I’m not sure if a musical collaboration has ever made me as excited or given me as many goosebumps as these clips right here.

Roger Waters, longstanding member of legendary prog band Pink Floyd, is currently gearing up for a 2016 tour of his new solo work. But this weekend, he took to the stage in Washington DC, as headliner of the Music Heals, a charity concert raising money for MusiCorps.

Footage is now available of Waters performing a number of Floyd tracks live on stage, but he’s not alone, oh no. No, no, he enlisted the help of a few friends who were also playing on the night, including Rage Against The Machine guitarist (and recently, Raury collaborator) Tom Morello, and Smashing Pumpkins frontman Billy William Patrick Corgan.

I know I can’t speak for others, but these three bands were some of the ultimate defining bands of my upbringing. Collectively, Floyd, RATM and Pumpkins tracks made me who I am today. For these three incredibly diverse acts to come together – to perform Pink Floyd tracks, no less – has given me a pure, unbridled sense of real joy.

Watch this video of all three performing with a full band for a rendition of Pink Floyd tracks Comfortably Numb, (fun fact, Comfortably Numb might just be this editor’s favourite song of all time.) and Brain Damage/Eclipse, as well as a cover of Bob Dylan’s Forever Young. 

It’s fan shot footage but it’s still unbelievable.

Comfortably Numb

https://youtu.be/7urjTOyaZpo

Brain Damage/Eclipse

https://youtu.be/t_Qh1Tliu-c

Forever Young

https://youtu.be/3Qqu7ftqLaU

Check out the full setlist here. Not only did Waters perform a best-of Pink Floyd set, as well as the first ever live performance of  When The Tigers Broke Free (oh my god – fingers crossed more footage surfaces), but covers of Bruce Springsteen, Bill Withers, Leonard Cohen and more.

Setlist:
When the Tigers Broke Free (Live Debut)
Wide River to Cross (Buddy Miller cover)
Mother (Pink Floyd)
Lean On Me (Bill Withers cover)
A Change Is Gonna Come (Sam Cooke cover)
Shine On You Crazy Diamond (Parts I-V) (Pink Floyd) (with Tom Morello)
Money (Pink Floyd) (with Tom Morello)
The Ghost of Tom Joad (Bruce Springsteen cover) (with Tom Morello)
Wish You Were Here (Pink Floyd) (with Billy Corgan and Tom Morello)
Brain Damage (Pink Floyd) (with Billy Corgan and Tom Morello)
Eclipse (Pink Floyd) (with Billy Corgan and Tom Morello)
Crystal Clear Brooks
Goodbye Blue Sky (Pink Floyd song)
Blowin’ in the Wind (Bob Dylan cover) (with Sheryl Crow)
Is There Anybody Out There? (Pink Floyd)
Nobody Home (Pink Floyd)
Hallelujah (Leonard Cohen cover)
Another Brick in the Wall Part 2 (Pink Floyd)
Comfortably Numb (Pink Floyd) (with Billy Corgan and Tom Morello)
Forever Young (Bob Dylan cover) (with Billy Corgan and Tom Morello)
(CoS)

 

Smashing Pumpkins frontman, legendary pioneer of indie rock and, increasingly, a bit of a weirdo, Billy Corgan has announced that he no longer wants to be called Billy.

Yes. He now wants to be called William. In fact, he has insisted it.

During a concert in Lima, Peru, the crowd were cheering him on while he discussed the fact that it was his birthday. They chanted his name and actually sung Happy Birthday, and someone even brought out a cake with candles for him to blow out. Before launching into his next song, he announced, “My name is not Billy. My name is William” – and the crowd started chanting his *real* name. “My mother thanks you in heaven,” he reportedly replied.

Weird. I know.

He’s also changed his Facebook name to: William Patrick Corgan

When did the name change occur, and why? Has he bottled up his irritation for the past few decades or is this a new development? Did he just decide that, now that he’s 48, it’s time for a more adult-sounding name? Do we even need to know? I feel like we’ll be better off just accepting it, because he’s a kind of koooky dude.

You can watch fan-captured footage of the video below.

Today marks 25 rollercoaster years of everybody’s favourite yellow nuclear family, The Simpsons. We’ve had the terrifying lows of the present day, the dizzying highs of the 90s, the creamy middles of the early 00s but since first gracing the televisions of the world in 1990, the year of my birth, The Simpsons have been perhaps the one pop cultural constant throughout my entire life. Along the way they’ve had a litany of musical cameos, and to celebrate 25 years, we’re taking a look at the best of them. The one rule: The cameo must be the artist or band performing as themselves, so apologies to Space Coyote (Johnny Cash) and Leon Kompowsky (Michael Jackson). Here we go:

10: Spinal Tap – The Otto Show

Spinal_tap The blending of the best parody band of all time along with the most gleefully cutting satire of the 90s was an explosion of hilarity and put me in hysterics. I still quote this shit today: The band wondering who had benefitted more from the fall of Communism than themselves. The lighting crew missing the cue to turn up the house lights so they could let the audience know they’re the sixth member of the freaking group. “My vision!”. Their tour bus crashing in a ball of flames after a lengthy discussion on the quality of last night’s show (‘Yes, quite good’). And of course, one of my favourite lines of all time:

9: Tom Jones – Marge Gets A Job

Tom_jonesUsually I’d wrinkle my nose up at anything involving Tom Jones, that ancient crooner all the septuagenarians lose their underpants over; however, his cameo on The Simpsons as one of Mr. Burns’ lavish attempts at seducing Marge was simply amazing. From Smithers showing him what’s inside this briefcase

q1H4h0h

It was gas

To being held at gunpoint (and knocked out cold by a secret door) and forced to smile (“everybody’s happy…”) to his show-closing performance of It’s Not Unusual chained to the stage, Tom damn near stole the show here.

8: James Taylor – Deep Space Homer

James_TaylorThis one is so underrated. ‘Unkempt youngster’ James Taylor (wow, former president, James Taylor) and his ‘unique brand of bittersweet folk rock’ provided the perfect soundtrack to Homer’s ill-fated voyage into outer space. He ran through You Got A Friend, telling Buzz Aldrin to ‘float there and like it’ and then Fire And Rain, changing ‘sweet dreams and flying machines in pieces on the ground’ to ‘flying safely through the air. Beautiful. Watch it here.

7: U2 – Trash Of The Titans

U2simpsonsI’ve made no secret of my sheer hatred for Bono and U2 but their cameo was actually hilarious, if only because of the adjuvant antics of Homer, who manages to sneak backstage to their show under the guise of the ‘potato man’ (‘Where the bloody hell have you been?’). Bono assuring the crowd that the stage-crashing Homer will ‘get the help he needs’ (while his security team beats him up on the JumboTron) was side-splitting. Even their brief appearance in Homer’s Candy Man-inspired rendition of The Garbage Man wasn’t awful. Well played, Bono.

6: N’Sync – New Kids On The Blecch

'N_Sync_characterOne from a later Simpsons episode, the majority of which I am not fond of, New Kids On The Blecch was surprisingly outstanding. A brilliant send-up of the boy band craze that was sweeping the early 21st century, N’Sync were great sports in poking fun at themselves and their discourse. Joey’s insistence on ending sentences with ‘old school’ and JC being dragged off to the Navy at the behest of Lance Bass were the highlights.

‘Yvan Eht Nioj!’

5: The White Stripes – Jazzy And The Pussycats

the_simpsons-habf18-jazzy-pussycats-110Another 21st century Simpsons moment that didn’t suck, Jack and Meg come face to face with Bart in a Simpsonified version of the music video for The Hardest Button To Button that is nothing short of wonderful. So is Meg and Jack trying to kick Bart’s ass following him crashing into them.

https://www.youtube.com/watch?v=dzkRy5kW6Qg

4: Red Hot Chili Peppers – Krusty Gets Kancelled

red_hot_chili_peppers_fKrusty Gets Kancelled was littered with guest stars like Bette Midler, Elizabeth Taylor and Hugh Hefner, but the Chilis were the highlight. Their best moment?

Changing Give It Away from ‘what I got you gotta get and put it in you’ to ‘what I’d like is I’d like to hug and kiss you’ seconds after declaring their lyrics ‘like our children, man’,

“Dancing in their underwear… how degrading”

Then turning up at Moe’s still in their underwear for the after party.

‘We want Chili Willy!’

3: The Hullabalooza Lineup – Homerpalooza

homerpalNo episode captured the 90s slacker cultural landscape that The Simpsons was built upon quite like Homerpalooza. Iconic moments everywhere. From long-suffering oldie Peter Frampton and his talking guitar (and Otto’s talking shoes), Sonic Youth stealing from his cooler, Cypress Hill stealing his London Symphony Orchestra (‘yo did we order an orchestra?’) for an extra classy version of Insane In The Brain

Also, Homer’s introduction to

and appreciation of the Smashing Pumpkins and their ‘gloomy music’ stopping his children from ‘dreaming of a future I can’t possibly provide’. The whole thing was perfect satire of alternative music culture and Lollapalooza, all delivered with that impeccable timing that made The Simpsons in the 90s such a force.

Remember, ‘if it’s brown, drink it down. If it’s black, send it back’.

Also, this.

2: The Beatles – Various

We had Ringo Starr as Marge’s teenage crush finally responding to her fan mail/art after 20 years:

We had the late George, positively chuffed to meet ‘nice fellow’ Homer at the Grammy’s after party:

And we had Linda and Paul McCartney, giving Lisa advice on being a vegetarian. Complete with Apu’s outrageous bongo cover of Sgt. Pepper’s Lonely Hearts Club Band.

peppersWe were tragically a John Lennon away from the entire band in their yellow form, but these were perhaps the three biggest musical cameos The Simpsons ever had in terms of importance and sheer fame, that they were all an absolute stitch was even better.

1: Ramones – Rosebud

Ramones_SimpsonsOh man. Ohhhh man. This is the undisputed heavyweight champion of them all though. Fitting that the greatest musical cameo in Simpsons history came in an episode frequently regarded as one of the best. Everything about this was hysterically superb:

Johnny taking the time to tell the audience his feelings on this gig (it sucks), Joey’s unmistakeable snarling vocals over a gutter punk version of Happy Birthday (to ‘Burnsy’) and C.J. (I’d have preferred Dee Dee but it’s still amazing) saluting Mr. Burns in the most punk way imaginable (‘Go to hell you old bastard’) before the curtain is drawn and they noticeably mellow out of their onstage personas. The whole thing is utterly perfect. It captures everything that the Ramones were in under 30 seconds and does not EVER stop being funny.

And crotchety old Mr. Burns insisting that Smithers ‘have the Rolling Stones killed’ is the howl-inducing cherry on top of possibly one of the single greatest gags in the 25 year history of The Simpsons.

They just don’t make ’em like they used to.