Last week, LA Weekly published a stupid article about Sky Ferreira. It was titled Sky Ferreira’s Sex Appeal Is What Pop Music Needs Right Now. It’s not that it was categorically misogynistic in that it was anti-women, it was just stupid. Reductive, extraordinarily one-track-minded, and offensive on numerous levels.
After Ferreira responded, the publication’s music editor apologised. But the story, and the official response to the story, are absolute bullshit, both as an example of extremely poor “music journalism” and of degradative pigeonholing of an artist in a way that flatly ignores their art.
The story begins by appointing Sky Ferreira to the role of sex symbol. It basically says that this status is what’s put her on the map and kept her there. You know, not her music or whatever, duh. The first three paragraphs talk about her breasts; their size, their likeness to Madonna’s, and generally just how awesome and great they are.
The fourth paragraph down – yes, fourth – then mentions, “But Ferreira is more than just a sex symbol,” before quickly insulting her singing abilities with more less-than-favourable comparisons to Madonna. The next few paragraphs work hard to focus on everything about Ferreira other than her music: her looks, her “nasty” persona, her acting, modelling and more. If this was a piece about sex appeal in 2016, sure, maybe some of this would be relevant. If it was no more than some fluff piece in a tabloid titled 10 Great Things About Sky Ferreira’s Tits, it would genuinely hold more merit. Hell, if this was an article about aesthetics, art and photography, it would be of more interest and relevance. But this article is premised as being about her role in the music industry. And that’s where the problem begins. The article goes on and on about her looks – her chest, her blonde hair. The real kicker for me was this paragraph: “Male subjectivity aside, the cosmetic potency of Sky Ferreira’s sex appeal shouldn’t be objectified or rejected; it should be analyzed, studied, photographed in the same way we’ve spent decades writing essays about Elvis’ hips and Madonna’s breasts.”
Well, no. Just no.
Look, nobody is here to deny that sex appeal is and always has been a factor in the careers of many. Of course Sky Ferreira has sex appeal, she’s fucking beautiful, but that’s not the point. The point is that from a musical standpoint, she’s a lot more than that. But this article, which apparently exists to specifically discuss her presence in music, forgot that.
Today, the amazing, glorious thing about the music industry is that sex appeal is not as necessary as it once was – there are plenty of artists getting by just fine without having to bank on golden hair and perfect curves.
Sky Ferreira has sex appeal. But that’s like saying, Sky Ferreira likes coffee. It may be true, but it has no grounding on her musical abilities. The fact that an entire article has been written about her as a musician, yet barely mentioning her music in any context other than racy videos or photographs, is the problem.
Ferreira then responded with a series of tweets. Here it all is:
Then, what made matters even worse was the website’s apology. The editor says he’s sorry, he says he thought he was balancing the line between provocative and wrong. Well, as a news editor myself, let me break it to you: that is total fucking bullshit. He did not think that this was some grand artistic expression about a cutting-edge artist. There’s no way that this article could have begun that way and ended up where it did.
It a) is controversial b) talks about tits nonstop and c) is prefaced by a photo of a half naked girl. This article was published for clicks plain and simple. It’s the ultimate clickbait: not only does it rope in the average reader, but it’s caused enough controversy to even draw in the attackers. There’s nothing wrong with wanting clicks, but don’t you dare deny it by saying you thought you were making some regal artistic statement about the sentiment of feminism and female sexuality in the pop music industry today. You weren’t, that’s a lie. You wanted clicks, you got them. Well done.
The editor immediately separates himself from the relentlessly critical response. “It’s clear that most of the people who read it feel pretty passionately that we crossed into offensive territory,” he begins.
“[author]’s intention, the way I saw it, was to write about an artist he admires in a way that didn’t shy away from her use of her image and sexuality as a part of that artistry. I felt that, in doing this, he wasn’t trying to objectify or degrade her.” – Well, sure, that would have made for an interesting article, had it actually been the case. But it wasn’t. This article quite literally objectified her; it spent at least double, if not triple the amount of time talking about her breasts than it did her music. Yet you passed it off as a music article?
“Many people have demanded that we take down Tavana’s column. But once you publish something on the internet, it’s out there forever in one form or another — so for us to attempt to erase it would be disingenuous.” – What the editor’s really saying here, is, “we’re getting a shitload of traffic to this article, so no way are we removing it! Haters gonna hate, but we’re earning dollars off every complaint this receives.”
“My biggest regret, in all of this, is that we may have made people feel that L.A. Weekly is a publication that doesn’t take women or women’s issues seriously, because that’s not the case,” he pleads. As I said before, I honestly don’t think the article indicated this. On a fundamental level, yes it is sexist, but I don’t think that this author, or his editor, hates women or is specifically trying to degrade them, or is not taking women’s issues seriously. That the editor used this is a point at which to show off his own publication’s affinity to women’s rights is showing that he still doesn’t understand why people are critiquing it. Yes, Ferreira’s point about the ingrained categorisation of female celebrities obviously has its roots deeply embedded in sexism, but this article is not out there to degrade us all. It put the spotlight in the wrong place. It attempted to provide cutting edge commentary on music and pop culture, when really, it was no more than an excuse to talk about how she looks, and to bring up a number of image-based contentions that she was then forced to address. It had nothing to do with her being a musician, or the music industry, or pop music, or even general sex appeal and “an artist [who] didn’t shy away from her use of her image and sexuality” in any way whatsoever.
So thank you, LA Weekly, for not only bringing to light the problems of the music industry, but for those in righteous journalists who feel like they can say shit like this and get away with it. I hope you enjoy all the clicks, because you won’t be enjoying any respect.
Image: Sky Ferreira
Sky Ferreira has been vocal about online abuse numerous times throughout her career. Last year, she passionately wrote about how her appearance has been criticised numerous times, as well as the fact that she and so many other female artists have been harassed and abused online.
“Sexual/verbal harassment isn’t funny, it’s mostly unsettling & at a certain point intolerable…and abusive. Women like @mileycyrus@_alice_glass @actuallygrimes @charli_xcx @selenagomez @lanadelrey @azealiabanks & more shouldn’t have to be “okay” with it & should be able to remind people to respect them without it being deemed as complaining. It’s not part of our job. Our job is to simply create stuff,” were some of the comments included in the giant paragraph on Instagram.
Months later, it seems like the issue is still unresolved. Today, she has addressed the internet bullies who are now hassling her about the release of her upcoming album Masochism, assuring them that “bullying [her] on the Internet or whatever will not make the process faster.”
She let they know that “there isn’t a timeline on music or creativity” and she is hoping for “quality over quantity”. She also asks everyone to stop using the word “delay” to describe the wait for the album, which has been pushed back due to poor health and conflicting schedules.
Read all her tweets below:
https://twitter.com/skyferreira/status/711743185408512000?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711743271395917824?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711744909087080448?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711745268153065472?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711745600794923008?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711746421037240321?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711747076023914498?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711747231762685952?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711751309188202496?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711753847719337984?ref_src=twsrc%5Etfw
https://twitter.com/skyferreira/status/711754431205748737?ref_src=twsrc%5Etfw
Ferreira says she’s “excited” for the release, which is a good sign because we are too. In the meantime, she has also been working out her acting chops in the films Baby Driver and Rosy. Both will be released next year.
Sometimes being a little patience makes time go faster. If you are one the people hassling Ferreira, maybe you should try it and see for yourself.
https://www.youtube.com/watch?v=IFCZP1Nz3Ds
Image: Music Feeds
Glaswegian rock veterans Primal Scream have linked up with US alt-pop starlet Sky Ferreira to deliver a fiery new electro pop single.
The leading single from Primal Scream’s forthcoming 12th studio LP, Where The Light Gets In marks another unexpected change in musical direction form the legendary Scottish act.
The track centres around a duet between Primal Scream frontman and ex-Jesus and Mary Chain drummer Bobby Gillespie and Ferreira. Underscoring the duo’s vocals with arpeggiated synth riffs and psychedelic guitar slides, the track provides a perfect blend of the collaborators’ alt pop and retro rock leanings.
The single is also accompanied stylish musical video showing the two iconic singers performing amidst a dazzling succession of psychedelic visuals.
Ferreira reflects fondly on her time with the influential band. “It’s nice to walk in somewhere and they’re not like, ‘Okay, your label is harassing me about this and that.’ I set it up without anyone else involved, so we just sit and write in a room and there’s no pressure” she revealed to NME.
Sky is only one a many guest vocalists for the album with the upcoming LP Chaosmosis. The album will also feature pop rock outfit Haim on tracks 100% Or Nothing and Trippin’ On Your Love as well as Rachel Zeffira of Cat’s Eyes on a song titled Private Wars.
Primal Scream have delved into just about every facet of rock and psychedelic pop since forming 1982, but if Where The Light Gets In is any indication there’s still life left in the seminal Scottish act.
Chaosmosis is Primal Screams first release since 2013’s More Light.
While this is the first we’ve heard from Ferreira in 2016, the young singer has also revealed that she will be releasing a follow up to 2014’s Night Time, My Time later this year.
https://www.youtube.com/watch?v=JC77NtzW7U4
It looks like we’ll be hearing new music from Sky Ferreira sometime very soon. Fans have been waiting for a follow up to 2013’s Night Time, My Time, and although the singer had previously stated it would be released in 2015, it is yet to eventuate.
Now, Ferreira has taken to Instagram to explain that the album, titled Masochist is on its way. She goes on to explain her fear of compromising on the finished product, while referencing struggles with mental and physical health.
“I know I’ve been really vague about my music so I appreciate the patience from some of you,” the singer began. “I’ve been working on it the whole time & in 2016 you will hear it. I refuse to put out something that isn’t honest. It’s not something that I can force out. If I was to do it any sooner I either would have been compromising myself & anyone listening. I would have had to put out music that wasn’t true or a message I would not want to put out into the universe.”
Ferreira continued,”As personal as my music is…the thing that lasts longer than I ever will is my actual “work”. I get the rare opportunity to have people listen & connect to it.I personally think with that comes a responsibility of making something that’s still true to me but still can somehow make someone feel better or less lonely. I can’t do that lying through my teeth.Needs to be the pretty/ugly/everything/nothing. For me, music (as a listener) was the most consistent & personal thing in my life that has helped me or healed me in every situation,to some capacity. If I even have a “goal”…it is to help do that for someone.”
Sky Ferreira has previously blamed issues with her record label for pushing the release date back, along with stunting her creativity and borrowing from her ideas.
While an official release date is yet to be set for the album, hopefully we can look forward to hearing it sooner rather than later.
[youtube https://www.youtube.com/watch?v=IFCZP1Nz3Ds&w=560&h=315]
Sky Ferreira, the artist behind songs like Everything Is Embarrassing and You’re Not The One, is not an artist who takes things lying down. Just a few months ago, she called out her label on the way they handled her and her album, and now she is calling out those who are guilty of sexism and online abuse. She’s had enough of they’re shit, and frankly, it shouldn’t even be happening in the first place.
“I guess my existence/value is strictly based off of as my appearance lol,” she said recently on an Instagram post, before continuing to say, “It’s pretty petty and shitty that I’m supposed to be okay with being called a bitch or a slut or torn apart on my appearance daily (all day & every day).”
Having followed Ferreira for some time on Instagram, I can vouch for this. The comments are a cesspool of abuse, with people taking any and all opportunity to bring her down. Once again, the safety of an iPhone screen makes people feel invincible and almost entitled to tear someone down to their level – almost as if they were unworthy of their fame.
“What do you know about being the “ideal” woman? There isn’t one. It doesn’t exist. I’m either too thin,too fat,too dumb,too vapid,too troubled,too fake,too boring, too happy, too sad etc. I might as well try ice skating up a hill trying to find a solution to that one,” she went on to say. Having dabbled in modelling prior to her music truly taking off, Ferreira is absolutely no stranger to having her physical appearance judged, but it seems even she has a limit of shit she can wade through.
In the same post, she also acknowledged the overused argument that a) it’s the internet so you shouldn’t “take it too seriously” and b) that it’s her “job” to deal with this kind of thing. Blasting that apart with plain common sense, Sky acknowledged her female peers who are all extremely successful in their own right – and have also had to deal with more than their fair share of abuse as well. Citing Miley Cyrus, Alice Glass, Grimes, Charli XCX, Selena Gomez, Lana Del Rey and Azealia Banks, she went onto say that these women and many more shouldn’t have to be “okay” with online abuse, and “should be able to remind people to respect them without it being deemed as complaining.”
“It’s not part of our job. Our job is to simply create stuff. All of the negative disgusting bullshit some of you write makes it really difficult for others/positivity to shine.”
Whilst I am not disputing that some men probably deal with some, occasional online abuse themselves, there is absolutely no denying that women cop the brunt of it. When a female artist posts a photo of their new single art announcing a new song that has been released, I can almost guarantee there will be comments bringing up that artist’s physical appearance, whether they’re “attractive” or not, whether they should be wearing whatever it is they’re wearing or not, and other extremely unnecessary points that are not valid in the slightest. That is even before the trolls start getting into the art itself, and will almost always tear that apart too.
What is it about fame that makes people want to destroy someone? Is it jealousy that this “everyday person” is up on this pedestal and they’re not? Is it really a hatred of women? Is it just plain ignorance and a belief that this is just what you do to famous people now? With social media, and many artists choosing to run their own accounts, they’ve never been more accessible to their fans, and whilst – for a nice fan – that is an amazing thing that can provide someone with a connection to an artist that really means a lot to them, it also means the artist is opening a pandora’s box of bullshit they have to deal with every time they choose to post something.
The answering is blatantly obvious to me – can we please just stop being assholes to people?
Sky Ferreira has taken to Twitter recently to roast her record label Polydor for not giving her the creative support she deserves and ripping off her ideas. In a series of tweets that have since been deleted, Ferreira lampoons the label:
“Me pulling teeth to get a video made from people who literally make treatments shot by shot of my previous video with another artist (sic)… They tried to hire every person who worked on all of them & literally replicate it… Ever heard of intellectual property?… I don’t get the support I should have by now… At least have the decency to give me some support/budget/promotion for my work, if you’re going to rip off my previous work that I paid for… ‘Well. You didn’t sell ____ amount of records (sic).’
No sh**t. I think it did pretty well considering the circumstances… Maybe I would have ‘sold more records’ if I had the resources to do so. It’s completely unfair that can even get used against me… I’m talking about labels & how they all need new structure… & need to be more creative & supportive of the people that they sign.”
Although this is perhaps the most angry she’s been at a label, this is not the first time Ferreira has publicly slammed other labels. In the past, she has blasted Capitol for not having vinyl copies of her debut album My Time Night Time ready in time for release and expressed frustration at EMI for continuously delaying her album for years.
On a happier, Ferreira-related note, the singer has announced that her sophomore album will be called Masochism, and has been described by the singer “more aggressive” than My Time Night Time.
Although there hasn’t been a release date set for Masochism yet, Ferreira announced just recently she was releasing a new film and song in this tweet below:
Real news: new song/film will come out this summer.Directed by @grant_singer & written by both of us. It will be a VERY cinematic 🍂⚡️❄️
— Sky Ferreira (@skyferreira) May 12, 2015






