Another week, another week’s worth of songs to listen to. Don’t worry though, as we’ve once again narrowed it down to ten of the best songs you need to hear! Enjoy!

BUOY, Clouds & Rain

Sydney artist BUOY finally makes her return with this latest single. Following on from her astounding EP, Immersion, last year, I’ve been eagerly waiting new music from BUOY thanks to her impressive beats, incredible voice, and impossible knack for tying together elements that wouldn’t work anywhere else but under her guidance. Clouds & Rain once again sees her delve into a multitude of styles and sounds, throwing parts and fragments together to create a beautiful arrangement. From the sombre, slow opening to the garage-y, bouncy hook (I guess you could call it a hook?), BUOY is the master of controlled chaos and Clouds & Rain once again shows that off.

KUCKA, Honey (Time Pilot Remix)

Time Pilot make some of the biggest tunes in the country, but are sorely not yet receiving the cred or hype that I truly believe they deserve. However, with each release they slowly creep onto more and more radars, and soon I hope they’ll achieve the recognition they should. It helps when their releases sound as good as this latest one. Remixing fellow Perth native KUCKA, Time Pilot take her Honey and turn it into a futuristic jaunt with booming thick bass, shuddering synths and huge drops. In a time where the electronic scene is absolutely saturated in acts believing the bigger the drop, the better, Time Pilot stick to their guns and it’s this integrity that will see them through. Yet another impressive remix from these guys!

Peter Bjorn & John, Breakin’ Point (Miike Snow Remix)

Ahead of their return to Australia later this year for Splendour In The Grass, Peter Bjorn & John have now shared their second single from their forthcoming new album (their seventh), of the same name. In the same day, fellow Swedish maestros Miike Snow also released their own remix of this latest tune. The two bands are in the same artist collective, INGRID, and they were both using the same studio to make their respective new albums. A coincidence or not about this outpouring of creativity, but Miike Snow’s take on Breakin’ Point just about takes the cake for my favourite track of the week. With a moog bass line and grooves amped up more than a few levels, they take Peter Bjorn & John out of the pop environment and into alternative dance, and it sounds great.

Samm Henshaw, Our Love

Melding R&B, soul, gospel and more, Samm Henshaw gets better and better with each release. Our Love is a liberating, expressive, emotional celebration of love between two people, and will have you dancing around the room within seconds. It’s big-band feel practically guarantees it will be an outstanding number to see live, and Henshaw’s almighty voice gives it even more of a soulful feel. With a catchy riff, splashy drums, euphoric screams and good vibes a-plenty, Our Love is up there with one of the best Henshaw tracks we’ve heard, and – as always with his music – has us so excited to see what he does next!

Golden Vessel, Never Know (Ft. Lastlings)

Brisbane up-and-comers Golden Vessel and Lastlings have teamed up for this beautiful new track. Golden Vessel is a rising star as a producer/solo act, whilst Lastlings are forging their own path as an electronic duo, and both shine so bright on Never Know. With beautiful, swirling production and blooming atmospherics, oriental influences and shimmering guitar, Amy Dowdle’s voice is gentle and enticing, and matches up perfectly with Golden Vessel’s intricate production. Inspired by the drive out to the Gold Coast Hinterlands, the three make some real magic here. We’re predicting big things to come from both artists in the next few months, and if this is anything to go by, they’re sounding like they’re about to prove us right!

LUCIANBLOMJAMP, The Overman (Ft. Lower Spectrum)

Having just toured around the country together on a joint headline tour, it’s only fitting that one would remix the other when it comes to LUCIANBLOMKAMP and Lower Spectrum. The former being from Melbourne, the latter from Perth, the two are at the top of the game when it comes to left field electronic music in Australia. With their own unique brands of electronica, involving dark and brooding sounds with hypnotic tendencies, the two sound even better when on the same track with Lower Spectrum reworking LUCIANBLOMKAMP’s stand out tune, The Overman. Already serving as a highlight on Lucian’s latest album, Bad Faith, Lower Spectrum puts his own spin on it to make it a trance-inducing, break neck tune that is as unpredictable as it is impressive – just like both of these artists are. Sublime.

Elk Road, Lights (Ft. Oly)

Another Perth producer, Elk Road returns with a brand new song, this time teaming up with Oly for added vocals. The result is yet another step up for the upcoming producer as he continues his stellar run of releases. Elk Road said of the track, “I wanted to make something fun and energetic that contained all my favourite elements – soaring guitars, pounding basslines, steel drums, vocal melodies and so on. It started out as a really chilled track and as I worked on it over 6 months it progressively became more and more dance-floor.” “Dance floor” indeed. Lights is an upbeat floor filler with sensational vocals from Oly and a drop that will bring you to your knees. Elk Road works best in the big room sounds, and Lights is a perfect example not only of where he is heading, but where he belongs.

Miel, Deep Water

Brisbane alt-pop band Miel have released their latest single this week, titled Deep Water, and it takes the prize for smoothest track of the week. Drawing heavily on influences like Hiatus Kaiyote, the band lay down some succulent grooves here. Meticulous guitar, sublime vocals and jazz influences to take it over the edge, Deep Water is an impressive release from an impressive band. Front-woman Adelina describes the song as “dripping with metaphor, toying with tension and release to immerse the listener in themes of religion, loyalty and friendship,” and all is this is represented beautifully here. Quickly becoming a staple in the live scene of their hometown, it’ll be exciting to watch these guys continue to grow!

Stay At Home Son, Tired

Stay At Home Son has shared his second single, Tired, this week via Japanese Wallpaper‘s own label, Neat Lawn. Following on from the success of Bluffs and BlocksTired coincides with Stay At Home Son’s self titled, debut EP (which also serves as the first release from the Neat Lawn label), and sees real name Jesse Martin-Allan delve even further into the emotional side of electronic music, with intimate lyrics and gentle arrangements that carry his vocals. A really beautiful song, Tired is a calculated and considered song that Martin-Allan has clearly spent some time working on and honing. It’s an impressive song, not just from an upcoming artist, but from an upcoming label too, and should serve both parties very well for the near future.

Loyle Carner, Stars & Shards

Loyle Carner fuses a lot of genres together to get his own, unique and fresh sound and it works so well every time that he makes it all sound easy. Stars & Shards once again shows off his storytelling lyrics and his amalgamation of East Coast hip-hop and South London jazz, tied together with his soulful influences. Raw and honest, he keeps it light whilst discussing dark topics over a breezy guitar riff and drum beat. Debuting on Annie Mac’s Radio 1 show as her Hottest Record, Carner is set to have an even bigger year this year, even though last year saw him embark on two sold out tours and acquiring a loyal and rapidly-growing fan base. It’s no surprise though, as his real rhymes and easy-going flow would do it for just about anyone – us included.

https://www.youtube.com/watch?v=EGNMTGh6JZY

Another week of awesome music, another playlist that’s narrowed it down to the best songs to come out. This week is pretty locally focussed, with six tracks made from homegrown artists. But, we’ve still gotta give it up for our international brothers and sisters, so some of them are in here too. It’s a big mix of everything, but one that is perfect for your weekend listening. Take a look for yourself!

Lower Spectrum, Masquerade

I can’t get enough of Lower Spectrum. The WA wunderkind is making some of the best music in the country right now, and his latest track is no exception. Building on from his previous single, Proxima, his latest release is a slightly different take on his dark, brooding sounds. It’s definitely more accessible, with a solid groove and spliced vocal samples to make a sort of hook that will get you moving in no time. Hold out for the break down when things get really wild too. This song is a winner!

Harts, Peculiar 

Prince look-a-like Harts is on a roll right now, and Peculiar is just another dot point in his ever-growing list of achievements. He’s sold out shows across the country, got a few festival sets under his belt and is being tipped by just about everyone as the next big thing to come out of Australia, and now with Peculiar that seems even more likely. Blistering guitar solos, explosive choruses, expert production and poignant lyricism, Harts kills it every time and I am of the firm belief it’s a question of “when” not “if” for when he truly breaks through and the world catches on. It’s going to be soon!

The Love Junkies, Nobody

Adding another band member and announcing a national tour, The Love Junkies have triumphantly returned to the scene with Nobody – a punchy tune that sits just under 4 minutes of classic rock. Gearing up for the release of their third album, they’ve once again shown how great they are at blending a multitude of influences and styles to create their own palpable sound, and it’s a sound that will hold them in good stead as they get even bigger. Set to travel over to the US for SXSW and then to Canada for Canadian Music Week, things are only just beginning for this WA band.

Annie Bass, While I’m Waiting

Annie Bass is actually Annabel Weston, the superb vocalist who lent her impressive vocals for Oisima. Now she is stepping out on her own, and with co-writer Matt Morrison by her side, it seems it’s now her time to shine. While I’m Waiting is a hazy, smoky number with Weston’s vocals rightfully centre-stage. It’s paired with a smooth beat, delicate drums and seductive synths, and is a blooming, swelling track that you can get lost in. You’ll find yourself reaching for that “Repeat” button in no time with this one.

LUCIANBLOMKAMP, The Overman

This is hands down LUCIANBLOMKAMP’s best song so far, and that’s saying something. Taken from his incoming sophomore album, The Overman is mind blowing. It’s spellbinding and magical, immersive and emotive, and just so impressive. Going from strength to absolute strength, LUCIANBLOMKAMP is the most underrated artist in the country right now, and it only takes one listen to any of his songs to make you wonder why he isn’t the biggest thing going since Flume. However, his time is coming, people are slowly learning, and when he finally breaks, it will be thanks to songs like this.

Boulevards, Up On Your Love

The prize for the funnest single to come out of this week goes to Boulevards. Listing Prince and Rick James as influences, this is one of the funkiest tunes I’ve heard in a long time, and I just can’t get enough of it. It’s upbeat. joyous, liberating and so damn groovy. It’s the type of song that would be a blast live, and would have the whole crowd cutting shapes thanks to the impossibly funky beat and Boulevards’ energetic voice. Just try getting this one out of your head!

Stone Cold Fox, Change My Mind

There is an air of nostalgia about this band for me. It’s their blend between electronic and indie/alternative music that reminds me of acts like Phoenix, and the boom of bands like this back in the late 00’s. In saying that, these guys are hardly a nostalgia act, and are very much killing it on their own. Taking the best bits of that time and throwing them into the expert production that 2016 has to offer, Stone Cold Fox hold it down with Change My Mind – an upbeat dance track with shimmering synths, quintessential indie guitars and groovy drums. Add to all of this the stellar vocals, and it’s pretty obvious the boys are onto something really good here!

Vera Blue, Hold (BV Remix)

The original of this song has been played over a million times on Spotify, so it is safe to say the pressure was on for the remix to deliver. Employing BV for those duties, the results are pretty incredible to say the least. Formerly known as Black Vanilla, BV have utilised their off-kilter, erratic production techniques to plunge Vera Blue’s Hold into new, and darker territory. Her serene vocals sounds strangely at home over the industrial sounds and raucous cacophony that they have created, and as the song goes along, it gets better and better. It’s huge, it’s certainly not what you’d expect but it works so damn well. Let’s hope this isn’t the last BV remix we’ll be hearing for a while, as I am officially hooked! Check it out on Spotify here.

Chase & Status, Control

One of the biggest acts in the world, Chase & Status have triumphantly returned with Control. Teaming up with Slaves, the electronic powerhouse have once again shown just how it’s done with this track. Accompanying its release is an incredible video as well, featuring powerful and confronting imagery to match the powerful and confronting song. It’s electrifying and enthralling, and has you paying attention within seconds as the lyrics are repeated over and over with growing intensity. It’s certainly different from the usual Chase & Status stuff, but it also has me very keen to hear what else they have in store for us when they release their fourth album later this year. Check out the clip for yourself below:

 

 

Image: Pilerats

Two of our favourite local electronic artists, Melbourne’s Lucianblomkamp and Perth’s Lower Spectrum have not only both released incredible new singles this week, but have announced a co-headline national tour for April this year.

Lucianblomkamp has long been one of our favourite Aussie producers. His industrial, dark and completely unique sound and style is as captivating as it is original, and new track The Overman may just be his best one yet.

The title alone may immediately project an image in your head. For me, The Overman sounds like the title of a film noir story, or a gritty character within its grainy confines. Dark, mysterious and rooted firmly in a perilous underworld. The music worked with that in mind, opening on a dramatic string introduction, before the beat kicks in, enveloping the listener with an addictive sense of come-hither danger. His most structured, production to date, anchored by a deep and dark techno vibe, I’ve probably listened to it ten times in the past couple days – and I have a feeling you’ll love it too.

Lucian will be releasing his long-awaited album Bad Faith on April 1 via Good Manners Records.

Lower Spectrum, meanwhile, has just released Masquerade, the follow-up to January’s stunning Proxima, both of which are set to feature on upcoming EP New Haze. An artist who similarly caught our attention early on, and we’ve been championing ever since, he is yet to make a single false move.

Opening on a deep, rhythmic bass loop that strongly channels Nicolas Jaar, Masquerade is quickly brightened by a vocal loop and filled out by immense brass-sounding layers. The track soon opens out into a wild synth race, dancing up, down and across the soundscape, playfully toying with richness, rhythm and texture as it travels along. This is an incredible, progressive, explorative production from one of our favourite upcoming artists – and I can’t wait for the EP, coming out this year via Pilerats.

On their own, each artist has brought something special and totally original to the Australian electronic music scene. Together, they’re unstoppable. The pair will beheadling out on a co-headline tour in April this year – and we highly recommend attending. Full details below. Tickets are on sale this Friday, Feb 26.

LUCIANBLOMKAMP x LOWER SPECTRUM Tour Dates:

Thursday April 21: Black Bear Lodge, Brisbane
Friday April 22: Plan B Small Club, Sydney
Saturday April 23: Howler, Melbourne
Friday April 29: Rocket Bar, Adelaide
Saturday April 30: Jimmy’s Den, Perth

 

There is a lot of music around, so it’s okay that you might get a little overwhelmed. Each and every week, artists bring their A game with brand new singles, and we have taken it upon ourselves to select ten of the best to treat you, because you’re good to us. This week is pretty electronica heavy, but the tracks are so good even the strongest of sceptics will be boogying in no time. Have a good weekend!

Sofi De La Torre – 19 in Mexico

Sofi De La Torre has continued her steady but rapid rise to international fame and fortune this week, with another new single in the form of 19 In Mexico. It’s got attitude, a good beat and just enough sultry vibes to reel you in. She is just one week out from releasing her Mess EP, and if her slew of tracks that have trickled out over the past few months isn’t enough to make you excited for that, 19 In Mexico should definitely do the trick!

Sonia Stein – Baggage

Sonia Stein wins the award for “Best Voice” this week. Just have a listen to this track. Soulful, rich, deep and perfectly suited to the bouncy, bassy beats she’s singing over, her range and abilities are on full display here with Baggage. Fierce and fiery, she is putting her foot down here and having absolutely none of your shit. Giving a whole new meaning to electro-RnB, Stein makes it almost sound easy to pull off a song like this, and quite frankly, we can’t get enough.

DiamondDahi – NMDB (ft. Little Simz)

DiamondDahi is a brand new collaborative project from bloodpop (formerly known as Blood Diamonds) and DJ Dahi, who have collectively produced for Big Sean, Lupe Fiasco, Tinashe, Madonna and Grimes, with bloodpop even writing a whopping six tracks on Justin Bieber‘s newly released Purpose. So it’s safe to say that this is really, really well-produced song. N.M.B.D or No More Blood Diamonds, features UK rapper Little Simz, who is probably my favourite rapper to have emerged in 2015. For such a young artist, her flow is so on point, and makes for the perfect top line above the swooping synths and smooth percussion. This is a really, really cool track. I’m looking forward to hearing a lot more from DiamondDahi!

Alice Ivy – Walk on (ft. Indigo Fly)

Melbourne’s Alice Ivy has returned with a wonderful new track, Walk On, featuring rappers Indigo Fly. The smooth electro-soul and hip-hop blend is seriously smooth and so catchy, with intricate brass and scratch-infused instrumentation and a rhythm that you can’t help but bop your ahead along to. I absolutely love that more and more music like this is coming out of Australia. Indigo Fly (Eloji and Branford) steal the show with their wicked, on-point flow – again, an indication that the local landscape is not only changing, but growing up.

Owen Rabbit – Denny’s

This isn’t the typical music that I’m into, but Owen caught my attention with Holy Holy back in August, and I LOVE his latest, Denny’s. A weird and wonderful blend of organic and electronic sounds, the soundscape has been pieced together, growing in intensity, layer by layer, with each sound fitting precisely in with the next. The artist has spoken about how the track was influenced by his experiences with depression and anxiety – and it makes for an absolutely powerful track, emotionally as well as musically.

Cubenx – A Sheltering Sky

This is a bit of a left-field entry, but it’s expansive, psychedelic and utterly electric, filled with all kinds of mysterious intrigue and allure. The track’s Soundcloud description includes the following quote, and instead of reviewing it any more, I recommend you have a think about it while you listen: “We’re not tourists, we’re travellers: tourists are someone who thinks about going home on the moment they arrive, whereas a traveler might not come back at all.” This is a STUNNING release from the Mexican producer, aka Cesar Urbina. It features on the just-released 11-track LP Elegiac, which you can and should listen to right here.

Swick – R6 Wheel (dub)

Swick is one of my favourite producers in Australia. I like to think of him as a King Midas of sorts, except whatever he touches turns into a banger instead of gold (aural gold, maybe). R6 Wheel (demo) is no exception. It’s HUGE. Long term friend and collaborator with none other than Nina Las Vegas, this track comes as his “sampler” in a month long series released by Nina’s label NLV Records to showcase the label’s signings. I mean, there are debut tracks, and then there’s this. We cannot possibly get enough of Swick, or anyone on NLV Records for that matter, so here’s hoping this is an indication that even more new music is on the way!

Lower Spectrum, Proxima

This song immediately stopped me in my tracks. The track begins slowly, with deep, drawn-out notes of all kinds of tone and thickness, coming together to shape one hell of a musical landscape. Once the rhythm kicks in, there’s this ominous, suspenseful drive, before giving way to a delicate melodic section with vocal samples and more. The sections all then fuse together, eventually creating an hazy atmosphere filled with shuffling rhythms, a catchy hook and a beat that’s ready for a late-night dance-floor. This is the lead single on Lower Spectrum’s upcoming EP New Haze, set for a 2016 release via Pilerats.

Clubfeet, We Are Affected

Clubfeet have returned! That’s right. They kind of left fans hanging a little since their 2013 Heirs & Graces LP, so this week we are imagining more than a few Clubfeet faithful would have been pleasantly surprised indeed to see the band finally release a new song. Was the wait worth it, though? Absolutely. This slow jam is a sparkling slice of emotive electro pop, and will have you side stepping in no time. It’s groovy, funky, a little disco and mellow-but-not-too-mellow – all the things that make Clubfeet so great. Welcome back guys, we missed you!

XXYYXX, Red

Any day that includes new music from XXYYXX is a good day in our books, so this week was pretty great indeed. Responsible for some of 2013’s best songs, Red is the first release from the young but prolific producer in quite some time – and it does not disappoint. Big, shifting beats fill the space whilst muffled vocal samples are chopped and changed and scattered throughout. Synths whir, the bassline pounds, the groove makes you sway, and the drop is enough to bring you to your knees. We’re not too sure where he’s been, but we sure as hell are glad XXYYXX is back.