Laura Marling has begun a new project in which podcasts, photo diaries and studio recordings will be used to discuss the place of women in this male-dominated industry we are faced with in music, particularly the lack of female presence working behind the scenes in recording studios.
Titled Reversal Of The Muse, on the project’s official website, Marling explained how the project began with something as simple as a few conversations about female creativity. It soon, however, became so much more than that.
“In reversing the muse it became an experiment. As a small part of the global conversation about women in the arts, it became an obsession. It occurred to me that in ten years of making records I had only come across two female engineers working in studios,” she said. “Starting from my experience of being a woman I began to ask myself what difference it might have made had I had more women around, if any. I wanted to know why progress has been so slow in this area and what effect it would have on music,” she said.
There is so much evidence to prove that being a woman in the industry is not easy. Many female artists have spoken out about issues such as misogyny, the lack of equality and respect and the common instances of sexual assault and harassment. Some of these women include the Chvrches’ Lauren Mayberry and Perfect Pussy’s Meredith Graves and Pitchfork’s Senior Editor Jessica Hopper, along with Grimes and Montaigne.
It’s good to see that this conversation has not stopped, because the issues are just as strong as ever. These brave women are pioneers in the fight against these issues. We need to listen to their words ensure that something is done. Thank you Laura for giving them this platform.
Listen to the first installment of Marling’s podcast with HAIM, who performed at the Women In Music Benefit in May, below.
https://soundcloud.com/reversalofthemuse/with-haim
Image: The Music
Slow Turismo, Corners
This track caught our attention a while back. The delicate vocals, gently growing ambience and the beautifully contrasted guitars came together to create something very cool. Now, they’ve got a video clip to accompany the single; a hazy, blurry-eyed kaleidoscope of scenes and people and nightlife and colour. As the track blooms and the video progresses, it starts to get weirder and more eerie, with tripped out camera effects and the kind of double-vision shake you get when you’ve had a few too many.
Scattered Clouds, Enchanteresse
This track is eerie, dark and phenomenally strange. The video clip can be described in exactly the same way. An intentionally befuddling montage of paint, flowers and so on set the scene, before an extremely creepy sad clown interweaves with clips of a somehow even creepier school classroom, in which some of the kids also have clown makeup. And that’s only the first two minutes.
I’m not really sure what’s going on. I think my brain just exploded a bit, but in the best way possible. If you like this sound, check ’em out here.
Laura Marling, Gurdjieff’s Daughter
It will surprise many people to discover that I’m a very big Laura Marling fan. Accessible folk-pop? I know. Anyway, she’s got a new album out, and here’s the video from the single Gurdieff’s Daughter, a simple and lovely track with a great Dire Straights-ish vibe. In the clip, she shows the world her California – her friends, her home, her bed. Parts of it really make her look like a kind of therapist, reassuring people and helping them out, which is interesting considering the subject matter.
Shelley Segal, Sidelined
Shelley Segal is an upcoming Melbourne pop artist, with a folk-inspired sound and a beautiful message in her new single Sidelined. The track has a really great rhythm, and a kind of acoustic, sugary blues vibe overall. The video clip starts off with Segal, unkempt and sans makeup. She sings about how her love interest is only interested in finding a “skinny lover.” “If you’re not beautiful you’ll be sidelined…. I thought love was supposed to be blind,” she sings. As the video goes on, her hair is tended to and makeup artists start painting up her face. Lipstick, blush, the whole shebang. Later on there’s a really powerful shot of the unmade Shelley standing in a mirror next to made up Shelley. It really hits home. A powerful and catchy song about body image, with a beautiful, really interesting video clip. My winner for the week.
Catlips, Fade
By now, the name Catlips is everywhere, so I’m sure you know who we’re talking about. With her relentlessly modern sound and ultra-hip image, the video clip for Fade is exactly what you might expect; it playfully uses colour and gender to create something weird, very interesting and super psychedelic (not sure if it’s a good or bad trip, but a trip nonetheless.) It all culminates after the two-minute mark, when a weird orgy ensues, after which each character join together for dancing, fan-waving and, apparently, worshipping a mini-fridge.
Ben Wright Smith, No One
This track is new yet so familiar, I get this crazy nostalgic vibe which demands my attention as much as the beauty of the track itself. Anyway, the video clip for Ben’s track No One features a middle-aged man learning martial arts on what looks like a really gorgeous deserted island. He’s zen. He’s in the moment. And every now and then, he’s seeing a hazy Ben Wright Smith’s face and angel-hair floating in the air, singing. He meditates and focuses hard, until he overcomes his faults and seemingly becomes a master of the sport. What a fucking legend.
Video clips galore! Some pretty amazing clips have been coming out recently, including this brilliant interactive one by Jack White. Here’s some more of the best local and international video clips to come out over the past week or so!
OOFJ, I Forgive You
Husband-and-wife duo OOFJ have been dazzling me with their unique and beautiful theatrical electronic tracks, and their latest, I Forgive You, is a sweeping, melodramatic masterpiece. Considering the pair met while working on a Lars Von Trier film together, it’s no surprise that their visual aesthetics are as impressive as their musical. Check out their latest clip here:
Samm Henshaw, Only Wanna Be With You
UK blues artist Samm Henshaw was easily one of my favourite new discoveries of last year. Only Wanna Be With You was probably one of my most played tracks of 2014, as this clip is simple and intimate, perfectly complementing the organic and emotional feel of the track.
Brodinski, US ft. Bloody Jay
Set to release his hip-hop infused album Brava in less than two weeks, French techno-legend Brodinski’s video for US ft. Bloody Jay is a tripped-out, psychedelic-induced romp through the frantic Shanghai lights and nightlife. Super high production quality and mesmerising direction have come together to create a visually stunning clip for this excellent track.
Glass Animals, Black Mambo
UK four-piece Glass Animals have a knack for sultry, understated electro-trip-hop tunes, and one of my favourites is Black Mambo. The mysterious video clip follows a man going through some kind of shamanic ritual involving snakes and snakeskin. Watch as he trips (real of hallucinatory, who knows?) through eerie forestland on a snake-filled journey.
Odesza, All We Need ft. Shy Girls
As you all know I’m a big Odesza fan (and had the pleasure of chatting with them while they visited Aus last month.) Their clip for All We Need is intimate and dark, adding snippets of a short story into the music throughout. It’s highly personal and somehow confronting – and while the track is honestly one of my least favourites on In Return, the clip is really beautiful.
Eleanor Dunlop, Rollin’ On
Sydney’s Eleanor Dunlop made waves last year with the husky, understated synth-pop-rock Rollin’ On, and she’s just released a strange, funny and highly enjoyable video clip. It’s actually really hard to describe the kind of miscellaneous super-8 and retro-shot scenarios throughout – so it’s really just worth a watch.
Rosie Lowe, Who’s That Girl
UK artist Rosie Lowe has really caught our attention lately, with her smooth vocals and sultry electro-pop. (We also discovered she has excellent taste in music in our Q&A). Her latest clip is simple, strange and beautiful, featuring her, alone in a bare space, gracefully moving about with a transparent sheet covering her body.
Laura Marling, False Hope
Ah, Laura Marling. One of the few folk-inclined artist that I still love. Her upcoming album Short Movie is set for a March 20 release date, and latest single False Hope has a video clip recorded live in the studio. Simple and raw, it’s the kind of song that doesn’t need to look toward huge production of a detailed story to really capture you.
English folk songstress Laura Marling has announced her new album ‘Short Movie’ which will be released in March 2015. Remarkably, it is her fifth offering in just seven years. If her title track is anything to go by, it promises to deliver another classic Laura Marling album.
The album comes as a result of tying herself down for the first time since she was 16 and giving her a chance to reflect. Promising a much stronger, electric feel for the first time, it was her debut self-produced album. With her wispy, earthy new track with a fittingly intriguing video clip, the hype is already building for March next year.
Track List
01 Warrior
02 False Hope
03 I Feel Your love
04 Walk Alone
05 Strange
06 Don’t Let Me Bring You Down
07 Easy
08 Gurdjieffs’s Daughter
09 Divine
10 How Can I
11 Howl
12 Short Movie
13 Worship Me

















