With the bite and grit of a woman scorned, Lady Gaga’s comeback single was released last week to much fanfare – mostly because Kevin Parker and Mark Ronson co-wrote and produced it. Though the song itself has received mixed feedback from critics and fans alike (a lot of people seem to be overlooking the fact that it is Gaga’s song and will be on her upcoming fifth album when they screech “less Gaga! More Kevin!” but I digress), it’s a clever career move for all involved. The Tame Impala mastermind recently told Triple J about his thought process when the offer first came up: “It was amazing, really really good. One of those life/career-defining times. It started out sort of like a career move. Like, ‘I’ll get in on that.’ But it quickly became something so personal and so meaningful for everyone involved. I’m just happy it’s all out in the open now. Now I can not tell secrets anymore.”
https://www.youtube.com/watch?v=oB94lvJbETE
And he isn’t the only one. A pop collaboration of such a magnitude can breathe new life into a career, boost a newer artist into the spotlight, bring two (or more!) distinctive voices together, help one make the transition from boy/girl band into solo super stardom. Or, it can fail miserably and fizzle out. Here, we take a look ten other life/career defining (for better or for worse) pop collaborations of recent memory – from Gaga to Gwen, there have been a few.
Bang Bang – Jessie J, Ariana Grande & Nicki Minaj
https://www.youtube.com/watch?v=0HDdjwpPM3Y
A Lady Marmalade for the 2010s, Bang Bang had it all. The seasoned, jazzy vocals of Jessie J’s are bolstered by those of the current princess of pop, Ariana Grande. However perhaps the most important element of all, and something that could be considered a genre all it’s own, the track features what is known as Nicki’s Verse. Once again, Minaj steals the show, to the tune of a wildly energetic rhythm and immediately infectious earworm riff.
Lady Marmalade – Lil’ Kim, Christina Aguilera, Mya & Pink
https://www.youtube.com/watch?v=puKhmJEIw3I
You can’t mention Bang Bang without Lady Marmalade, the last great multi-female pop-rap collab. Originally released in 1974, it was always intended to be performed by a vocal ensemble. However, upon featuring on the Moulin Rouge soundtrack, it this version will forever endure as The One when it comes to pop collabs. Having sat at no. 1 for five weeks after its release, you would have thought it was written with no one other than Christina Aguilera, Mýa, Pink and Lil’ Kim in mind.
The Boy is Mine – Brandy & Monica
https://www.youtube.com/watch?v=Va1Y6uAgNJY
So iconic was this Brandy and Monica collaboration that it’s recently been given the sample treatment along with Destiny’s Child. Nothing beats the original though: two fierce as fuck women in what at first seems to be a girl-hating anthem but turns out to be an exposé of a good for nothing, two timing cheater. Honestly, with the way their voices work together on The Boy Is Mine, it’s a wonder Monica and Brandy didn’t release an entire album together, Then again, too much of a good thing may have meant have taken away some of the shine.
Telephone – Lady Gaga & Beyoncé
https://www.youtube.com/watch?v=EVBsypHzF3U
Kevin Parker isn’t the only major artist who saw an opportunity in collaborating with Lady Gaga. This 2010 hookup resulted in one of the biggest, most important pop collaborations of both artist’s careers. Originally written by Gaga for one Britney Spears, the song was released as part of Gaga’s Grammy nominated album The Fame Monster the year before Bey dropped 4. It pushed Beyoncé into a new light, everything from her double time verse to the masterpiece of a music video were highly calculated moves that helped her build upon the Sasha Fierce attitude while bringing together two pop powerhouses who might have otherwise seemed to be on opposing sides of the genre.
My Boo – Usher & Alicia Keys
https://www.youtube.com/watch?v=fPgf2meEX1w
Originally left off the final track listing to the record, My Boo was leaked online along with three other previously unreleased tracks from Usher’s 2004 the album before being added to the expanded version of Confessions. Having previously collaborated with Alicia Keys on If I Ain’t Got You, producer Jermaine Dupri wanted to tap further into the musical relationship between two of the biggest names in r&b and pop at the time and to say it worked out well would be an understatement. It went on to be the fourth single from the album and was the highest debut of them all, coming in at number twenty nine upon its release.
Where Are Ü Now – Justin Bieber, Shrillex & Diplo
https://www.youtube.com/watch?v=nntGTK2Fhb0
Justin Bieber, Pop’s comeback kid of 2015 knows a thing or two about collaborations. He’s worked with Queen Nicki and his 2015 album featured Big Sean, Halsey and Travi$ Scott to name but a few. Commercially however, one of the biggest standout pop collabs of the past year came from his partnering with Shrillex and Diplo for the second single from the duo’s debut album. The song blew up airwaves (including a brief moment where Justin Bieber was actually aired on triple J) before it went on to be included on Bieber’s Purpose. Officially marking his return, Where Are U Now almost singlehandedly reintroduced the world to the slick, new, adult Biebs that went on to cultivate an entire new generation of fans.
California Gurls – Katy Perry & Snoop Dogg
https://www.youtube.com/watch?v=F57P9C4SAW4
Snoop has had his fair share of collabs – we could have made a list with his alone. However, of recent memory, his appearing on Katy Perry‘s California Gurls sticks out as one of the most wtf collaborations conjured up by executives somewhere no doubt. Still, something about it worked because it earned Perry her second US no. 1 hit and Snoop his third as it went on to reach the top spot in ten other countries and received a Grammy nod.
Suit & Tie – Justin Timberlake & Jay Z
https://www.youtube.com/watch?v=IsUsVbTj2AY
Marking the end of his musical hiatus, Suit & Tie was the first single off Justin Timberlake’s 20/20 Experience – a critically acclaimed commercial juggernaut of an album that sparked a near two-year tour. The Jay Z-featuring Suit & Tie surpassed Timberlake’s own record for the most sales in its first week, with the slightly out of time beat and hazed-out drawl of a song sticking around as the hit of what seemed to be the entire year.
Dilemma – Nelly & Kelly
https://www.youtube.com/watch?v=8WYHDfJDPDc
Off Nelly’s album 2001 Nellyville and the lead single from Kelly Rowland’s debut solo album, Simply Deep, released later the same year, this track won the duo a Grammy award. While Rowland’s career hasn’t reached the heights of her fellow child of destiny, Beyoncé, this was the track that showed her to be much more than essentially a featured backup singer for Bey’s. While Beyoncé has her plethora of collaborations and Michelle sings the Lord’s praise in her new career as a gospel singer, neither can stake claim on Dilemma, practically the most enduring collaboration track of the early 2000s with a (now meme-worthy) video to go along with it. I.C.O.N.I.C.
Let Me Blow Ya Mind/and Rich Girl – Gwen Stefani & Eve
https://www.youtube.com/watch?v=Wt88GMJmVk0
During her early-mid-2000s peak, Eve was nothing short of a collab-extraordinaire. But if there was one partnership that proved to be a cut above the rest, it was when she hopped on a track with No Doubt’s Gwen Stefani. Off Eve’s sophomore album, Let Me Blow Ya Mind gave us the first insight into what was truly a match made in pop heaven (or maybe it was hell, because that video was badass AF for the time, even if you did wonder what happened to Gwen’s car once Dre broke the duo out of jail). They followed it up three years later on Stefani’s debut solo album, the Dr Dre produced track Rich Girl. While it was fun and easy enough to go along with, the song (a last minute addition to Stefani’s Love. Angel. Music. Baby) didn’t come anywhere near reaching the bar set with let Me Blow Ya mind.
Image: Consequence of Sound
Remember the wonderful transitional period between the late ’90s and the early ’00s? Those heady days when G-shock watches and baggy jeans and spiking your hair with wet-look styling gel was cool and your mobile phone still had Snake on it and your biggest inconvenience was that you couldn’t fit a Discman in your pocket and The Blair Witch project was the scariest movie of all time? Pepperidge Farm Nelly remembers. He remembers the polyphonic Hot In Herre ringtone you subscribed to for $4.99 a month so you could be the coolest kid at the school disco, and you best believe Nelly remembers those days with a warm heart. In conjunction with a lot of people’s excuse to do sweet fuck all at the end of the week in RnB Fridays, Nelly’s coming down under for a four date tour and bringing some very famous friends from days gone by.
https://www.youtube.com/watch?v=RtSDWq6HsJE
Surely that cut on his face has healed by now? Anyway, the list of guests he’s bringing is quite the trip. Unfortunately Kelly Rowland won’t be among them, probably because she still hasn’t realised that Microsoft Excel is not a viable means of communication.
For real joining Nelly on this whirlwind RnB Fridays Live tour though will be first ballot RnB hall of famers TLC. The greatest girl group of all time (deal with it, Destiny’s Child), so scrubs need not tick attending to this, nor should they hang out the side of their best friend’s ride holla-ing about it either. They’ll be joined by the recently reformed Bad Boy Records alumni in 112 all the way from Hotlanta as well as soulful songstress Mya, who may or may not still have a case of the ex. Montell Jordan will also be in the house to let everyone know exactly the correct way we do it, as will Blackstreet who evidently like the way Australia works it (“no diggity”).
https://www.youtube.com/watch?v=3KL9mRus19o
The long list continues with Fatman Scoop (no word on the Crooklyn Clan though) will also be in attendance demanding the hands of various sub-groups of people be in the upright position. Blu Cantrell will also be hitting Australia up style, the go to patron saint of getting revenge on an unfaithful partner by using his money to fraudulently buy things of impossible extravagance.
Rounding out the bill will be a pair of crooners in Kevin Lyttle doing his best to turn everyone on and Dante Thomas doing uh… whatever it is that Dante Thomas does (you go, Dante Thomas).
Keeping fans entertained in between all this RnB royalty will be DJ Horizon, who will be on hand spinning a few of the names who weren’t able to make it to this momentous occasion.
We’re not sure how any of this is going to go down, nobody on this bill is in their prime by any stretch and we’ve made our distaste for nostalgia tours very clear in the past, but there’s no denying the huge popularity of RnB Fridays in Australia right now. If you’re looking for a big long hit from the late 90s-early 00s nostalgia, tickets go on sale next Tuesday, September 6th.
RnB Fridays LIVE Tour Dates:
Fri, Nov 18th: Qudos Bank Arena, Sydney
Sat, Nov 19th: Eatons Hill Hotel, Brisbane
Sun, Nov 20th: The Gates at NIB Stadium, Perth
Fri, Nov 25th: Hisense Arena, Melbourne
Image: Nickis Wifi
A case of “being in the wrong place at the wrong time” has been credited as the reason for the classic club collaboration between Pras (of Fugees fame) Mya and Ol’ Dirty Bastard (lord rest his soul) on Ghetto Supastar (That Is What You Are) back in 1998. You might remember it, the funky bassline, Mya’s soulful vocals (where is she right now) interpolating the chorus of Islands In The Stream by Dolly Parton and Kenny Rogers and somehow invoking one of the whitest songs ever into an absolute banger with the help of Pras’ smooth delivery and Dirty’s inimitable manic flow bouncing all over the track like Flubber.
The track peaked in the top three on the charts around the world, reaching number one on UK’s R&B charts and as high as number two on the ARIA charts. If you still need reminding you can listen below:
https://www.youtube.com/watch?v=N8uc3E6iwXY
When anchor artist Pras was asked how the collaboration came about during an interview with Vlad TV, the interviewer received an unexpected answer.
“He walked [into] my [studio] session by mistake,” Pras confessed.
The interviewer replied with an excited tone in his voice, saying that he had heard about this story and speculating that he was drunk at the time.
“I don’t know if he was drunk,” Pras replied, “but I know he he didn’t know the state he was in—meaning, in the USA, he thought that he was in a different state. I was in California; he thought he was in New York City. I don’t know if he was drunk. I don’t know if he was tired. I can’t say—God bless his soul, by the way. He just didn’t know where he was at. And so he thought my session was his session.”
When questioned about the dialogue, Pras said he was “respectfully” trying to make him leave. “I was sitting there trying to figure out what was going on. I’m being respectful; he’s a fellow artist. I don’t have no beef with him. [I] was trying to get him out in the nicest way.”
Eventually once he noticed the track that played in the background, Ol’ Dirty demanded to be a part of it. Even though Pras originally planned to delete the session he recorded but it turned out well. The former decided to keep Dirty’s verse (because deleting it would have been utter heresy) and the rest is history in the track we have today.
Watch the full interview below.
https://www.youtube.com/watch?v=1FPxXAjNVrY
Image: Factmag
