Written with Michael Sun
Now in its fourth year running, boutique electronic & hip hop festival OutsideIn took over Sydney University’s Manning House last weekend. For those who’ve never been, we really, really, really recommend that you attend the 2016 event. Consistently our favourite day festival in Sydney, the best part about it is that it only gets better every year. The day couldn’t be marred by a thing – late headliner cancellations, terrible weather, nothing.
Over the course of nine hours, we witnessed Manning House transformed from a dreary uni food court, to a one-of-a-kind musical haven. There’s nothing quite like OutsideIn.
The afternoon started with the always spectacular UV boi – in classic Auscore attire featuring a red Vodafone cap. Not even the drizzle could stop a solid crowd from forming, dancing to his Vaporwave and trap-inspired reduxes of hits like Banks’ Begging for Thread and a Tkay Maidza’s M.O.B. But perhaps the real kicker of the set was final single LUV, heralded by trumpet fanfares and a purple-suited guy shouting “FEEL THE LOVE” to whoever would listen, and replete with melodic iPhone notification tones, underscoring the modern irony that UV boi has become such a hallmark of.
Moving to the main stage, the next highlight – and one of our favourites of the whole day – was Total Giovanni. The weather outside may have been a tad chilly, but the indoor stage heaved with sweat, smiles, and the sweet 70s-inspired sounds of Can’t Control My Love and Human Animal. In the dim red light of the main stage, we were entranced by the band’s thoroughly enjoyable schtick, grooving on stage in platinum blonde wigs and shimmery dresses. There was something Mighty Boosh-level surreal about seeing four grown men perform such a brilliantly throbbing set in these outrageous costumes. It was bliss.
Catching the seductive rhythms of Pomo, GL, and Charles Murdoch, the tone of the OutsideIn’s daylight hours was set by their sweet electronic beats – the perfect complement to the chilly rain, sporadically showering down upon the heaving crowds. Devin The Dude changed it up with his green-tinged hip hop. The rapper, in his first ever visit to Australia, looked like he was having the time of his life up on the main stage, and the the crowd lapped up every moment, with hands up in the air, huge cheers, and an immediate cloud of weed smoke.
Our favourite act of the day, hands down, was Stormzy. For those who aren’t too sure about the whole UK grime thing, we can safely assure you that it’s no gimmick. Stormzy blasted the stage with infectious passion and a loud, proud attitude that had the entire crowd immediately swept up. The South London rapper brought it down, inciting a massive mosh pit and the sweatiest dance-floor of the day. It’s hard to explain the energy we felt in the crowd – outside the plastic walls, the rain was pouring down and the wind was getting nasty, but within those walls, the atmosphere was incredible.
The final headlining act was hip hop legend Big K.R.I.T., whose hard-hitting sound was the perfect way to cap off the event. Running through classics, from Cadillactica to I’m On 2.0 and Yoko, it was wild and energetic, but to be completely honest, it just felt a little flat. I’m almost certain this is entirely due to the intensity of Stormzy’s set, which came immediately beforehand. Nevertheless, it was a solid way to end a brilliant OutsideIn – a day that we won’t forget for a long time.
We don’t usually have headlines in all caps, but this is important stuff.
OutsideIn Festival is taking place THIS WEEKEND in Sydney, and if you’ve been following our website over the past few weeks, you probably know how damn excited we are. The boutique festival regularly features curation of the best in emerging and underground hip hop and electronic acts, both local and international. Every year, they fail to, well, fail. Now in it’s fourth year, the event is only getting bigger and better.
This year, on the 26th of September, Sydney Uni’s Manning House will see artists including Big KRIT, Devin The Dude, Stormzy, Charles Murdoch, Feki, Total Giovanni and more!
We’re very excited to be giving away one double pass to not only the festival itself, but to the rad afterparty at Googgod Small Club, which will see Bacardi Fuego Presents Hot Wax taking over the back room with an all vinyl lineup.
It’s super easy to enter:
1) Like Howl & Echoes on Facebook
2) Email info@howlandechoes.com with OUTSIDEIN in the title, and your name in the email.
Note: You must be 18+ to enter.
We’ll contact the winner tomorrow at 5 pm to let you know if you’ve won the double pass!
In the meantime, have a crack at this ridiculous exciting OutsideIn mixtape, created by Andy Garvey exclusively for the event:
Lineup: BIG K.R.I.T // DEVIN THE DUDE // LOEFAH & CHUNKY // COSMO’S MIDNIGHT // STORMZY // STAR SLINGER // POMO // SABLE // ANDRÉS // UV boi فوق بنفسجي // CASSIUS SELECT // TOTAL GIOVANNI // PENDER STREET STEPPERS // CHARLES MURDOCH // FEKI // GL // KUČKA // HARVEY SUTHERLAND // BEN FESTER // MAGDA BYTEROWICZ // MAX GOSFORD // ADI TOOHEY // MCINNES // ANDY GARVEY
Since its inception in 2012, OutsideIn Festival has revealed to be one of Sydney’s most exciting festivals. Now situated at Manning House, which sits on the campus of the University of Sydney, it is everything that a small festival should be. With a chilled, respectful crowd and a cleverly curated lineup, the festival creates a uniquely intimate relationship between artist and audience. This Saturday will see it’s fourth run, and it looks set to be even more exciting this time.
Using the space of the university bar must present some great challenges, but what they did with the space last year was incredible. The festival organisers completely reinvented it, adding an outdoor stage and designs from local artists, including handmade jellyfish hanging from the top of the courtyard area. The choice of artists is of consistently high quality, with a strong focus on electronica and inclusive of both local and international talent.
This weekend will see the likes of Devin The Dude, Big K.R.I.T, Cosmo’s Midnight, Sable, Total Giovanni, Cassius Select, Ben Fester, UV Boi, Pomo, Montgomery, Kucka, Andrés and more. Not only that, once the shenanigans end at around 10pm, festival goers have the option of continuing the party at GoodGod Small Club.
Presented by Astral People and Bacardi Fuego, GoodGod will be offering both its front and back area to the afterparty, kicking off at 10pm this Saturday (Sep 26). The back room will have a heavy house leaning, with Detroit producer Andrés, whose chilled house beats have made a huge impression on the underground scene, as well as Pender Street Steppers and Sydney artist Mike Who. The front section will incorporate a fusion of hip hop, grime, electronica and more, featuring DJ sets from Cosmo’s Midnight, Sable and South London MC Stormzy. These epic sets will be followed by Catlips, whose incredible mix of disco, house, pop and electronica will surely keep the party charging until an epic close by local artists Andy Garvey and Chris Barker.
If you did miss out on tickets to OutsideIn this year don’t fear, tickets are available at the door at GoodGod for only $20 each. Make sure to get their early and secure a ticket, as there is no way of reserving tickets online. To check out other events that GoodGod is hosting see their website.
Oh, and you can check out the full OutsideIn set times right here. There’s a handful of tickets left, so head over to the official website to catch ’em while you pop them dancing shoes on!
OutsideIn Festival is right around the corner. Taking place in Sydney next weekend, the festival, now in its fourth year running, is easily our favourite local event of the year. The lineup boasts an impressive selection of hip hop and electronic artists, mostly underground, all brilliant.
Unfortunately the news came out this week that R&B artist Bilal has had to cancel his headlining appearance at the last minute. According to the official announcement, made over Facebook, Bilal’s “management have decided to postpone his Australian tour at this stage. We apologise to his fans who, like us, were looking forward to seeing him play. We hope he can make it to our shores in the near future!”
The cancellation really sucks, but we’re still going to be able to enjoy Big K.R.I.T, Devin the Dude, Stormzy and more, alongside Total Giovanni, Charles Murdoch, Sable – among many others.
The news comes along with Bilal’s replacement, bass-lovin’ duo Africa Hitech. Made up of Mark Pritchard and Steve Spacek, they played at the very first OutsideIn in Marrickville in 2012, while Pritchard performed at the event in 2013.
In other OutsideIn news, it’s been announced that the day will begin with sounds from THUMP competition winner, Melbourne’s Anatole. The festival have also now released an exclusive OutsideIn mixtape, to get you even more excited!
Early bird tickets have sold out, but you can still purchase the last few general admission tix for $91.80 right here.
Here’s the full timetable. See you there.
Sydney’s OutsideIn Festival is quickly approaching, and we could not be more excited. Consistently one of, if not Sydney’s best music event for three years running, the 2015 edition will no doubt beat each and every expectation! The lineup boasts an unbelievably well-curated selection of the best names in (predominantly underground) local and international electronic and hip hop.
That said, tickets are selling fast, and not everyone will be able to get in to Manning House on September 26 
So, luckily, the sideshow dates have started rolling out! We’ve got the details here:
This criminally underrated, prodigiously multi-talented musician has worked with musical gods right through from the underground to the mainstream, boasting a hefty collaborative resume including J Dilla, Dre, Beyonce and Kendrick. A diverse, genre-smashing and truly unique artist, I can guarantee this will be one of the best performances you will catch all year.
Thurs Sep 24: Prince Bandroom, Melbourne
Fri Sep 25: Max Watts, Sydney
Another name which may not be entirely familiar to you, but should be – Detroit’s Andrés is bringing the house and hip hop to Sydney and Melbourne. Also known as DJ Dez, the Slum Village DJ has released music under Moodymann’s label Mahogani, the drummer, producer and all-round legend returns to Australia again, after an acclaimed 2014 run.
Thurs Sep 24: Hugs&Kisses, Melbourne
Representing deep, grimy hip hop from the other side of the pond, South London’s Stormzy will be making his way to Australia for the very first time next month. Having just won “Best International Act” award at the BETs, and joined Kanye West on stage at the Brit awards, this 22-year-old trailblazer is on the brink of global domination. Already hailed as one of the best live acts out of the UK, this I could not recommend him higher.
Thurs Sep 24: Jack Rabbit Slim’s, Perth
Fri Sep 25: 524 Flinders, Melbourne
This producer and DJ has built a reputation for his incredible sampling, and blending of hip hop and house to create exciting beats that have caught the attention of A$AP Rocky, Miguel and Juicy J to name a few. Wel known for his remixes of artists ranging from London Grammar to Kendrick Lamar, this will be Star Slinger’s first Australian visit since 2012.
Wed Sep 23: Jack Rabbit Slim’s, Perth
Thurs Sep 24: Toff in Town, Melbourne
Sun Sep 27: Transit Bar, Canberra
Here’s the full festival lineup, for which you can purchase tickets here. The main thing I’ve come to learn over my years attending OutsideIn is to have faith in the curation (for more, read my 2014 review here.) Sure, you might not recognise all the names on the bill, but don’t let that deter you. Every year, every act – whether I knew them or not – has been astounding. So go on, buy a ticket. You are in for one hell of a good time.
BILAL // BIG K.R.I.T // DEVIN THE DUDE // LOEFAH & CHUNKY // COSMO’S MIDNIGHT // STORMZY // STAR SLINGER // POMO // SABLE // ANDRÉS // UV boi فوق بنفسجي // CASSIUS SELECT // TOTAL GIOVANNI // PENDER STREET STEPPERS // CHARLES MURDOCH // FEKI // GL // KUČKA // HARVEY SUTHERLAND // BEN FESTER // MAGDA BYTEROWICZ // MAX GOSFORD // ADI TOOHEY // MCINNES // ANDY GARVEY
OutsideIn Festival is set to make it’s triumphant return to the Sydney social calendar for the fourth time this year, and have just today unleashed the first announcement of what will undoubtedly be an absolute ripper of a lineup!
Featuring Devin The Dude, Pomo, Big K.R.I.T, Bilal, Star Slinger and more, this is going to be one massive day. This festival comes with a Howl & Echoes seal of approval (check our review of last year’s festival here), with many of us citing it as one of Australia’s very best. With Astral People and Yes Please at the helm, they continually deliver lineups that are carefully curated and focused on the experience as a whole.
Over the years, they’ve brought BadBadNotGood, Freddie Gibbs, The Pharcyde and so many more, delivering a festival experience like no other. Focussing just as much on international acts as they do on local artists, Total Giovanni, KUCKA, Cosmo’s Midnight and more have also been included in this first announcement. If you need anymore reason to be excited, check their promo video below:
OutsideIn Festival will be held at Manning House in Sydney on September 26, 2015. Early bird tickets have already sold out, with the next releases guaranteed to fly out the door. For tickets and further information, check here.
For the uninitiated, OutsideIn Festival is a Sydney festival which has been running since 2012. Impeccable artist curation leads to the kind of event where, it doesn’t even matter if you know the acts playing or not – you can guarantee they’re going to be great. Boasting a lineup that’s a pretty strict blend of electronic and hip hop, headliners have included HTRK, Flume (before he was the mythical lord of Australian electro,) The Pharcyde, Pantha Du Prince (read my interview here), Freddie Gibbs, Badbadnotgood, Knxwledge (who just dropped an incredible album on Stones Throw, by the way) and more.
The first two events were held at The Factory in Marrickville, before moving to Manning House within the University of Sydney. It’s now been announced that the event will take place at Manning House again this year.
As well as the venue, we now have a confirmed date! OutsideIn will be taking place on September 26 2015.
No word on the lineup just yet, but keep an eye out over the next few weeks!
In the meantime, check out this video from last year’s festival, capturing the feel-good vibes of a wonderful day.
I can’t go on about this festival enough. If you want to know why, read my review of last year’s event, which gives you four bangin’ reasons why OutsideIn is Sydney’s best festival.
Photos from the OutsideIn Facebook page
It’s official. If you want to call yourself a true hipster wang glitterati, you must have attended OutsideIn last weekend. The crowd was beautiful, the venue ideal and the music – oh, the music. It had a perfect line up of the uber cool, including Seekae, Basenji, Andras and Oscar and Pantha du Prince to name but a few, interspersed with ones I’d never heard of (thus, in my mind, making them even cooler) like Sui Zhen, Black Vanilla and Giraffage. Astral People and Yes Please put on a show like no other, and in four easy steps we’re here to show the rest of the small festival gang how it’s done.
Step 1. Exploit your space for all it’s worth
I’ve been to a few gigs at Manning House, but for Outside In the place was transformed. Three floors, two outdoor stages, a sea of giant jellyfish floating under clear tenting and a fresh food lawn to watch the sun go down – this was the kind of space you hope for at every festival with plenty of room to avoid that crowd claustrophobia and the chatty high flying energy of a good house party. The variety of spaces in Manning House also meant that each stage had it’s own distinct feel – in the courtyard it was a summertime fiesta, at the main stage the hypno-geo-staging dragged you to the dance floor and in the jelly-tent you had the distinct feeling you were being hot-boxed in minimalist groove whether you liked it or not. This fine spread also meant there was plenty of space to relax in between acts, and holding it at an established venue meant Manning House didn’t hike up their bar to ‘festival prices’.
Step 2. Fill your line up with acts who also appear to be best friends
On Saturday, collaboration was the name of the game. When I first arrived it was to see Oscar Key Sung jumping in on Collarbones’ stage, adding his telltale croon to the luxe RnB set. Later Marcus Whale appeared with Fishing, rapping fresh lyrics to their instrumentals, and was it just me or was Sui Zhen killing it on stage with No Zu? Guerre was seen performing with acts like Black Vanilla as much as in the crowd cutting sick shapes, clearly enjoying the day as much as the punters around him. The result was not only a day of one-off performances and new mixes of well-loved sound, but a rare atmosphere promoting grinding in your bra with the artist you just saw on stage half hour ago and throwing yourself into an act you’ve never heard of because hey, if your good mates Oscar and Marcus like them, they must be good.
Step 3. Three stages = three different simultaneous sounds
In only three years, Outside In is creeping forward as one of the premiere electronic and dance festivals in Sydney, but a big part of the success of the day is that it’s not a smorgasboard of catchy drops and repetitive synth. No Zu blew me away with their sassy brass sound, an 8-piece of infectious energy sprinkled with cow bell solos and a truly committed saxophonist. Andras and Oscar were high energy pop bliss in the sparkling twilight, with a cover of “Bring It Back” that set the crowd off in falsetto solos. The Pharcyde and Black Vanilla were hip hop tough, with a clattery kinetic sound and instant charisma that set them apart from the electronic stars of the day. Outside In had the space and the scope to not be limited to pure electronic or dance acts, and the day was all the richer for it.
Step 4. Stay ahead of the curve
For every act I was looking forward to, there were three I’d never heard of, and that excited me. In the week since the festival I’ve gotten into Sui Zhen in a big way, and Late Nite Tuff Guy is in my top ten of go-to artists when in charge of a playlist. I already know I’ll be at next year’s OutsideIn without even a guess at the line up, because whatever names are on the bill are sure to be innovative, eclectic and enviable. That’s the secret, the most important ingredient in a small festival – you want everyone to walk away not only with great memories of the day but also a whole new slab of listening potential. In the smoky labyrinth of aching bodies that poured into Sydney University when the night ended, everyone went home with someone new in their back pocket to pull out when recommending music to their mates. The focus on new and emerging talent is what is going to keep OutsideIn at it’s perfect size, but grow the cult following that is already starting to swell.
Wooooo! Howl & Echoes are super duper excited about OutsideIn Festival, taking over Sydney Uni’s Manning Bar in two weeks. The timetable is out, check it here and get planning!
There’s a few clashes (unavoidable with a lineup so stellar though) but overall it seems like a pretty good arrangement.
Seekae have released a record this year that, in my opinion, is in the running for best of the year. The addition of vocals to an otherwise instrumental group was somewhat surprising to the devout Seekae fans, but whatever concern we had quickly slipped away after hearing first single, Another. Their already intense live show has stepped up in precision and captivating sequencing, and now-singer Alex Cameron has come into his own as a vocalist. It’s no coincidence that they’ve been booked on the lineup for OutsideIn Festival in Sydney later this month; a considered and extremely well put together lineup curated by ASTRAL PEOPLE. Playing alongside Pantha Du Prince, The Pharcyde and so many others, OutsideIn is guaranteed to be not only a gamechanger in boutique festivals that it’s known for after last year’s success, but proof that it’s quality over quantity.
We recently chatted with Alex Cameron ahead of what is looking like a pretty huge 12 months next year!
You’ve recently finished a string of Australian shows as well as a BIGSOUND appearance, which I saw and it was incredible! Your set was my favourite!
Oh, thank you very much!
How do you think this new material is being received, especially because it’s been a while since you last toured Australia?
It’s a little surprising. When we release records, we kind of always change our style so much that we always anticipate backlash! Maybe it’s like a personal thing, I don’t know. Maybe I’ve got some insecurity, but it’s been so nice to have such a warm response! It’s been pretty overwhelmingly warm, and I think that’s really positive. I’m excited by the fact that people are willing to let us explore and find new things that excite us, and if that excites anyone then obviously that’s a bonus. It’s been really warm so far though, and that’s a surprise. Maybe I’m just being self-deprecating but we change so much, and we do weird and odd things that excite us, and it seems to be exciting other people so that’s been positive.
It was kind of unconventional touring with just two singles from a then unreleased album – was that a deliberate decision or just coincidental timing?
It was a little bit coincidental, and it was a little bit “stab in the dark” but, at the same time, we wanted to give people a chance to hear the songs live first and see how powerful the songs could be and see if they could make a connection. It was nice for us to play three or four tracks nobody had heard before.
Was The Worry a long time coming? In between your previous album and The Worry, there were a few side projects and a fair bit of time in between the releases too – was that time spent working on the new material, or was there a bit of time to rejuvenate?
Yeah there was a little break, and then there was maybe two years of writing. Some of those songs have changed three or four times. It was a long time coming, but there were some breaks – tours and stuff. We ended up doing like four national tours off that one record in two years. We were really surprised we could keep selling our shows and packing people in. By the end of it, we were like “Let’s make sure we nail this next one. Let’s do something that really means something to people, because everyone has been so kind.” That was one of the goals.
You would have been asked about this a million times by now – but I’m curious: with the introduction of lyrics and vocals, was it a natural progression to that point for you? Was that something you were always interested in doing with Seekae?
Yeah, to me, I love songs. I mean, I love instrumental and I love tunes – but I really, really love songs. I always have, all of us do. There is something about the freedom of an instrumental track that’s really beautiful, and there’s this space and it can be super emotive because it’s quite broad.
More open to your own interpretation…
Exactly! I think the same goes for songs with lyrics, but there is just something about a strong lyric that actually moves things for me. It shifts the way I see something. It’s just this magical thing. When you want to really try and express something, the highest form is to sing it and I think I always wanted to explore that. We all have. So yeah, it was completely natural, but something I’ve wanted to do for a while. It just sort of happened – I just wrote a couple of songs and showed them to the guys, and they were right behind it.
I find that Seekae songs prior to this were always quite full and complete with the absence of vocals, so has that now changed the songwriting process?
There were some times where we would have the song finished, and we’d try to fit the synthesiser parts on there, or new leads, and we’d have to stop ourselves and think, “Well, there’s lyrics now, so there’s no need to add in this synth part!” It’s a certain step back; it’s a little bit of restraint I suppose, but it’s also something entirely new. There wasn’t really a process to it, it was more just like, “Oh, that’s finished now!” It was a bit like unchartered territory.
There are some pretty heavy themes in The Worry, and it’s quite dark and mysterious I find – especially Test & Recognise which has quite an eerie feeling… Was there any specific inspirations or influences for these songs? Are you okay?!
*laughs* I guess it’s just about the life we’ve been thrust into and trying to find moments of beauty. I feel like a decrepitly imperfect being, and I compare myself to a flat screen TV or a tablet: these things are designed for perfection. We expect them to be perfect even though they’re obsolete, or they’re designed to be obsolete eventually, and so are we. We’re so fragile, and we die, and that’s a concern. I think the main influence was trying to create something as concerning as our own mortality, in a world filled with what is sold to us as being perfect technology. Trying to find something as concerning as that, but trying to let it free, and for the sounds to be an exploration almost, and to see if we could find something beautiful about it. To see if we could write a record about an overwhelming concern that defines closure and beauty.
That’s beautiful! You’ve now got yourselves a slot on the OutsideIn Festival – how do you see your music in the now burgeoning electronic scene? I feel like it’s still quite different to the “Australian Sound” going around at the moment – would you attribute that to your move away from Sydney prior to that really taking off?
No, I don’t think so. Oh, maybe, I don’t know. We were never part of any scenes – that’s kind of why we didn’t make indie rock or garage rock when we started. That’s why we’re not doing big hip hop instrumental music. We almost went there; we were listening to a lot of that years and years ago, but once it’s everywhere it can’t possibly be exciting anymore. Once it’s hugely successful, how can you be turned on by it? It’s the small things – and I don’t mean that in a snobbish way because we love pop music and successful pop music – but to make it ourselves would be a step back for us. I think we’re always trying to make something twisted. Whether or not we’re successful in that is irrelevant, our intention is always to do something that’s a bit “new” to us.
I was completely hypnotized when I saw you perform at BIGSOUND – how do you guys recreate your sound live? It looks like a lot goes on, and that would certainly evolve and develop as each tour occurs.
Thanks for saying that! For us, it’s making sure we can sequence everything; so it’s grooves, rhythms and basslines, and it’s making sure we can have this clarity in the sound. George does a lot of the percussion sequencing, and John handles the melody with his samples and percussion, and he plays a lot of keyboard so he’s quite busy. Then I am doing some sequencing with a drum pattern and playing grooves, and making sure I’m trying to sing as clear as possible. For us, that sound is the reason people are there. That’s our concern. What we do is we have a really strong crew that we love working with. We’ve gone over it and rehearsed it and we know what to expect from them. There are more members than what you can see. We just want to make sure the music comes across because it’s become this big monster that’s in front of people and we want to try and make it as overwhelming as possible in a really positive way.
Yeah, I was standing next to the lighting guy at BIGSOUND and he was as captivating as you guys were the way he was working!
Yeah he’s great, he’s really fantastic. He doesn’t like to be harped on, but we’ve been working with him for a while and the most important thing about working with him is he’s evolved with us. It’s not the same thing; he’s clearly an artist himself. That’s what really hits it home for us – I want to see people change, I want to see evolution.
The album art for The Worry is quite stunning, with all your faces morphed into one – can you tell me a bit about that?
We wanted to do something that was a bit “foul” I suppose; something that was so delicately ugly but beautiful at the same time. We found this artist in China that was doing bizarrely earnest portraits, so we got in touch with them and they painted it for us. We just wanted something earnest and off-putting. It was trying to explore a bad idea, and seeing if we can make a bad idea work. A lot of the record is, I think, concerning ideas or bad ideas that we’re trying to turn into a good thing. That was one of the challenges of this record: is it such a good idea for us to be singing? Well, it feels right so we will. We were exploring those challenges and there was zero safety with any decisions made on the record. It’s all risk taking. It’s kind of maybe given me an anxiety disorder, but it was also a bit of fun. That’s what it’s all been about.
What’s next for Seekae after OutsideIn?
Well, we’ve got a really busy 2015 already. It’s nice to have work coming in and to be able to play the music live. I do a lot of travelling and a lot fo tours around the world. 2015 is going to be pretty jam-packed, so right now I’m trying to get healthy so I’m ready to do it. I think we’ll be playing a lot of shows in Australia and overseas as well!
Seekae perform at OutsideIn Festival November 29th at Manning House, Sydney University. Get one of the few remaining tickets HERE.