Hypothesis: partying with Beck, Justice and The Libertines is the most ideal way to kick a new festival off the ground. By all calculations, it turns out that reality lives up to the theory.
Sydney City Limits is Australia’s answer to the renowned Texas event that has become a cornerstone of America’s festival circuit. Like Austin City Limits, SCL is set to make its mark on the industry here at home. The event came out swinging in its inaugural year with a glittering lineup that echoed festivals past (Big Day Out, Soundwave), beckoning some big acts who haven’t been this side of the shoreline in a while (what we like to see).
Brit punk icons The Libertines, the infinitely talented Grace Jones, mastermind Beck, and French electro/indie powerhouses Justice and Phoenix all joined a rich and diverse bill of local and internationals acts. Aussie wares like Gang of Youths, Stella Donnelly, Winston Surfshirt, Alex Lahey and The Avalanches sat alongside comfortably showcasing staggering talent.
The kick-off was a one-day affair set to four stages and was peppered with boutique food, beverage and retail stalls, including The Grove VIP section, for anyone malcontent with the sweaty mosh life. While around 14,000 turned up to muzz, the Centennial Park space was easy to navigate between stages and the lines for food and drinks were spread out and moved quickly, thanks to the abundance of vendors. It was a jam-packed schedule which meant that we weren’t bored for a second. We’ll definitely be back next year.
Photos by Dani Hansen.
LDRU
Stella Donnelly
Tkay Maidza
Sigrid
The Head And The Heart
Allday
The Libertines
Car Seat Headrest
Photos: Dani Hansen/Howl & Echoes
Welcome to winter, and welcome to another edition of Howl & Echoes’ Weekly Video Roundup, where we collate some of the best music videos from the past week. The big news in the Australian music world this week has been the long-awaited re-emergence of The Avalanches after 16 years in the wilderness. Amid the fanfare, you may have missed some of these tasty morsels:
Gold Panda – Chiba Nights
https://www.youtube.com/watch?v=jJ9VCM4RUac
The latest visual offering from UK producer Gold Panda and director Dan Tombs is mesmerising. Divided into a grid of sixteen squares to represent the MPC sampler on which he makes his music, Chiba Nights is colourful and kaleidoscopic, and brimming with scenes of Japanese culture. Chiba is a prefecture just outside of Tokyo, one of the cities that inspired Gold Panda’s new record.
The song itself is lustrous. It chirps and bubbles with warmth and familiarity, underpinned by pattering percussion and undeniable Japanese influence.
Gold Panda’s gorgeous third album, Good Luck and Do Your Best, was released last week on City Slang via Inertia Music.
LDRU – Next To You (ft. Savoi)
https://www.youtube.com/watch?v=HYDilLUDna0
In April, Sydney drop maestro LDRU followed up the success of Keeping Score with an equally radio-ready single, Next To You, featuring the vocals of Brisbane newcomer Savoi. Next To You is a classic festival banger, but the video is… well… less conventional. In fact, it’s really fucking weird, although I suppose it could be beneficial to have a boyfriend who’s a good source of potassium.
You can catch LDRU on tour next month. Tickets are available here. Fingers crossed he brings Bananaman on stage with him.
Baby Blood – White Lotus
https://www.youtube.com/watch?v=fRzfdt8Ezm0
Next up is Danish artist Baby Blood, whose progressive, ethereal brand of music and Mexican wrestling-style face mask set her apart from the crowd. Ahead of the release of her new EP, Await the Coven, Baby Blood has released a creepy DIY video to accompany her single White Lotus. Aggressive and unerring in its approach, the video is as compelling as it is bizarre.
White Lotus is a brooding and bewitching blend of electronica, hip-hop and R&B. It explores themes of nature, mental purification and the cycle of existence in the context of a fictional, animated world. That is one terrifying puppet.
Await the Coven is slated for release on the 17th June.
Calypso – Numbered
https://www.youtube.com/watch?v=Ga_yy9tF8N0
Numbered is the debut single from Tasmanian artist Calypso, and it’s a beauty. The sparse and moody opening stanza doesn’t prepare you for the exuberance that follows. A pulsating beat, delicate funk guitar and sultry saxophone accompany the powerful vocals of a talented and confident performer.
The video is a testament to what can be achieved with some paint, a smoke machine and a strobe light. It’s simple, it’s fun and it’s a yes from me.
Stay tuned for an EP from Calypso in the coming months.
Pacific Heights – Breath and Bone (ft. Dianne Krieg)
https://www.youtube.com/watch?v=bI_9OskURM8
Pacific Heights is the solo project of Wellington musician Devin Abrams. The fourth single off his debut album The Stillness, Breath and Bone is rich and purposeful, yet delicate and atmospheric. This vibe is enhanced by the stunning vocals of Dianne Krieg, which lend an air of graceful intensity to the track.
The video showcases the breathtaking scenery of New Zealand’s South Island, which provides a backdrop for an interpretive dancer clad entirely in white. It’s a poetic representation of loneliness, and one that resonates beautifully with the sonic textures.
The Stillness by Pacific Heights is out now via Create/Control.
CRi – Don’t (ft. Gabriella Hook)
https://www.youtube.com/watch?v=N98RaoJpf-w
Perhaps the most striking and cinematic of this week’s videos comes from CRi – the pseudonym of Montreal producer Christopher Dubé. Don’t is the first taste of Dubé’s upcoming Tell Her EP. It flutters and soars gracefully, perfectly matched by the vocals of fellow Canadian Gabriella Hook.
A concept plucked from the mind of director Ménad Kesraoui, the video explores the form and fragility of the human body in its most vulnerable state. It’s beautiful stuff.
CRi’s Tell Her EP is out on the 17th June via Young Art Records.
BASECAMP – Esc
https://www.youtube.com/watch?v=juI1VuY0CKI
‘No turning back’ is the key message from Nashville trio BASECAMP’s single Esc. The track, which featured on 2015’s Greater Than EP, is about uncomfortable encounters and the point of no return, with gloomy vocals and downtempo synth crafting a dark and melancholic environment.
The video depicts frontman Aaron Miller in a decidedly shady bar full of judgmental onlookers and writhing, double-jointed men. It’s all rather unnerving.
BASECAMP’s Greater Than EP is out now via OWSLA.
Shura – What’s It Gonna Be?
https://www.youtube.com/watch?v=nJ4uBdmnKds
The award for most uplifting video of the week goes to Manchester singer-songwriter Shura. Taken from her upcoming debut album Nothing’s Real, What’s It Gonna Be? is about as warm and fuzzy as they come. It’s a throwback to high school and a clever twist on traditional roles and relationships, inspired by classic films like The Breakfast Club and featuring Shura’s real-life brother, Nick. What’s It Gonna Be? is saccharine pop music, but with boundless romantic energy and a genuinely lovable aesthetic.
Nothing’s Real is set to be released on the 8th July.
Image: Stoney Roads
The Easter weekend always throws a spanner or two in the works when it comes to organisation, so you’ll have to forgive us for skipping last week’s playlist. However, because we know you clearly wait on this to come every Friday, we have collected the best songs not only from this week, but last week too to form one big, mega, super duper playlist overflowing with stellar musical gems. Enjoy!
Thomston x Wafia, Window Seat
Newcomer Thomston has teamed up with rising star Wafia for this brand new track, and it totally blew us away. Sharp beats pierce the hazy synths, ticking away whilst a bed of atmospherics oozes below. It’s got some beautiful and passionate lyrics and vocal efforts from both artists, and shows them both off so well. It’s a pretty intoxicating blend of RnB and electro, creating a gorgeous song that will hold both artists in great stead as they continue to blow up.
Meredith, How Could You Believe That
Just listen to that voice! I was hooked from the get go, but got weak at the knees around 47 seconds when things really kick off. Meredith has been kicking around for a while, but this song is something else all together. It’s powerful, and demands you to sit up and listen- but she makes it sound so easy. Her voice almost has a hint of “I told you so” smugness as she asks the song title over swelling harmonies and explosive synths and cymbals. She’s got the experience behind her, and now she’s got the single to truly break through. Go girl!
Lupa J, Numb
Lupa J doesn’t always release new music, but when she does it’s truly something else. More than worth the wait, she has now returned with Numb; just under 4 minutes of a dreamy, electro kaleidoscopic. Turning and spinning unpredictably, Lupa J keeps you on your toes with this enchanting track. Her breezy voice is sublime as it glides across her shifting bed of noise, calming and hypnotic as it goes. Fresh from supporting none other than Grimes and taking out triple j’s Unearthed High competition for the second year in a row, it’s safe to say Lupa J is the real deal.
Nearly Oratorio, Occlude
You may recognise these vocals as those of I’lls or Kllo, due to the fact that the man behind the voice, Simon Lam, is a prodigal music wizard. Nearly Oratorio is yet another project of his, and it too doesn’t disappoint. Occlude is the latest single from his forthcoming EP, Tin, and is a snapshot into just how precise and meticulous Lam’s mind is. A more intricate song released in recent times, you probably can’t find. Layers of delicate keys intertwine whilst an almost tribal like drum beat quietly comes into play, before Lam’s Grizzly Bear-esque voice falls soft above it. It all kicks in around the 1:30 minute mark, and the gentle but hypnotic concoction of all of his elements tied together with some expert production is almost too good. Bring on the full release of Tin, because we need more of this in our lives!
Verge Collection, Class Of ’09
I really like this song because I think along these lines more often than not. Tackling spoilt brats who think they have it hard, Verge Collection ask us all to check our privilege a bit with the tongue in cheek hook, “Wasn’t high school hard?” Talking about still sucking a silver spoon whilst pretending otherwise, Verge Collection sound pretty fed up with these folks, but they make it sound so damn good with their Aussie indie sounds. Tight guitars and drums, a catchy hook and a searing guitar solo to really take things to the next level, Class Of ’09 is a fantastic track following on from the release of their debut album, Our Place. Here’s hoping we hear more of these guys soon.
Feki, Thankful
I CAN’T GET ENOUGH OF FEKI! Every single time he releases a new song, I am blown away by it again and again. Thankful once again has outdone anything he has released prior to this, making me question just how good someone really can get. Clearly working hard to hone his skills more and more with every track, Feki is quickly becoming one of the most hyped artists in the country, and it doesn’t take long to see why. Thankful is a slow burner, with atmospheric synths slowly climbing to exhilarating heights, where his signature rolling drums and vocal samples come into play. The synths and atmospherics bloom gracefully, swirling around the almost trap-styled percussion, creating a gorgeous build before the real fun begins. Thankful is probably Feki’s most beautiful track yet, delicate and gentle as it rises and falls. Don’t say we didn’t warn you that he’d take over the world!
Big Wild, Aftergold Ft Tove Stryke
Aftergold was previously released just as an instrumental from Big Wild, but now he has teamed up with Swedish pop star Tove Stryke to breathe new life into his already stellar track. Playful and fun, Stryke turns Aftergold into a sassy, boastful, confident jam. Sounding right at home over Big Wild’s jangly chimes and synth sounds, as well as his rolling drums and hard hitting booms. In fact, this new take sounds so good we wouldn’t be surprised if Big Wild didn’t venture further into the pop realm thanks to Stryke. Previously released on ODESZA’s Foreign Family Collective, we can only expect bigger and better things from Big Wild, but we can’t help hoping it’s more material with Stryke. Match made in musical heaven!
Anna Of The North, Baby
Reminiscent of James Blake, Anna Of The North’s new single, Baby, is an intimate and fragile number that gives you a vulnerable feeling almost instantly. It’s slow, smooth and forlorn as Anna pines after an uncertain lover. It’s got traces of 80’s electro with her drum machines and synths, but has been brought into the future thanks to her forward thinking production. It’s got that on edge feeling you get when you don’t know where you stand with someone, and although that’s not an easy feeling to experience, Anna Of The North captures it so well. A truly beautiful song.
Skies, Speed Boy
Now this is a jam. Adelaide synth pop trio Skies have teamed up with acclaimed producer Steven Schram (San Cisco, The Cat Empire, Paul Kelly) to lend his musical know-how for their latest single Speed Boy, and they’ve pulled it off in spectacular fashion. Sexy, smooth, and explosive in all the right places, this smoky pop/RnB number is inviting and seductive as they pull you in, bewitching you with their tight drums and excellent synth work- not to mention that falsetto. The guys have supported the likes of Tkay Maidza and SAFIA last year, and judging from the sounds of this track here, they’re ready to give it their all this year. We can’t wait to hear what they do next.
Colourwaves, Night Boat
Sydney artist Colourwaves has been doing his own thing for a little while now, so I guess you could say he’s been making waves of his own… All puns aside, this latest track sounds like a fantastic blend of the likes of M83, Neon Indian or Washed Out, melded together with his own flair. It’s woozy and lush, and takes me back to the late 00’s when things were much easier. His vocals soar gracefully over his 80’s synths and pulsing atmospherics, whilst a muffled drum beat keeps things coasting along very nicely. Night Boat is the latest taste of his fourth EP, which is set to drop this month, so be sure to take my word for it and keep an eye out for that!
Nina Las Vegas, EZY
Yassss Nina! The queen of Australian dance music strikes again with this banger. Delving further into that Jersey bounce, big room stuff we’ve heard from her in this past, this track absolutely bangs – and bangs hard. Skittering synths and huge beats combine to make it a total ear worm; a hugely exciting move from the legendary radio host/DJ. Out now on her own label, NLV records, Nina is continuing to slay making her own way as an artist in the industry, and it’s tracks like this that really bring home the message of just how good she is.
Huntly, We Made It
We recently premiered a stunning video for this Melbourne band, and they didn’t waste any time pumping out another utterly sublime track not long after. Titled We Made It, this song is just perfect. From the heavenly vocals of lead singer Elly, to the lofi RnB beats, the gentle blooming synths and more. It’s just beautiful, and wins best track on this list by far. Huntly are onto a really good thing here and I am so excited to watch what they do next. They’re launching their single on April 14 at the Gasometer in Melbourne, with Mondegreen, Corin and our favourite, Squidgenini which promises to be an unreal night. Get along if you know what’s good for you.
LDRU, Keeping Score (The Meeting Tree Remix)
This track was already huge, but The Meeting Tree just took it to the next level. With bass that would blow your speakers, they go in, taking the already dance floor friendly track into the dark, dingy club. These guys are notorious for just having fun, and that’s exactly what they’ve done here. Hitting the road again this June, LDRU is set to play some of his biggest venues yet, as he continues to acquire an almost cult-like following. Fingers crossed the Meeting Tree show up to rip into this bad boy!
Deeds, Dream Song
New Brisbane band Deeds are really fresh on the scene, but the combined years experience of each of the members puts them at veteran status- and their latest single proves it. Dramatic pianos, big crashing drums, stunning vocals and more, Dream Song is as impressive as they come for a new band. Vocalist Beau Lindsay sounds incredible, his voice bellowing as he cries his gorgeous lyrics. I think what I love most about this song is you can really feel how much time and effort has gone into it, and it really shows in how well it has come together. Deeds is a name you had better remember.
Holy Fuck, Xed Eyes
Amazing band name aside, Holy Fuck are actually so good it borders on ridiculous. Xed Eyes is the latest release from their forthcoming album, Congrats, which is out in May, and is just under 4 minutes of weird, glitchy, industrial electro punk. With heavy effects on just about everything, the band have really played around with their sound on this one, and it had me hooked from the get go. Things get really hectic with about a minute to go, and you can practically imagine the heaving crowd that would be whipped into an absolute frenzy when this one would be played live. They’ve just announced some overseas dates, so fingers crossed they set their sites for Australia VERY soon indeed!
River Tiber, Illusions (Ft. Pusha T, Prod. River Tiber, Kaytranada, Doc McKinney)
River Tiber is the latest signee to local label Good Manners, who won’t fall in the “local” category much longer thanks to their knack for signing acts that really are something else. Illusions sees River Tiber team up with none other than Pusha T, who lends a fiery verse for the otherwise blissed out track. It also has production credits from none other than living legend Kaytranada, as well as Doc McKinney, proving that sometimes more hands are better. Illusions is lofi heaven, and a rare occurence to hear King Push on such a chilled out number. Thankfully, Pusha T must have seen what Good Manners saw, and the world is beginning to see- and that is a very talented artist just about to hit his prime. Stay tuned for this guy!
Gypsy & The Cat, I Just Wanna Be Somebody Else
Gypsy & The Cat continue their triumphant return with yet another outstanding single, I Just Wanna Be Somebody Else. Providing the perfect soundtrack for that impending existential crisis, Gypsy & The Cat take things down a few levels from their all out synth jams to delve into a kind of chillwave area – an area they actually sound great in. As dynamic as you can get with a track this chilled out, the thick, buzzsaw synths of the hook paired with the quiet verses creates a back and forth not unlike the feelings and thoughts you’d be having if you were the protagonist of this track. It makes me feel okay to want to be somebody else, as long as I get to listen to this bad boy while I’m doing it.
Jenny Broke The Window, Airport Love
Jenny Broke The Window are one of those bands that you may say you’ve never heard of them before, and you’re met with a chorus of “Really?! You’ve never heard of them?!” Well, that happened to me anyway, but I’ve since learned my lesson and they quickly earned a permanent place on my radar. If you haven’t heard of them either (Seriously?!), let their latest single serve as the perfect introduction to them. Airport Love is a perfect slice of alt-pop, with breezy, airy vocals and a slowly rising bed of sounds that is added to bit by bit until you’re presented with a fully fledged indie pop tune to boogie to. They’ve locked in some pretty impressive support slots over the past few months, and by the sounds of this, things are only getting bigger and better for them in the very near future- for very good reason.
Boys Noize, Starchild (Ft. Polica)
Fresh off the press just today, Boys Noize has shared a brand new track today through Zane Lowe’s Beats 1 show. Being heralded as Lowe’s latest “World Record”, this time we see the legendary techno wizard team up with Polica for some absolutely stunning vocals. Titled Starchild, this track has a dramatic build, twinkling atmospherics and underground techno/footwork sounds that show Boys Noize is really on his A game with this new material. The track also comes with the announcement that a brand new album is on its way, and will be out in late May. Titled Mayday, it’s meant to be his “most dynamic album to date”, and judging from this and his previous track Euphoria ft Remy Banks, I’d say we are all in for a real treat come May 20!
Ecca Vandal, Truth To Trade
Ecca Vandal rules. Everything she touches rules. Her songs are so badass and unashamedly confident, she makes me want to get up and kick the day ahead in the face. Truth To Trade is no exception. With a guitar that stirs in your loins and her punk vocals not holding back even for a second, she once again gives it her absolute all here. Taken from her End Of Time EP released earlier this year, this track was a true stand out on that record, so it’s only fitting it gets its own single treatment, with a kickass clip to boot. Check out the video below, with footage taken from her Sydney show on her recent tour, and try not to break anything as you thrash around to this!
https://www.youtube.com/watch?v=-X-YsbqXNUw
It’s video roundup time! Once again, Howl And Echoes are coming in hot with the freshest, most eyeball stimulating music videos to be dropped by the artists you love and some of the artists you don’t know you love yet, of this week. We do all the dirty work and herd them all into one convenient web-based location for you to enjoy every Friday so that you don’t have to. Have yourself a good old gander at the latest offerings from:
LDRU – Keeping The Score
https://www.youtube.com/watch?v=KDv8Qu8S7ac
Part of a new wave of Australian producers coming out of the gate young, hungry and bursting at the seams with sonic brilliance, LDRU has dropped the visuals for his absolute airwave scorching banger Keeping Score. With a chorus that’s custom built to lose your shit to whether it be on a dancefloor or in a festival moshpit, the accompanying clip does its absolute darndest to pour every colour of the rainbow into one fever dream of a ride. Full of tropical motifs that match the sweltering beats of the track, this one is a hell of a watch.
8 Graves – Two Wrongs
https://www.youtube.com/watch?v=qzlc-uE1QlM
Having freshly released their debut EP War Out There, New York City RnB duo 8 Graves have followed up with a powerful video to go with one of the tracks off that album, Two Wrongs. Dealing with social equality, the clip features a series of simple black and white shots of the interactions of various couples, all clearly deeply in love.
The song is uplifting and the message is even stronger: two ‘wrongs’ can make a right. Beautiful.
Gideon Bensen – All New Low
https://www.youtube.com/watch?v=qT3tdb_uxso
If Gideon Bensen is a name that tugs at some far flung corner of your memory, you’ve probably also seen him pulling guitar and co-vocal duties for one of Australia’s best and brightest new bands The Preatures. As most musicians this talented in their own right are wont to do, Bensen has released some stellar solo work with new single All New Low and a video for it.
There’s some star power on the track, with one Megan Washington drafted for backup duties and fellow Preatures guitarist Jack Moffitt also stepping up to the plate to help out. Bensen’s slow-burning baritone will mesmerise you over the top of a melting pot soundscape of jazz, soul, electronic, hip hop and a touch of the rock and roll (with a killer guitar solo) that he and his Preatures bandmates are so lauded for.
The video looks like a lo-fi Bond intro, full of silhouetted dancing girls and crimson red lighting that’s as ensnaring visually as the song is sonically.
Leisure Suite – Feel
https://www.youtube.com/watch?v=pvSk90ScFKw&feature=youtu.be
If you’re looking for some ice cold electronic pop to relax with on a Friday afternoon, the new track and video from Melbourne duo Leisure Suite might be just up your alley. Silky smooth vocals and a minimalistic backbeat are the soundtrack to an oddly soothing video, just lo-fi shots of the backs of people’s heads as they stand or lay or walk around doing their daily activities in various locales.
It’s the kind of song that goes well with a glass of red in a dark room. Look out for their forthcoming EP.
Harriet – American Appetite
https://www.youtube.com/watch?v=MSbrlk8PvGs
Lyric videos are usually lame as hell, but the one for American Appetite from Los Angeles quartet Harriet is beyond a cut above the rest. A POV day in the life of a faceless suite, the way the lyrics are presented just gets increasingly more and more creative as the clip goes on. It’s actually quite fitting that the lyrics to are the main focus, as they’re superbly penned, dealing with the ENRON scandal of a couple of years back.
American Appetite is heavy on the hooks, lightly smoked in some nifty jazz and builds to a positively raucous crescendo. It’s a track and a story that will keep you coming back again and again. It’s off their debut album of the same name dropping January 29th next year.
Breaking Heights – High
https://www.youtube.com/watch?v=7wDtVtLgdN0
Sticking in the City of Angels for this next one. High is a song I’ve gone through and listened to several times now in the writing of this, still don’t know what to make of, but nonetheless love the holy heck out of. It’s like some kind of eclectic mashup of elements of psychedelic, grunge, funk, reggae and electronic. And then that chorus, that breezy, soaring chorus is magic. Then all of a sudden, swerve, we have a rap verse but then we’re back to that skyscraping chorus again. It all just works and has me hitting the repeat button even now.
The video is amazing too, with the Breaking Heights trio taking a wander around what looks like where Trevor lived way out West in Los Santos and just having every shred of fun they can have amongst the dust and the shimmering afternoon California heat. I checked their Facebook for some more details on these guys and found it populated by a grand total of 11 people. 11! Does nobody else have ears?
If they keep putting out songs and videos as infectiously good as this that number is going to get a couple of zeroes added to it, I’m certain.
J Motor – Jungle Daze
https://www.youtube.com/watch?v=1fD2aN6HT8E&feature=youtu.be
Also in the business of bangers is J Motor, also known as Jonathan Vassallo, who has dropped the video for his debut single Jungle Daze this week. With soaring vocals over clever trap beats, J Motor also samples the trumpeting of elephants, those wise old lords of the animal kingdom, Jungle Daze has summer written all over it. The video is a vibrant explosion of colour, featuring elephants, cobras, crocodiles, waterfalls and a whole bunch of other jungle staples.
Not only that, but J Motor’s aim behind the song was to raise both awareness and financial assistance for the plight of elephants around the world, so even if you don’t dig the track, that’s a message everyone can get behind!
Metric – The Governess
https://www.youtube.com/watch?v=YvIuswQc1XY&feature=youtu.be
Toronto indie rockers Metric have released the latest single from their sixth studio album Pagans In Vegas this week. The Governess is beautifully simple and slow burning rock, the twang of the acoustic guitar riff and the slow stomp of the beat perfect for the music video documenting the lonesome journey of frontwoman Emily Haines down a highway somewhere between California and Nevada and into Las Vegas both in the glitzy neon of the strip and the seedy underbelly just beyond it.
I loved this video purely because of the intense nostalgia of an American road trip of my own a few years ago, if you’ve ever done a similar trip or even just been to Vegas, you’ll love this too.
The Tallest Man On Earth – Darkness Of The Dream
https://www.youtube.com/watch?v=lI7J018XGiY
Having released his latest album Dark Bird Is Home to an uproar of critical acclaim earlier this year, The Tallest Man On Earth, otherwise known as uber-talented Swedish musician Kristian Matsson, has this week released a video for the latest single from that LP, Darkness Of The Dream.
Full of gorgeous scenic shots in areas both leafy and barren and juxtaposed with some fantastic contemporary dance routines, the song and clip are gloriously warm and soul-stirring (there’s also a puppy!). The Tallest Man On Earth is responsible for some of the most beautifully introspective music around and he’s done it again with Darkness Of The Dream.
City Calm Down – Son
https://www.youtube.com/watch?v=h_vimerqyJo
Currently basking in the end of a mammoth breakout year and the recent release of their amazing debut album In A Restless House after three long years in the making are Melbourne rockers City Calm Down. Son was the last single they released before dropping that album and they’ve now dropped the accompanying video for the track.
Son is full of crafty hooks and melodies, subtle horns dancing around the molten, echoing baritone of frontman Jack Bourke. It’s just one of a wide range of styles the band melded an album out of and most of all it’s catchy as all hell, especially that whirlwind chorus. The video, entirely in black and white, features the band playing in a grand cathedral. Bourke croons from the front of the church, a monk twirling around in a visual representation of the internal struggle of the song.
Marvellous.
Electronic producer Drew Carmody A.K.A L D R U, A.K.A the non-Yahtzel half of the collaborative dance production Carmada, has announced his very own headlining Australian tour, his first since 2013. In preparation for his soon-to-be released single Keeping Score, Carmody will embark on an extensive Aus tour beginning in Brisbane before traveling all across the country and finishing in Wollongong.
Released by Future Classic, L D R U’s first hit The Tropics gave audiences a taste of Carmody’s eclectic and boogie-inducing stylings, before his 2014 epic Give it All certified L D R U as an artist to watch.
[youtube http://www.youtube.com/watch?v=WPlq6C_Wtr4]
Maybe, Carmada’s first single dominated Australian radio and earned the L D R U/YAHTZEL duo a gold record in the process, pushing their EP Realise to debut at no.1 on the iTunes charts.
In conjunction with the tour, Carmody is offering a free download of new track Pop That (instrumental) via Soundcloud. Already announced for December’s Electronic Music Conference (EMC) in Sydney, the producer from the northern beaches is making a name for himself domestically and abroad, being endorsed by Skrillex (who signed Carmada to his label OWSLA) amongst others. With Keeping Score slated for a September 25th release fans will want to get in early to share the groovy, sweaty, dance-floor for what promises to be a lively and fun show!
The Keeping Score tour is presented by Audiopaxx, Kosher, MTV Dance & Vot.
- Fri, Sep 18: Oh Hello, Brisbane
- Sun, Sep 20: Sundae Fundaze @ Clarendon Hotel, Newcastle
- Thurs, Sep 24: The Helm @ Wharf Tavern, Sunshine Coast
- Sun, Oct 2: Cats @ Rocket, Adelaide
- Sun, Oct 4: Courtyard @ Ivy, Sydney
- Wed, Oct 7: DK Pool Club @ Oxford Hotel, Bathurst
- Fri, Oct 9: Woodport Inn, Central Coast
- Fri, Oct 16: Academy, Canberra
- Sat, Oct 17: Flinders Social, Townsville
- Wed, Oct 21: Sosueme @ Beach Rd, Bondi
- Sat, Oct 24: Welcome to the Valley, Perth
- Thu, Oct 29: Mona Vale Hotel, Mona Vale
- Fri, Oct 30: Access @ Waves, Wollongong




































