Well, shit. Here I am on my high horse, instructing everyone to not get any FOMO about the Coachella lineup.

Then my two current favourite acts, Jack White and Run The Jewels, announce that they’re playing together. At Madison Square Garden, no less.

Goddamn. That is huge.

It’s a weird combination, but I figure that if I love both of these acts then surely plenty of others do too. And considering that White has been pretty vocal about his love for hip hop, including desires to work with Kanye and Jay-Z, and saying that Kanye’s live show was the best he’d ever seen, it really should come as no surprise.

So far it’s the only time that they’ve planned together, but who knows…. maybe a dual-headlining Australian tour could be in the works? Or maybe I’m just getting really desperate to see Jack White again.

Could you imagine a JW/RTJ recording collab? Oh man. You could say it’s…. A Christmas fucking miracle! Hehehe.

Read my Lazaretto album review
Read my interview with Run The Jewels
Read my live review of Run The Jewels

– Read our interview with RTJ here

Tips for catching Run the Jewels live: Be prepared to sweat like hell, leave all valuables at home, be ready to mosh like a 15-year-old metalhead and go to the bar & bathroom beforehand, ‘cos you won’t wanna miss one moment.

The pair, Atlanta’s Killer Mike and Brooklyn’s El-P, have a shit tonne of energy for two 39-year-old blokes in the middle of an international tour. After spending around two decades building up reputations as underground superheroes, reincarnating as Run The Jewels was the final step that thrust them out into the open. While their phenomenal debut album Run The Jewels made us seriously prick up our ears, it’s Run The Jewels 2 that changed the game forever. Not only are they lyrically on point – sex, politics and humour all intertwined – but their songs are just so good. The unparalleled production, hard-hitting beats and slithering, liquid rhythms make each track interesting and goddamn cool. The album topped a LOT of major publications’ end of year lists (Pitchfork, Stereogum, Spin, Billboard, Howl & Echoes etc…) which obviously puts them under pressure to live up to it through their shows, but they make it look like the easiest thing in the world.

I managed to catch RTJ twice in one week, at Falls Festival Byron and Sydney’s Hi-Fi. I could easily see them ten more times. It’s kinda hard to dissect a show as frenzied and energetic as Run The Jewels. Constantly turned up to 11, each beat, each pore is dripping with aggression, sex, and so much fun.

I’ll start by saying this: opening a set with Queen’s We Are The Champions is a fucking brilliant way to begin a set. I hope this never changes.

Something I really love about these guys live is how much fun they have on stage. There’s high-fives and hugs, secret handshakes and booty dancin’. They had big silly grins on their faces the whole time, laughing and bouncing around like a pair of gangsta jumping beans.

The set moved between both albums, with a healthy mix of older and new. The devoted fans really went all out, with almost every song inducing sing-along hooks and call-and-response verses, especially on DDFH, Sea Legs and the incredible satire of Lie, Cheat, Steal. Save for a few choice moments (including bringing a wheelchair-bound punter up on stage,) there wasn’t much banter throughout, keeping the energy high and allowing DJ Trackstar to show off his scratch talents.

Each track was as strong as the next, but a definite highlight was Close Your Eyes (And Count To Fuck), before which the duo apologised to the front 50 rows for the imminent insanity. Fuck. Insane, it was. While admittedly I was gettin’ my best white-girl-goes-gangsta moves on the whole time, this was something else. I haven’t been in a mosh like that in years, it was great. Love Again was another high point, mostly because of the ridiculously sexual hook (She got my dick in her mouth all day, she want my dick in her mouth all day, etc…) El-P mentioned at Falls that it was his favourite song to play live because it equally made people uncomfortable, and made them laugh. And that really is what happens. I saw it.

The only downside, as is the case with all hip hop shows, was that a big chunk of the crowd were awful. Stinky, sweaty bros who wouldn’t think twice about punching or elbowing you (or biting, or verbally threatening, as we found out at Falls) out of the way, (and not in a this-is-what-happens-in-a-moshpit way, just a i’m-a-violent-dickhead way.) It’s fairly avoidable as long as you aren’t trying to get to the front row, but it always dampens the mood when you’re trying to enjoy the show, and some losers are hell-bent on causing trouble.

The hour-long set went by all too quickly, going from strength to strength to strength, ending on a blistering rendition of Christmas Fucking Miracle. Dripping with sweat, with sore lungs and tired legs, all I wanted was more. Too early to call best gig of the year?

It’s not often that I get the chance to have a face to face chat with a group I love as much as Run The Jewels. Their latest album, Run The Jewels 2, blew my mind, it’s easily my favourite album of 2014. Their New Years Day set at Falls Festival Byron Bay was a blistering success, leaving me drenched in sweat, vodka and a little blood. So the chance to meet these underground-heroes-turn-fully-fledged-rock-stars Killer Mike and El-P was epic.

The interview started with my asking what they liked the most about one another. One of my favourite things about RTJ is that they’re so obviously best friends in love. It’s obvious in their music and even clearer on the stage. Whether it’s their liquid flow, finishing each others’ sentences, the hi-fives, hugs and secret handshakes, it’s fucking beautiful. “I think he has deep, soulful eyes…” jokes Mike about El-P, real name Jaime Meline, an underground legend responsible for Def Jux Records. “He’s just a great human being. He inspires the fuck outta me. He’s the best producer in the world, one of the best rappers in the world, but what trumps it all is that he’s just a great fucking friend.”

“We’re doing Run The Jewels because we really like each other,” says El-P. “It feeds into the art aspects of it, and makes us really excited about the music that we do. It’s a dream job in a lot of ways.”

The duo met at age 35 (they’re 39 now), with El-P set to produce a couple tracks on Mike– Michael Render, who first came to attention featuring on Outkast’s Snapping’ and Trappin’–‘s 2012 record R.A.P Music. They hit it off and he ended up producing the entire album. “We weren’t expecting to meet somebody that we were just that connected to artistically, or just as a person. We’re good for each other, man. I know Mike legitimately wants what’s best for me, and that’s a rare thing. There’s no ulterior motive. He’s a snake charmer, don’t get it twisted. But that’s just conversation. At the end of the day he’s got the heart of a lion and that’s what I respect about him. I call him Lion Chest,” he grins.

We next started talking about the dirty as hell track Love Again, and the interview, unexpectedly, was entirely about sex from then on. It’s my personal favourite track on the album, and El-P’s favourite to play live – because it makes people uncomfortable, but it also makes them laugh. A lot of people have apparently taken issue with the track, passing it off as misogynistic without reading the lyrics. It’s dirty, delightfully so, but misogynistic? No.

The pair swoop in:
El-P: How is that possible?
Killer Mike: Because you’re adult woman?
El-P: How can you like to fuck? That’s impossible!

We go on to dissect the track a little. “The hook is pretty offensive, but the lyrics are quite endearing,” says Mike. “The female (Gangsta Boo) is going batshit, hammering it (His tongue is bomb/He say love for me to ride his face/ front to back, grippin’ ass,) but if you listen to the men’s lyrics, we’re rapping like 12-year-old boys.”

What pisses them off is that critics take apart the track, get offended by parts of it, without listening to the whole thing. “Frankly, it’s condescending,” says El-P. “Adults love to fuck and they love to be dirty and it’s not disrespectful to say it. I find that a lot of the people that have this pseudo-morality around that song are often men, and that’s another aspect of men trying to condescend.

“This is a piece of art. You can’t compartmentalise it, you can’t just look for a buzz word that offends you. You’re supposed to feel a little bit uncomfortable, and then when Gangsta Boo comes in, it’s supposed to completely flip your expectations around.”

Killer Mike: I say you show me a man who doesn’t like a blow job, I’ll show you a man that’s neither fit to be gay or straight. Now think about that.
El-P: I think Lincoln first said that.
Killer Mike: I think it was Truman actually.
El-P: I think it’s Lincoln quoting Truman.

The only thing I had to question was a logistical issue. All day? Those jaw aches! (Hook: I put that dick in her mouth all day/she got that dick in her mouth all day… and He want this clit in his mouth all day/ I put my clit in his mouth all day..)  Mike assures me that as a man, it would be more painful for men than women.
Killer Mike: It’s a marathon with women, it’s a sprint with men.
El-P: We go straight in…
Killer Mike: We just go in *makes slapping sounds* and get outta there!
El-P: Actually, that’s not true, I take my time. Sometimes hours can pass. You take a break, send an email off, whatever, and come back to it!
Killer Mike: You’ve just turned this into a Hustler interview!

Killer Mike: I think that in this age of PC-dom, I’m glad to be part of something that confronts people about sex. I’m tired of people being afraid of gay sex, I’m tired of people being freaked out by anything other than missionary sex. I have a Playboy in my bag here. I’ve been reading Playboy since I was 19 years old. My mom caught me, she was like, ‘You reading it?’ I literally was reading it, she was like, ‘Fuck it! No harm, no foul!’ In the country where I’m from, we have been so held hostage by Christendom, by conservatism, that we need to get off that shit. People need to let it go a little bit.

The pair start listing artists they grew up listening to, like Too $hort, Makaveli and Sir Mix-a-lot, and comedians Richard Pryor and Eddie Murphy. Proclaiming confidence in both sexuality and intention, their music is an homage to the irreverence of what they grew up on, “and that was dirty, and funny. Being raunchy and sexual is not offensive. It’s just not.”

El-P: “We grew up listening to these songs, laughing at them, being wide-eyed, and at the same time growing up to be respectful, cool people who don’t insult women and who do not treat them badly. So why do we have to protect everybody from their pseudo-morality? We don’t. If you are offended by the word ‘dick’ then come up with another way that I can describe my penis.
Killer Mike: Or don’t name your child Richard!
El-P: Point being, thank you, because there are people who get offended and I don’t think that they really get it. They don’t listen to the song. And I think that when people do listen to the song, the most condescending thing and the most misogynistic thing that I can think of is a man protecting a stranger from sex, or from the idea of sex. That’s what misogyny is in an nutshell, I think. Assuming that men like sex more than woman, or that sex is only okay in a context that you imagine. It’s like… well, cool, I just don’t wanna know you, talk to you, hang out with you, have anything to do with you, and please do not listen to my music because you’re gonna be offended, and I’m gonna smile about it.

Killer Mike: Shout out: Let your wife and children read Playboy.

Run The Jewels & Joey bada$$ tour dates:
Wed Jan 7: The Hi-Fi, Sydney
Thurs Jan 8: The Forum, Melbourne
Fri Jan 9: James Cabaret, Wellington
Sat Jan 10: Studio, Auckland

Hey y’all! Welcome to the first edition of our brand new weekly video-roundup, where I post some of my favourite new music clips from the past week. Enjoy!

Highasakite, Leaving No Traces

Anyone who’s read my stuff for a while knows how much I love Norway’s Highasakite. A ‘concept video’ addressing the relationship between nature and culture, there’s some brilliant stop-motion and some utterly eerie empty symbolism in this one, topped off by an endlessly catchy, yodel-friendly track. Catch these guys at Laneway!

Adria, Pull Me Under

I posted up about Adria’s new single Pull Me Under last week, and here’s the video to go along with it! A sexy slow-burner with a deep, driving bass and a swish piano countermelody, the intimate black and white clip really encapsulates the sensuality of it all, without being predictable or boring for a moment.

Public Service Broadcasting, Gagarin

Spacemen, funk music, radio space samples and jammin’ guitars. Were the dancing astronauts an homage to one of America’s best dance music websites? We’ll never know, but everything about this video and the song is infectiously fun.

Run The Jewels, Oh My Darling (Don’t Cry)

It’s a fairly stock standard hip hop clip but, like their music, still manages to stay miles ahead of anything else. The naked woman is as graceful as she is sexy, the weird video-manipulations stretching out the scenes is strange and new. As hip hop clips go, this is great.

EMRSN, About Love

A perfect blend of treble future-beats and seductively smooth R&B, this is probably my favourite video clip this week. The video is simple – it’s just a face, but separated and split up by disconnected squares. It’s that contrast – the utter basic with the totally new – that makes this so interesting. Watch as the squares slowly come together like the Rubik’s Cube you never knew it was.

Jack Ladder & The Dreamlanders, Her Hands

Jack Ladder & The Dreamlanders have been making all sorts of a name for themselves recently. Set at Sydney’s Town Hall, the simple yet super interesting video features Jack and a blonde, married cross-dresser sitting together, before parting ways and cautiously following each other around – or is she running from him? We’ll never know.

One half of Run The Jewels, rapper Killer Mike, gave a harrowing, emotional speech at a St Louis gig this week after learning that the Ferguson policeman who shot and murdered an unarmed teenager was not sentenced.

The rapper has been one of the most vocal commentators in the music world throughout the entire case, has appeared on TV and written op-eds voicing his opinion on the need for peace and trust in the police force.

Riots have ensued in the US town, following the announcement that Darren Wilson will receive no further punishment for the death of Michael Brown.

Watch here, or read the full transcript below thanks to Consequence of Sound.

“I have a 20-year-old son and a 12-year-old son, and I’m so afraid for them today.”

Source: NME

I would like to say Rest in Peace to Michael Brown. I would like to give all thoughts and prayers to the people out there peacefully protesting. I also give thoughts and prayers to the people who could not hold their anger in because riots are only the language of the unhold. We usually come on to Queen’s ‘Champion’, but I just got to tell you today, no matter how much we do it, no matter how much we get shit together, shit comes along and kicks you on your ass. Tonight, I got kicked on my ass when I heard that prosecutor. You motherfuckers got me today, I knew it was coming when Eric Holder decided to resign. You motherfuckers got me today. You kicked me on my ass today, because I have a 20-year-old son and a 12-year-old son, and I’m so afraid for them today.

When I stood on the bus, and I cried, and I hugged my friend, I said, ‘these motherfuckers got me today.’ When I stood in front of my wife, and I cried like a baby, I said, ‘these motherfuckers got me today. You motherfuckers will not own tomorrow, we will not bend to your fear, we will not accept your pain, we are not going to keep playing that race card, because we know you don’t value my skin. We know you do value his (El-P), but we’re friends and nothing is going to devalue that.

There was no peace in my heart and I wanted to walk out to ‘Burn This Motherfucker Down’. But I got to tell you, I’m from Atlanta, Georgia, something said, ‘Just look for something [Martin Luther King Jr.] might have said,’ so I googled Martin King and Wikipedia popped up, and he was 39 years old when you motherfuckers killed him. He was the same age as I am, the same age as [El-P]. He was a young man when you killed him.

But I can promise you today: If I die when I walk off this stage tomorrow, I’ll let you know this: it is not about race, it is not a class, it’s not about color, it’s about what they killed him for. It’s about poverty, it’s about greed, and it’s about a war machine. It’s about a war machine that uses you. So as I go tomorrow, I might go the day after, the one thing I want you to know is that it’s us against the motherfucking machine!”

Run The Jewels are my current favourite hip hop act. Their second album Run The Jewels 2 is easily my favourite rap album of the year, and if you’ve heard it, it’s probably yours too. Lead single Close Your Eyes (And Count To Fuck) featured none other than RATM’s legendary Zack de la Rocha, and that was enough to grab my attention, particularly because it’s been played on the radio, in spite of that name. Once the full album came out back in October, I was hooked. There’s been a few weeks since where I literally (and I mean that in the correct sense of the term) struggled to listen to anything else. I’m pretty sure I can recite most of the album by heart now.

They’ll be making an appearance at this year’s Falls Festival, as well as a couple of side shows. As Run The Jewels, the pair, made up of Killer Mike and El-P have swiftly built one hell of a reputation not only for biting lyrics and a wicked flow, but intense, powerful and impassioned live performances, so you know you’re in for one fucking blaster of a show.

Considered by some to be something of an “odd couple” in hip hop, it’s been nothing short of a spectacle to watch two men in their late thirties swoop in and take over the entire scene. While Killer Mike has been out and about for years, notably through his work with OutKast, El-P was still relatively unknown to the game. Until now, that is.

Signed to Fool’s Gold Records among other rap and electronic tastemakers including Action Bronson, Danny Brown, Flosstradamus, Laidback Luke, RL Grime and Tchami, it’s clear that they’re in the right hands, and there’s no sign of them slowing down. Rumour also has it that isn’t the last we’ll be hearing from Zack de la Rocha and RTJ – Killer Mike recently spoke about how the pair hung out for a full month way back in 1999, and that they’re planning to do the same in early 2015, to work on some new material.

What I love about their music is the combination of viper lyrics, slithered lyrics , intense vulgarity alongside social awareness, incredible samples and musical backings that are more impressive, catchy and enjoyable than almost any other rap coming out at the moment. I constantly detect a hint of diluted Death Grips in their tunes, and, considering how much I love the semi-defunct DG, it’s really no surprise that I love these guys so much. It’s heavy, it’s fast, it’s smart, it’s raunchy, it’s original and it’s generally just fucking brilliant.

Anyway, I’ll stop going on about them now, here’s a few tracks for you to enjoy yourself.

You can catch Run The Jewels at Falls Festival or at their own shows in January:

Falls Festival Lorne: Sun Dec 28th 2014 – Wed Dec 31st
Falls Festival marion Bar: Mon Dec 29th – Wed Dec 31st
Falls Festival Byron: Tues 30th Dec – Fri Jan 2nd
Southbound: Sat Jan 3rd – Sun Jan 4th

Wed Jan 7th: Enmore Theatre, Sydney (w/ Joey bada$$)
Thurs Jan 8th: The Forum, Melb (w/ Joey bada$$)
Fri Jan 9th: The Hi-Fi, Brisbane (w/ Joey bada$$)