk1A
How does it feel to be back on the road with the gang, obviously you’ve done a tour with your solo stuff earlier in the year?
We did the Macklemore tour earlier this year as a bit of a warm up. Well, it wasn’t really a warm up, it was at fucking stadiums! It was massive. It terms of getting the machine moving again, we are just super pumped to do our own headline shows and connect with our listeners again. I feel like we have a good, intelligent, fun-loving audience and it’s always fun to party with those guys whether it be Adelaide or Brissy, or anywhere.
The couple of new tracks that you’ve put out are almost like a new evolution to that Thundamentals sound. Is there more new stuff to be rolled out throughout the tour?
Yeah, we are road testing a bunch of new songs on the tour, that people are going to be hearing for the first time and they won’t be able to hear them again until the record is out. It’s a funny thing, I guess we have been away for two years, but in our minds, conceptually and creatively we haven’t. If you sort of scan through our catalogue we’ve always been progressive and we’ve always done a lot of genres. That being said, we are not running away from our old sound. We get this conversation all the time, “make your new stuff like your old stuff,” and it’s like, “no, listen to the old stuff if you want the old stuff.” We can only make new stuff, but get what they are saying, they want us to make music in that same kind of boom-bap, emotionally mature space, and that’s definitely on the record. I don’t want to talk about it too much, but it’s a really big body of work and we have covered a lot of bases. So people are going to get that but we also wanted to roll out what we were feeling and the artistic expression that we wanted to put out.
It has always come across very natural, it hasn’t felt like you were forcing something that didn’t work.
Yeah, I think there is a big thing with creativity and vulnerability. When you put out something that you’re confident with, if it’s vulnerable I think it’s more effective. I guess what I am trying to say is if you put out music and you actually fuck with it and you actually like it, there is a certain vulnerability about that. It makes it smooth, and if you’re comfortable, it oozes confidence. I remember when we put out Smiles. It’s not an anthem, it’s a chill song and it shows a lot of vulnerability, except that vulnerability shows a lot of confidence. That’s our approach I guess, we don’t want to force things, like you said it needs to feel natural and authentic for us for it to be worth it.
You first three albums came out with Obese Records, since they have shut shop has that had an effect on you guys?
To tell you the truth, we have always been a very self sufficient band, regardless of Obese. They definitely helped us in the early stages with one or two things, but as the band evolved we really did everything ourselves. I guess the biggest difference this time is we are working with a major label (Universal) for a lot of aspects of the business, but again we are a self sufficient organism and machine. They totally understand that and they just want us to be happy and do our thing, because it’s been working.
Do you have a tentative date for the new project?
We are going to do this tour and I have got something very special up my sleeve for how to tell everyone. So I can’t speak on it yet.
We have been interviewing a lot of start-out MCs and up-and-comers from Australia, lots of them have been absolutely stoked to have opened for Thundamentals. How does it feel to inspire the next generation of local MCs?
To be honest, I find it surreal that people would think that about us. That’s crazy, I have never really thought about that. I am learning a lot of this new generation of kids, to tell you the truth I am probably learning more about them than they are learning from me. So the feeling is mutual. Watching someone up on stage for the first time, like when their band has first started, from my perspective that kind of reminds me and triggers things in me and I end up learning a lot. As well as what’s working in their set and what’s not. It’s good to always have your feet firmly on the ground and in touch with the community and the scene. For the first time in a while, I am really excited about it. With artists like Sampa The Great, Remi, and B Wise, and Horrorshow, who have always been there. This is just the top layer of what’s happening, below there is Gill Bates and so much more diversity. It’s been happening for a while, but it’s getting legs and is more accessible for people. It’s a really exciting and electric time.
Thundamentals kick off their tour this Saturday in Canberra. Tickets are on sale now and are selling fast, be sure to jump on them. Tour dates and info below.
If you want to contribute to the Got Love Initiative and download Ignorance Is Bliss click here.
THUNDAMENTALS
Never Say Never Tour
Featuring PEZ & Mallrat
Oct 29th @ UC Refectory Canberra ACT # – GET TIX
Nov 4th @ HQ Complex Adelaide SA – GET TIX
Nov 5th @ Originals Music Festival Coolum QLD #* – GET TIX
Nov 17th @ Republic Bar Hobart TAS – GET TIX
Nov 18th @ The Croxton Melbourne VIC – SOLD OUT
Nov 19th @ The Croxton Melbourne VIC – GET TIX
Nov 25th @ Miami Tavern Gold Coast QLD – GET TIX
Nov 26th @ The Tivoli Brisbane QLD – GET TIX
Dec 2nd @ Wollongong Uni Bar Wollongong NSW – GET TIX
Dec 3rd @ Long Jetty Hotel Central Coast NSW – GET TIX
Dec 8th @ The Jack Cairns QLD #* – GET TIX
Dec 9th @ Dalrymple Hotel Townsville QLD #* – GET TIX
Dec 10th @ Magnums Airlie Beach QLD #* – GET TIX
Dec 16th @ Cambridge Hotel Newcastle NSW – GET TIX
Dec 17th @ The Metro Sydney NSW – GET TIX
Dec 28th @ Southbound Festival Bussleton WA – GET TIX
Dec 29th @ Beyond The Valley Festival VIC – GET TIX
*PEZ not appearing #Mallrat not appearing
Image: Supplied
Thundamentals are back with a vengeance. The hip-hop four-piece of Tuka, Jeswon, Pon Cho and DJ Morgs have returned to the fore with new single Late Nights, which interestingly premiered on their hometown community radio station, Blue Mountains 89.1 FM, after being announced via classified advertisement in the Blue Mountains Gazette.
The track is the first new music we’ve been blessed with with since last album So We Can Remember, which came back in 2014. Although no further details have been officially announced, we can no doubt assume that this is the first single to come from a forthcoming album or possibly EP.
According to Tuka, ‘Late Nights’ isn’t just a nod to partying it’s also an acknowledgement of all of the late nights spent working on your craft. This song is about that epiphany moment where you realise you are better off taking a risk rather than trying to conform. It’s about celebrating the process rather than the finish line.”
This is a heavy, trappy song that’s absolutely taken influence from the big trends in hip-hop today. A big beat echoes in the background, while the bars swing from rhyme to rhyme in between. Flitting percussion fills space in between, while a pitch shifted hook definitely evokes a heady nightclub vibe, spitting about popping bottles and turning up at the club.
Thundamentals will also be supporting Macklemore & Ryan Lewis next month at some of Australia’s hugest venues – hopefully fans can look forward to hearing some more tunes by then. Full details can be found here.
Image: Cole Bennetts
State of Origin is here. That time of year when New South Wales and Queensland sports teams don their colours, go head to head and battle it out on the field – while the rest of us shout profusely at the television. And it’s bloody fun.
Of course, not all of us love sport. Some of us love music – and some us love music AND sport. SO we thought, why stop the rivalry there?
So in true Howl & Echoes style, we have decided to create our very own Musical State of Origin, where we pit the bbest NSW music against the best from QLD.
The competition runs in four categories: Rock, Electronic, Hip hop and Nostalgia.
We’re leaving the winners up to you – there’s little polls next to each category. May the best state win!
Rock
QLD – VIOLENT SOHO
There are a lot of sweet maroon-bleeding bands we could have picked for this: Velociraptor, Dune Rats, The John Steel Singers among a whole bunch of others, but we can’t go past Mansfield’s favourite sons; Violent Soho. Possibly the hardest rocking band to come out of this great nation. Shove that up you, everybody south of the border.
[youtube http://www.youtube.com/watch?v=RN9NC4iQcsA]
NSW – GANG OF YOUTHS
First of all, Gang of Youths frontman Dave Le’aupepe already has the distinct advantage of already playing NRL as his alter-ego, Kevin Gordan.
Gang of Youths also has a serious leg up in terms of stamina – these guys put out seven minute tracks like it ain’t no thing, and their live energy will knock your teeth out. If this was coming towards you, I don’t care who you are – you are going down.
Their sound, too, is ground-shakeable. A mix of soaring Kings of Leon peaks and gravelly, The-National-esque lows, Gang of Youths have the scope of a much more mature band and can take you on journeys you didn’t expect. They’re rabble-rousers in Poison Drum¸ heartbreakers in Knuckles White Dry, cosmic rockers in Radioface. Gang of Youths are the NRL side’s all-rounders. Put them anywhere on the field and they’ll smash through the opposition, and best of all with a smile on their face and a smack on the back. Off the field, these are the guys you want giving you the pep talk in the locker room that will inspire the second-half comeback – these guys have been through some shit, and come out stronger on the other side. Look out QLD – Gang of Youths may be the youngest on the field, but if their debut is anything to go by they’ve got big things ahead.
Electronic
QLD – THE KITE STRING TANGLE
Some would say Danny Harley, aka The Kite String Tangle is the Jonathan Thurston of electronic music. That is to say he is a leader of the game, who crushes souls with his sheer awesomeness at any given opportunity. Harley’s own favorite track What If from debut record Vessels is stellar and is bound to leave those southerners crying big, sad, blue tears of defeat.
[youtube http://www.youtube.com/watch?v=6t37aseIe9E]
NSW – GOLDEN FEATURES
Every team needs someone absolutely huge. Someone to intimidate the other team and know that they shouldn’t be fucked with. For New South Wales, that person is Golden Features. Huge huge sounds, bass whose filth cannot be rivaled, and an emergence onto the scene much like his tackles on the field – out of nowhere. In only a little over a year, Golden Features has proved that he’s one of the biggest on the Electronic field, and now one of the biggest in the Music State of Origin as a whole. Most recently playing a string of club shows Australia wide to promote his latest EP XXI, and yesterday revealed to be returning to Listen Out Festival for the second year in a row, his reputation as a player is well known. If Queensland thinks that they can get past the New South Wales defense, they’d better think again. Golden Features is the big wall of sound that none can penetrate, with the weak being crushed under the weight of his bass. For his teammates, he’s the one who gets them ready for the game. Listen to final track of his latest EP then tell me you that you’re not going to win whatever you’re doing – you’d be lying.
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Hip Hop
QLD – ASTRO TRAVELLERS
There is no question that there is a bit of a stigma attached to Aussie hip hop, but up in the Sunshine State, that’s starting to shift. More and more acts are challenging your standard raps and rhymes, pushing boundaries with their beats and defying expectations and vocabularies with their lyrics. Brisbane 7 piece Astro Travellers bring it home for me. A bunch of classically trained jazz musicians from the Conservatorium, two astounding emcees and a formidable force with their female singer, I don’t see an act further south than the River City to bring it home for us Queenslanders! Check their first single Future Supernova and try to defy those grooves. Impossible. Take that, NSW!
NSW – THUNDAMENTALS
Do I even need to explain why Thundamentals are our choice to represent New South Wales in this epic head-to-head battle? Lyrically dense and musically brilliant, the beloved hip hop trio have undoubtedly proved themselves to be one of the greatest rap groups in NSW, if not the whole country. With the strength, stamina and lyrical muscle to kick serious hip hop ass, it’s hard to think of a worthy opponent. They’re the only rappers around who can spit rhymes about beef noodle soup, and make it sound badass.
Everyone knows the best thing about going to a big sports game is the electric energy in the audience. In that sense, anyone who has ever been to Thundamentals show knows that there’s many similarities between it and State of Origin: the thunderous cheers, the singing and chanting from the crowd, the sweaty men on stage and (for the winning team anyway) heading home with a beaming smile.
We actually contacted Thundamentals for a comment, and Tuka (who also has some pretty bangin’ solo work out now by the way), sent us back the ultimate pre-game song to get PUMPED UP:
Let’s be real here: anyone who uses the Beastie Boys to pump it up, is gonna go hard as hell. Queensland: watch out.
Nostalgia

QLD – THE BEE GEES
This one was really tough, because when it comes to amazing nostalgia acts there is no drought in the Sunshine State. We have everything from the seminal Brisbane indie outfit The Go Betweens, to the party inducing tunes of Regurgitator, to the classic rock of Powderfinger. But, if you want to win at the nostalgia game you have to go back – way back. Right back to the smooth toe tapping melodies that got your parents bopping at the Redcliffe RSL. That’s right. We have the BeeGees and we are proud. Let that sweet hook carry you all the way back to the locker rooms NSW. See you next year.
[youtube http://www.youtube.com/watch?v=jNfFZULPcgk]
NSW – SILVERCHAIR
Daniel Johns may have moved onto to different things, but Silverchair will forever be the absolute greatest New South Wales rock band. Dubbed Nirvana in Pyjamas when Frogstomp blasted its way around the world 20 years ago, Silverchair went on to be one of the loudest, angst-iest riff rockers we’ve ever seen. It would be a Pure Massacre on the field. You’ll be wishing it was already Tomorrow, because some freakin’ Madman is coming right for you. You’ll be feeling (Dearest) Helpless, because you know the other team is just a Freak of nature.
So, who is the winner?
You be the judge. Either way, we are pretty sure the real winner is music.
Photos by Seshanka Samarajiwa
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Ivan Ooze
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REMi
Horrorshow w/One Day
Thundamentals w/ Solo
Read more- PHOTOS: Thundamentals at Magnetic Island, QLD
Seth Sentry
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