As I write this, it’s Saturday morning, the day of our country’s federal election. If you’ve already voted, good on you. If you’re still waking up and looking for a few new tunes to get you up, you’re in luck. Here’s two fantastic new electronic tracks and a bangin’ video to kick off the weekend.

Squarepusher, MIDI Sans Frontières

One of my favourite producers ever is the mighty Tom Jenkins, aka Squarepusher. There’s no boundary he can’t cross, no mind he can’t blow, both as producer and insanely talented bassist. Today he has returned with a new song, and accompanying essay, written about Brexit. Unlike Brexit, Jenkins has opened the track up to “internationalist collaboration,” offering not only the track as a free download, but the stems and sheet music for all to indulge. Any submitted remixes will then be posted to his website.

“The referendum on the UK’s membership of the EU has had appalling consequences,” he begins. “It has amplified many divisions in society and in particular has helped to re-establish xenophobia as legitimate and acceptable.

“This piece of music was written in the aftermath of the referendum and I present it as the basis of an internationalist collaboration with sound makers irrespective of what kind of music they make, where they live, their background, their age -all are invited to participate. It is not offered as a substitute for progressive political action but as a complement to it. I put it forward in defiance of the bigotry threatening the fragile connections that exist between us all. I hope it will be an opportunity to reaffirm some of those connections amidst a very disturbing situation.” Read more here.

Much like Jenkins and many other musicians, Australian artists have also commented on our own current politics. Click here for more.

The track of course, is brilliant, as is its clever title. it opens on a warbled bass melody, while ambient layers begin to grow and weave themselves into a beautiful, atmospheric soundscape. Impassioned and remarkably emotive, I’m looking forward to exploring its remixes in the coming days.

https://youtu.be/2DAa4PEKtYo

Tycho, Division

Apart from a series of remixes earlier this year, wondrous electro-wizard Tycho has been almost completely silent for nearly two years now, with his last full release being Awake in 2014. Today, I’m really excited to share with you his luscious new offering, titled Division. 

7/8 isn’t exactly a common time signature for most, but Tycho isn’t your average producer. Opening up to a deep bass and shuffling cymbals, the guitar-laden track almost has a mid-career Radiohead feel at first, before traversing through a series of more ambient instrumental phrases, shifting through moments of glistening shine, Explosions in the Sky-esque guitar plucks, ultimately emitting an uplifting rush of purpose and hope. Welcome back, Tycho – let’s hope this is the first of many new songs in 2016.

For those interested in exploring his processes, the artist has also shared a short documentary detailing “the Awake years,” which you can watch here.

Jamie xx, Gosh

This isn’t a new song per se, but a new video from Jamie xx, who delivered one of 2015’s most glorious electronic albums. Gosh was featured on In Colour, and today finds itself the soundtrack to a phenomenal new video directed by Romain Gavras. An incredible feat of gargantuan proportions, it reportedly features more than 400 extras and absolutely no CGI or effects.

It begins in a dark room, mostly filled with people wearing VR headsets. We meet our protagonist, with a breathtaking scene of him alone on a balcony. The film pans out and we see hundreds of others on windows, and hundreds more marching.

The clip was filmed in China, in a town called Tianducheng, known for its 354 foot high replica model of the Eiffel Tower. Gavras uses the town to full effect, with absolutely stunning backdrops and angles. The story begins to unravel, with the protagonist as the leader of an apparent movement. Hundreds of Chinese followers dressed in identical attire surround him in some of the most incredible synchronised movements I’ve ever seen on film.

I didn’t want this to end.

Greek-born Gavras is responsible for many similarly beautiful videos, perhaps most famously for M.I.A‘s Born Free and Bad Girls an,d Kanye & Jay Z‘s Niggas in Paris, as well as other clips from Justice, The Last Shadow Puppets and Simian Mobile Disco among others.

Image: Jamie xx

Catfish and the Bottlemen: Hourglass

I love a band that doesn’t take themselves too seriously. Catfish and the Bottlemen have been abolutely killing it this year, having released their debut album Balcony, they’ve reached Gold in the UK and shifted over 100 000 copies. Yet when the time came to create a music video for their latest single Hourglass, instead of taking credit, they decided to make a film displaying how the lead singer Van McCann actually stole the song from Ewan McGregor

McGregor actually features in the clip, playing himself. The star is staying in a hotel room across the hallway from the room McCann is in. After mucking around on the guitar for a bit McGregor has to duck out, but not before he drops his recording on the hallway floor.

Despite being incredibly random, and barely containing any of the actual song, the clip works really well. Then again, you can’t really go wrong with Ewan McGregor.

SquarepusherStor Eiglass

Squarepusher have released a music video for their latest track Stor Eiglass, which I can only describe as intense. The film is essentially a highly pixilated, animated journey through a magical, slightly alien world. Lying somewhere between a children’s video game, and what I imagine it would feel like to take acid and walk around the streets of Canberra – it’s quite a trip.

Your eyes may start to hurt while watching this, but it does give the song a nice sense of movement. It’s also just a lot of fun. Keep doing what you’re doing, Squarepusher.

Lapalux: Puzzle

Following his announcement to be on the lineup of Strawberry Fields, Lapalux has released an awesome music video for his latest track Puzzle. The clip is like a mini feature film, with an incredibly well-executed narrative about a man who falls in love with a car. The cinematography and colour scheme is on point, as is the overall direction of the film. My only criticism is that it is perhaps a little too good…

The five minute clip takes us on an emotional journey, the main character experiencing lust, anguish, fear and resentment. Yet for its entirety we are stuck with the simple soundtrack of Lapalux’s song. The track becomes almost inadequate. Not because it isn’t good, but because it doesn’t always work with the emotions that we’re experiencing in the video clip. Puzzle raises an interesting question of whether a music video be over the top, whether it can actually outshine the song it was made for.

Tiger Choir: Shani

Tiger Choir’s new video for their latest track Shani stands in complete opposition to Lapalux. With absolutely no budget, it has a complete lack of pretense. Taking inspiration from Karaoke stock footage and the hazy neon aesthetic of films like Blade Runner, and films by prolific director Wong Kar Wei, they’ve created a music video that is subtle and artful. I expect great things from them!

The Lulu RaesSwing me on a Vine of Sunshine

It’s quite ironic and quite hilarious that on the day The Lulu Raes embarked to film their sunny, feel good music video for Swing me on a Vine of Sunshine, Sydney had one of its worst hailstorms in history. It was so bad the storm actually engulfed the studio and they actually had to end filming prematurely.

Perhaps that’s why lead singer Eddie has this weird look in his eye while he sings to the camera, like he’s trying to mouth the words in a carefree manner but all he’s thinking is “fuck, we might actually die today”.

Despite the drama, the video clip still remains jolly. Cute superimposed shots of sunny palm trees, obviously from a place far, far away from their studio take us all to that happy place.

Hudson Mohawke: Very First Breath

Born in the underground clubbing scene in the UK, Hudson Mohawke has been demonstrating his considerable talent for producing and reworking other artists for over ten years now. His latest track Very First Breath, demonstrates that same talent for avante garde electronica, and it now has an awesome music video to go with it.

The song explores that existential feeling of falling out of love, of wanting to go back to beginning one more time and feel like you used to feel. Mohawke reflects this in film with a beautiful aesthetic. It features a a woman and a man who look part-human, part-avatar who obviously used to be an item and now want to kill each other. Sounds silly but its not. It’s actually quite poignant.

So, UK electonic master Squarepusher recently announced that he’s got a new album, Damogen Furies, coming out on April 20 (incidentally the day before my birthday, so that’s awesome.)

Notorious for his intense, expansive tracks and dazzling live performances, this is Squarepusher aka Tom Jenkinson’s first full album since 2012’s Ufabulum and follows on from his 2014 EP Music For Robots. It was largely recorded on the road over the last two years, using special portable studio equipment in an attempt to emulate his home set up.

He’s also released a new single.

It’s glitchy and progressive, with buzzing synths and frantic beats. All kinds of bright, completely twisted rhythms and musical layers intertwine, nourishing an intensely, increasingly complex video-game-world atmosphere. The kind of track you need to listen to three or four times to really grasp it all.

He’s ALSO BEEN ANNOUNCED TO PLAY AT VIVID LIVE IN SYDNEY. Those caps were intentional. Have you ever seen what his live shows look like? No? Check this shit out:

Can’t even begin describing my excitement at seeing this man in action.

He’ll be playing on May in the Joan Sutherland Auditorium within the Sydney Opera House. Tickets start at $39 and go on sale on March 27. Full details here.

Regarding the new album (and inevitably what we’ll here at Vivid,) the press release also reveals that it was inspired by two specific styles: “Miles Davis-school jazz, and dance music,” two “distinct traditions” which come together to create a sound “that often straddles nightmarish drill ‘n’ bass and the early work of electric jazz pioneers.”

Expect to hear a “truthful, unembellished representation of how those instruments sound. All of the recordings here were made in one take, with no edits. It is a record that has the brutal energy and vivaciousness of a debut.”

 

 

Words by Jack Colquhoun

Having already announced last month that Morrissey was due to perform, today Vivid Sydney unveiled their entire schedule for this year’s event. Spanning over 18 days between May and June, Sydney’s festival of art, light and music is set to be absolutely massive this year.

This morning, huge international acts like Sufjan Stevens, TV On the Radio and Bill Callahan were announced, alongside locals legends The Drones, The Preatures and plenty more. Vivid Sydney is arguably more electronically oriented, and so it’s no surprise that this year’s roster of DJs and electronic artists is absolutely huge.

This year’s Vivid welcomes the debut performance of UK legend Squarepusher, mega mega hype! Big stuff from home too, with Future Classic set to host two outdoor shows to celebrate their tenth anniversary, made up of almost their entire current roster. Wave Racer, Flight Facilities, George Maple, Touch Sensitive and many more are playing, topped off by none other than Flume in his only Australian performances for 2015. There’s a bunch of parties getting hosted by Plastic World, Astral People, Elefant Traks, Oxford Art Factory, GoodGod Smallclub, and tonnes many more as well.

Anybody who has ever been to Vivid (or really anyone who lives in/has visited Sydney during the festival) knows how exciting it is. From the art and theatre to the gorgeous lights, to the musical delicacies listen above, this is undoubtedly Sydney’s best event. Don’t miss it.

Vivid will take over Circular Quay and the Opera House from the 22nd of May till the 8th of June.

Check out the Vivid website for all the details on this year’s festival.

Hellllo and welcome to your weekly playlist, featuring my ten favourite new songs of the week. You’ll notice a few things about this week’s list: For starters, it’s a week predominantly filled with mashups, remixes and covers. There’s also three tracks not on the actual Soundcloud playlist, sorry – but they’re so good that they’re worth it. We’ve mostly got female-led tracks (as is often the case,) with a bluesy rock single and a couple glitchy techy bits and pieces in there for good measure.

Enjoy!

  • Snoh Aalegra, Emotional
    I was introduced to Snoh Aalegra last year, with her sublime R&B track Bad Things ft. Common. She’s back now with Emotional, a soulful number produced by none other than Wu-Tang Clan’s own Combining scratchy violin loops, bright trumpets and a chirpy beat, this is all kinds of awesome.
  • Tei Shi, Bassically (HONNE Remix)
    I was a little scared before listening to this remix because of how much I fucking adore the original track, but I’m happy to say that this mellowed, smooth and sultry remix totally does it justice. The atmosphere is really chilled, without sacrificing any of the passion or
  • Marian Hill, Wasted
    Things I like: big beats, unique female vocals, wicked indie-pop melodies. Once again Marian Hill has hit the right spot, with her new single It’s the kind of track that starts off simply, and grows into something playfully eerie and so captivating.
  • Justin Timberlake, Cry Me A River (CHVRCHES Cover)
    I’ve started really liking Chvrches lately, and I’ve obviously always been a JT fan. As you might expect, this is a powerful synth-led pop cover, with driving bass, gorgeous vocals and everything that you love about both artists. Listen to it right here.
  • Beckyonce (BJ Warshaw) Single Loser (Put a Beck On It) (Beyonce & Beck mashup)
    In the wake of the Grammys media frenzy, New Jersey producer BJ Warshaw has cashed in by creating a seriously cool mashup of Beyonce and Beck’s biggest tunes. While the combination seems unlikely, they actually work together ridiculously well!
  • Gengahr, She’s a Witch
    UK band Gengahr have just dropped new single She’s A Witch, a soft and bright indie-folk tune. With a breathy melody and a gentle rhythm, it’s catchy, fun and radio-ready. Keep an eye out for more from these guys throughout the year.
  • Generaldisarray, Demons
    Sydney’s Generaldisarray are back with a bang after a three year hiatus. Led by a raunchy melody, the stompy beat and sleazy guitars give off a punky, late night dive bar vibe. The six-and-a-half minute length is admittedly a challenge, but totally worth it.
  • Ludacris, Party Girls (Brodinski Remix)
    This week, three remixes of Ludacris’ Party Girls dropped: Lunice, Sinjin Hawke, and this one by Brodinski. The darkest and French-tech-iest of the three, it’s sexy and deep, and a little… ludicrous: an X-rated Barbie Girls sample? Haha. Give all three a listen, they’re pretty sweet.
  • The Police, Roxanne (Royal Blood Cover)
    I’m including this one because a) I LOVE this song, b) I LOVE Royal Blood, and c) I was supremely disappointed by their extremely boring Triple J Like A Version, and was even more upset after hearing how actually amazing they are at covers. Not on the playlist, check this shit out here.
  • Squarepusher, Rayc Fire 2
    Hooray, new Squarepusher! The UK artist has just announced a new album, and the first single is Rayc Fire 2, available here as a free download (no Soundcloud soz.) The album was inspired by both Miles Davis-style jazz and dance music, and the single is glitchy, intricate and technologically dazzling.

Here’s the playlist, minus Chvrches, Royal Blood and Squarepusher

You may have heard SBTRKT, Jon Hopkins and Squarepusher covered before, but never like this…

This week Stompy’s Playground worked with London Contemporary Voices to rework songs by some of the biggest names in electronic dance music, the resulting tracks were actually quite incredible.

Stompy’s Playground is a London-based team that aims to bring together the worlds of electronic dance and orchestral music. They use a combination of orchestral arrangements, voice, synth, bass and drum kit to create a sound that is compelling, quirky and entirely unique.

SBTRKT260313

If you haven’t heard of these guys you seriously need to give them a listen. While they may not be for the electronic music purists out there, the finished product sounds truly amazing giving traditional orchestral music a refreshing makeover whilst at the same time appreciating the awesomeoness of electronic dance music. What’s not to love about that?

What’s more, all of the six tracks are available for free-download as a “gift for 2015” from their website below.

What fabulous people.

Download here: http://www.stompysplayground.com/