Atlanta’s Lil Yachty has announced his first ever Australian headline tour, in support of his appearance at Splendour in the Grass 2017.

With his debut album Teenage Emotions expected to be released some time this year, Australian audiences will hopefully get to hear some of the new material live this July.

He’s just released a new track, Let’s Get Rich, and we’re expecting more music soon.

https://youtu.be/BTVGIKpqNXc

The divisive artist has been the subject of deep debate over the past year or so, with much of his less-than-traditional music and persona calling into question his credibility as an artist; the controversy has sparked a greater conversation about the ever-evolving definition and comprehension of hip-hop and what it even means to be a rapper in 2017. Love him or hate him, this is hip-hop today. His beats are bouncy, his flow is mumbly, and he genuinely seems like a pretty cool guy – so we’re looking forward to seeing what his first ever live shows in Australia will be like.

Lil Yachty will play one show in New Zealand and three in Australia – Sydney, Melbourne and Perth.

Tickets go on sale on Thursday April 13 at 10am local time, with a pre-sale kicking off at midday on Monday, April 10. Head to Live Nation for full details.

Lil Yachty Australia & New Zealand Tour 2017

Thurs July 20: Big Top, Sydney
Saturday July 22: Prince Bandroom, Melbourne
Sunday July 23: Metro City, Perth
Tuesday July 25: The Powerstation, Auckland

Since hip-hop’s conception several decades ago, there’s no doubting the culture and musical genre itself have gone through a lot of changes. All throughout the 80s, 90s, 00s, and now the 10s, the sound, the image and the message behind it have constantly evolved. Despite this continuing evolution, many, be they fans or artists, still hang onto the music of their time and treat new sounds and trends quite often with disdain.

Take legendary 90s producer Pete Rock ,who came out last week saying that this breed of emcees “don’t match the world that we live in, making this kinda nonsense or not reppin’ the culture right.” Going on to say that the rappers are “breeding these stupid ass fans with no fucking brains. So we gonna have a world full of that?? Really???”

Targeting the group who are branded as so called ‘mumble rappers’, a term which blew up seemingly overnight, Pete represents one of many who criticise this latest craze. Yet, whether you like it or not, G.O.O.D. Music signee Desiigner and the more cheerful Lil Yachty among others are taking over global airways with their infectious mix of auto-tuned vocals and booming trap beats.

The aforementioned Lil Yachty is at the forefront of this mumble-rapping craze, the 19-year-old bearing a large amount of criticism. His reaction to this beef is simple though, “hip-hop isn’t the same anymore” he explained in an interview with The Breakfast Club people “just don’t like me because I’m not lyrical enough. If you ever read comments and click on their profile, they’re like super old.”

What stands out in Yachty’s response is his attitude towards those who paved the path for hip-hop. It’s not the first time he’s come under fire for perceived disrespect to his forebears, infamously admitting that he “honestly couldn’t name five songs’ by Tupac & Biggie.” Lil Uzi Vert, another artist on his way up, was slightly blunter, flat out stating “If you put on one of them old beats, I’m not rapping on it.” Do comments like this justify Pete Rock’s and others’ outrage when it comes to these mumblers and their attitude towards the culture?

https://www.youtube.com/watch?v=251cxou3yR4

At the end of the day, maybe it’s not the sound that’s the problem, but the apparent disrespect that these artists seem to have for the culture. Whilst everyone has their musical heroes, these artists are solely looking at the 2000s, the Kanye Wests, Lil Waynes and Soulja Boys of the time, which is fine, but it’s when they rashly insult the culture’s history that there’s a problem.

Anderson .Paak spoke up about the craze, sending for Yachty in a Twitter message, “Don’t be cocky in the fact that you don’t know anything about hip-hop history.” But it’s Lil Yachty’s reply that makes you understand his perspective, “I think it’s funny how people feel like you HAVE to like something just cause everybody else does,” Yachty explained, “Where in the handbook of hip-hop does it say u must know this list of songs to make music.”

Khal, editor for Pigeons and Planes, puts it perfectly in his article, “The genre has grown to a point where someone’s point of reference doesn’t have to be the four pillars of hip-hop, or Kool Herc and Grandmaster Flash.”

It’s not just the so-called-mumblers who speak out against the Golden Era which lingers over them. Critically acclaimed Long Beach rapper Vince Staples is constantly branded as the saviour of hip-hop, yet even he feels the 90s were overrated. This controversial statement sparked a fair amount of outcry from his older supporters, but his rebuttal once again shines light on the differences each generation faces. “Urban and aggressive, is that what we mean by real? Someone saying they want to go to a party is real, they probably just want to have a good time. Your music is about your outlook on life.” He continues, “You’ll find someone who hates Jay-Z but loves Lil Boosie…then find someone with the same IQ who feels the opposite because it’s more relative to their lifestyle.”

Something which is often failed to be mentioned is that the audience of hip-hop has diversified so hugely in the last ten years alone. From it’s early days where it represented solely urban youth, it has now expanded into every nook and cranny of 21st century life, something which explains the rapid expansion of that easily accessible party sound.

So sure, it’s not the most lyrical, and with lines like “Aye aye, and my bitch ass fat, I told that bitch never to stop eating bacon” it’s pretty hard to take them seriously. But at the end of the day, these rappers-who-don’t-want-to-be-rappers are just creating the music that they like, which applies to their lives, and funnily enough there are people who like that too.

Whether you are for or against the mumblers, and whether you think this is a fad or not, there’s no doubt that this is going to live out it’s time in hip-hop, and will continue to inspire the next generation to come. Just remember, there’s plenty of room for both of these styles to run side by side, just because one is becoming more prevalent with the teens, it doesn’t mean that the audience for the lyrically minded isn’t there. Let’s not forget that the biggest artist in hip-hop right now is Kendrick Lamar, a man whose lyrics are among the best of all time.

Times are simply changing and hip-hop is evolving with them in some ways, as it has always done. Just because you don’t like it, it doesn’t mean the culture is dead, you just have to dig deeper.

Image: Highsnobiety

Lil Yachty is fast becoming hip-hop’s new rising star. The red-haired Atlanta native has seems to be everywhere of late. He recently released his well received debut mixtape, Lil Boat (read our review here), while also claiming he’s working on a mixtape with Lil B and Soulja Boy. Until then, Yachty is keeping his name in the spotlight with the video for his player anthem 1 Night.

The lyric video starts off like many typically rap clips, with Yachty, wearing a tremendous rainbow coloured jumper, enjoying himself on a yacht with a bevy of beautiful women. That’s when things get weird. Footage of Kanye West‘s Yeezy 3 launch at MSG, the crying Jordan meme, people dabbing and Yachty cradling a kitten are just some of the visuals intercut throughout the video. There are hilarious jabs at alleged philanderers Future, Jay Z and Bill Cosby, while the green screen gets a work out with footage of sharks, an exotic island and The BeatlesSgt. Pepper’s Lonely Hearts Club Band album cover. There’s also a ton of nautical references, from canoes, tow boats and rafts to life jacket, wet suits and fishing hats.

Watching the clip is a sensory overload of pop culture and Internet references that’ll no doubt lead to a slew of new memes and gifs the social media world will eat up. My best advice is just watch the clip and marvel at the wonder of Lil Yachty in all his weird and fascinating glory.

[youtube https://www.youtube.com/watch?v=251cxou3yR4]

Image: Exclaim

Lil Yachty is fast becoming hip-hop’s next big thing. The young ATLien rapper was featured as part of Kanye West’s Yeezy Season 3 launch, has been in the studio with Tyler, The Creator and had underground hit Minnesota played on OVO Radio. He recently released his debut mixtape, Lil Boat (read our review here), to positive reviews, and is already talking about another project that’s got me really excited.

[youtube https://www.youtube.com/watch?v=gqb3pOVjRwc]

Interviewed by the VFiles during this year’s SXSW on a yacht of all places, Yachty revealed he’s working on a collaborative mixtape with contemporaries Lil B and Soulja Boy. “We gonna make the Pretty Boy Millionaires 2 mixtape,” he told host Rox Brown. For those not in the know, Pretty Boy Millionaires is an excellent tape crafted by Lil B and Soulja Boy back in 2010 that’s well worth checking out.

Lil Yachty certainly isn’t your average rap star, so it deciding to team up with fellow indie rappers Lil B and Soulja makes sense. Without a release date or confirmation from the other two artists regarding Pretty Boy Millionaires 2, I take what Yachty says with a grain of hopeful salt. In the meantime, if you haven’t experienced Yachty yet, do yourself a favour and stream his mixtape below.

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Image: Hypetrack

Kano – Made In The Manor

It’s hard to believe London grime legend Kano is only 30 years young. Since breaking out with his critically acclaimed debut, Home Sweet Home, he’s been a pillar of consistency in a genre that’s ebbed and flowed over the years. With grime once again making a splash, particular in America, thanks to the crossover success of Stormzy and Sekpta, Kano has returned from a six year absence with his fifth album Made In The Manor. It’s been worth the wait.

If you thought Kano might have softened over the years, he puts any doubts to rest on album opener Hail, declaring himself “King of this shit” over Rustie’s classic UK production. From then on, Made In The Manor is a personal journey through the last 10 years of Kano’s career, taking in everything from life in the council estate (Seashells In The East), broken friendships (Strangers) and personal heartache (Deep Blues, Lil Sis). He also looks at the grime and it’s current place in the music scene (This Is England), while teaming with two other legends, Giggs and Wiley on the crushing 3-Wheels Up.

Verdict: Kano has lost none of his swagger or bravado over the years, with this album finding him at his most focused and introspective yet.

[youtube https://www.youtube.com/watch?v=79ZP946eNVQ]

Lil Yachty – Lil Boat

Lil Yachty is on the verge of big things. He’s hit single, Minnesota, got airplay on OVO Radio, he featured as model in Kanye West’s Yeezy 3 fashion extravaganza last month, and has been in the studio with A$AP Rocky and Tyler, The Creator. The Atlanta rapper is looking to make the most of his new found fame by dropping the surprise mixtape Lil Boat.

Sounding similar to fellow ATL contemporaries Young Thug and iLoveMakonnen, Yachty raps and croons his way through 14 tracks of trap heavy beats with a high level of auto-tune,  a sound Yachty describes as “bubblegum-trap.” The production is impressive, with Yachty’s raps seemly obsessed with getting rich and slaying the ladies, but guess it’s hard to expect too much from an 18 year old who’s fast becoming the toast of the rap world. Quavo, Skippa Da Flippa and Young Thug make an appearance on the remix Minnesota while 1Night, his most successful release, is also included.

Verdict: This one’s strictly for fans of the current wave of weird, auto-tuned rappers that have taken the internet by storm.

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David Banner – Before The Box

To tie fans over while he puts the finishing touches on eight album, The God Box, southern rapper David Banner has dropped the mixtape Before The Box. Comprising of unreleased material, off-cuts and tracks you’ve probably heard, Banner has chosen tracks that are relevant to the current situation of black lives.

Never one to back down from his beliefs or the plight of black America, Banner certainly gets his message across with this tape. Themes of racism, police brutality and the injustice plaguing the black community can be heard throughout Before The Box. Opener Uzi is a ferocious assault on racism and corrupt police, Malcolm X and Swag find Banner wishing young black American’s wouldn’t look at rappers as role models, while Evil takes a swipe at George Bush while highlighting major events spurned by racism.

Verdict: Aggressive, controversial, yet full of truth, this mixtape has me very excited for The God Box.

[youtube https://www.youtube.com/watch?v=JHqRawc4fd0]

Image: FACT