On Monday night, Missy Elliot, Queen Latifah, Lil’ Kim, and Salt-n-Pepa featuring DJ Spinderella were honoured at the VH1 Hip-Hop Honours’ All Hail the Queens. The night was hosted by Eve and payed homage “to the female pioneers, trailblazers, and trend-setters” of hip-hop and featured distinguished guests from the hip-hop community.

Many artists used their speeches and time on stage to address the ongoing issue of racism in America and the Black Lives Matter movement. Black Lives Matter Founders, Alicia Garza and Darnell Moore opened the evening’s proceedings with a speech explaining what Black Lives Matter is about and how music helps to bring people together and heal, before bringing out Missy Elliot.

Unfortunately Missy herself didn’t perform; however, several other artists including Remy Ma, Trina, Nelly Furtado, Eve, Monica, Fantasia and Tweet all stepped up and performed some of Missy’s songs in her stead. Pharrell Williams, Timbaland, and Busta Rhymes all shared messages of support and love for Missy. One of the more touching moments amongst many that evening was Missy dedicating her award to one of the true pioneers who couldn’t be there in person; the late, great Aaliyah.

Queen Latifah performed twice during the night, joined the first time by Da Brat and Monie Love and later in the show performing U.N.I.T.Y.

Latifah took some time out of her acceptance speech to address the racial tension brewing in the United States. “Listen we all know the world, that our world, is really tense right now,” she began. “I’m hoping that we can somehow manage to channel all of these emotions that we have in a positive way.”

Naughty by Nature, who have collaborated with Queen Latifah a few times, stopped by to honour her with Hip-Hop Hooray while Common was given the opportunity of introducing Queen Latifah, also taking some time to address Black Lives Matter movement. “I also want to take this moment to honour all the sisters who have been on the front lines in our ongoing movement for justice. I’m talking about Fannie Lou Hamer, Diane Nash, Angela Davis, Assata Shakur, Shirley Chisholm, I’m talking about the Black Lives Matter founders.”

Lil’ Kim performed a variety of her tracks alongside Dej Loaf and Rich Homie Quan. Kim went on to perform the everlasting Get Money by Junior Mafia and The Notorious B.I.G. For Biggie’s verse she decided to hand it over to Rich Homie Quan, who straight up butchered it, embarrassingly forgetting the words.

Quan seemed to be prepared, sporting Biggie’s idiosyncratic Coogi sweater, but once he opened his mouth he merely mumbled a few words and then went quiet before awkwardly ad-libbing his way through the verse. Fair to say Twitter let him know their thoughts on the situation.

Lil’ Kim was also honoured with performances from French Montana, Teyana Taylor, Lil Mama and The LOX, among others. P. Diddy made a surprise appearance and delivered a speech in honour of Kim before rolling out a giant birthday cake and leading the crowd in a huge Happy Birthday in her honour.

The night was topped off by a speech by First Lady Michelle Obama, who congratulated the winners in a “Shout out to my girls”.

All Hail the Queens was overall an amazing way to honour some of hip-hop’s greatest female artists and a step forward in acknowledging an ever-growing voice in the genre. Hopefully this is the first of many honouring the many female champions of hip-hop moving forward.

Image: Newsweek

Lil Kim has recently been blasted on social media, and across other “reputable” news channels, for a collage of selfies she posted on Instagram in which she appears looking significantly whiter than people collectively imagine her to be. This conversation about her physical appearance has managed to garner more attention and discussion about her than a recently released mixtape and an upcoming Bad Boy Reunion show appearance combined.

Lil Kim feature 4

Image: Instagram

I have to ask, is it really a surprise that in an appearance-obsessed culture people will voluntarily undergo cosmetic procedures? Is it also a surprise to see that, when whiteness is the prominently displayed beauty ideal, whiteness is often emulated? Are social media users genuinely blind to the fact that they are a driving cause of these people’s insecurities, given that said complaints generate more publicity than their targets’ art?

Lil Kim feature 1

Image: thehiphopdiaries

Lil Kim’s transformation is not new. It has been ongoing since the late 90’s, with the rapper initially using blue contacts and blonde weaves to alter her look, before moving on to more invasive procedures such as rhinoplasty and breast augmentation. While her body was being physically altered over the years, her skin also began to change, appearing lighter and whiter as time went on.

It’s important to note that Lil Kim has opened up in the past about her personal issues with self-esteem. Interviews from 1996 and 2000 have been dragged up in order to demonstrate that her desire to go under the knife and change her appearance is mostly because of her own unique deficit regarding her self-worth. Yet everyone is quick to overlook the fact that this shit is 16 years old and people change, and that, in a 2005 interview with Angie Martinez, Lil Kim just straight up owned her nose-job and denied any low self-esteem, saying “I love myself. …People think I did it because I had low self-esteem, but that wasn’t the case. I think I did it because I was a little too vain.’

Maybe self-esteem did have some part to play in Lil Kim’s desire to alter her appearance, but it would be difficult to have that conversation without acknowledging the fucking Mastodon (bigger than an elephant) in the room, which is the immense stress that women, especially those of colour, face regarding external pressures to adhere to a certain type of beauty standard in order to seem desirable from both an aesthetic point of view, and in their professional and everyday lives.

Mastadon

Image: dinosaurs.about.com

It’s no secret that western society looks upon lighter skin much more favourably than darker skin, and Lil Kim is perhaps a prime example of an individual who has internalised years of conditioning which have told her that black is less desirable, that lighter skin equals more privilege and status, and that acceptance is surmountable with a brighter skin tone. The reality of being black when popular culture and your own industry favour those with a lighter complexion could easily contribute to self-esteem issues, or at least spark an internal conversation which begins with questioning one’s own desirability and worth.

The difference between Lil Kim and the many women that battle these internal demons on the daily is that she has the means to do something drastic about it, and the well trained eye of the media will be there to capture every moment.

It’s worth pointing out here that countless celebrities have been accused of either changing their appearance or altering photographs in order to appear whiter. Rihanna and Beyoncé (who let’s be real, has had blonde hair for like 10+ years now) have both been accused of whitening their skin and generally attempting to appear more Caucasian by Mica Paris. InStyle was accused of digitally lightening their cover photo of Kerry Washington and had to release a statement denying the accusations. Zoe Saldana has been absolutely raked over the coals for her portrayal of Nina Simone in the biographical film, Nina, with her critics expressing their disgust at her allowing her skin tone to be darkened and facial appearance changed in order to fit the role of the darker musician, instead of bowing out and letting a darker actress take her role, claiming that it’s a perfect example of Hollywood not giving gigs to darker women, who are deemed less desirable to movie goers.

Image: time

One needs only to look at the immense popularity of skin whitening products in America, as well as other predominantly non-white countries to see that the cultural conditioning which promotes white dominance regarding the standard of beauty is very much alive and kicking. When I was in Singapore last year, it took my partner and I almost a full day to find sun screen which didn’t have whitening agents in it, and I’m fairly sure she never managed to find women’s deodorant free from the stuff.

The point I’m trying to convey is that although it’s now perfectly acceptable to sit behind your computer and talk shit about how much of an idiot someone is for getting plastic surgery to make themselves look whiter, while citing that person’s self-esteem issues and lack of “self-love” as the reason for doing so, it’s much more important to look at the bigger picture. And that bigger picture involves millions of women of colour changing their appearance in both subtle and drastic ways in the general direction of whiteness.

You can be mad that Lil Kim has felt the pressure to succumb to a white beauty ideal. You can be mad that Lil Kim chose to pursue a white beauty ideal. You can be mad that looking lighter and whiter makes Lil Kim feel more comfortable, more desirable, or whatever damn way she does, in fact, feel. But you can’t be mad at Lil Kim, the individual. You can only be mad at the circumstances which lead countless women of colour to pursue beauty norms associated with their oppressors, with social power, with the “elite.”

Lil Kim isn’t alone, and while her actions come across as drastic to some, she is an entirely autonomous being who can make choices for herself. Instead of criticising the individual, we should instead look at why these particular patterns of “enhancement” have emerged in the first place.

Just have a productive conversation for once, Internet. Obviously there isn’t inherent diversity in the “choice” to modify oneself – otherwise there would be no trends to talk about, everyone would choose their own unique modifications. There’s clearly a problem here. The problem is that Western beauty standards are just another means through which to perpetuate hierarchies of oppression. You don’t address that by hanging shit on Lil Kim. You address it by taking a complex look at histories of subordination, global chains of power, economic opportunities, and – of course – gender norms.

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Image: bossip

 

Lil Kim Season is upon us, with Lil’ Kim’s latest mixtape being released to the masses. It marks the Queens Bee’s first mixtape release in two years since her last project, Hard Core 2K14.

The rapper’s latest mixtape comes after a mild hiatus which in an interview with Billboard, she puts down to wanting to spend more time with her daughter, Royal Reign. “For a long time, my focus was my baby, I wasn’t thinking about music at all.” She reflects, “now that she’s 19 months and she’s going to be two this summer, she’s motivating me to do music again.”

The ten track mixtape features the Brooklyn native rapping freestyles over Drake’s Summer Sixteen, as well as Rihanna’s Work, which are both pretty dope. Her work on the Drake track is especially impressive, which is not too surprising since Lil’ Kim has mentioned that she’d be down for a collaboration with him when pressed about it in the Billboard interview, saying that she “would love to” collaborate with Drake, regardless of their past differences, but if it doesn’t work out “it is what it is.”

The stand out on the mixtape is I Did It For Brooklyn, which along with Queen Bee, features another Brooklyn native, Maino, who’s best known for his platinum track with T-Pain, All the Above. The Brooklyn rappers run some clever verses, showing off their lyrical range on a song which is an accolade to their home borough.

Perhaps the most disappointing aspect of the mixtape is the inclusion of the previously released single, Mine, which features Kevin Gates. Our displeasure for the song has already been documented, and it is taking up space in this mixtape’s track list. It ends up being an unwelcome reminder of the many misses which plague Lil’ Kim instead of her multiple hits.

All in all, the tape is worth a listen, especially if you’re a fan of the most pint sized member of the Puff Daddy family. With her last album hitting us way back in 2005, it’ll be interesting to see if the success of her latest mixtape will reignite fans interest in hearing more from Lil’ Kim, and whether or not that spark will prompt the rapper to keep bringing the heat for her next studio album.

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Image: hiphop-n-more

Lil Kim is back with new single #Mine, featuring Kevin Gates, who just released a new album of his own.

In December last year, Kim announced that she was gearing up to release a new album in 2016. “I’m working on a new album for next year,” she told Hot 97. “I put up a post not too long ago; I was at my old record label. I’ve got a couple tours that I’m going to be part of.” The announcement came with the release of a new freestyle, That Bitcha remix of Omarion‘s I’m Up.

While the freestyle showed promise, I’m not a fan of this new track at all, to be honest. Kim was at her best back in the day, and while I’m absolutely not suggesting she shouldn’t release new music or anything like that, it just feels like she’s trying way, way too hard to sound on-trend with certain current types of rap. The overdone autotune, the Young Thug-level inability to decipher most of the lyrics and the lyrics which you can hear, being just arbitrarily, unnecessarily hyper-sexual, kind of like she’s trying, but failing, to sound like Nicki Minaj.

Gates’ guest verse mentions he’s been listening to Future, but you didn’t even need the obvious lyrics; he’s not exactly being subtle about his influences. And that’s the most interesting thing I have to say about his verse. To me, it feels more akin to Hopsin‘s incredible parody track No Words than an actual song.

Perhaps I’m being a little harsh because I was such a fan of her earlier work. Listen below and judge for yourself:

A woman who needs no introduction, Lil’ Kim, has some good news for her fans. Not only has she released a new track straight to her SoundCloud, she has also confirmed in an interview the day before that there is indeed an album in the works for 2016.

In typical Lil’ Kim fashion, the track is called That Bitch, and features some typical Lil’ Kim lyrics. The original bad bitch, Lil’ Kim flaunts her sexuality and has never once compromised her artistic vision. Now, she’s reminding everyone – just in case they forgot.

That Bitch is a remix of Omarion‘s I’m Up, but Lil’ Kim makes it entirely her own in just over 2 minutes. With lyrics like “Every freakin’ night/ Every freakin’ day/ I want to fuck and get paid/ In every freakin’ way,” she sings and raps like she’s back on form, and sounds as headstrong and powerful as ever.

In an interview with Hot 97, before taking to the stage with Busta Rhymes for his “Hot For The Holidays” show in New Jersey, Kim gave some much sought after comments on a new album as well. Given her last official release was back in 2005, it’s safe to say fans are rather thirsty for some fresh Kim cuts.

“I’m working on a new album for next year,” She said. “I put up a post not too long ago. I was at my old record label, so maybe. I’ve got a couple tours that I’mma be a part of. Just watch and wait.”

Watch and wait, indeed. Until then, wrap your ears around That Bitch and enjoy that sudden burst of confidence that automatically comes with listening to a Lil’ Kim track.

In news that should not surprise anybody, Snoop Dogg this week invested some of his vast, THC-dusted fortune into Eaze, an app that gets your medical marijuana delivered directly to your door (in less than 10 minutes!) for the toker who appreciates convenience.

It isn’t the first time D.O. Double-G. has shoved his money into something completely ridiculous, as we’ve covered before, so in the spirit of things we’ve taken a look at some other baffling business ventures by some of hip hop’s finest.

5. Flavor Flav – Flav’s Fried Chicken

Look at that consummate businessman grinning so shit-eatingly above you. You can just tell (from the giant clock around his neck) that this man’s time is money and the world is his marketplace, waiting to be capitalised on.

Uh… kind of. Aside from being out-rapped by Chuck D on every Public Enemy song ever made and popularising the phrase ‘Yeeeeeeahhh boiii’ while bouncing around like a dickhead, Flavour Flav is also the man behind MTV’s eye-clawingly terrible Flavor Of Love and, yes, Flav’s Fried Chicken.

You’re saying you DON’T want this man anywhere near your food?

Flav reached for the stars with this one, claiming he wanted the franchise to be in the vein of KFC and have restaurants worldwide. He even claimed to use a secret recipe, also just like KFC.

Crazy. The secret ingredient was all the crazy.

The first restaurant opened in January of 2011… and closed in April of also that year, ending Flav’s run as the hip hop Colonel Sanders. Key factors cited included expired coleslaw, unpaid employees, drugs and domestic violence, but I like to think that the good people of Clinton, Iowa simply loved themselves too much to eat at an establishment run by a wizened old gremlin in a Viking helmet.

4. Memphis Bleek – Shampoo Spokesman

The majority of you are right to be scratching your heads and wondering who I’m talking about right now. Memphis Bleek was at one time the Robin to Jay-Z‘s Batman, only if Robin were somehow more useless. Probably the biggest thing he ever did was hide behind Jigga on The Takeover and hurl water balloons at Mobb Deep and Nas. Also, Jay-Z lyrically ruffled his hair in a condescending fatherly manner on the Sierra Leone Remix of Kanye’s Diamonds. That’s pretty much it for Memphis Bleek and notability.

So to help dismiss all these claims that he’s only around because Jay-Z, Bleek went solo and got his.

In the form of uh… shampoo commercials?

Yeah this was awful. It’s difficult to call it a ‘total failure’ because Garnier as a company is still around and successful today in spite of this, but if you can find me one person who bought their shampoo because this guy danced around in the commercial, spitting drivel like ‘Garnier, it strong all day’, then I can tell all my friends that I’ve met Memphis Bleek’s mother. He was for some reason never used as their spokesman again.

3: Lil Kim – Se Swa Salons

Without Lil Kim we wouldn’t have Nicki Minaj… should be the prosecution’s closing statement from her trial for war crimes.

Also, in her (hours upon hours, every single waking day) of spare time since becoming completely irrelevant once the 90s ended, Lil Kim has a passion for both pointless Twitter feuds and also the beauty industry. To the latter end she has opened five beauty salons across North Carolina and left me to ponder, who in the name of all that is FUCK, would pay to have their cosmetic beauty organised by somebody whose very idea of that is this:

KILL IT! KILL IT WITH FIRE!

Despite her only clients being sewer rats and the blind (probably) and her cousin and business partner being arrested for stealing money from employees and other fraudulent business practices, Se Swa Salons are, by some hateful machination of the universe, still around today. Proof that fuck everything.

2: 50 Cent – Magic Stick Condoms

50 Cent has his diamond-encrusted fingers stuck in a whole mess of pies. He’s in the underwear business, the mining business, the embarrassing Floyd Mayweather business and, for a brief and hilarious period, he was in the condom business.

’50 Cent brand ‘Magic Stick’ condoms, for people who are gross’

Because the first thing anyone listening to lyrics such as ‘I touch the right spot at the right time. Lights on or lights off, she like it from behind’ was thinking of was ‘hey, I bet that guy knows all about birth control!’. Nonetheless, these are just perfect for keeping your G-Unit wrapped, if you overlook the small fact that they totally don’t work.

‘Surprise, motherfucker’

Yep, Fiddy tried to add an ingredient that would prolong sexual performance and it made those raincoats combust faster than Young Buck‘s career and with the potential for almost as many tears. With his market whittled down to ‘people who don’t care if their condoms work or not’ (the profoundly miserable), 50 Cent and his business partners made the wise decision to swiftly abandon the birth control racket.

‘Bye!’

1. Birdman – Bronald Oil and Gas

Ugh, Birdman. That creepy, soulless, unquestionable piece of shit behind Cash Money RecordsYou would think with all the time and effort this man puts in every year into turning contemporary hip hop into a joke with an elbow to the crotch as a punchline, that he wouldn’t have time for any zany outside business ventures like the above artists. Well guess again you doubting fuckface.

Birdman and his sister are less than amused with your lack of faith.

According to Birdman himself and this totally official and not-at-all-fake-looking website, he and his brother, Slim, are oil barons. Specifically, the ‘founding visionaries’ of Bronald (A combination of their actual names, Bryan and Ronald) Oil and Gas, which is how all the enormous corporations come up with their names, of course.

Somewhere in the middle of ruining rap music, Birdman had allegedly stumbled across oil (also, some gas) and now he’s as oil baron-y as the There Will Be Blood guy, only, you know, without the old-timey pipe and the mustache or probably any actual oil.

Even these guys were more legit.

Yessir, despite setting up an entire website featuring heavily detailed claims like ‘a trillion dollar energy oasis’, giving interviews where he claimed to have been in the oil business and providing for his family with it for ‘four or five years’ and even tattooing an oil pump on his head (because it has to be true if it’s in permanent ink!), it turns out that the official regulators in charge of issuing permits for oil and gas had never heard of any of this.

It’s almost as if this upstanding citizen was full of shit.

And it seemed as though he’d begrudgingly admitted this bullshit after covering up his head tattoo in 2010 and deleting the official website, but no, it came roaring back in 2014, his tattoo-covering merely a genius Birdman ploy to trick us all into leaving him alone ‘to restructure the company’ (as though people were kicking his door in instead of not giving two shits about him in the first place). Bronald Oil and Gas also promises this year to ‘launch with innovative technology, products, and projects that will shock the American oil and gas industry’.

Well shut up and take my money!

Or, you know, maybe just fuck off.