Manchester four-piece Spring King visited Australia last week to play at Splendour in the Grass festival in Byron Bay, as well as a series of headline shows around the country. They stopped in Sydney to perform a headline set with Beach Slang as support, and we spent a rainy afternoon hanging out while they were in town.

Check out our gallery of Spring King and Beach Slang live in Sydney

_MG_1323_Spring-King_Copyright-Dani-Hansen

_MG_1359_Spring-King_Copyright-Dani-Hansen

_MG_1371_Spring-King_Copyright-Dani-Hansen

_MG_1373_Spring-King_Copyright-Dani-Hansen

_MG_1374_Spring-King_Copyright-Dani-Hansen

_MG_1610_Spring-King_Copyright-Dani-Hansen

_MG_1667_Spring-King_Copyright-Dani-Hansen

_MG_1675_Spring-King_Copyright-Dani-Hansen

_MG_1708_Spring-King_Copyright-Dani-Hansen

Spring-King-1

Spring-King-2

Spring-King-3

Photos: Dani Hansen/Howl & Echoes

Spring King and Beach Slang were among the many wonderful bands in town last week to perform at Splendour in the Grass festival, which took place last weekend. Ahead of the Byron Bay festival, both bands embarked on a few national tour dates for those who couldn’t attend Splendour. Last Wednesday, July 20 saw them perform at Sydney’s Oxford Art Factory, and we were there to document all the action.

Check out our photo shoot with Spring King. 

Beach Slang

_MG_1713_Beach-Slang_Copyright-Dani-Hansen

_MG_1766_Beach-Slang_Copyright-Dani-Hansen

_MG_1812_Beach-Slang_Copyright-Dani-Hansen

_MG_1829_Beach-Slang_Copyright-Dani-Hansen

_MG_1902_Beach-Slang_Copyright-Dani-Hansen

_MG_1907_Beach-Slang_Copyright-Dani-Hansen

_MG_1931_Beach-Slang_Copyright-Dani-Hansen

_MG_1961_Beach-Slang_Copyright-Dani-Hansen

_MG_1962_Beach-Slang_Copyright-Dani-Hansen

_MG_2024_Beach-Slang_Copyright-Dani-Hansen

_MG_2044_Beach-Slang_Copyright-Dani-Hansen

_MG_2048_Beach-Slang_Copyright-Dani-Hansen _MG_2108_Beach-Slang_Copyright-Dani-Hansen _MG_2120_Beach-Slang_Copyright-Dani-Hansen _MG_2139_Beach-Slang_Copyright-Dani-Hansen _MG_2173_Beach-Slang_Copyright-Dani-Hansen _MG_2206_Beach-Slang_Copyright-Dani-Hansen _MG_2221_Beach-Slang_Copyright-Dani-Hansen _MG_2222_Beach-Slang_Copyright-Dani-Hansen _MG_2227_Beach-Slang_Copyright-Dani-Hansen-2 _MG_2241_Beach-Slang_Copyright-Dani-Hansen _MG_2272_Beach-Slang_Copyright-Dani-Hansen _MG_2397_Beach-Slang_Copyright-Dani-Hansen _MG_2563_Beach-Slang_Copyright-Dani-Hansen _MG_2588_Beach-Slang_Copyright-Dani-Hansen _MG_2600_Beach-Slang_Copyright-Dani-Hansen
_MG_2660_Beach-Slang_Copyright-Dani-Hansen

_MG_2763_Beach-Slang_Copyright-Dani-Hansen _MG_2801_Beach-Slang_Copyright-Dani-Hansen

Spring King

_MG_2804_Spring-King_Copyright-Dani-Hansen  _MG_2806_Spring-King_Copyright-Dani-Hansen  _MG_2878_Spring-King_Copyright-Dani-Hansen  _MG_2892_Spring-King_Copyright-Dani-Hansen  _MG_2909_Spring-King_Copyright-Dani-Hansen  _MG_2917_Spring-King_Copyright-Dani-Hansen  _MG_2946_Spring-King_Copyright-Dani-Hansen  _MG_2959_Spring-King_Copyright-Dani-Hansen  _MG_2985_Spring-King_Copyright-Dani-Hansen  _MG_2986_Spring-King_Copyright-Dani-Hansen  _MG_2988_Spring-King_Copyright-Dani-Hansen  _MG_3009_Spring-King_Copyright-Dani-Hansen  _MG_3019_Spring-King_Copyright-Dani-Hansen  _MG_3026_Spring-King_Copyright-Dani-Hansen  _MG_3035_Spring-King_Copyright-Dani-Hansen  _MG_3053_Spring-King_Copyright-Dani-Hansen  _MG_3067_Spring-King_Copyright-Dani-Hansen  _MG_3071_Spring-King_Copyright-Dani-Hansen  _MG_3081_Spring-King_Copyright-Dani-Hansen  _MG_3151_Spring-King_Copyright-Dani-Hansen  _MG_3186_Spring-King_Copyright-Dani-Hansen  _MG_3206_Spring-King_Copyright-Dani-Hansen  _MG_3210_Spring-King_Copyright-Dani-Hansen  _MG_3223_Spring-King_Copyright-Dani-Hansen  _MG_3271_Spring-King_Copyright-Dani-Hansen

All photos: Danielle Hansen / Howl & Echoes

 

 

Words by Dani Hansen and James Tait.

With this year’s Splendour In The Grass happening in just a few days time, our excitement and anticipation levels are in overdrive. You may not have had the chance to peruse the timetables for each day and plan out who you’re going to see. We personally think you should be able to catch every single act on the Splendour bill, but that would be impossible without a time machine and a great deal of patience. Instead, our own recommendations are:

James:

Gang Of Youths

Sydney quintet Gang Of Youths are responsible for some of the most emotional and evocative rock and roll to come out of this country. A huge wall of sound, probing and introspective lyrics, huge soaring choruses and, most of all, raw energy. Frontman David Le’aupepe is as captivating a performer as you’ll ever find and his vocal range is enough to induce goosebumps.

There will be plenty of raised fists and hearts on sleeves as they rip through a ferocious Saturday afternoon set at the amphitheatre.

https://www.youtube.com/watch?v=zJzLc8Cj-AY

City Calm Down

Melbourne quartet City Calm Down had a breakout year in 2015 with the release of their album In A Restless House to rave reviews off the back of singles like Rabbit Run and Son. Giant synths buoying songs full of twists and turns and clever pop melodies that grab you and take flight, they’re a part of the new wave of Australian rock but City Calm Down are a band who play with the aplomb of a group well beyond their years and their live set will keep you mesmerised from start to finish.

Catch City Calm Down dishing out the chills like candy to many a weary head on Sunday at the amphitheatre.

https://www.youtube.com/watch?v=26AQCCQKkcc

Spring King

Heading out to Australia for the very first time are Mancunian energy fiends Spring King. Having just released their debut album Tell Me If You Like To and blowing up in a big way after singles like City, Detroit and Rectifier took off. Harnessing the sound of the swinging 60s, yanking it into the 21st century and infusing it with so much raw energy and aggression, the mosh for Spring King on Saturday in the GW McLennan tent promises to be just ludicrous. There’s also something special and awe-inspiring about a drumming frontman and Tarek Musa’s ability to sing while his limbs are flailing almost impossibly everywhere will drop jaws.

Check out our interview with Tarek from Spring King.

https://www.youtube.com/watch?v=yONyEewXraU

The Preatures

Sydney four-piece The Preatures are another frenetic and infectiously energetic live experience. Frontwoman Isabella Manfredi is rock and roll to her absolute core, able to alternate between the lightness of Stevie Nicks and the swagger of Joan Jett on a whim. The Preatures’ sound harkens back to a golden era for rock and they’re four of the best young musicians in the country to boot.

Good luck trying to watch their Sunday night set at GW McLennan and without dancing uncontrollably.

https://www.youtube.com/watch?v=ZtDXezAhes8

Violent Soho

There may be few moshpits larger and more frantic in the history of Splendour than the one that will greet Mansfield heroes Violent Soho for their set this year. Having released one of the hottest records of 2016 with the devastating WACO, the Soho boys somehow survived a national tour with Dune Rats and DZ Deathrays and are here to leave a crater in their wake. Seriously, The Avalanches may not have a stage to play on after Violent Soho get done.

Look out for the return of the fabled gumboot bong as Violent Soho cause carnage on Friday night at the amphitheatre. Read our interview with guitarist James.

https://www.youtube.com/watch?v=hRWi-SvzviY

Dani:

The Strokes

Simply legendary. We saw guitarist Albert Hammond Jr. hit up Mountain Sounds Festival in February flying solo (what a set), and with the release of the band’s comeback EP Future Present Past in May, rumours were flying that we might just see The Strokes come to Splendour.

The same rumour seems to go around every year and we’ve been left disappointed, but now it’s actually, really, truly happening and you finally have your chance to see a piece of New York indie rock history in the flesh. Don’t mess this up, guys.

https://www.youtube.com/watch?v=pT68FS3YbQ4

Flume

Our forever-21-year-old-electronic-savant Harley Streten, the man otherwise known as Flume, has made it through his self-described “dickhead phase” and emerged… a genius (what we already knew tbh). Released in May, Skin is the highly-anticipated and very solid follow-up to his self-titled debut. After a four year hiatus, Harley recently announced a massive world tour to unveil his new live show, which we already received a taste of earlier this year at Laneway.

Let me tell you, folks, I was shooting at Laneway and never have I seen a photo pit so packed in my life, staying and watching the entire set just mesmerised. Compared to the last live performance from three years ago, his live show and on-stage presence have considerably evolved to be simply incredible and the beats are second-to-none. Also, a highly collaborative album means a high chance of special live guests, as we saw at Laneway with Kai, KUČKA and Vince Staples all joining Flume on stage. Best buckle-the-hell up.

https://www.youtube.com/watch?v=4fAzM5cI5FM

King Gizzard And The Lizard Wizard

Melbourne garage rockers King Gizzard And The Lizard Wizard are no stranger to hard yakka. Over the span of their four year career, they’ve released a ridiculous eight studio albums, with another four projects supposedly set for release next year alone. Nonagon Infinity, released earlier in April, is a much heavier answer to 2015’s all-acoustic Paper Mâché Dream Balloon, with frontman Stu Mackenzie maintaining it’s “not really metal but… inspired by stuff like that.”

Where these guys seriously impress though (that is beyond their insane artistry), is seeing them in their sweaty, bent-over, hair-flying, psychedelic glory onstage. If Mac DeMarco crowdsurfing during their Falls set in Marion Bay earlier this year isn’t any indication of what to expect, I honestly don’t know what is.

https://www.youtube.com/watch?v=6f78_Tf4Tdk

Fat White Family

“The most rebellious act is to revel in your own misery and patheticism,” chimes Lias Saoudi, frontman of this raucous five-piece from Brixton. The band had barely released their first album before they were swaddled and hailed on high by the likes of NME, Rolling Stone, even Letterman.

Anti-establishment, anti-gentrification, anti-Arctic Monkeys, they’re overly portrayed as some kind of Sex Pistols-esque train wreck whose implosion is imminent but, honestly, who doesn’t appreciate a bit of sobering vulgarity? Their reputation as a brilliant live band is to be seen in their constant crowdsurfing or stripped naked guitar playing or the general ramshackle and extremeness of any given performance of theirs. If you want a band that’s not there to run through the motions, Fat White Family are what you’re looking for.

https://www.youtube.com/watch?v=YKNt_qq6N7o

Green Buzzard

Fresh meat from the I Oh You family who have been working with some amazing acts of late (DMA’s, Violent Soho, MOSSY, City Calm Down etc.), Green Buzzard are a five-piece Sydney garage outfit who, I swear, get better every time I see them.

I caught their second ever gig supporting Palma Violets and The Vaccines on their Splendour sideshow last year, so for them to be playing at the festival this year is a huge step up. Live, they’re a wall of utterly satisfying fuzz, smoking speakers and all. Their newly released EP Eazy, Queezy, Squeezy is a lo-fi delight, reminiscent of the whole 90’s Britpop thing, as well as Dinosaur Jr, Weezer, Sebadoh etc. Worth the watch and worth the listen.

Check out our interview with Green Buzzard.

https://www.youtube.com/watch?v=QtMbPm7Q8Ec

Image: Your Friends House

Spring King are a band on a meteoric rise. Manchester natives, they’d been plugging away for several years before catching the ear of Zane Lowe and having their hit single City receive the honour of being the first song ever played on his Beats 1 show. Hard hitting, relentlessly driving rock and roll that pummels you into delirium with a deliciously tangible 60s flavour, they have released a string of equally as hotly received singles in the lead-up to their debut album Tell Me If You Like To, which is just weeks away from landing. With the Spring King boys also set to tour Australia as part of the biggest Splendour In The Grass lineup in years as well, we had the privilege of catching up with frontman, drummer, songwriter, producer and an all-around great bloke in Tarek Musa ahead of a huge couple of months for them.

Tarek: Hey James, how are you?

Good Tarek, how’s it going?

I’m alright, it’s my first ever interview abroad basically with Australia.

I get the honour of that interview? Good lord…

Yeah! I’ve never woken up this early…

Oh dear, I do apologise for waking you. I’ll definitely try and set the bar high for your first ever Aussie interview. So you’ve just woken up, what have you got planned for today?

*Laughs* So we’re playing Liverpool tonight so the guys’ll be here in a couple of hours and then we’ll drive to Liverpool and play the show tonight and then tomorrow we’re off to Guildford or Leicester tomorrow actually.

Is there even a Leicester there anymore after the Premier League?

*Laughs* I think so.

So you’re in the middle of quite an extensive tour at the moment around the UK, how’s it all been so far?

It’s been really good so far. We’ve been playing a lot of places that we’ve never headlined before or even been to before and the reception’s been amazing like, most of the shows we’ve been about three tickets off selling out and we weren’t really expecting that from places we’ve never been to so it’s really exciting. Especially the first night, which was Norwich, there were so many people there and everybody was going crazy so it’s like yeah this is fun, this is great. We didn’t expect this so we were really over the moon.

The whole tour’s been like that so far so we’re all a bit like oh right, cool, people know us in that place and in that place and it’s really good.

That’s some exciting and encouraging news for you guys, that’s great. So mid-tour you’ve just put out another single in Detroit, which is presently burning up the airwaves over here. What can you tell us about that song?

Well basically we recorded it as part of the album so it comes out on June 10th on Tell Me If You Like To and it’s a song about how I fell in love with someone from Detroit *laughs* and I went over there and it was a really cool place and I had a really great time so it’s basically a song about love and trying to make things work, nothing more than that really.

https://www.youtube.com/watch?v=YD01EMtV-hw

Very relatable. Love the sound of it as with everything else you’ve released because it has such a huge 60s influence to it. What is it that draws you to that era?

Well I think I always grew up listening to 60s music. My parents have always had a lot of it in the house and especially my dad. Growing up I wanted to learn the drums and the first video that I ever watched that inspired me to learn the drums was this Hollywood movie with Tom Hanks called That Thing You Do and I used to play on books. My dad didn’t buy me a drum kit for about five years or something he was like “If you really want to play drums you gotta keep playing on these books” and then years went by and all I listened to were these 60s soundtracks around the house and I think that’s how that sort of 60s influence came in for me.

A lot of the best pop music I’ve ever heard in my life was from the 60s and its a big inspiration arrangement-wise and songwriting -wise. The 60s, for me, was where it was at for pop songwriting and obviously I love the Beach Boys, they’re my number one band. I’m actually going to see them three times this month in England, Brian Wilson is coming and playing shows and I managed to get tickets to three of them so I’m just going to go and saturate myself in Brian Wilson *laughs*

That’ll be it for you then right?

*Laughs* Yeah that’s it, I’m done.

Well I guess that’s the other big news for you guys, as you mentioned, your debut album Tell Me If You Like To is out June 10th. How does it feel to have it all wrapped up and ready to go?

It feels great! We’ve been wanting to put out an album for quite a while but then we’ve always been doing loads of support tours or working early on, Pete (Darlington, guitar) and James (Green, bass) had jobs and we didn’t have the proper time to get down and record together but we managed to do that at the end of last year and it feels great. It feels great to finally be putting out our debut and we just want to keep writing music now and try and keep up that momentum and get that next album ready *laughs* at some point.

We just want to put out music and I think as soon as you put out that first album it feels like the starting gun to dropping more and more stuff and really starting to write music a lot. We kind of want to put out as much as possible but I guess we’ll see how the year goes with tours and stuff. I’m sure it’s going to get even more crazy and we won’t be able to put out music for the next five years probably *laughs*

Speaking of momentum, pretty much every single Spring King has brought out in the last year or so has just been really really well-received. What does that do for your confidence as a new band? Obviously that’s a really positive thing but does it add any pressure when it comes to putting together the final record wanting to carry through that consistent quality?

Yeah well a lot of people found out about us through City and Who Are You so that was like this riff-based entrance to Spring King which a lot of people found and I’ve always wanted to make sure that when we put out the album that we do a bit of everything that we enjoy, not just one aspect. So there’s a couple of slow songs on there as well, there’s a couple of four minute tracks. I personally like writing short songs but I wanted to make sure that I write a bit of everything so that we’re not pigeonholed too quickly into one area with where the album goes.

It’s really inspiring. When people message you on Facebook or Twitter and they love the music and they tell you “this helped me today” or “I really love this song, I was going through a tough time but I put it on and it made me really happy”, you go oh gosh, that’s really cool. Then when you play shows and people are coming up to you after. It is really inspiring to see the reaction songs have had.

It does put a bit of pressure on you, yeah. Because you want to make your fans happy but then if I went down that route I’d probably go crazy so I’m trying to do it like just on a personal level first and making sure that personally I’m really happy with the music first and then if other people like it then that’s amazing. That’s the cherry on the cake.

What were some of the challenges that you faced writing and recording your first album?

So I’d written loads of songs to put on the album and then when I arrived at the studio, because I’ve always just recorded in my house and Spring King have never really recorded in a proper studio before, but when we got there we’d hired it out ourselves and we were going to engineer it all ourselves and record it all ourselves which we did but the actual space was so inspiring that we wrote five songs there. So we went in with this preparation to record there all these songs we had but then ended up writing more songs there and then.

It was a bit of a weird experience really because Rectifier we recorded and we wrote there and there’s a few others on the album which we did there. We went in with this master plan but it kind of just gets thrown out the window anyway. It was a weird experience recording the album. There was a lot of preparation but the atmosphere took us anyway and we just ended up doing whatever we wanted when we were there.

https://www.youtube.com/watch?v=yONyEewXraU

Sounds like a really positive first recording experience in the endI got to have a listen to it this afternoon on my way home from work and like you said, there’s a few different aspects to it and you’re not pigeonholing yourselves into one particular sound or genre but one thing that I thought came through consistently was the sheer energy that you boys played with in recording that album. I just wanted to ask how did you get that to come through so well and is it something that’s difficult to bring to the studio every day or do you all just feed off each other?

The way we record normally we do the drums first and also at the time we were recording the album James and Pete had jobs so we recorded everything in part because James couldn’t make it Tuesdays and Wednesdays and Pete was working in a bakery Fridays, Saturdays and Sundays so I’d do all the drums on my own basically and one of the things I was trying to keep in mind the whole way was that even when it’s a slow song or even when it’s a dynamic song to try and keep that, in the drums especially, to try and keep that punch and still play quite aggressively and I think then when James came in to record the bass that really influenced the way he was playing because they were that aggressive. So then the bass ended up aggressive and the guitars after that so even when it was slow there’s definitely still just this energy there.

We try to recreate it live because live we like to just go crazy so we wanted to get that in the album as well. I think it’s part of us, we don’t really know how to play super soft music, we like to play hard. It’s because we’re bad musicians *laughs*. No we really enjoy the driving force between every song that we play. We like to keep it snappy and hard-hitting, even when it’s slow.

I think that’s why you’ve got so many fans at the moment, definitely what a lot of people look for in their music. Speaking of the live environment, how have your songs been transitioning into the live form?

We’ve been playing Rectifier and Detroit and Tell Me If You Life To at the moment and all three are really fun to play. We just put The Summer into our set as well and it’s the way they’ve all been written. We’ve always written it in the studio, recorded it and then learnt it as a live piece so we’ve never been one of those bands who’ve rehearsed it together and then gone into the studio, it’s the opposite way around.

We had a bit of a challenge at first trying to recreate that studio sound a little bit, like the energy and making sure we captured that energy but then it’s translated really well and the reception we’ve had off these tracks has been really positive. Whenever Rectifier plays and there’s a moshpit we feel like we’ve done a really good job. We’ve done what we came here to do.

I’m definitely very much looking forward to being a part of that moshpit at this year’s Splendour In The Grass which Spring King are coming out to play.

Yessss, we can’t wait.

What are you looking forward to most when you come out here. I mean apart from playing Splendour obviously but is there anything in particular you’re looking forward to doing while you’re in Australia?

Well I’ve never ever been to Australia. A lot of my friends have and a lot of my friends have moved there. We’re only going to Sydney, Melbourne and Byron Bay and it’s a massive country but I have friends who have been to those three places and they’ve all said it’s just incredible. One of my good friends Fraser A. Gorman lives in Melbourne and I can’t wait to see him and hang out as well, he’s a really cool guy and then Dave (Mudie) the drummer for Courtney Barnett I’d like to meet up with him for a bit and hang out and then I guess after playing the three shows we just want to see whatever’s happening and getting tips from everyone around us and making sure we’re doing the coolest things in those cities.

I’ve heard Melbourne is a really relaxed place and there’s a really cool arts scene so I want someone to just take me around and show me some really good music and get some good food and just chill out basically but apart from that if there’s any good shows on then I hope Fraser will take me to a few and take me round basically.

https://www.youtube.com/watch?v=_NpSk62x0Qk

I’d say there might be one or two on around Splendour time so hopefully you’re in luck. Just wrapping it up because I know you’ve got a big day ahead of you, but what sort of goals have you set for Spring King as a band in the next 12 months?

We really want to play as many shows as possible so one of the goals that we have is to be playing 1000-cap venues by next year. Headlining 1000-cap venues would be amazing and a dream come true. In London we’re doing 800 but then in places like Leeds and Birmingham where we’re not as well known it would be great to be doing 1000-caps by next year. Just a big tour next year.

We want to go to Japan as well now that Australia’s in the bag we want to go to Japan as well, that would be so sick. And we want to put out more music I guess next year. An album next year would be amazing. An album a year *laughs*

Some exciting times ahead for Spring King for sure. Tarek thank you so much for the chat, all the best to you and the rest of Spring King with the album coming out. I have a feeling it’s going to go over very very well and we’re looking forward to seeing you all out here as part of Splendour In The Grass.

Thank you James, thank you very much. See you there!

It’s video roundup time! Once again, Howl And Echoes are coming in hot with the freshest, most eyeball stimulating music videos to be dropped by the artists you love and some of the artists you don’t know you love yet, of this week. We do all the dirty work and herd them all into one convenient web-based location for you to enjoy every Friday so that you don’t have to. Have yourself a good old gander at the latest offerings from:

Spring King – Rectifier

https://www.youtube.com/watch?v=yONyEewXraU

We’re starting out the gate with a bang this week, not being ones to be here to fuck spiders of course. It’s Rectifier, the new single from UK noisemakers Spring King. Punchy, heavy and, like all good garage rock, the amps turned up to 11 on everything., Rectifier is a track bristling with raw power and energy and will have you hooked as soon as you hear it.

The music video follows drummer and vocalist (boy do we have a whole lot of respect for those guys) Tarek Musa as he fleshes out the song in his basement before taking it to the jam room and eventually the stage playing to a huge sweaty crowd.

We’re hoping for a whole lot more outstanding stuff like this from Spring King in 2016.

Gideon Bensen – Talk Talk

https://www.youtube.com/watch?v=aqFbYI-M1dA

Also making some noise this week is Gideon Bensen, well-known for his duties on guitar and backing vocals for The Preatures but currently enjoying a stellar run as a solo artist. We loved his first track and its accompanying video last year and we had the chance for a great old chat with him earlier this year. This week he’s released his second single and music video for Talk Talk.

It’s a short and sharp smashing together of rock and roll with some deliciously new wave synth flavour, Bensen’s smoky baritone snaking its way around the track, showing a pretty remarkable vocal range as well. The video is lo-fi cool and features Bensen’s head replicated and warped in front of a travelling background, the bursts of red and blue complementing the bursts of different noise sparking off throughout the song.

The Kills – Doing It To Death

https://www.youtube.com/watch?v=498zUzNGQxY

Hard rocking duo The Kills have put out a brand new single and music video this week in anticipation of their next album Ash And Ice that’s scheduled for release in June of this year. Doing It To Death is the title, the riffs gigantic, the rhythm deliberate and a definite touch of ice behind the vocals of frontwoman Alison Mosshart.

The music video wins the title of Best Funeral Procession ever. There’s rap squats atop hearse hoods, a parade of black clad pallbearers dabbing their way through a Los Angeles cemetery, Mosshart giving a eulogy with a durry in hand. It’s a song and video combination that kicks so much ass, do yourself a favour and watch it.

Ash And Ice is out June 3rd via Domino.

Bad Vision – Goons

https://www.youtube.com/watch?v=5DEBvHq9lgc

This next one comes from Melbourne rockers Bad Vision, who have this week released the first single from their upcoming album Turn Out Your Sockets. Titled Goons, it’s fantastically dance-y and jangly rock and roll with shouted choruses about looking for good times and verses about Miley Cyrus eating at shopping malls. Glorious.

The video is a nifty one-taker, so picture that scene in Goodfellas where Henry Hill takes Karen on a whirlwind tour through the back door of his nightclub, only replace gangsters with the titular ‘goons’ and the nightclub with a suburban share house and you’ve just about got it.

Turn Out Your Sockets is out May 2016 via Adagio 830 Records.

Boys Noize – Overthrow

https://www.youtube.com/watch?v=FQD_WpsYtiU&feature=youtu.be

The latest single from German producer Boys Noize is Overthrow. Dark and twisting and starkly industrial, pulsating rhythms building up before a confronting and harsh drop full of squealing synths mid-song.

The music video, directed by Lil Internet and Boys Noize himself, takes the industrial tones of the track and visualises them. Shot mainly in black and white, it focuses on street life in Los Angeles after dark and the intersecting of a pair of rival gangs. Apparently no actors were used in the video, upping the authenticity of the video entirely.

There’ll be more to come from Boys Noize this year.

Le Pie – Up All Night

https://www.youtube.com/watch?v=J3rRe2D23us

Sydney singer-songwriter Le Pie goes full badass on her latest single and video for Up All Night. Combining punk rock with pop hooks while losing none of the edge of the former, the track is as catchy as the flu, full of clever lyrics too.

The video does it justice and then some, shot in beautiful black and white and opening with Le Pie tagging a brick wall before her and her gang of greaser girls legs it from ‘the fuzz’. From there they wander the streets looking like a more menacing version of the T-Birds, boozing it up, swinging baseball bats and golf clubs and raising general hell.

You can catch Le Pie and the Sha La Las on the Up All Night tour this weekend, where they’ll be rolling in to rough up the Lass O’Gowrie in Newcastle on Saturday night. Look out!

NxWorries – Link Up

https://www.youtube.com/watch?v=PsXaSRBO5kM&feature=youtu.be

If NxWorries is a name that’s still unfamiliar to you then it won’t be for long. It’s a super-duo made up of producer Knxwledge and vocalist Anderson .Paak. Link Up is their newest single, the second from their debut EP Link Up And Suede that capped off a massive 2015 for both men.

The song is funky as all hell, smooth vocals from Anderson .Paak layered masterfully over some lights out production from Knxwledge. The music video is fantastic, featuring a very disgruntled Eric Andre confronting Knxwledge the convenience store attendant and wondering aloud how he’s supposed to get fucked up on only three pinots (before being knocked the FUCK out).

The rest of the clip features an impossibly cool dance party hosted by .Paak and Knxwledge in the chilled section by aisle three, the duo turning all kinds of up. None other than Earl Sweatshirt shows up at one point (apparently he does sometimes like going outside) to buy a 40.

We need an album out of these two real soon.

DMA’s – Step Up The Morphine (Live Acoustic)

https://www.youtube.com/watch?v=oe9Tn9n50sg

The sky is presently the limit for DMA’s. They’re a week post the release of their debut album Hills End, which landed to rave reviews across the board. The band are going on tour both in Australia and internationally, with a guest spot on The Late Show With Stephen Colbert that promises to see their star rise even higher.

This week they’ve released a brand new video for one of the standout tracks on Hills End, the stunning Step Up The Morphine. They’ve reworked it into a stripped back acoustic version recorded live on a sunny afternoon in Kings Cross that will take your breath away. The steel guitar from Matt Mason adding some very welcome extra smoke to the song.

Catch DMA’s on their Hills End tour across Australia in May and June.