Nelly knows what’s up. Nelly knows it’s spring, and soon it’ll be summer. And because it’s getting hot in herre, Nelly’s coming to help take off your clothes. Or his own. I don’t really know.
Usually nostalgia tours piss me off but Nelly and I go way back. In fact I’d say that Country Grammar was the first ever non-Eminem rap track that I truly loved. I have memories of dancing to it at many barmitzvahs and batmitzvahs when I was 11 – 13 and still years off from properly discovering hip-hop.
Anyway, the point is that Nelly’s touring, and it’s going to be silly and a bit weird, and it might even get cancelled, as seems to be the way for many ill-fated hip-hop nostalgia tours. But if it goes ahead, it’ll probably be pretty fun nonetheless.
The news follows the recent announcement of R&B Fridays Live, a massive nostalgia tour featuring Nelly, Mya, 112, Blackstreet, TLC and basically every other 90s R&B one-hit wonder you can think of, so basically it’s going to be your favourite compilation album IRL.
While he hasn’t released too much new music lately, Nelly has been in the throes of reality TV, as part of Real Husbands of Hollywood and his very own BET series Nellyville.
Frontier Touring will hold a 24 hour pre-sale for members from September 27 at 12pm AEST. General public tickets will be on sale from September 29 at 10am local time in Australia and 1pm local time in NZ. More details can be found here.
Tour dates:
Thurs Nov 17: Metro Theatre, Sydney
Wed Nov 23: Discovery, Darwin
Sat Nov 26: TRAK, Melbourne
Tues Nov 29: Vector Arena, Auckland (with Blu Cantrell & Blackstreet)
Wed Nov 30: Horncastle Arena, Christchurch (with Blu Cantrell & Blackstreet)
https://www.youtube.com/watch?v=8WYHDfJDPDc
Image: Supplied
With the bite and grit of a woman scorned, Lady Gaga’s comeback single was released last week to much fanfare – mostly because Kevin Parker and Mark Ronson co-wrote and produced it. Though the song itself has received mixed feedback from critics and fans alike (a lot of people seem to be overlooking the fact that it is Gaga’s song and will be on her upcoming fifth album when they screech “less Gaga! More Kevin!” but I digress), it’s a clever career move for all involved. The Tame Impala mastermind recently told Triple J about his thought process when the offer first came up: “It was amazing, really really good. One of those life/career-defining times. It started out sort of like a career move. Like, ‘I’ll get in on that.’ But it quickly became something so personal and so meaningful for everyone involved. I’m just happy it’s all out in the open now. Now I can not tell secrets anymore.”
https://www.youtube.com/watch?v=oB94lvJbETE
And he isn’t the only one. A pop collaboration of such a magnitude can breathe new life into a career, boost a newer artist into the spotlight, bring two (or more!) distinctive voices together, help one make the transition from boy/girl band into solo super stardom. Or, it can fail miserably and fizzle out. Here, we take a look ten other life/career defining (for better or for worse) pop collaborations of recent memory – from Gaga to Gwen, there have been a few.
Bang Bang – Jessie J, Ariana Grande & Nicki Minaj
https://www.youtube.com/watch?v=0HDdjwpPM3Y
A Lady Marmalade for the 2010s, Bang Bang had it all. The seasoned, jazzy vocals of Jessie J’s are bolstered by those of the current princess of pop, Ariana Grande. However perhaps the most important element of all, and something that could be considered a genre all it’s own, the track features what is known as Nicki’s Verse. Once again, Minaj steals the show, to the tune of a wildly energetic rhythm and immediately infectious earworm riff.
Lady Marmalade – Lil’ Kim, Christina Aguilera, Mya & Pink
https://www.youtube.com/watch?v=puKhmJEIw3I
You can’t mention Bang Bang without Lady Marmalade, the last great multi-female pop-rap collab. Originally released in 1974, it was always intended to be performed by a vocal ensemble. However, upon featuring on the Moulin Rouge soundtrack, it this version will forever endure as The One when it comes to pop collabs. Having sat at no. 1 for five weeks after its release, you would have thought it was written with no one other than Christina Aguilera, Mýa, Pink and Lil’ Kim in mind.
The Boy is Mine – Brandy & Monica
https://www.youtube.com/watch?v=Va1Y6uAgNJY
So iconic was this Brandy and Monica collaboration that it’s recently been given the sample treatment along with Destiny’s Child. Nothing beats the original though: two fierce as fuck women in what at first seems to be a girl-hating anthem but turns out to be an exposé of a good for nothing, two timing cheater. Honestly, with the way their voices work together on The Boy Is Mine, it’s a wonder Monica and Brandy didn’t release an entire album together, Then again, too much of a good thing may have meant have taken away some of the shine.
Telephone – Lady Gaga & Beyoncé
https://www.youtube.com/watch?v=EVBsypHzF3U
Kevin Parker isn’t the only major artist who saw an opportunity in collaborating with Lady Gaga. This 2010 hookup resulted in one of the biggest, most important pop collaborations of both artist’s careers. Originally written by Gaga for one Britney Spears, the song was released as part of Gaga’s Grammy nominated album The Fame Monster the year before Bey dropped 4. It pushed Beyoncé into a new light, everything from her double time verse to the masterpiece of a music video were highly calculated moves that helped her build upon the Sasha Fierce attitude while bringing together two pop powerhouses who might have otherwise seemed to be on opposing sides of the genre.
My Boo – Usher & Alicia Keys
https://www.youtube.com/watch?v=fPgf2meEX1w
Originally left off the final track listing to the record, My Boo was leaked online along with three other previously unreleased tracks from Usher’s 2004 the album before being added to the expanded version of Confessions. Having previously collaborated with Alicia Keys on If I Ain’t Got You, producer Jermaine Dupri wanted to tap further into the musical relationship between two of the biggest names in r&b and pop at the time and to say it worked out well would be an understatement. It went on to be the fourth single from the album and was the highest debut of them all, coming in at number twenty nine upon its release.
Where Are Ü Now – Justin Bieber, Shrillex & Diplo
https://www.youtube.com/watch?v=nntGTK2Fhb0
Justin Bieber, Pop’s comeback kid of 2015 knows a thing or two about collaborations. He’s worked with Queen Nicki and his 2015 album featured Big Sean, Halsey and Travi$ Scott to name but a few. Commercially however, one of the biggest standout pop collabs of the past year came from his partnering with Shrillex and Diplo for the second single from the duo’s debut album. The song blew up airwaves (including a brief moment where Justin Bieber was actually aired on triple J) before it went on to be included on Bieber’s Purpose. Officially marking his return, Where Are U Now almost singlehandedly reintroduced the world to the slick, new, adult Biebs that went on to cultivate an entire new generation of fans.
California Gurls – Katy Perry & Snoop Dogg
https://www.youtube.com/watch?v=F57P9C4SAW4
Snoop has had his fair share of collabs – we could have made a list with his alone. However, of recent memory, his appearing on Katy Perry‘s California Gurls sticks out as one of the most wtf collaborations conjured up by executives somewhere no doubt. Still, something about it worked because it earned Perry her second US no. 1 hit and Snoop his third as it went on to reach the top spot in ten other countries and received a Grammy nod.
Suit & Tie – Justin Timberlake & Jay Z
https://www.youtube.com/watch?v=IsUsVbTj2AY
Marking the end of his musical hiatus, Suit & Tie was the first single off Justin Timberlake’s 20/20 Experience – a critically acclaimed commercial juggernaut of an album that sparked a near two-year tour. The Jay Z-featuring Suit & Tie surpassed Timberlake’s own record for the most sales in its first week, with the slightly out of time beat and hazed-out drawl of a song sticking around as the hit of what seemed to be the entire year.
Dilemma – Nelly & Kelly
https://www.youtube.com/watch?v=8WYHDfJDPDc
Off Nelly’s album 2001 Nellyville and the lead single from Kelly Rowland’s debut solo album, Simply Deep, released later the same year, this track won the duo a Grammy award. While Rowland’s career hasn’t reached the heights of her fellow child of destiny, Beyoncé, this was the track that showed her to be much more than essentially a featured backup singer for Bey’s. While Beyoncé has her plethora of collaborations and Michelle sings the Lord’s praise in her new career as a gospel singer, neither can stake claim on Dilemma, practically the most enduring collaboration track of the early 2000s with a (now meme-worthy) video to go along with it. I.C.O.N.I.C.
Let Me Blow Ya Mind/and Rich Girl – Gwen Stefani & Eve
https://www.youtube.com/watch?v=Wt88GMJmVk0
During her early-mid-2000s peak, Eve was nothing short of a collab-extraordinaire. But if there was one partnership that proved to be a cut above the rest, it was when she hopped on a track with No Doubt’s Gwen Stefani. Off Eve’s sophomore album, Let Me Blow Ya Mind gave us the first insight into what was truly a match made in pop heaven (or maybe it was hell, because that video was badass AF for the time, even if you did wonder what happened to Gwen’s car once Dre broke the duo out of jail). They followed it up three years later on Stefani’s debut solo album, the Dr Dre produced track Rich Girl. While it was fun and easy enough to go along with, the song (a last minute addition to Stefani’s Love. Angel. Music. Baby) didn’t come anywhere near reaching the bar set with let Me Blow Ya mind.
Image: Consequence of Sound
Remember the wonderful transitional period between the late ’90s and the early ’00s? Those heady days when G-shock watches and baggy jeans and spiking your hair with wet-look styling gel was cool and your mobile phone still had Snake on it and your biggest inconvenience was that you couldn’t fit a Discman in your pocket and The Blair Witch project was the scariest movie of all time? Pepperidge Farm Nelly remembers. He remembers the polyphonic Hot In Herre ringtone you subscribed to for $4.99 a month so you could be the coolest kid at the school disco, and you best believe Nelly remembers those days with a warm heart. In conjunction with a lot of people’s excuse to do sweet fuck all at the end of the week in RnB Fridays, Nelly’s coming down under for a four date tour and bringing some very famous friends from days gone by.
https://www.youtube.com/watch?v=RtSDWq6HsJE
Surely that cut on his face has healed by now? Anyway, the list of guests he’s bringing is quite the trip. Unfortunately Kelly Rowland won’t be among them, probably because she still hasn’t realised that Microsoft Excel is not a viable means of communication.
For real joining Nelly on this whirlwind RnB Fridays Live tour though will be first ballot RnB hall of famers TLC. The greatest girl group of all time (deal with it, Destiny’s Child), so scrubs need not tick attending to this, nor should they hang out the side of their best friend’s ride holla-ing about it either. They’ll be joined by the recently reformed Bad Boy Records alumni in 112 all the way from Hotlanta as well as soulful songstress Mya, who may or may not still have a case of the ex. Montell Jordan will also be in the house to let everyone know exactly the correct way we do it, as will Blackstreet who evidently like the way Australia works it (“no diggity”).
https://www.youtube.com/watch?v=3KL9mRus19o
The long list continues with Fatman Scoop (no word on the Crooklyn Clan though) will also be in attendance demanding the hands of various sub-groups of people be in the upright position. Blu Cantrell will also be hitting Australia up style, the go to patron saint of getting revenge on an unfaithful partner by using his money to fraudulently buy things of impossible extravagance.
Rounding out the bill will be a pair of crooners in Kevin Lyttle doing his best to turn everyone on and Dante Thomas doing uh… whatever it is that Dante Thomas does (you go, Dante Thomas).
Keeping fans entertained in between all this RnB royalty will be DJ Horizon, who will be on hand spinning a few of the names who weren’t able to make it to this momentous occasion.
We’re not sure how any of this is going to go down, nobody on this bill is in their prime by any stretch and we’ve made our distaste for nostalgia tours very clear in the past, but there’s no denying the huge popularity of RnB Fridays in Australia right now. If you’re looking for a big long hit from the late 90s-early 00s nostalgia, tickets go on sale next Tuesday, September 6th.
RnB Fridays LIVE Tour Dates:
Fri, Nov 18th: Qudos Bank Arena, Sydney
Sat, Nov 19th: Eatons Hill Hotel, Brisbane
Sun, Nov 20th: The Gates at NIB Stadium, Perth
Fri, Nov 25th: Hisense Arena, Melbourne
Image: Nickis Wifi
Let’s preface this article by announcing that today is Nelly‘s birthday! Happy birthday Nelly, you bandaid-loving party animal. Let’s reminisce before getting down to business:
Alright, I’m glad that’s out of the way. The 41-year-old has somehow managed to maintain only partially-ironic popularity throughout his career, despite not having had a hit single in nearly ten years, with the exception of his 2013 foray into country music, with Cruise. The entrepreneurial rapper has also ventured into brand marketing, acting, and more.
Recently, he’s been making appearances with pop artists – including joining Taylor Swift and folk-rock trio Haim on stage during Swift’s 1989 World Tour. The singers joined the rapper for a classic performance of the aforementioned hit, 2002’s summertime soundtrack, Hot in Herre.
But while Nelly might be cool with joining Swift on stage, he sure as hell isn’t interested in bringing her on as a drinking buddy.
Talking to UK newspaper The Metro, Nelly dished it out: “Taylor Swift is not wild, buddy. She’s nowhere on the wild side for Nelly. Nelly is a wild boy, you know what I’m saying?”
He went on to talk about how much he enjoyed spending time with the generous artist, who even picked him up in her private jet before he joined her on stage.
Nelly also discussed his relationship with pop star Ed Sheeran. “Me and Ed Sheeran know each other,” he shockingyl revealed. “I wouldn’t say we’re friends yet because I take that word very seriously. We have a mutual respect there and I’m a fan of his work – I would call him a friend in training.”
Oh dear… King of the early 00’s mainstream hip hop, reality TV star and occasional movie star Nelly has been arrested. After an unfortunate incident involving the Tennesse Highway Patrol pulling over a bus that Nelly happened to be on, the troopers happened to have come across a few rocks of meth, some weed and some guns. The troopers also mentioned they could smell marijuana when they first reached the bus.
Nelly is up for the possession of drugs and drug paraphernalia, but according to a separate statement issued by his attorney, he will “not be associated with the contraband”, and was released from Putnam County Jail on a casual $10,000 bond.
Literally, Nelly. Literally.
The St. Louis rapper hasn’t released an album since 2013, and I didn’t even know about that one until I started writing this here article. Poor Nelly, how the mighty have fallen. Let us #neverforget he who brought us such jams as this one:
Rap beefs, the greatest of verbal jousts. Maybe it’s because, between two brilliant wordsmiths, they can get absolutely titanic. Maybe it’s because somehow two human beings dripping with gold and diamonds, driving around in Maseratis and Maybachs with enough money to leave me weeping uncontrollably at the thought, can find something so petty to get mad about about that they enter into personal feuds that last months, even years. It’s astounding.
Drake and Kendrick are the two most recent stars rumoured to be embroiled in conflict, which would be absurdly one-sided given that Kendrick is a lyrical genius.

And Drake is a pantomime of sadness
I’m praying for their beef to become a thing. Here’s some other unintentionally hilarious rap feuds that actually happened:
5: Azealia Banks vs Iggy Azalea
Taking out the ‘Nobody Gives a Flapping Fuck’ award are the Azaleas (Iggy at least got the spelling right). This never-ending monstrosity kicked off with Banks crying plagiarism, saying that she had a song called Pussy before Iggy ever did. Which is akin to angrily insisting you had a raging case of the clap first. Shit got catty real quick. Twitter catty:
Who Won: They’re equally as talentless and equally adept at completely bastardising rap music, but considering the hysterical nosedive of Azealia Banks’ career plus the fact that she will find a reason to start shit with Absolutely. Fucking. Anybody. Fuck, we’re giving this bout to Iggy with a polite request to also just stop.
4: Nelly vs Chingy
When actual rappers Biggie and Tupac feuded in the 90s, everyone (rightly) worried that someone would get hurt. By the time 2004 rolled around and these two hip hop punchlines started cussing each other out, nobody even looked up from their Blockbuster-rented copy of Napoleon Dynamite.
One’s biggest hit was an ode to removing your clothes in the face of intense humidity, Hot In Herre,

TRANSCENDENT!
The other’s was a wonderful little ditty about the exact location of where he enjoys the way you do that entitled Right Thurr.

GAME-CHANGING!
Aside from a mutual penchant for the letter ‘R’ at the expense of the entire English language, these two hail from St. Louis, Missouri, where there was apparently not enough room in town for TWO abysmal rappers, hence the beef.
Who Won: Utterly pointless, but considering nobody has danced to Right Thurr in their right mind in a decade while Hot In Herre somehow still gets requested in sweaty little dive bars the world over, we’re going Nelly. Sorry Chingy, wherever you are now.
3: 50 Cent vs Floyd Mayweather
Mayweather isn’t technically a rapper you say? Watch this and tell me how ridiculous you feel. These guys used to be thicker than thieves. Here they are, all business on their money stack phones:
But it ended after Mayweather went to prison and 50 claimed he owed him $2 million (roughly 35 stack phones). Their quarrel seemed to have died down but then shit got real this year, leaving me in a mix of stitches and this:

Fiddy used his ALS ice bucket challenge as a platform to question Floyd’s reading ability, offering to donate 750K if the welterweight could read just one page of a Harry Potter book. Considering the brain injuries associated with professional boxing, this had some rather dark undertones. Floyd took it a step further with his response though: publicly taking 50’s son Marquise under his wing as a father figure. This was after some shockingly abusive text messages from 50 to his son had been leaked.
Who Won: Seeing as 50 Cent would smoke Money on the mic, and Mayweather would murder Fiddy in the ring, it seems to be a draw, but we’re giving it to 50 because any man who can be shot nine times and survive is clearly a T1000 Terminator and not to be fucked with.
2: Ice-T vs Soulja Boy
Ice-T was a grizzled ex-Crip of your dad’s age who once had a song called Cop Killer and looks permanently this stern:
Soulja Boy was a 17-year-old malcontent whose only achievement was glorified ringtone Crank Dat. Clownfuck awful in every single aspect, it still enabled him to now live like a king on royalties, because 2008 was a time when we lacked any semblance of a conscience.

Pictured: not a shred of remorse
Hearing that steaming puddle of horsepiss on the radio, Ice-T decided he was having exactly none of this shit, inviting the upstart to get the fuck off his lawn by publicly announcing that Soulja Boy had singlehandedly killed hip hop and threatening to invoke the wrath of every OG on the West Coast if he continued this assault on street poetry.
Soulja responded by telling Ice-T to grow a hairline and fight his grandfather. Two responses you would expect from someone who once told the youth of America to ‘Superman dat hoe’.
Who Won:

Really?
1: MC Hammer vs Jay-Z
The David and Goliath of rap feuds, only if David showed up holding a rubber chicken and was also insane. After pissing away all of his Hammer Time money, MC Hammer went from purveyor of parachute pants to preacher. Meanwhile, Jay-Z continued to spend the last two decades releasing platinum record after platinum record and living life as though it’s a video game with God-mode unlocked.

It’s beyond unfair.
Jay-Z poked fun at Hammer’s bankruptcy on his verse in 2010 Kanye song So Appalled. Seemingly unable to endure a joke that had been told since before Jay-Z had even released Reasonable Doubt any longer, Hammer proceeded to lose his mind quicker than his millions; taking to YouTube to call Jay-Z a Satanist ‘hellboy’ and an Illuminati, then putting out a diss track so unbelievably, pants-pissingly cringe-inducing it defies reason:
Holy shit. Hooooooly shit. I’m cutting my ears off and clawing my eyes out, maybe give them a Viking funeral to counter even the most infinitesimal chance I might hear that abomination of a song or see that miserable clichè of a video ever again.
Fuck.
Who Won:












