Though in recent years hip-hop producers like Sonny Digital, Metro Boomin and Mike Will Made It have set themselves apart as their own artists, it’s rare that hip-hop instrumentals do much more than serve as a platform to rap atop. Without dissing, no one is likely to listen back to an Atlanta trap backing track and hear or feel anything other than Atlanta trap. It’s rare that a producer is able to produce a sound which acts in two different ways – both as its own piece of musical genius, and bringing depth and meaning to the words of another artist.

While you may not have heard Clams Casino’s name, you’ve definitely heard his style. Releasing his first EP, Rainforest, in 2011, Clams quickly became the talk of the underground hip-hop town. A bunch of collaborations with Lil B led him straight to A$AP Rocky, and consequently, the birth of the cloud rap sound, perhaps made most famous by the enigmatic Lil B. There’s no denying that tracks like Bass, Wassup and Palace are Rocky’s early best, and while his success took the sound further and out of Clams’ hands, he’s always been the king of the castle. The release of three separate Instrumental Mixtape Volumes meant budding rappers could do their own work over his, and his audience could greater appreciate the complexity and individuality of his sound on its lonesome. Though Clams was so cutting edge and ahead of the times, it’s hard to believe that over 5 years since the release of Rainforest, countless collaborations and remixes, we’re granted with his debut album – 32 Levels.

https://www.youtube.com/watch?v=BfIjIVLmhAI

“The mind is so complex when you’re Based; 32 Levels; Welcome to my world” – Lil B, I’m God

It seems fitting that the album name is taken from one of, if not the most well known and awe inspiring pieces of Clams’ music. I’m God is the definitive Clams Casino track, and is the perfect combination of vocal sampling, heavy bass, atmospheric sounds and twisting synths that are found all throughout his work. 32 Levels opener, Level 1, feels like the spiritual successor to I’m God. “Yes..” whispers Lil B in the first of many vocal features – saying what we’re all thinking, “the album is finally here.” Essays could be written on the way the vocal samples, very reminiscent of I’m God, build and finally crash into an another explosion of bass and flanging sound that’ll send your eyes rolling back – but there’s more to address first.

Without even listening to the album, you can most likely appreciate it by looking at the list of vocal features, first revealed earlier this year. We’re hit right in the face after Level 1 with Be Somebody, the first track to ever feature both Rocky and Lil B on it. “We just made history, you know that right?” Lil B asks, breaking the wall between him and the listener yet again. It’s a match made in heaven, and god knows it’s been a long time coming. Vince Staples rolls through right after that, working the same magic he and Clams had on Norf Norf, this time on All Nite. While Clams has a particular affinity for hip-hop, his production also lends itself amazingly to styles never thought before. Thanks To You, with vocals by Sam Dew is a standout on the record, taking a much lighter tone than usual in both vocal style and instrumentally, but never straying too far from the flock. Kelela also feels right at home on Breath Away, making you wonder why they’ve never worked together before – the same feeling you might experience throughout every first-time collaboration on 32 Levels. Each feels like it could have come from any of these artists’ own catalogue, which is testament to Clams’ skill for bringing out the best performances of those he works with.

https://www.youtube.com/watch?v=EhXE1fGrv_M

That said, the man himself has said before that he prefers not to get involved in the songwriting process, even going so far as to not have anyone in mind when creating his beats. Taking this into consideration, these songs have no overarching themes or tone; instead, this is an album tied together through its sonic motifs more than any thematic concerns.

Although his production has traditionally been on the darker and thicker side of the spectrum, 32 Levels operates on a number of different emotional levels through its sound. Clams’ music has always been about atmosphere, with sounds either directly taken from real life environments like throughout his Rainforest EP, and heard again on All Nite, or built from scratch via spacious sounding synths and echoing percussion. This sense of atmosphere, as all good music should, takes us to another place. Where are we where we’re hearing music like this? It’s otherworldly, almost like the artists singing and rapping inside this world are doing so in some limbo like state, with the emotion behind their words extending further than it ever could have in real life.

There’s always been something about Clams’ sound that seems larger than life, and the trend continues on 32 Levels. Skull sounds near demonic, with Bowser style laughing and haunting flute sounds set alongside clicking snares and hats. Back To You is by far the most pop track on the record, with Kelly Zutrau providing some soft spoken and breathy vocals, but it never feels out of place. Metallic echoes, and her own layered voice hitting high notes before fading away into nothing further cement this idea of place in each track. It’s in this sense of shared depth and space that the album feels completely whole. Each artist isn’t themself, but simply a voice sharing and reflecting on feelings inside the worlds that Clams Casino creates within each of his songs. While he might not play a part in songwriting, everything on this record feels very calculated and very purposeful.

https://www.youtube.com/watch?v=bLBKRKeRaL8

At times, the sheer number of voices on this record can become a little overwhelming. Clams’ environments and atmospheres are often better enjoyed in and of themselves, with no words to distract from the experience. Mr. Casino has obviously learned from the successes of his instrumental mixtapes, and blessed all of us with the same-day release of an instrumentals version of 32 Levels to get the best of both, and all, of Clams’ worlds.

32 Levels is a record that changes with every listen. The space that exists within each of its 12 tracks is like a magnifying glass to the emotions of the listener and the vocalists alike. While according to Lil B there are 32 levels in the Based Mind, it doesn’t seem like Clams Casino has any limits to his work.

Image: Jack Colquhoun for Howl & Echoes

Clams Casino, superstar producer boasting a catalogue of sublime collaborations with such artists as A$AP Rocky, Mac Miller, The Weeknd, FKA Twigs, A$AP Ferg and more, has been preparing the release of debut studio album 32 Levels. Ahead of the July 15 due date, he has now taken to Twitter to release details of the album’s immense tracklist, as well as tease the release of new music this week.

The tracklist is stacked full of big features, including some unexpected names thrown in to the mix, and reads as follows:

1. Level 1
2. Be Somebody (ft. A$AP Rocky & Lil B)
3. All Nite (ft. Vince Staples)
4. Witness (ft. Lil B)
5. Skull
6. 32 Levels (ft. Lil B & Joe Newman of alt-J)
7. Thanks to You (ft. Sam Dew)
8. Back to You (ft. Kelly Zutrau of Wet)
9. Into the Fire (ft. Mikky Ekko)
10. A Breath Away (ft. Kelela)
11. Ghost in a Kiss (ft. Samuel T. Herring of Future Islands)
12. Blast

Frequent album guest Lil B (who directed, and featured in, the video for album single Witness), also took the time to speak to FADER about his work with Clams, and what to expect from the album, promising that, “Clams Casino is about to have a huge historical album, man, it’s going to be real deep for music. All producers, for all of us worldwide, this is a big day: Clams’s major label debut album. It’s beautiful. Just to be able to support him for a major label release is extremely historical.”

With Clams Casino’s extensive history of iconic collaborations, not to mention the tracks we’ve heard so far, 32 Levels may yet prove to be one of 2016’s best. At the very least, with Clams Casino’s storied history, it well deserves the distinction of being one of the year’s most anticipated. Watch for new music to drop tomorrow, and watch the visuals for album tracks Witness and Blast below.

[youtube https://www.youtube.com/watch?v=lHitmmi2VdY]

[youtube https://www.youtube.com/watch?v=BfIjIVLmhAI]

You can find James Schofield on Twitter and Instagram

Image: Clams Casino 

iLoveMakonnen has been hinting at recording an album with Lil B on social media these past few weeks, and today we finally have a taste of what to expect from the two in the form of Can’t Let It Go.

Produced by Jae Marley, Can’t Let It Go is six minutes of Makonnen and the Based God spitting bars about others “out they really tryna be us” and stealing their swag. Makonnen drops two verses and handles the hook, but it’s Lil B who steals the show on this one. Known for his off-kilter flow, Lil B takes things back a notch with Can’t Let It Go. While his raps are fairly basic, it’s his laid-back flow that offers another side to Lil B and sits well alongside Makonnen’s auto-tune warble.

While there is no confirmation about an album between the two, if it does eventuate, I’m very interested to hear what these two can conjure up after hearing Can’t Let It Go. Makonnen has a unique style that I think deserves more recognition, while you never know what you’re going to get with Lil B, so it’s always worth checking out his material.

Makonnen also hinted on Twitter that he and the Based God will tour later this year.

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IMAGE: BeatBlah

Lil Yachty is fast becoming hip-hop’s next big thing. The young ATLien rapper was featured as part of Kanye West’s Yeezy Season 3 launch, has been in the studio with Tyler, The Creator and had underground hit Minnesota played on OVO Radio. He recently released his debut mixtape, Lil Boat (read our review here), to positive reviews, and is already talking about another project that’s got me really excited.

[youtube https://www.youtube.com/watch?v=gqb3pOVjRwc]

Interviewed by the VFiles during this year’s SXSW on a yacht of all places, Yachty revealed he’s working on a collaborative mixtape with contemporaries Lil B and Soulja Boy. “We gonna make the Pretty Boy Millionaires 2 mixtape,” he told host Rox Brown. For those not in the know, Pretty Boy Millionaires is an excellent tape crafted by Lil B and Soulja Boy back in 2010 that’s well worth checking out.

Lil Yachty certainly isn’t your average rap star, so it deciding to team up with fellow indie rappers Lil B and Soulja makes sense. Without a release date or confirmation from the other two artists regarding Pretty Boy Millionaires 2, I take what Yachty says with a grain of hopeful salt. In the meantime, if you haven’t experienced Yachty yet, do yourself a favour and stream his mixtape below.

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Image: Hypetrack

The most FOMO tour of all time, aka the ‘Rocky and Tyler’ US Tour feat. Vince Staples and Danny Brown wrapped up in San Francisco over the weekend, and they finished things in a way that no one saw coming.

California resident Lil B lives in the area, and so Rocky brought him out during his set to perform his classic Like A Martian. Though Lil B has a cult following, he’s not exactly a commercial success, but nevertheless it sent the audience of thousands absolutely buck wild. Check the video below for proof, which shows a little snippet of the performance, and the original track and video by Lil B. Lil B obviously really appreciated the chance to perform as well, taking to Twitter almost as soon as the show was over.

[youtube http://www.youtube.com/watch?v=C1b7b9BFv1s]

[youtube http://www.youtube.com/watch?v=ISHPumshGgA]

Rocky recently announced his Australian tour, which will take place across February next year. Though we’re not sure his supports will be nearly as good as this most recent tour (especially considering Tyler isn’t allowed into the country), we’re hoping for some moments as crazy as this one. Check dates below, scoop your tickets here. Better be quuick though, some of the shows have sold out already.

A$AP Rocky Tour Dates:

Wed Feb 17th: Margaret Court Arena, Melbourne, VIC
Thurs Feb 18th: Eatons Hill Hotel, Brisbane, QLD
Sun Feb 21st: Entertainment Centre, Adelaide, SA
Thurs Feb 25th: Hordern Pavilion, Sydney, NSW (SOLD OUT)
Sun Feb 28th: Metro City, Perth, WA

Recently we celebrated the 15-year anniversary of the Marshall Mathers LP. That means it’s been 15 years since Eminem gave us the archetype of the obsessed hip-hop fan, Stan. Stan has a room full of Eminem’s posters and pictures, he owns his entire back catalogue and even has Slim Shady’s name tattooed across his chest. His very name has become synonymous with deranged fandom. In 15 years there have emerged hip hop fans so completely obsessed, so hardcore, that they rival even Stan.

#4. Drake Fans – “Woes”

Drake fans or “woes” if you will, are among the most sickeningly obsessed hip hop fans alive. Many Drake fans turned on MTV Jams in 2009 to hear Aubrey Graham perform The Best I Ever Had and nothing was the same ever since. Drake fans take care to include a Drake reference at every opportunity. Drake fans know themselves, and appreciate that Drake started from the bottom to become a legend that will live forever. Drake fans know the mortal body can only live once, and that one day in October, the 6 God will appear and whisper in their ears “hold on, we’re going home,” and they will ascend beyond the blue sky pictured on the cover art of Take Care to a paradise where Drake will have a complicated relationship with every one of them.

Drake fans are battle-hardened from defending their smarmy idol. No, Drake doesn’t bandwagon jump on sports teams, he’s just personally loyal to the players, he’s the world’s greatest basketball wife – do you have a problem with loyalty? Drake isn’t “soft,” what could be more courageous than being totally transparent with your emotions – do you have a problem with bravery? Yes, Drake did Start from the Bottom despite a previous acting career, in the sense that he is a cheesy Canadian with Jewish heritage who grew to become the realest rapper in the game, I CHALLENGE YOU TO DO THE SAME, YOU CHIEF KEEF-LOVING TROGLODTYE. 0 to 100 real quick.

Much like monks who wear hair shirts to simulate the suffering of Christ, Drake fans subconsciously pray for a breakup, so they can binge on Drake’s more morbid discography and engage in a month long self-flagellation of post-breakup despair. Drake fans are not offended by Drake memes, they actively play a role in creating them. Has a fire been in the news? Why not superimpose Drake’s miserable expression onto the body of an onlooker?

A must-have for any self-respecting Woe.

A must-have for any self-respecting Woe.

Drake has one fan that makes Stan look like the kind of guy to stutter on the third verse in Without Me. In 2011 an image of a woman with shaved eyebrows and the word ‘DRAKE’ printed in large varsity letters on her forehead went viral. The story goes that the young woman was adamant that she wanted the name of the singer behind “Hell Yeah Fucking Right” permanently plastered across her face. The tattoo artist expressed the kind of nihilistic apathy that would make a Chuck Palahniuk character blush: “In my opinion this whole world’s going to shit, and shit rolls downhill, so I might as well just jump in, hold my breath.” But the girl’s decision to tattoo Drake’s name becomes less Free Spirit and more Look what You’ve Done when you realise that the girl had shaved off her eyebrows HERSELF, and that she may have been close to Overdose. Maybe this girl was just listening to Drake’s instruction in Free Spirit, “tat my name on you so I know it’s real.” When Drizzy found out he went 0 to 100 real quick. “That’s cool, though, I feel you 100 per cent. That to me is absolutely incredible…the guy who tatted it is a fucking asshole… I don’t fuck with that guy… If I see you I will fuck you up… I mean, it’s crazy. It’s surreal, I don’t even want to look at it anymore.”

drake7

Or how about this kid who got the name of Drake’s album EP tattooed to the back of his neck a mere 24 hours after its release? Of course by the time this kid’s mum read the words permanently affixed to her son’s neck, it was too late.

drake6

I even gotta tattoo with your name across the chest.

#3. Lil B Fans – “The Task Force” 

Lil B is so meta, so ironic, so post-modern it makes my brain hurt. The argument goes that Lil B is not a good rapper, but that this is done deliberately to parody bad rappers, which in turn makes him, the greatest rapper alive. He’s kind of like the Borat of the rap game. Lil B and the internet have a symbiotic, ghost in the machine relationship. It’s not entirely clear which one of them came first. Lil B is like that scene in the Matrix where Agent Smith takes human form. He’s a living breathing meme and the physical manifestation of trolling.

It’s no surprise that his fan base are equally millennial, and a force to be reckoned with on social media. His militant cadre, The Task Force, live by the literal mandate to “protect Lil B at all costs.” In practice this involves trawling social media for any instance of someone badmouthing the Based God and then relentlessly trolling them (even as I write the Task Force are pursuing me). The most recent victim of the Task Force was Joey Bada$$, so mercilessly trolled by this collection of 14 year old gaming prodigy’s, that he deleted his twitter account. Here Joey echoes a common frustration with the Task Force who in perfect trolling fashion, always come across as idiotic and asinine –

It’s almost like people enjoy insulting people over the internet, but don’t want to fight in real life? Weird.

lilb

Lil B fans have time to make memes.

But Lil B is more than just a troll, he is a prophet, he is the Based God. Lil B has a unique ethos that seems to resonate with fans. Liking Lil B and liking his music are mutually exclusive. Arguably, his music is not meant to be liked. Put very briefly, the Based God is Christ-like in that he principally preaches a message of positivity, love and acceptance – sort of like the My Little Pony of rap communities.

The online community ‘BasedWorld’ is full of individuals who have found succour in the unconditional love of the BasedGod. The teachings of Lil B have a profound effect on the everyday lives of his followers. Brandon Skipper, known as Skip in BasedWorld said, “I started to apply what Lil B was saying in his more serious songs to my life…I don’t have a job. I ain’t in school right now, but every day I go outside and look at the sky…and I’m happy.” Brittany Fransko met her boyfriend Jebriel Teague through BasedWorld, “a lot of people I’ve known for six months through BasedWorld are closer to me than friends I’ve had my whole life…that’s why I’m glad my boyfriend is based.” 60 year old Grandpa Chip recognised Lil B’s message as the unique world view of the youth of today. He told his wife that listening to Lil B was necessary to connect and relate  with his grandkids. And if you don’t believe me, here’s a video clip that he bothered to make, which he surely wouldn’t do If he was faking it right?

Go to a Lil B concert and prepare to see some serious Hillsong shit. More like bacchanal religious ecstasy than a rap show, fans come kitted out in Chefs outfits, and offer cats and their girlfriends as living tributes to the Based God.

Or maybe they’re all just trolling.

#2. Odd Future Fans – “Golf Wang Hooligans”

The reason Odd Future listeners are so fanatical is because the group was originally marketed as a death cult. It wasn’t just music, it was a completely immersive experience that would impact on every aspect of a persons life. Like all good cults it had its own iconography. The ‘upside down cross’ and the ‘bubble writing’ were perfect symbols for an angsty teenager with above average art skills to deface an exercise book with in an act of silent protest during double Math. And like all good cults it even has a droning repetitive chant that adepts can shout mindlessly, slogans like “Free Earl” and “Fuck Steve Harvey” and of course, “swag.” And like all good cults, the Church of Golf Wang has a uniform. Forget the matching black tracksuit and purple shrouds, when Tyler began designing clothes he created the unique opportunity to shape his adherents in his own image. The transition to clothing meant that people could literally wear their fandom on their sleeve. Find a 5 panel cap, some long bright socks and a tye-died t-shirt and you know you’ve found a member of the Wolf Gang. It wasn’t just a genre of music anymore, it was an identity.

A quick Google search reveals that Odd Future fans are universally loathed. “Worse than Juggalos” wrote one punter in a forum dedicated exclusively to the subject. Even the artists themselves are embarrassed by their own fans. “Male virgins” Earl Sweatshirt called them in a recent tweet. Colossus is Tyler’s very own homage to Stan, in which a loner fan harasses Tyler at a theme park. Tyler mocks these sociopaths with a love for street wear, “I like pants that cut are cut, I like words like fuck” says the fan.

So what’s so offensive about these progressive hip-hop zealots? Mainly, because they are white and because they are tweens. When asked about why they liked Odd Future one Michael Cera-looking fan said because “they’re against the system,” when asked if he too was against the system, he said he was “unsure.” Another fan replied simply and honestly, “because they’re black.” Odd Future is sometimes credited with the increased tolerance of white people using the n-word. They’re also seen as rich which is the easiest reason to hate anyone for anything.

666 is my number, you can get it off my tumblr.

666 is my number, you can get it off my tumblr.

#1. Insane Clown Posse Fans – “Juggalos”

It’s real, real easy to hate the Insane Clown Posse. In fact, go to any Gathering of the Juggalos (go on) and you can readily purchase t-shirts that read “the most hated band in the world.” They’re Hitler to Nickelback’s Mussolini.

The most hated band in the world gave birth to the worlds most obnoxious fans, the “Juggalos.” They represent a counterculture that is perennially uncool. They’re the bastard lovechild of two of the most unpopular subcultures in the world: emos and rednecks. They’re not fans of mixed martial arts and alcohol (cool things), but wrestling and faygo root beer (uncool things). They’re the only people still left on Myspace (uncool), and don’t use Facebook (really cool).

Watch any Juggalo documentary and prepare for 30 minutes of shit-faced white people trying to juggle a 2 litre Faygo, a gravity bong and explosives. Juggalos have done more for the whipped cream dispenser industry than chefs have. They love crappy tagging, exposed breasts, fast food, and the worlds lamest call-to-arms “whoop whoop”. Oh, and then there’s the guy who applies his clown make-up with ACTUAL SPRAY PAINT.

Then there’s their obvious fascination with the macabre; serial killers and an evil clown mythology. The association with violent crime led to the FBI ranking the Juggalos next to Blood and Crips in terms of dangerous gangs. (A completely ludicrous charge FYI).

But Juggalos have used their marginalisation to create a really unique and special camaraderie. They have used the shared experience of being excluded from mainstream of society to unite them. Juggalos have been outsiders their whole lives, whether because they are overweight, have pink hair, piercings, tattoos, or just because they happen to like the crappy Insane Clown Posse. Juggalos know what it’s like to be rejected, and because of that they vow to never exclude anyone else.

The Juggalo community is one of complete acceptance. Hippie Joe, a 40 year-old pipefitter and father of four from Detroit said the Gathering of Juggalos is “not a place where you’re going to be judged.” He describes the yearly pilgrimage to the Gathering as “coming home.” Aside from whoop whoop the other Juggalo catch cry is “Fah-Mu-Lee” – all 5,000 attendees at the Gathering of Juggalos are one big family. Despite the aggressive lyrics and Fear and Loathing quantity of drugs, there are never any fights at the Gathering. One fan, who vomited on a carnival ride and then passed out, acknowledged the impact the Juggalo life has had on him “made me the motherfucker I am today, without Jay and Shaggy – I grew up to be a decent good hearted motherfucker.”

If you know anything about rapper Lil B, it’s pretty likely that you know that he curses people. If you didn’t know that, get ready for an entertaining read.

Lil B is a strange guy. Referring to himself as “The Based God”, fans give thanks to him and his powers. However, he is quick to turn on people should they do wrong by him, which brings us to now. As the story goes, after basketball player Kevin Durant dissed the rapper on Twitter a few years ago and called him “wack”, Lil B fired back and said that he was cursed: ‘KEVIN DURANT WILL NEVER WIN THE TITLE AFTER HE SAID “LIL B” IS A WACK RAPPER, #THEBASEDGODSCURSE”. The only way Durant could break the curse was to verse Lil B in one on one basketball, but since this has never happened, the curse apparently still stands.

untitled-119

 

Naturally, a curse wasn’t enough, and Lil B also served up this:

[youtube http://www.youtube.com/watch?v=HBQ2mjkvYY8]

Now, we can’t be sure if curses actually do exist, but tn the heat of the NBA finals, Lil B made an appearance on ESPN‘s SportsNation to highlight a few “coincidences” between Durant’s performance on the court, and the timing of the curse. He also revealed that there were a few others he had cursed, and cleared the air a bit. See, The Based God is a merciful God, and is understanding to circumstances that may affect one’s actions, which is why fellow basketball player James Harden is not cursed, even though he did offend the almighty Lil B. Wearing a sunhat, earrings and a blouse, the rapper openly discussed his curses with the three anchors. Check the video below, it’s some amazing watching.

Looks as though we’ll be getting much more than just a new album by Frank Ocean in a few months. Apparently, he’s also publishing a magazine, featuring interviews with some very special guests.

At the moment, there are few details on what we can expect to see in the magazine, but we do have one interview confirmed courtesy of Nabil Elderkin. There was speculation that he was doing a video with Lil B after he posted an Instagram photo with the caption, “That’s a Rap wit the sensei @lilbisgod what a bro!” 

He later revealed on Twitter that Lil B was actually being interviewed by Ocean for the new publication.

Need more proof? Lil B also posted the picture above of him and Ocean on his Tumblr. We hope to get some more little teasers like this on the lead up to the release of the magazine as the excitement is just too much to handle.

The magazine, as well as Ocean’s new album, will be released in July.