Rome Fortune – VVORLDVVIDE PIMPSTATION 

Earlier this year Atlanta rapper Rome Fortune finally released his long awaited debut album, Jerome Raheem Fortune (read our review here). Since then Fortune’s been promising the third in his series of Beautiful Pimp mixtapes, but last week took a detour with VVORLDVVIDE PIMPSTATION, an 11-track collection combining the themes and concepts of his Small VVorld and Beautiful Pimp mixtape.

Fortune continues his merging of Southern hip-hop aesthetics with electronic, dance influenced productions on VVORLDVVIDE PIMPSTATION. Sometime collaborator Toro Y Moi laces Long Days with a groovy beat, Balloons has a sleazy trap feel and SEAVVORLD is a part club hit, part moody rap record.

The list of producers is long and varied, with regular Fortune beat makers Dun Deal, C4 and Richie Souf all contributing, with Souf’s icy retro work on Lit Freestyle one of the tape’s best productions. Aside from iLoveMakkonnen – who lends his off-kilter vocals to Lit Freestyle and My Boy Band Extortion – the guest verses are kept to a minimum. Candice Mims’ sensual vocals sing the hook on Trouble, Nessley’s auto-tuned delivery provides an annoying edge to the otherwise spacey My First 00,000 and Wara from the NBHD shows up on the 808 heavy Balloons.

Verdict: Good stop-gap before the next Beautiful Pimp tape.

https://api.soundcloud.com/tracks/275485631

BONES – PaidProgramming2

Few underground rappers have such a cult following as Californian creative BONES. Over the past six years the rapper – formerly known as Th@ Kid – has released over 40 mixtapes and almost double the amount of music videos, yet remains unsigned (of his own volition I might add). PaidProgramming2 is BONES’ second mixtape of 2016 and another inspiring and exhilarating collection of dark and moody rap songs.

Like previous releases, the majority of tracks on PaidProgramming2 are less than three minutes long, with BONES’ unique delivery and abstract rhymes pairing with post-apocalyptic electronic beats from a host of unknown producers. Often compared to Yung Lean, there’s less of a dreamy nostalgic quality to BONES’ music. Although the auto-tuned AwayFromKeybaord and WordsCannontEncapsualte share qualities with Lean’s music, BONES’ material has much more of an undercurrent of dread and depression to it.

BONES also changes up his flow throughout PaidProgramming2. There are slow, monotone raps (MyHeadHurt,INeedToLieDown, Maggots), melodic, head bobbing flows (TheCurseOfTheGhost, LivingstonCountryLegend), right through to BONES’ frantic, rapid fire rhymes (Rocks, YourMusicSucksAndYouLookLikeADickhead).

For someone whose music doesn’t always sound positive, BONES is far from a self loathing pessimist, with his lyrics largely discussing his greatness in the game and the trust you have to have in yourself to succeed. He’s definitely not everyone’s cup of tea, but BONES output is more consistent and challenging than most of today’s so-called rap stars, and for that you can not fault him.

Verdict: Another one.

https://api.soundcloud.com/tracks/275254480

The Game – Block Wars

Just a month on from the release of his first soundtrack to the documentary series, Streets Of Compton, The Game returns with another soundtrack to his new mobile game Block Wars. It’s a Grand Theft Auto-esque game were players vie for control of the drug trade and the streets as they battle rival gangs, mobsters and the police.

As you’d expect, the game is heavy with violence and aspects of gang life, which is represented in Game’s lyrics across the 10 track album. While he’s always positioned himself as a West Coast gangsta rapper, Block Wars is Game’s most concise collection of tracks themed around gang banging and life on the streets of Compton. Game tackles gang violence on the self-titled opener, dope spots and the L.A. streets on Gutter, and street killings and death on Murder and Bullet With Your Name On It.

This is very much a typical Game release, with plenty of Compton references and a plethora of name drops, with the G-Funk inspired Get High mentioning the likes of Method Man, Redman, Dr. Dre, 2Pac, Snoop Dogg, B-Real and O.J. Simpson, just to name a few.  There’s also only one guest featured on the album, being L.A. vocalist Lorine Chia, who provides the hook on the depressing look at life on the streets detailed in Uzis And Grenades.

Verdict: Game continues to accumulate an impressive body of work.

https://www.youtube.com/watch?v=TR8EFHTyWVA

Image: Wikipedia

What So Not and George Maple have teamed up once more for a new track, and accompanying video, Buried featuring rapper Rome Fortune. The track is their latest collaboration, following on from last year’s Gemini. Both the track and video have me absolutely mesmerised.

https://www.youtube.com/watch?v=OH_u_OiDChE

The track is glistening and theatrical, with a glam feel to the atmospheric instrumental. Rome’s increasingly frantic verse is rhythmically amazing, blending so perfectly with WSN’s sweeping, syncopated production and Maple’s honeyed hook. The video was co-directed by Leticia Dare and Andrew O’Tools, and is a stunning representation of the dark, powerful track. The slow, visceral scenes of the artists underwater blend moments of calm collection with frantic, panicked jolts. Beautifully shot, with incredible colours and rhythmic timing, this might just be one of my favourite new tracks of the year so far.

The track was co-written by all three artists, and produced by What So Not and THC. On the track, the artists have commented, “We’re all guilty of our vices. Whether a flickering thought or a lifestyle, our obsession with fame, money, sex & power drives a paradox of wonderful & horrible behaviour.”

Both What So Not and George Maple are touring Australia soon. See dates below: 

What So Not

June 30th – Enmore Theatre – Sydney, NSW
July 1st – Thebarton Theatre – Adelaide, SA
July 2nd – Metro – Perth, WA
July 7th – Prince – Melbourne, VIC
July 8th – Prince – Melbourne, VIC
Jul 9th – Max Watts – Brisbane, QLD
July 23rd – Splendour in the Grass –  Byron Bay

George Maple

Fri, Jul 8th | Metro Theatre – Sydney, NSW
Sun, Jul 10th | Fat Controller – Adelaide, SA
Wed, Jul 13 | Corner Hotel – Melbourne, VIC
Fri, Jul 15 | Oh Hello  – Brisbane, QLD
Sat, Jul 16 | Jack Rabbits Slims – Perth, WA

Image: Youtube

It’s great to see a famous Aussie come back home to give us some love, so when What So Not (A.K.A Chris Emerson) announced his Australian headline tour, we were pretty stoked. Emerson will be teaming up with legendary DJ A-Trak later this year as they tour Australia in early July. Having just performed at Groovin The Moo and slated on the Splendour In The Grass lineup, 2016 is shaping up to be a massive year for the Sydney native.

What So Not is fresh off the back of a new release Lone, featuring JOY. and co-produced by GANZ, as well as a remix of RUFUS‘ Inerbloom. Now, it looks like the Australian winter will be spiced up by Emerson’s homecoming. In addition to A-Trak, Atlanta rapper and recent signee to Fool’s Gold Records Rome Fortune will be joining the tour.

A-Trak is also an exciting announcement to be touring with What So Not. One of the more versatile figures in electronic music, A-Trak is the man behind the legendary Fool’s Gold Records, and one of the most respected DJs in the world. To see such a big name coming to Australia for a headline tour is exciting to say the least.

Tickets will be available after Thursday 19 May here at What So Not’s website. Tour dates are below:

Thu, June 30: Enmore Theatre, Sydney
Fri, Jul 1st: Thebarton Theatre, Adelaide
Sat, Jul 2nd: Metro, Perth
Thu, Jul 7th: Prince Bandroom, Melbourne
Fri, Jul 8th: Prince Bandroom, Melbourne
Sat, Jul 9th: Max Watt’s, Brisbane
Image: What So Not & A-Trak

Rome Fortune – Jerome Raheem Fortune

Rome Fortune’s long awaited debut is an abnormally when it comes to hip-hop releases. Devoid of features and with the majority of production handled by Fortune’s good friend Cubby, Jerome Raheem Fortune is a personal and powerful outpouring of Fortune’s current situation as both a rap artists and man struggling to survive in these trying times over experimental beats that push hip-hop boundaries.

Fortune’s strength has always been his lyrical content, and things are no different on JRF. Themes of family, drugs, and the daily struggle run throughout the album, with Cubby’s dream-like beats providing the ideal backdrop for Fortune’s ever changing flow on cuts Alone Tonight, Past Future and Find My Way. Fortune’s blurring of musical genres gains momentum on the album, with Chubby pushing Fortune’s sound into new and interesting territory. Both the Kaytranada produced Dance, an energetic story of escape, and the fuzzy synths and flute samples that allow Fortune’s dynamic flow to soak in on Blicka Blicka, showcase Fortune’s growth as an artist.

Verdict: Sharp and short, Fortune delivers on his potential with Jerome Raheem Fortune.

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Charli XCX – Vroom Vroom EP

Last week Charli XCX announced the creation of her own label, Vroom Vroom Recordings, telling The Fader the label “is my new, experimental pop label and it will combine my love for bubblegum pop with mystery and darkness.” To celebrate the news the UK songstress dropped the fantastic Vroom Vroom EP.

Although short at just four tracks, the EP is a marked departure from Charli’s stadium pop sound, introduction a strange, experimental, darker persona, a la Grimes. The title track begins as a shiny pop number bursting with energy, but has Charli rapping and singing over an evolving, menacing production. Paradise, a collaboration with fellow singer Hannah Diamond includes chipmunk vocals and a scattered electronic beat, Trophy samples Pulp Fiction and contains more rapping before the tempo changing Secret brings things to a satisfying close.

Verdict: If this is the new direction Charli XCX is heading in that I’m on board 100%.

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Rick Rubin – Star Wars Headspace (Compilation) 

Rick Rubin is a legend. Co-founder of Def Jam, possessing one of the greatest beards of modern times and a master behind the production desk, it appears the 52 year old is also a Star Wars fan. To coincide with the recent Star Wars film, Rubin has enlisted a stack of artists to appear on Star Wars Headspace, a compilation of tracks made entirely of sound effects and dialogue taken for the film franchise.

Röyksopp go bombastic on the Greedo vocal sampling Bounty Hunters, Baauer anchors Cantina Boys with Darth Vader’s deep breathing while Bonobo takes things down a notch with droid noises on Ghomrassen. Flying Lotus, Shlohmo and Rustie all contribute, while Rubin’s NR-G7 throbs with intensity and director J.J. Abrams’ Jabba Flow features warped production, scratches and an A-Trak cameo. If the list of people involved still hasn’t won you over, at least give Claude VonStroke’s R2 Knows a listen as it’s bloody hilarious.

Verdict: What could have been an exercise in madness turns out to be a creative and compelling collection that will please Star Wars fans to no end.

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Image: Pigeons & Planes