Here we fucking go again guys: Broadly reports that reports of rape in London bars and clubs have gone up 136% over a five year period.

I’m not going to sit here and argue that this is because incidents of rape have necessarily increased. Personally, I don’t think that is the case. What’s more likely is that women are starting to FINALLY feel more confident in coming forward about these abhorrent actions.

I wish I could feel somewhat pleased about this.

I know it’s a step in the right direction. I would love to think that a marked increase in reports will increase in a marked increase in arrests, trials, and convictions and a subsequent decrease in rape incidences, but there is much evidence to support that even when rapes are reported, the very vast majority of rapists walk free.

The heartbreaking truth is that most rapes do go unreported – but that’s just the start. RAINN cite that only 344 out of 1000 rapes are reported (so roughly 1 in 3). Of the perpetrators reported, just 18.31% are arrested. To put that in perspective for you, 40.61% of those reported for battery/assault are arrested. When it gets down to brass tacks, 1.74% of reported rapists end up in jail.

I believe the justice system in every country could do with some serious fixing across the board, but the process set in motion when rapes are reported is falling down in so many places before incarceration is even on the table; it’s clear that this issue is being dealt with in a uniquely misguided and incompetent way.

I would never want to discourage anyone from reporting their rape or sexual assault to the police. I do, however, understand completely why someone might not want to report. In Broadly’s report, writer Sirin Kale says she heard some form of the following words during her investigation “depressingly often”: I didn’t think it was important enough to. Plus, I just wanted to get on with my night. We have been conditioned to ignore, to brush off, to essentially accept sexually violent behaviour as being the norm. Ask any woman if she’s ever been groped, grinded up against, grabbed, kissed, generally sexually intimidated or worse at a bar/club/gig/festival. You will very rarely hear a “no”, and most often you’ll hear it has happened multiple times.

And that’s just part of it – when we do report, we are subjected to questioning that implies guilt on the part of the victim. Did you encourage it in any way? What were you wearing? Then there’s the emotional, physiological and financial stress that the ordeal of accusing someone of rape can bring should it progress far enough. When there’s such a small chance of seeing justice carried out, it’s unsurprising that many opt to simply not report in the first place. That said, something must be changing if reports are increasing. I am endlessly proud of those who feel confident enough to come forward, but it just isn’t enough to change this insidious problem. We ALL have to speak up more – on all platforms.

Broadly questions whether many venues might actively discourage victims from speaking out. When someone is sexually assaulted at a venue, the next step is for that venue to go to the police. If this happens often enough, an investigation into whether that venue should be able to keep their license may be launched. Bryony Benyon, co-director of Good Night Out, says “I’ve heard cases of women being told to leave the club before calling the police because managers are so scared of this happening. It’s not a good approach.”

One potential solution to this particular facet of the problem is to offer training to venue staff so that victims feel secure in reporting and venues adjust their attitudes to focus on safety rather than their licenses. However, at the moment, Benyon is concerned that the training offered to London venues to help educate about and hopefully prevent these incidents is largely misguided. “The Met Police offer some training to venues but it’s very overly focused on the idea that ‘vulnerability’ is down to women drinking too much and making themselves at risk, rather than looking at why women who are drunk are deliberately targeted by perpetrators of rape and sexual violence.”

“Regardless of things like alcohol consumption, we are actually only really vulnerable when there is someone in our vicinity who will do us harm.”

There will likely always be human scum out there who will rape and/or sexually assault – but the sooner that education about consent, personal autonomy, and respect begins for everyone, the better. These issues are prevalent everywhere, and obviously this doesn’t JUST happen in bars and clubs, but to not speak out, form groups, take action, offer support, and directly address the attitudes and incidents as they relate to the music industry is to condemn it to remain unsafe.

If you need to speak to someone for support after reading this article, please call 1800RESPECT or visit the Reach Out website

Image: Pixabay

It’s no secret that the entertainment industry has been predominantly male-centric since it began. Women have had to do what they can to survive amongst the sea of testosterone, often required to showing a bit of skin just to rise up and stay in the limelight.

Ariana Grande has recently voiced her frustrations on Twitter, focusing on the double standard that is still exercised in today’s society. But Grande isn’t the only artist voicing her opinion on sexism. There have been many musicians, men and women alike, who have revealed the struggle of female singers to be recognised for their talent, rather than other things.

The Icelandic queen of pop, Björk has struggled to get recognition for her music for years. “It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. … But it’s an ongoing battle. I hope it doesn’t come across as too defensive, but it is the truth.”

When it was reported that Arca was the sole producer of latest album Vulnicura, she was quick to set the record straight:

“It wasn’t just one journalist getting it wrong, everybody was getting it wrong. I’ve done music for, what, 30 years? I’ve been in the studio since I was 11; [Arca] had never done an album when I worked with him. He wanted to put something on his own Twitter, just to say it’s co-produced. I said, “No, we’re never going to win this battle. Let’s just leave it.” But he insisted,” she revealed.

Though he is a man who is notorious for complaining about things, it may surprise you that Jack White has also spoken out about the connotations given to women in the music industry. In an interview with Spin, he said, “It’s a real shame that if a woman goes onstage with an instrument, it’s almost a novelty. Like, ‘Oh, isn’t that cute.’ It’s a shame that in 2014 that’s a little bit of what’s going on in the perception in the room.” 

The main idea that ‘if a woman is successful, there must be a man involved’ is a common one, as Lily Allen pointed out in an interview“You will also notice of the big successful female artists, there is always a ‘man behind the woman’ piece. If it’s Beyoncé, it’s Jay Z. If it’s Adele, it’s Paul Epworth. Me? It was Mark Ronson and the same with Amy Winehouse. You never get that with men. You can’t think of the man behind the man.”

For the record, here’s what a bunch of other artists have had to say about sexism in the industry:

Grimes: “I don’t want to be infantilized because I refuse to be sexualized,” she wrote on Tumblr. “I’m tired of men who aren’t professional or even accomplished musicians continually offering to ‘help me out’ (without being asked), as if I did this by accident and I’m gonna flounder without them. Or as if the fact that I’m a woman makes me incapable of using technology. I have never seen this kind of thing happen to any of my male peers.”

Taylor Swift: “You’re going to have people who are going to say, ‘Oh, you know, like, she just writes songs about her ex-boyfriends,'” she said to Time magazine. “And I think frankly that’s a very sexist angle to take. No one says that about Ed Sheeran. No one says that about Bruno Mars. They’re all writing songs about their exes, their current girlfriends, their love life, and no one raises the red flag there.”

Meredith Graves: “Women are called upon every day to prove our right to participate in music on the basis of our authenticity — or perceived lack thereof,” she wrote in Pitchfork. “Our credentials are constantly being checked — you say you like a band you’ve only heard a couple of times? Prepare to answer which guitarist played on a specific record and what year he left the band. But don’t admit you haven’t heard them, either, because they’ll accuse you of only saying you like that genre to look cool. Then they’ll ask you if you’ve ever heard of about five more bands, just to prove that you really know nothing. This happens so often that it feels like dudes meet in secret to work on a regimented series of tests they can use to determine whether or not we deserve to be here.”

Neko Case: Screen Shot 2015-06-11 at 7.31.46 amSolange Knowles:Screen Shot 2015-06-11 at 7.35.33 am

The fact that so many female artists feel the need to speak out against sexism is in itself, a testament to its overwhelming prevalence.

Why is this still such a huge problem? This is the 21st century, people.

Many of the complaints point to the media as the main source of the problem. It seems to be the race to get the juiciest scoop and the most views and shares that causes these assumptions. Many publications feed on gossip and controversy as the main types of stories concerning female artists to get their readers talking.

But is the media to blame for the lack of female executives in music companies? Are they the reason why we still need categories that are restricted to men and women at award shows?

There is so much more to the problem at hand than what we read. The lack of representation is something that needs to be a focus if we want to close the gender gap in the world of music for good. As Janelle Monae says in the interview below, the best way to deal with this issue is to rebel against the ideals of what women need to do to gain popularity and just do what they think is right for them.

There needs to be more people in the industry talking about this. Women need to share their experiences instead of simply ignoring them or going with the flow. Those stories can change the future of the industry and how female musicians are perceived.