Excellent and sad news for Laneway attendees: Tobias Jesso Jr has unfortunately had to pull out of his entire tour, but the triumphant Royal Headache have been added to all Australian dates!

Punk garage legends Royal Headache released their long-awaited sophomore album High this year, following on from their incredible, abrasive 2012 debut Royal Headache. 

This year saw them perform the most punk-rock show ever witnessed at the Sydney Opera House, which included police and security storming the stage, so the news of their Laneway addition is pretty goddamn awesome for those who’ve never caught the Melbourne band in action.

https://www.youtube.com/watch?v=22IraulJDrg

Tobias Jesso Jr also released a gorgeous album this year, his lauded debut, Goon. Unfortunately we’ll have to wait a little while longer to hear the man in action, as he’s cited “conflicting commitments with his songwriting and recording obligations,” according to a press release. The artist has apologised to fans, saying, “I’m sorry to let anyone down, and appreciate all of your love, support, and understanding”.

Refunds for his Sydney and Melbourne sideshows are available now.

Laneway dates:

Saturday 30 January – SINGAPORE – THE MEADOW, GARDENS BY THE BAY
Monday 1 February – AUCKLAND – SILO PARK
Friday 5 February – ADELAIDE – HARTS MILL, PORT ADELAIDE (16+)
Saturday 6 February – BRISBANE – BRISBANE SHOWGROUNDS, BOWEN HILLS (16+)
Sunday 7 February – SYDNEY – SYDNEY COLLEGE OF THE ARTS (SCA), ROZELLE
Saturday 13 February – MELBOURNE – FOOTSCRAY COMMUNITY ARTS CENTRE (FCAC) AND THE RIVER’S EDGE
Sunday 14 February – FREMANTLE – ESPLANADE RESERVE AND WEST END

One of the premier festivals of the Australian calendar draws ever nearer. It’s probably the best way to shake off those post-Christmas and New Year blues and to bid a begrudging farewell to those long summer days as autumn and winter so rudely interrupt. It’s Laneway Festival and, trying to get our excitement and anticipation at near fever pitch, festival organisers today announced both the dates and the venues for the Australia-wide festival.

If you live in Adelaide, Sydney, Melbourne, Fremantle or Brisbane (sorry Darwin and Hobart) then all of the good food, better music and fun-time vibes are heading your way starting early February. The lineup hasn’t been formally announced yet, and organisers say it won’t be until Tuesday the 22nd of September (which is a painful eternity away), but if you had your ears pressed keenly to the musical ground you’d have heard Canadian duo Purity Ring all but confirm their presence with a slip-up on Triple J earlier in the year. Scottish producer Hudson Mohawke did the same thing in an interview earlier this year too.

We thank both acts for being human and at least allowing us a tiny glimpse of what will no doubt be another ridiculous lineup, last year’s including Mac Demarco, FKA Twigs, Royal Blood, Flight Facilities and Future Islands among other stellar talents will be near impossible to top but you can bank that Laneway is going to do it or die trying.

If you find yourself breathing heavily and needing to kill time during the slow drag of the days until the lineup is announced, have a squiz at our survival guide for last year’s Laneway as well as our review of the many, many high points of last year’s edition. We’ll be looking for leaks like a manic plumber until the 22nd.

Dates and venues for Laneway Festival 2016 are:

Fri, Feb 5th: Harts Mill, Port Adelaide
Sat, Feb 6th: RNA Showgrounds, Brisbane
Sun, Feb 7th: Sydney College of the Arts, Sydney
Sat, Feb 13th: Footscray Community Arts Centre And The River’s Edge,
Melbourne
Sun, Feb 14th: Esplanade Reserve and West End, Fremantle

We had an awesome time at Laneway on the weekend – we were lucky enough to check out both Brisbane and Sydney. As fun as the festival was, there’s a few important tips and tools for having a good day, so we’ve put together a step by step survival guide. Bring on Laneway 2016!

1. Get there early
I don’t go out partying very much these days, instead spending many an evening on my couch with a movie and a bottle of wine. While this may leave me with a reputation as a big dork, the benefit was that I was up bright and early on Sunday morning, ready to get to Laneway for the first acts on the bill. Walking in, I got to catch the wonderful early acts of Peter Bibby and Connan Mockasin, both of which gave electrifying sets in spite of the relatively small crowds. It was great seeing Connan, who I last saw opening for Radiohead back in 2012 – their set was funny, weird and beautiful, complete with incredible guitar solos, their guitarist stripping down, and a cameo from Kirin J Callinan, who helped them end on a bang, lifting Connan on his shoulders and holding up the microphone for him to play guitar and sing from on high.
The other benefit of arriving early was that I had space to walk around without wading through crowds. I got my bearings and figured out where all the stages/bars/toilets/food trucks etc were before the sweaty masses descended. This was really useful considering that I have literally no sense of direction at the best of times.
maccrowd

2. Plan in advance
Another sign of my secret life as a nanna? Perhaps. But with a lineup so stellar, and only 11 hours to see it all, you need to plan your main choices in advance. I’ll admit being pretty upset by some of the clashes – whoever decided to put Flying Lotus and Jon Hopkins on at the same time is clearly a Sadistic Hell Demon, for instance.
Ask yourself:
– Who have I seen before/will likely tour again soon?
– Do I have tickets to their sideshow?
– Who is going to blow up in six months and I’ll seriously regret missing out now?
– Can I just see half their set and leave to catch the last half of another?

With a little planning and a lot of gut-wrenching decision-making, you can get the most out of your Laneway day. Other planning tips include: bring sunscreen, bring a water bottle (free refills ftw) if you wanna see your friends you basically need to walk in with them, bring cash (although the bars did have PayPass this year, which was AMAZING!) and make sure your phone is charged up the wazoo.

3. Don’t be ‘that’ guy
I was actually surprised by how great the crowd were throughout the day. For the first time I can remember, I was not privy to ‘roided-up dickheads who were #ShreddingForLaneway, large clans of drunk bogan dickheads, or even those dickheads who still think it’s cool to wear feathered headdresses. Sure, I get annoyed by those girls who wear heels, full makeup and gold stick-on tatts to festivals (heels at a festival, seriously?????) but that’s just me. Nobody caused any trouble.
I did however catch a few entertainingly intoxicated folk. One unlucky lady had her head in her hands and security guards checking if they needed a medic at about 12:45 pm, oops. Another jovial festivalgoer with very large pupils asked me for advice about whether she should see POND or Jungle. I recommended she see Jungle as they’re international and perhaps less likely to tour again soon, to which she replied, “Huh? No they’re not, they’re the same guys from Tame Impala, defo not Australian!” Finally, an older drunk man came and sat with my group, repeatedly apologising for being “just another drunk dickhead,” sporting a fashionable single sleeve of a denim jacket (jacket not attached) and complimenting us on our dancing. (we were sitting.)
All in all, the crowd were great – even those who were having a little too much fun. I can only wonder what it would’ve been like if the festival were on a Saturday, not Sunday?

4. Take in the amazing music!
My two favourite acts of the day were, without doubt, Raury and Royal Blood.
An 18-year-old amalgamation of Andre 3000, Michael Jackson and Jimi Hendrix, I can’t put into words how blown away I was by Raury’s Laneway show. I knew it would be good, but this was something else. I’ve been slightly obsessing over him since we had a chat late last year, and for good reason. His talent, charisma and stage presence filled his powerful set with genuine emotion and energy. His diverse range of genres dazzled and bewitched the whole audience, and all I heard from people leaving was, “Holy shit! Who is this guy!?”

Royal Blood are an incredible rock band, and they put on an immense live show. From their blistering power chords to their stage antics – running around, crowd interactions, standing up to beat the shit out of the drums – this was non-stop heavy shit. That it’s only two guys making that much noise is astounding.
I abandoned my crew for this one, who were standing up the back finishing lunch. I needed to jump around and I left that mosh a sweaty pile of hair, steam and spilled premixed Smirnoff. The mosh was actually pretty amazing – I was surrounded by more girls than guys, all thrashing about and even crowd-surfing. It’s the least threatened I’d felt in a mosh in a long time, which was unexpected but a brilliant surprise, as it really let me enjoy the absolute thunderstorm that rained down from the stage. I really, really hope they come back again soon.

Raury

5. It’s OKAY if you don’t see a full set/don’t see anything at all.
It’s a sacrifice you need to make, especially at Laneway. I saw half of Courtney Barnett and half of Ratking, and bits and pieces of other acts throughout. When there’s so much to see, it can be hard to commit.
Similarly, it’s okay if you can’t see anything at all up ahead – with the addition of large screens around each stage, life became a whole lot easier. This was particularly important for Caribou, as the stampede of revellers made it difficult to stand on your own two feet, let alone along see the stage, and FKA Twigs, whose hypnotic, spidery dance moves, complete with a sexy bondage-inspired one-piece absolutely stole the show. You don’t see such a fluid performance like that often – especially not at an indie festival – and it was beautiful in every way.

I really regret missing a couple acts on the day – St Vincent in particular, Vic Mensa and Future Islands. I’m not a huge fan of their sound, but I’ve been told that they put on the most phenomenal live show and I’ve missed it twice now. But it’s alright, I’ve accepted the loss.It’s a simple fact of Laneway Life that it’s not the easiest day. It’s not without its faults. The Garden Stage had noticeably poor sound and pushing your way through densely packed crowds at the smaller stages is frustrating and difficult (I for one would wholeheartedly support moving to a bigger venue – and spread over two days.) But the music is outstanding, the crowd were excellent, and they’ve got their amenities down. I didn’t wait more than a couple minutes for food, drinks or a toilet all day, and they had free shuttles into the city to safely relocate the masses. Complete with a mouth-watering range of food trucks and unique eating options, ample areas to sit and relax and small bars everywhere a day filled with so many amazing sets, from some of the world’s best artists, is more than worth the struggle.

food

We caught Mac DeMarco‘s Laneway sideshow in Sydney last week. Needless to say, it was interesting, entertaining, and a hell of a lot of fun. Here’s five important things we learnt from the man himself:

  1. Mac DeMarco is Peter Pan. He is every young boy’s fantasy come to life, in a legionnaires hat and with a sick bloody guitar, the man takes your childhood, brings it to the present, then makes it much cooler with real life rock ‘n’ roll. If you would like to attend Mac’s Rock ‘n’ Roll Nightclub, do not grow up.
  1. The crowd(y) is rowdy. The mosh moves in screams for the talented bastard, sing-a-longs and puffs of smoke. To be fair, the rowdiness may have been encouraged by the man on stage chanting, ‘Tits out for the boys’ in a quasi-ocker accent (sorry Wendy).
  1. Just because the crowd is a little off balance does not mean the performance is. Mac catered to old and new fans with killer tracks from each of his three albums. Expect to hear opener, Salad Days as well as Cookin’ Up Something Good, Blue Boy, I’m A Man, the tune “for the next album”, and Ode To Viceroy as particular highlights. Each song, no matter how old, was so fresh and so well known to Mac’s guitar that he could play it blindfolded and with the boundless energy of nailing it for the first time. There was also the perfect amount of attention to his top-tier band (feat. new guitarist) who freakin’ nailed the 15 minute long, raging instrumentals while ol’ mate DeMarco crowdsurfed up to the top of the theatre and round to side of stage.
  1. MILFS allowed. One particular birthing machine, Agnes DeMarco, came on stage for a reggae jam and nailed it. Bring yo mama to the club, she gets it.
  1. Antics are a feature of the Rock ‘n’ Roll Nightclub. To truly experience the pepperoni playboy lifestyle, have a bottle of Jameson by your side. Also, come back for an encore shirtless beneath your overalls, bring 15 year olds on stage to wingman the shit out of them, crowd surf, dance like you’re in the cuckoo’s nest and just generally do frothworthy shit.

What you gonna do with that, Bon Iver?

[youtube http://www.youtube.com/watch?v=6bfTTeZOrs4]

It’s been twenty five minutes since r&b songstress FKA twigs was scheduled to take to her first ever stage here in Melbourne and the crowd is getting restless. Having had a packed 2014, including the release of her critically acclaimed debut album LP1, there is little surprise that she is playing to a sold out room tonight. What was anticipation has bubbled over into impatience and anxiety for some of the audience. However, it seems to recycle itself at around the half hour mark. This is just as well, as this is exactly when things finally kick off. The three piece band take places before a lithe, ethereal figure follows, making the centre of the stage home.

With trance-like echoes of “I hate myself” and some very near terrifying screeching, Preface envelops the room as FKA twigs (real name: Tahliah Barnett) sets the tone for the hour-long show. Her arms snaking and hips rolling to the music; the loose white shift she wears slips from her shoulders to reveal a sequined bustier more than once before the two minute intro is over. Ache follows and makes a display of the strobe lights and twigs’ prowess as a dancer.

Lights On  proves a bit of a battle as the music nearly drowns the vocals, forcing twigs to fight to be heard over the music while still maintaining the whisper-like qualities of the song. However, this struggle doesn’t last long and by the time she launches into Give Up, Barnett is in full control, providing an early-set highlight.  Making use of lighting and a smoke machine, twigs doesn’t need fancy backdrops, props or projections to command the attention of the room. Her vocals –when she gets past the few minor issues with volume– and dancing both throughout and between songs is more than enough.

Between songs, twigs saunters to the very front of the stage, crouches down and wraps her arms around the security guard who has been blocking her view of the crowd. She playfully plucks his cap from his head and uses it like bait to usher him to the side of the stage so that she can better interact with her audience. Pendulum starts up with an extended introduction of creaking, popping beats before showcasing her honeyed vocals, so on point you could listen to her repeating “to be yours” for hours (pun only kind of intended.)

Video Girl is quite possibly the song that best displays everything that twigs does well. Her vocals don’t merely match those on record, but rival them. Dancing throughout in the strobe lights to full, startling effect, she pulls her bass player to centre of the stage. Watching her attack him for being a “filthy liar” was a little frightening, as the song finishes with her, on her knees, kneeling before him.

Following the carnal whispers of Kicks, we finally hear her speaking voice, almost shocking in its innocence. The transition from spitting explicit lyrics and gyrating on the floor to bashfully thanking the sold out room for turning up tonight sees the intimidating, electrifying sensuality give way to a sweet, humble and shy human being. It’s this contrast that, once she slips back into performance mode, adds to the charm of twigs’ live show.

The earlier difficulties with volume arise again briefly during Papi Pacify, but they’re much more quickly managed and by the time Two Weeks bursts forth from the stage, are a non-issue. The track which threw FKA twigs into the spotlight last year is followed by final track How’s That off 2013’s EP2.

FKA Twigs is every bit as captivating live as expected, perhaps even more so. Her outfit, her full occupation of the stage and her playfulness all illustrate that FKA twigs is performer in the truest sense of the word.

She is sincerely humble as she thanks the audience again for spending time with her, before slipping from view. There is no encore, but rather than this being a disappointment, it allows 170 Russell to spill out onto the street buzzing with excitement and giddy praise of a night well spent in the company of an artist who only looks set to enthrall and entertain for quite some time to come.

 

Red Bull Music Academy and Future Classic are once again teaming up to bring you a selection of the best artists floating around St Jerome’s Laneway Festival.

The drawcard of the stage is Flying Lotus (otherwise known as Steve Ellison.) Considered something of a legend by thousands, FlyLo is known for his extremely experimental, mind warping sound. Ellison will be bringing us his ‘Layer 3’ show in which he plays in between two screens of enchanting animation. Even if it’s not typically your ‘thing,’ this is one set you absolutely cannot miss.

Backing up from FlyLo we have Rustie (showcasing his brand new live AV show), Seekae, and Jon Hopkins. Scottish producer Rustie had a huge 2014, nailing Attack with Danny Brown, not to mention featuring on three further songs on Brown’s album. Sydney trio Seekae is set to tear up their home court, headlining the stages homegrown talent. UK’s Jon Hopkins is ready to show us his immense talent of combining genres and will perform with a LIVE set up of Ableton and 5 Kross Pads.

Bringing us those hip-hop vibes are Vic Mensa, Ratking and Raury (Read our interview with Raury here!) All from the USA, these three acts are going to gives us tracks like Wimme Nah (prod. Kaytranada), Down On My Luck, So Sick Stories and God’s Whisper. So, be sure to have you pants round yo ankles.

Adding that extra bit of firepower is Tkay MaidzaSOHN, breakthrough sensation Masionair and homegrown Eves the Behaviour.

All in all, the Future Classic Stage has arguably the biggest line-up at St Jerome’s Laneway Festival and is the perfect place to get your boogie on!

Keen for more Laneway action? Here’s your definite list of ALL Laneway sideshows.

Flying Lotus ‘Layer 3′ – A Red Bull Music Academy Film from Red Bull Music Academy on Vimeo.

Laneway15NOSALE-707x1000

If you aren’t yet familiar with Raury, I guarantee that’s about to change. You most likely know him from his excellent collaboration with SBTRKT on Higher, but I implore you to listen to his own album Indigo Child. A phenomenal, blistering melting point of hip hop, electronic and rock music, it’s insane that this young man is only 18 years old. I posted about his single God’s Whisper a while back, click here for a little more on that one.

Set to visit Australia for the first time with Laneway Festival, I was lucky enough to have a chat to the man himself. We spoke on the phone while he was on tour in London; it was early morning there, and he was literally waking up as we spoke. But despite his young age, in between lethargic yawns and an occasionally fuzzy phone line, his passion, intelligence and poignant, carefully thought out answers were nothing short of astounding.

Raury didn’t grow up in a musical household, and he didn’t pick up a guitar until he was 11, “out of natural curiosity.” But he remembers writing his first melody at three years old, and his first rap at eight. He grew up listening to a vast array of artists from Michael Jackson and Outkast to Queen, David Bowie, System of a Down, Bon Iver, Kid Cudi and more. It’s no surprise that his talent lays outside the realm of any one style. “It wasn’t a conscious effort to sound different, I just started making it,” he says.

What impresses me most about Raury is that he’s got his eyes on a really big prize. He’s not just creating music, he’s starting a revolution, as he says. But first, he needed to do was find fans who were not willing, but able to join him. And he’s got that down. His marketing prowess is so on point, well beyond his years.

Raury first came to attention by putting on a set of guerilla gigs, or an “anti-tour” outside large concerts of other artists like Childish Gambino.

“We wanted to start capturing where we are right now,” he explains in a husky, Southern drawl. “We decided to get a ten foot U-Haul truck, paint it, show up at the shows of artists who we thought had fans with the capacity to understand what I was making.

“After the show there’d be people standing around, waiting on their ride or plan the next thing to do – and I was that next thing. We’d get outta there before the cops shut it down, but even if they did there were so many cameras and people filming it. And they’d tell their friends. I’d go there with a few fans, I’d get back with a few hundred more.”

Needless to say, it worked.

Indigo Child was written, recorded and produced over three years. Raury started the project at 15. “I wasn’t a producer, I wasn’t even a lyricist. Over time I figured out what I liked to do, but I was a perfectionist – it wasn’t ready yet. I wasn’t ready to share it with the world when I was 15.”

Skip forward a few years. Raury was personally invited to open for OutKast at their homecoming show in Atlanta. Andre 3000 had been introduced to his music via his niece, and he was impressed – rightly so.

For Raury, going from his U-Haul truck to a mammoth show like that was one hell of a journey. “I’m a completely different person. My first anti-tour, I was still terrified of the crowd, but I’d steal the fear and do it anyway. Now it’s gone completely. It’s really crazy. Ever since I opened up for OutKast I can just say I’m not scared of anything.”

Fans love Raury, artists love Raury, the media loves Raury – and he knows it. “People meet me and talk to me and they have a genuine liking for me,” he says. “They just wanna help out. So getting that spot opening for OutKast? It’s like clockwork, y’know. They just took me in.”

It’s easy to understand why he’s so popular. This is a man who, at 18, is creating a movement and music so powerful, important and simply damn good, that he deserves every ounce of attention that he’s receiving.

“I’m not releasing music and dropping tracks to gain a Grammy, or to get the most money or to sell a million albums. My goal for the next five or ten years is to affect one to five million lives for the better. That’s the goal, that’s why I make music: to influence lives for the better. I’m really aware that what you listen to, if you want, it becomes who you are. And I wanna make really good music. Most of the songs are about self-determination and believing in yourself. A lot of people don’t feel that way. So if you’re trying to be the best, a gardener or whatever, keep pushing.

“I get tweets from my fans saying that going to school is so much easier, or work goes by so much faster, when they’re listening to my project. That’s what I want, that’s what I like to hear and see from my fans.”

Raury will be in town for Laneway Festival, alongside two special sideshows in Sydney and Melbourne

Laneway:

Saturday 31 JanuaryBRISBANE – BRISBANE SHOWGROUNDS, BOWEN HILLS (16+)
Sunday 1 FebruarySYDNEY – SYDNEY COLLEGE OF THE ARTS (SCA), ROZELLE**
Friday 6 FebruaryADELAIDE – HART’S MILL, PORT ADELAIDE (16+)
Saturday 7 FebruaryMELBOURNE – FOOTSCRAY COMMUNITY ARTS CENTRE (FCAC) AND THE RIVER’S EDGE
Sunday 8 FebruaryFREMANTLE – ESPLANADE RESERVE AND WEST END

Raury:

Mon, February 2: Oxford Art Factory, Sydney (Tix here)
Tues, February 3: Howler, Melbourne (Tix here)

Today was EPIC. Tonnes of amazing announcements have been rolling out all day for St Jerome’s Laneway Festival, heading to a city near you in early 2015. The lineup is BEYOND phenomenal – easily one of, if not the best festival lineup for 2014-2015 throughout the country. Here’s an easy, quick rundown of who has been announced, where they’ll be playing and where you can get your hot little hands on dem tickets!

Unlike some other festivals, you seriously need to pay attention to Laneway sideshows; every act on the bill is brilliant and there is no physical way that you’ll be able to catch them all on the day. I definitely recommend heading to at least a couple of these – both to free up some of that precious time on the day, and so that you can fully enjoy a headline show from one of these magical musical maestros.

1. SOHN

Thurs, January 29: Oxford Art Factory, Sydney (Tix here)
Friday, January 30: The Corner Hotel, Melbourne (Tix here)
Tickets on sale Monday 10 November

2. RATKING

Thurs, January 29: The Basement, Sydney (THE BASEMENT! What an INCREDIBLY COOL venue for this gig.) (Tix here)
Thurs, February 5: Ding Dong Lounge, Melbourne (Tix here)
Tickets on sale Tuesday 11 November

3. VIC (FUCKING) MENSA 

Wed, February 4: The Hi-Fi, Sydney (Tix here)
Thurs, February 5: The Corner Hotel, Melbourne (Tix here)
Tickets on sale Friday 7 November

4. RAURY***** (I cannot recommend attending this man’s show highly enough. Pretty much my number one choice out of all of these)

Mon, February 2: Oxford Art Factory, Sydney (Tix here)
Tues, February 3: Howler, Melbourne (Tix here)
Tickets on sale Friday 7 November

5. Highasakite (The Norwegian five-piece blew my mind at OAF back in September. One in a million.)

Tuesday, January 27: Metro Theatre, Sydney (Tix here)
Wednesday, February 4: Corner Hotel, Melbourne (Tix here)
Tickets on sale Friday 7 November

6. Banks (are you kidding me? Banks at St Stephens? Sucked in, rest of Australia! This is a show that will go down in history.)

Tues, February 3rd: St. Stephen’s Uniting Church, Sydney (Tix here)

7. Mac DeMarco (His mum Agnes is making an appearance at Laneway. Perhaps you’ll catch the family band in action at these gigs too?)

Fri, January 30: Metro Theatre, Sydney (Tix here)
Wed, February 4: The Hi-Fi, Melbourne (Tix here)
Tickets on sale Friday 7 November

8. Eagulls

Wed, January 28: Howler, Melbourne (Tix here)
Fri, January 30: Oxford Art Factory, Sydney (Tix here)
Tickets on sale now

9. Flying Lotus (I caught this man in Brooklyn a couple of years ago. It changed my fucking life. Melbourne, I envy you.)

Fri, January 30: 170 Russell, Melbourne

10. Jungle (Missed these guys at Splendour? Fear not, they’re back again!)

Thurs, January 29: Metro Theatre, Sydney (Tix here)
Wed, February 4: 170 Russell St, Melbourne (Tix here)
Tickets on sale Thursday 6 November

11. Perfect Pussy

Thurs, January 29: The Corner Hotel, Melbourne
Wed, February 4: Oxford Art Factory, Sydney (Tix here)
Tickets on sale now

12. Lykke Li

Thurs, January 29: Forum Theatre, Melbourne
Tickets on sale Friday 7 November

13. Benjamin Booker (another top choice, this man has more talent than 50 normal people)

Mon, February 2: Newtown Social Club, Sydney
Thurs, February 5: Northcote Social Club, Melbourne

14. CARIBOU (YES YES YES YES!)

Wed, February 4th: Sydney Opera House, Sydney (Tix here)
Thurs, February 5th: The Forum, Melbourne (Tix here)

15. Little Dragon

Monday, Feb 2nd: 170 Russell, Melbourne (Tix here)
Thurs, Feb 5th: Sydney Opera House (Tix here)

16. Rustie

Wed, Jan 28th: Oxford Art Factory, Sydney (Tix here)
Thurs, Jan 29th: Howler, Melbourne (Tix here)