Kendrick Lamar – untitled, unmastered.
A surprise release, untitled, unmastered. is a collection of eight Kendrick Lamar tracks that are as lyrically and musically captivating as anything he’s released. As the title explains, each track is untitled and unmastered, with the only information provided being a date of the original recording. It’s most likely these tracks were part of the To Pimp A Butterfly sessions during 2013 and 2014, with two (untitled 3 and untitled 8) having been performed on late night television.
Like TPAB, untitled, unmastered. incorporates elements of jazz, funk, soul and hip-hop, with Lamar’s social and political commentary present throughout. The book of Revelations and the apocalypse crop up on album opener untitled 1, the effects of greed are broken down on untitled 8, first performed on The Tonight Show Starring Jimmy Fallon, while the hazy and violent Jay Rock featuring untitled 5 is Lamar at his melodic best over the psychedelic jazz instrumentation.
Verdict: Any words I write don’t really do this album justice, as it deserves to be dissected and discussed at length, which I’m sure it will. Just know that untitled, unmastered. confirms that Kendrick Lamar is the most important figure in hip-hop, and quite possibly music today.
[youtube https://www.youtube.com/watch?v=oS0geQsfcHk]
2 Chainz & Lil Wayne – ColleGrove
Last week we discussed why we believed ColleGrove would be awful, and while the teaming of 2 Chainz & Lil Wayne isn’t a complete failure, it’s not something you’ll be spinning on high rotation.
As a whole, ColleGrove feels much more like a 2 Chainz album devoted to praising Wayne, as evident by the somber opener Dedication. That’s not to say Wayne doesn’t hold his own at times, delivering one of his better verses in ages on Section and sounding revitalised on Bounce, but his contribution feels like that of a bit player, popping up here and there to lend support. While the chemistry between the two varies from great to terrible, it’s the 2 Chainz solo cuts like 100 Joints and Watch Out that really make ColleGrove worth a listen.
Verdict: Gap filler until 2 Chainz drops his third album.
[youtube https://www.youtube.com/watch?v=fB_W7wzk3Xw]
Santigold – 99c
It feels like an eternity since Santigold released her sophomore album Master Of My Make-Believe. In that time the musical landscape has continued to evolve at a rapid pace and many of her contemporaries have struggled commercially (I’m looking at you M.I.A.), but with third release, 99c, Santigold has created a tropical pop paradise that shouldn’t be overlooked.
While the album arrived without much fanfare, 99c is pure unadulterated pop from the get go. Album opener Can’t Get Enough Of Myself is a song about self-absorption and promotion in the social media age, and much like the album’s cover, is bright and loud, with Santi as the vocal point. Rendezvous, Who I Thought You Were and the hand clap featuring Banshee are all throwbacks to Santi’s earlier work, which isn’t a bad thing at all. My favourite is the slinking Who Be Lovin’ Me, a slow trap influenced duet with warbler iLoveMakonnen.
Verdict: Santigold makes it three from three with 99c.
[youtube https://www.youtube.com/watch?v=i0PD1nVz0kA]
Yung Lean – Warlord
The fact Yung Lean has released a second album is a remarkable feat in itself. It could have been easy to write the Swedish youngster off as a joke, but over the past few years he and his Sad Boys crew have cultivated a rabid fan base that spans the globe off the back of Lean’s pop culture filled raps and strange delivery, and his crew’s murky and downtempo production style.
Warlord – a surprise release – is everything you’d expect from a Yung Lean record. Almost entirely produced by Sad Boys Yung Sherman and Yung Gud, the album is full of the usual spooky, hypnotic beats (Eye Contact, Immortal), but also finds Lean experimenting with trap (Shanty You Know What It Do, Highway Patrol) and heavy electronica (Hoover). There’s even a pop song (AF1s), or at least as close to pop as you’ll get from Lean.
The guest spots are kept to a minimum, with Lil Flash (on album highlight Fantasy), Ecco2k (AF1s) and Lean’s good friend Bladee (appearing on the touring tale Highway and drug anthem Hocus Pocus) contributing noteworthy verses, with Lean’s lyrical content focused firmly on early 00s nostalgia and drug culture.
Verdict: He’s not for everyone, but Warlord is another excellent release from Yung Lean.
[youtube https://www.youtube.com/watch?v=YTD0yiEUl8A]
Image: Consequence of Sound
After her return to the world of music late last year, Santigold appears to as unstoppable as during her first entry back in 2008. Dropping new tracks left, right and centre, her new album 99c has finally been released, and to celebrate the occasion, the New York singer made her sophomore appearance on the Tonight Show Starring Jimmy Fallon, performing the debut single from the album, Can’t Get Enough Of Myself.
With a definite 60’s inspired feel to her outfit, even Santigold’s dress fell in with her current commentary on consumerism. Fittingly adorned with her own face, and even her own hair, the effect was somewhat freaky as she made her way through the track. Doing justice to the song with an unassuming but sharp backing band and backing singers with trademark sunglasses who also joined Santi in her own sassy style of retro dancing.
The motif of her own face has seemingly become the calling card for the song, but also another token of Santigold’s take on today’s consumerist society. Where everything is governed by the material, the disposable, and the brand of “I”. Even her band turned during her performance to reveal yet more imagery of Santi emblazoned across their backs.
Receiving a warm welcome from Fallon, her album and the video for Can’t Get Enough Of Myself get a nice shout out. Describing Santigold’s new interactive clip, where viewers can see their own faces appear in posters, coffee mugs etc throughout the video, Fallon touts it as “mind blowing” and “cool and rad… fun, fun, fun”. We would have to agree. Also that “no one is doing it like she’s doing it.”
Image via Fingersonblast
It’s video roundup time! Once again, Howl And Echoes are coming in hot with the freshest, most eyeball stimulating music videos to be dropped by the artists you love and some of the artists you don’t know you love yet, of this week. We do all the dirty work and herd them all into one convenient web-based location for you to enjoy every Friday so that you don’t have to. Have yourself a good old gander at the latest offerings from:
TOKiMONSTA – Put It Down (ft. Anderson .Paak and KRNE)
https://www.youtube.com/watch?v=7_7Yi7cCHx4&feature=youtu.be
First up is LA producer TOKiMONSTA, who has recruited a couple of big names for her latest. Put It Down features recent Aftermath Records signee Anderson .Paak providing some croons and tag teams the production duties with fellow Californian KRNE for a West Coast extravaganza. The track is the latest single in the lead up to her mini-album Fovere, due out in just a fortnight. It’s a banger alright, the drop before the chorus just superb. It’s hip-hop and electronic combined to perfection.
Red and black is the motif the music video has gone with, full of confronting visuals (the milk squirting out of that one guy’s nose made me feel so very uncomfortable), and watching .Paak get thrown around the dark room he’s dancing in by some unseen force every chorus is some wonderful unintentional comedy.
Fovere is out March 4th on Young Art Records.
MOSSY – Electric Chair
https://www.youtube.com/watch?v=PIyq1HFrclo
A brand new name for one of the best labels in Australia right now, I Oh You, is Sydney producer MOSSY and his debut single Electric Chair. Crafted in a basement in New York City’s Lower East Side, the track is as auspicious a debut as it gets. As someone who appreciates electronic music but leans more towards rock and roll, I absolutely relish hearing producers mixing in big guitars with their synths and MOSSY has done an outstanding job of it here. It’s a twisting, crooked track, anchored by psychedelic vocals, dreamy synths and yes, those big guitars at the end that are just the cherry on top.
Music video is creepy as hell too; a dark and dusty cave, a ballerina dancing with a skeleton in an empty palace and a gloomy forest. It’s a modern interpretation of the Ancient Greek myth of Narcissus and Echo. There’s a tarantula too because of course. The whole shebang is an auditory and visual experience and it looks like I Oh You have struck even more gold here.
MOSSY releases his debut self-titled EP May 13th on I Oh You.
Hoodlem – Kintsugi
https://www.youtube.com/watch?v=ro4hXmUj_Us
Just shy of releasing their debut EP, Melbourne-based duo Hoodlem have released a haunting video to accompany their latest single Kintsugi this week. Slick beats and a molasses-thick bassline drive the track along with some cavernous vocals.
Shot in black and white and directed by David Ward, the accompanying video looks like the kind that to watch will ensure a horrible death after seven days. The title of the song refers to the Japanese art of repairing broken pottery with gold dust and the lyrics and video draw focus on this quite heavily. Despite its utter creepiness, it’s still visually stunning with lashings of gold cutting through the monochrome.
Hoodlem’s debut EP is out March 25th via Caroline Australia
Fait – Chasing Youth
https://www.youtube.com/watch?v=BwKOeWTruNk&feature=youtu.be
On to Perth and a superbly talented young woman by the name of Elise Higgins, known more commonly as Fait and her latest single Chasing Youth. Currently in London in the process of creating her next record, Fait released the visuals to this breathtaking track all about (obviously) chasing, and capturing, youth.
The song is a multilayered soundscape, moody and atmospheric and uplifting and joyous all at once, the timing and placement of each instrument creating a song able to convey so many emotions without ever saying a word. The video is a heartwarmer, dappled in afternoon sunshine, the adult protagonist capturing that elusive youth we’re all chasing and spending it swinging in tyres and dancing around sprinklers among other activities most of us consider ourselves too old for.
Look out for a new record from Fait in mid-2016.
Loose Tooth – Bites Will Bleed
https://www.youtube.com/watch?v=BtOplMDNXdM
Announcing their debut EP Saturn Returns earlier this week, Melbourne trio Loose Tooth marked the occasion by also releasing a brand new single from said EP, the punchy Bites Will Bleed. With riffs that are straight power pop with the feel of a musty garage and a shitbox amp, the track chugs along guided by the ethereal vocals of singer/drummer (boy do I have respect for anyone who can do that) Etta Curry and is some wonderful noise.
The video is centred around a house party that starts out innocently enough with toilet hook-ups and spin the bottle but quickly goes straight to hell when several of the guests turn out to be bloodthirsty vampires (don’t you hate that).
Saturn Returns is out April 1st on Milk! Records.
Surahn – Into The Distance
https://www.youtube.com/watch?v=EdFObrhzb9A
From Perth to Adelaide and the latest single by producer Surahn (who you may also know from The Swiss, as Sidwho? and from touring duties with Empire Of The Sun) Into The Distance. It’s the second from his upcoming LP Utopian State and it is a cracker of a tune. It’s jazzy and dreamy, Surahn’s measured vocals wavering melodies over a simple backbeat.
The video is outstanding, adding to the lucid dreamlike qualities of the track itself. It’s a solo dirtbike ride across a beach at sunset, and if it doesn’t make you want to go out and do exactly that right now then there’s something wrong, it looks amazing.
Catch Surahn at WOMAD Festival in Adelaide March 11-14.
Ha The Unclear – Secret Lives Of Furniture
https://www.youtube.com/watch?v=p4HPR2MfGP8
Across the Tasman to New Zealand (South Dunedin to be exact) for this one with alt-pop group Ha The Unclear and the latest single Secret Lives Of Furniture. It’s a slow-burning rock number that cranks up the riffs for the chorus, with almost spoken word vocals throughout the verses in that inimitable accent to give it some very unique flair.
Were we expecting a song and dance about furniture that comes to life when its owners aren’t at home? A Chair Story of sorts? Yes, absolutely, and we were not disappointed in the slightest! Everything in the protagonist’s living room has an unsettling level of sentience and have no qualms making things awkward and creepy for their owner after he manages to find himself a date.
Catch Ha The Unclear in Adelaide tonight and tomorrow night!
Cub Sport – I Can’t Save You
https://www.youtube.com/watch?v=rh-ggXk5n1M
Back to Brisbane indie-poppers and all around legends Cub Sport, who returned in 2015 with their first single in two years (!). They’re back at it in 2016, with their second single and its accompanying video out this week in the form of I Can’t Save You. It’s from their hotly anticipated next album This Is Our Vice arriving later this year. The track features pulsing retro synths and a chorus that positively soars, a fantastically dance-y number.
The video is a great story, documenting the downward spiral of a soap opera starlet that, in itself, is its own soap opera. Soapception I’m dubbing it, the clip was directed by Joe Agius of The Creases and even features Luke McDonald from The John Steel Singers as the fictional director, to keep it all in the (Brisbane) family. It’s always way more interesting when music videos have such a clear and absorbing narrative like this.
This Is Our Vice is out March 4th via Title Track.
Santigold – Can’t Get Enough Of Myself
This one we don’t have a video link for exactly, given that it isn’t really YouTube-compatible. It’s actually a brand new and interactive video from Santigold for the latest single from her third album, 99¢, that drops today!
Best thing about it? It stars yourself! If you use Chrome and have a webcam (basically everyone who isn’t 10 years ago) you can go here and insert your very own mug into a for real no fooling music video. We won’t spoil it for you, just go have fun pretending that you and Santigold are tight enough to collab.
99¢ is out today via Atlantic Records. See you next week!
Every time I hear the name Santigold, I immediately think back to her self-titled debut (before she dropped the ‘o’). And with that in mind I’m always excited for, and expectant of, something as punchy and slick as You’ll Find A Way, and Say Aha. As yet, those expectations have not been met, BUT the newest incarnation of the New York artist is by no means disappointing.
Having announced her new album, 99¢, last year, accompanied by a new track Can’t Get Enough Of Myself. A taster of feel good pop candy as a promising start – which went a long way to restoring my faith after the release of Radio, from the Paper Planes soundtrack. Having also released the laid-back collaboration track Who Be Lovin’ Me, featuring ILoveMakonnen, Santigold is clearly settled into her chilled out, hip-hop influenced style.
Premiered this week by Radio 1’s Annie Mac, Chasing Shadows sits pretty with a slow beat and 90’s R&B inspired keys. Coming full circle back to the reggae influence that permeates her latest efforts. Something about the intro calls up the classic intro to the 2001 Dr. Dre track Still D.R.E, but the overall track has a groove that complements Santi’s vocal style. On the surface it’s another sugar sweet song, but backed up by her cut glass flow and assertive beats. And that play on dark and light is something that Santi White has always had down.
Secretly I am still waiting for Santigold to explode back with some of the power that carried her debut release, but I can’t deny the absolute credibility of Chasing Shadows. With the release of 99¢ due this year, it will be interesting to see how Santigold’s third album plays out (pun intended). You can listen to Santigold’s Chasing Shadows played out by Annie Mac here (track at 59.25).
[youtube https://www.youtube.com/watch?v=MrscGhpM_QA]
Not even a full month has passed since the release of a new single and the announcement that a new Santigold album is on the way, but it seems now the hip-hop/electro star isn’t messing around, and has released another new single taken from her forthcoming album titled 99¢.
Teaming up with none other than ILoveMakonnen, the pair have jumped on a Zed’s Dead beat to create Who Be Lovin’ Me; a hazy, chilled out singalong that doesn’t beat around the bush in regards to just how loved the two are around the world. Santigold and Trouble Andrew also stepped up for directing duties for the accompanying visuals, and chose to capture the track whilst at the Made In America festival recently. Featuring shots of Earl Sweatshirt, Meek Mill, A-Trak, Big Sean, Vic Mensa and more, Santigold and ILoveMakonnen get about backstage in a golf cart before driving it onto the actual stage to perform the track for their fans. It looks like an absolute hell of a time despite the relaxed, breezy nature of the track, and the pair prove to be a match made in musical heaven – representing the old and new guards in hip-hop but both working together in beautiful harmony.
Who Be Lovin’ Me is the second single from 99¢, which is due out January 22nd, 2016. The album’s debut single, Can’t Get Enough Of Myself, was the first taste of new Santigold material since her 2012 album, Master Of My Make-Believe (apart from a non-related release back in July of this year). For the Santigold faithful, January 22nd can’t come soon enough.
It was only last week that Santigold a.k.a Santi White, announced the release date of her new album 99¢, her first album since Master of My Make-Believe back in 2012. Now in an interview for Pitchfork with Zoe Camp, she’s revealed several details about the upcoming album, struggling to work with the record’s many producers, her thoughts on streaming, comedic endeavours and more. We’ve sifted through and listed the most interesting points:
She worked with a lot of producers on this album
Having worked with a whole bunch of different people, White became pretty burnt out from having to bring it all together. “I usually work with so many different producers, and a lot of time there’s a lot of producers working on one song. I end up being the one in the middle, pulling it all together, and it’s really hard,” said White.
Having had a pretty relentless touring schedule as well as becoming a mother had also left her exhausted. Vampire Weekend‘s Rostam Batmanglij, Hit-Boy, Patrik Berger, Justin Raisen, Sam Dew, John Hill, and Doc McKinney all contributed to the album, and she did a collab with iLoveMakonnen on Who Be Lovin Me, who she said intimidated her, but contributed the catchy lyrics you hear on the track.
99¢ makes some interesting consumerist/materialist observations about our society
Obviously the artwork for 99¢ is putting forward a pretty clear message about the consumerist nature of the society we live in. It features Santigold spread amongst a bunch kitsch, disposable items wrapped in cellophane frozen in a pose that looks like she is about to jump into action.
Camp asks if the lyrics on 99¢ are pertaining to this kind of culture, and Santigold replies, “The whole way that people interact with each other, the way that people write, the way that people view themselves, the way that people think about themselves or how to present themselves or the way that people deal with each other, the way that people meet people and date, I mean literally, what is that thing called? Tinder? You’re literally swiping to find dates!”
[youtube http://www.youtube.com/watch?v=Bi171sZUQUA&w=560&h=315]
She’s torn on the whole streaming thing
Calling it ‘totally fucked up’, White is opposed to streaming for a few reasons, namely, that it’s hard for artists to make a buck when you’re getting paid zilch for your work. “As an artist, as a songwriter, it’s really hard. And people don’t realize that – you know, they want to keep getting great music and they want to keep getting real music that takes time to make, where the turnaround is probably slower than a lot of pop where you just throw records out every year,” said White. “It’s different, and you have to be able to, just like any career, you have to be able to sustain yourself while you’re doing it, you know?”
Fair point. But with the music industry model increasingly heading in that direction, holding out is becoming harder and harder. Saying she “tried to withhold for a long time”, White advocates for better deals for artists, ones which will pay them more money so they can support themselves.
Which leads to…
She’s fine with lending her songs to commercials
When asked if her anti-consumerist theme was at odds with lending out her music to commercials, White was unapologetic. “I don’t know if it always wasn’t an option for music – you’re not going to get crazy play on radio if you’re making any kind of music that’s not fitting into cookie-cutter alternative or cookie-cutter mainstream pop.” The only way White was able to make money off her music was from licensing and touring, saying she barely made any money from her streams on Spotify.
“That’s how I make a living, especially since people are not buying music anymore.”
She loves acting
White appeared as a guest on The Office, appearing as a bemused judge on the panel of an American Idol-esque show called The Next Great A Cappella Sensation alongside runner-up Clay Aiken and NFL quarterback Aaron Rodgers. “Oh my god, I love doing acting. I had so much fun, and I was getting so into it and then I got pregnant. And then I was like, rushing to get this record out, so I paused it, said White. “But I definitely plan to get back to it, it was just getting good for me.”
She might have a future collaboration with some comedic heavyweights on the horizon
Asked whether she prefers comedy or drama, White said she was a goofball at heart, remarking that “I’ve been told by people close to me that I’m not that funny.” However, White think she has a viable career as comedian, saying that she had dinner recently with Dave Chapelle and Chris Rock and that they were thinking about doing something in the future.
Check out the song Radio she did for film Paper Towns back in July.
[youtube http://www.youtube.com/watch?v=xjBdQmFnctA&w=560&h=315]
Following a three year break since her last album, US singer Santigold has finally announced that her next record 99¢ will be released January 22 via Atlantic. Swiftly following up the announcement with the single Can’t Get Enough of Myself, Santigold shared a taster of what to expect from this latest incarnation.
Premiering the new track on Zane Lowe’s Beats 1 Show, Can’t Get Enough of Myself is a feel good, reggae infused piece of pop candy. Featuring B.C., it is a long step away from the hard-arsed attitude that launched Santigold back in 2008 with her debut Santogold. But still with the same overblown sense of self, the tongue in cheek Can’t Get Enough of Myself has the same knowing feel as tracks like Creator.
The first song to be heard off the twelve track album, Can’t Get Enough of Myself isn’t the only collaboration. Santigold drafted in the big guns with another collab with iLoveMakonnen, as well as production from Vampire Weekend’s Rostam Batmanglij, Hit-Boy, TV on the Radio’s Dave Sitek, Patrik Berger, Justin Raisen, Sam Dew, John Hill, and Doc McKinney.
Also unveiling the artwork for the album (shot by photographer Haruhiko Kawaguchi), in her conversation with Zane Lowe, Santigold commented on the image and the title 99¢: “It’s like me and my life in this bag, and there’s a “99¢” sticker on it. Everything is a product at this point, including people and relationships… also everything is undervalued, you know?”
Even though it sounds like a bargain, we reckon Santigold is worth a lot more than 99¢. See the track listing for the album below:
01 Can’t Get Enough of Myself [ft. B.C.]
02 Big Boss Big Time Business
03 Banshee
04 Chasing Shadows
05 Walking in a Circle
06 Who Be Lovin Me [ft. iLoveMakonnen]
07 Rendezvous Girl
08 Before the Fire
09 All I Got
10 Outside the War
11 Run the Races
12 Who I Thought You Were
If your bones are still achy and your legs sore from Splendour, you’ll want to ease into the week with some new videos from two strikingly different artists.
Kate Boy – Midnight Sun
Kate Boy, the Stockholm-based electro-pop group with Aussie roots (Kate Akhurst is originally from Australia) have returned with a new single, Midnight Sun ahead of their debut album ONE, set for release in November. Midnight Sun, co-produced by Christoffer Berg (Depeche Mode), is everything you want from Scandinavian pop: industrial rhythm, layered booming synth, and Kate’s contemporary, bright voice. The video accompanying the track, self-directed and shot with Emil Klang, depicts two contrasting worlds; one in black & white and one rich in colour, featuring Kate engaged in back-bending choreography spliced amongst metal architecture. Of the video, the band says: “When we wrote this song it was during a snowy December, and we were longing for the midnight sun and the endless Swedish summer days. The video is about two opposite worlds colliding and unfolding over each other.” The result is a shimmery pop delight that oozes summer, which is exactly what you need to brave the final month of winter.
Watch Midnight Sun here:
[youtube http://www.youtube.com/watch?v=2H7pa4OQ8rY&w=560&h=315]
Tamper – cover of Disparate Youth by Santigold
On the other side of the spectrum is Brooklyn duo Tamper, who’ve released a cover of Disparate Youth by Santigold as a follow up to their debut EP release earlier this year. A perfect sound for the mid-week blues, Tamper’s downtempo, indie-electronica vibes create a melting digression from the original Santigold version, with a backbone of rhythmic electric guitar that gives way to a building layer of textured chillwave electronica. The video is simple and peaceful; a montage of vocals, instruments and urban landscape scenery, filled with organic colours and warm pastels. If you enjoyed their phenomenal new single Take It In, you’ll dig this cover.
Check out Tamper’s cover of Santigold’s Disparate Youth here:
[youtube http://www.youtube.com/watch?v=U0qB1n93scc?list=PLLQZq6oG0MSZNl8xjYNTR60LtpLpCnQWQ&w=560&h=315]
For the original Santigold version:
[youtube http://www.youtube.com/watch?v=mIMMZQJ1H6E&w=560&h=315]
It’s been a long time between drinks for Santigold, but with the release of a new song, the long wait for new material is now over.
Albeit she made the song for a movie, but that is still a big deal in this writer’s books – especially when it’s as great as this. Yesterday, the internet exploded with the release of Radio for the movie Paper Towns (staring Cara Delevingne) and rumours of a long awaited return for Santigold. Hear the track below:
Complete with pulsating beats, Santi White’s all-too familiar voice and seriously good vibes, this is as much a Santigold song as any, and shows she certainly hasn’t lost her touch despite her absence. This is the first new material we have heard since the release of her 2012 album, Master of My Make Believe, and is a welcome addition to the Santigold catalogue.
She is rumoured to be working on a follow up to her 2012 album, and I want it to be very clear to you, dear reader, just how much of a big deal this is for me. Santigold is up there with one of my favourite artists ever, with her music becoming the soundtrack to very key times in my life. The thought of new Santigold gives me butterflies in my stomach. Here’s hoping this new album hurries the hell up.
Paper Towns hits cinemas July 23, with the soundtrack officially released July 10. Radio is just one of a 16 track compilation, which also features the likes of Twin Shadow, Kindness, Vampire Weekend and The War on Drugs (although some of these tracks were not made specifically for the film). Check the track listing below:
Paper Towns Soundtrack:
1. Santigold – Radio
2. Twin Shadow – To the Top
3. Sam Bruno – Search Party
4. Kindness – Swingin Party
5. Vance Joy – Great Summer
6. Vampire Weekend – Taxi Cab
7. Son Lux – Lost It To Trying (Paper Towns Mix)
8. Saint Motel – My Type
9. Galantis – Runaway (U & I) (Svidden & Jarly Remix)
10. HAIM – Falling
11. Grouplove – No Drama Queen
12. De Lux – Moments
13. Alice Boman – Be Mine
14. The Mountain Goats – Used To Haunt
15. The War on Drugs – Burning
16. Nat & Alex Wolff – Look Outside