Some of Australia’s best hip-hop artists have teamed up with NITV and Start VR for a powerful new track, Change The Date. With January 26 right around the corner, the conversation about changing the date of Australia Day could not be more relevant nor important. The track, which is not only powerful, but really great on a musical level, is bound to make people think twice before throwing “another genocide on the BBQ,” as Birdz spits.
The track and its accompanying video features some of Australia’s best talent with rhymes including Urthboy and Ozi Batla from The Herd, Thundamentals’ Tuka and Jeswon, L-Fresh the Lion, Nooky, Birdz (Nathan Bird), Kaylah Truth, Tasman Keith, both Erica and Sally of Coda Conduct, and Hau. The video is an impressive 360-degree affair put together by Sydney-based virtual reality studio Start VR in partnership with National Indigenous Television (NITV) and SBS.
Hip-hop has given a formidable voice to Indigenous MCs who are using their platform to spread the message and open our eyes to the life of their people. Last year in particular saw hip-hop jump leaps and bounds ahead in terms of really taking a stance, spearheaded by powerhouse duo A.B. Original and their phenomenal protest track January 26.
Change The Date is another big step towards educating the community to acknowledge that Aboriginal people consider January 26 to be a day of mourning for many obvious reasons. Each artist delivers a powerful verse, with no holding back or sugarcoating the message.
The video was released in conjunction with NITV’s Always Will Be Festival leading up to January 26th. Check out the video below, be sure to drag the video around the cypher to heck out everything going on. The lyrics to the track are also available on the SBS website.
https://www.youtube.com/watch?v=x4vf8uF1rq0
On the creation of the video, Start VR Managing Director Angus Stevens said, “when NITV reached out to us we immediately said yes. It’s exciting to be a part of something that you believe in and to be able to join the conversation by using our VR and 360 video experience to explore the debate to change the date has been fantastic.
“VR allows the viewer to really feel like they’re in the room with the artists, and this project encapsulates that sense of immediacy and intimacy,” Stevens added “It’s been a great experience to work with NITV and we can’t wait for everyone to check it out.”
Image: SBS
It’s time for your weekly dose of the hottest new musical visuals, and this week we’ve got a bit of everything, including healthy doses of nostalgia, action and surrealism. Some of these videos are truly cinematographic while others are a bit of fun, either way they’re made for solid viewing, so you best pull up a seat.
Kllo – Sense
https://www.youtube.com/watch?v=kSPETjXwLOA
First up for this week’s collection of weird and wonderful videos is the new one from Melbourne duo Kllo, off their EP Well Worn. A hazy meander, the video for Sense opens with a shot of the instantly recognisable Royal Arcade off Bourke Street. From there,the duo travel through the suburb they grew up in and wrote a majority of their music and other parts of the city they hold dear – everything from a typically chilly coastal adventure to restaurants, arcades, shopping centres and blossom dappled, homely gardens. The muted tones (courtesy of the Super 8 camera the entire thing was filmed on) of the video offset the nostalgia dripped mumble of the track, the piecing together of the different locations calling to mind the duo’s knack for blending pop and r&b. Intentionally unrefined, the duo have said that the am of the video was to “capture the honest aspects of our life at the moment,” in the same way they do their music.
Rainbow Chan – Pearled Into
https://www.youtube.com/watch?v=jbifrpOlWOg
Headed to Sydney now with Rainbow Chan’s new visuals from her debut album Spacings. Her clip for Pearled Into is decidedly minimalist and plays with blank space. Dressed in all black, she pulls shapes around a stark white box of a room. The simplicity of the clip is captivating and calls attention to the crux of the song, which about working to rebuild yourself. With Rainbow’s angular, interpretive moves and the song’s themes, there is a wonderful marriage between the idea of dancing as though no one is watching and the line “Wear it with pride, girl/ Nothing can hurt you now”. Directed by Rainbow’s frequent collaborator Ellie Graham, the dance was choreographed by Amrita Hepi and while at first it seems simple and perhaps delicate, as it progresses it becomes clear that there is a certain strength at play here.
Tkay Maidza – Carry On ft. Killer Mike
https://www.youtube.com/watch?v=zXKN_IBdhRA
Back down to Adelaide and we’ve got a fresh clip from the wonderfully talented Tkay Maidza. The first single off her highly anticipated, upcoming debut album TKAY (out October 28) Carry On was already a beast of a track and now it’s got a video equal parts gritty and vibrant to go with it. While the song features one half of Run The Jewels, Killer Mike, who was quoted last year singing the praises of Tkay, he doesn’t make an appearance in the clip. Rather, the video focus on Tkay and a small troupe of dancers as they switch up outfits, stomp around what looks like a makeshift photoshoot set and unashamedly make their presence known, as Tkay so often does. Filmed in London during her recent UK & European tour, the clip is a frenetic flurry of colour, style and shape that calls to mind Tkay’s live show and makes you want to dance like nothing else.
L-FRESH The Lion unBECOME ft. Jimblah
https://www.youtube.com/watch?v=Ry4YrknLDdU
While Sydney’s L-FRESH The Lion has just finished a national tour, that doesn’t mean he isn’t taking time off. He’s just dropped the video for his Jimblah featuring track unBECOME. A captivating gray scale simplicity, the clips follows L-FRESH and Jimblah as they explore the implications of burnout that is often experienced by activists and social workers. Speaking about the concept, L-FRESH said that upon first approaching Jimblah to feature on the track, they spoke about “balancing your own expectations with other people, including you own community’s… We’d spoken about all of this a few times in the past.” The song itself discusses the anxiety that can come with trying to balance all those expectations while still doing the work to be a better person every day and how “many times, we are our own worst enemies.” The stripped back approach to the video allows the lyrics to really come across on their own.
Ta-ku & Wafia – (m)edian
https://www.youtube.com/playlist?list=PLSQUYCh1rd-SSrQW6ckOofOtIDovWEiVh
Not content with selling out a New York date on their maiden US voyage, for their next trick Australian duo Ta-ku and Wafia have presented not one, not two, but three new videos for an EP they’ve titled (m)edian. Comprising of three tracks, the videos were co-directed by Ta-ku (his debut) with Collider’s Damon Cameron. A surreal, a cool-toned three part series, videos for the songs Treading Water, Meet in the Middle and the inescapable Love Somebody make up (m)edian. As the videos progress, we follow a number of central characters on their strange adventures that are best explained through simply watching the videos themselves. A highly stylized aesthetic which showcases Ta-ku as a multi-talented and yet utterly focused artist, the series feel more like a short, wordless and wonderfully perplexing film than video clips.
Sampha – Blood On Me
https://www.youtube.com/watch?v=_oM1DFL43Lk
The international entry for this video roundup comes courtesy of one of the most intriguing acts out of the UK, singer-songwriter Sampha. Having collaborated extensively with a number of widely acclaimed artists (we’re talking everyone from FKA twigs and SBTRKT to Beyonce, Kanye West and Frank Ocean), Sampha has given us a frankly stunning piece of film which cuts together a number of threatening and somewhat bizarre scenarios. Perhaps most fitting thematically is the shot of Sampha running on a greyhound track before eventually collapsing, however it is the dramatic ending to the entire piece that tends to stick with you, giving off a sort of Weasley’s-flying car-meets-macabre-Green-witch vibe.
Pixx – Grip
https://www.youtube.com/watch?v=M4kONnKvqG0&feature=youtu.be
Also out of the UK is the new offering from Pixx (real name Hannah Rodgers), titled Grip. The song is lifted from her debut album slated for release early next year. Through a series of angular yet fluid movement and a forever twisting and turning camera, the song shows Pixx in what appears to be an abandoned home. Of the song and video, which seems to defy gravity, she said that “we go through life facing backwards, moving forwards without a clue what is in front of us.” much in the way we did watching the video, she said that is a concept she finds herself getting lost in.
Flatbush ZOMBiES – Trade-Off
https://www.youtube.com/watch?v=YPYsfMd16JQ&feature=youtu.be
Finally, we wind things up in Shanghai with the new video from Flatbush ZOMBiES and the short film that provides the visuals for their track Trade-Off. Titled 65 to Life, the film was written and directed by British filmmaker Jayga Rayn and produced by his Shanghai-based production house. The video follows a, perhaps unlikely, duo as they embark on a night’s wicked antics. From a convenience store hold up to the drunken outing that ensues to the call into work the next morning, the film is fast-aced and utterly frenetic and makes for entertaining, enthralling viewing.
Image: Pixx (supplied)
It’s been a banner year for Sydney rhyme legend and one of the best upcoming rappers in the game, L-Fresh The Lion. Aside from having one of the best monikers around, L-Fresh enjoyed the hugely successful release of his powerful latest album Become back in May and he’s now gearing up to take it out on a massive tour of Australia.
Having racked up the plays on Spotify and other streaming services as well as already enjoying a place in more than a few album of the year lists, Become is one of the best Australian hip-hop records to come out in the last few years (read our review here), bold and unafraid of stirring confrontation, with standouts like the relentless Takeover and the darkly cool 1 In 100,000 (which copped a ripper of a redux featuring Raxstar) set to grab crowds by the collar.
Having also been busy of late helping out one of his contemporaries in Urthboy on his Second Heartbeat tour around the country, L-Fresh is wasting no time in getting back out on the road. Kicking off in Adelaide in the first week of August and going right through to mid-September, the tour will make stops in every capital city except Hobart (sorry Hobart), including a slot at this year’s Darwin Festival, as well as stops in less-frequented regional areas like Ballarat and Newcastle.
Joining L-Fresh on tour will be the phenomenally talented Queanbeyan wordsmith and recent signee to Big Village Records in Omar Musa, who may have some new material up his sleeve for fans after also announcing his next EP Dead Centre, a record featuring L-Fresh The Lion, Lior and Kate Miller-Heidke among others. Sukjhit, who you might remember from having stunned audiences on Australia’s Got Talent with her intensely emotional and revealing poetry will also be on hand to give the crowd a whole lot of food for thought.
https://www.youtube.com/watch?v=rwwtoAzIAWc
Tickets are available through L-Fresh The Lion’s official website. The full list of dates for this huge tour are below:
L-Fresh The Lion Become Tour Dates:
Fri, Aug 5th: University Of Adelaide, Adelaide
Sun, Aug 14th: Miami Marketta, Gold Coast
Fri-Sat, Aug 19th-20th: Darwin Festival, Darwin
Fri, Aug 26th: Amplifier, Perth
Sat, Aug 27th: Odd Fellow, Fremantle
Thu, Sep 1st: Karova Lounge, Ballarat
Fri, Sep 2nd: Northcote Social Club, Melbourne
Sat, Sep 3rd: Workers Club, Geelong
Thu, Sep 8th: Small Ballroom, Newcastle
Fri, Sep 9th: Transit Bar, Canberra
Sat, Sep 10th: Newtown Social Club, Sydney
Fri, Sep 16th: Great Northern, Byron Bay
Sat, Sep 17th: The Foundry, Brisbane
Become is out now via Elefant Traks/Inertia.
Image: Michelle Grace Hunder / Howl & Echoes. Full gallery here.
Everywhere we look, political plates are shifting and quaking. Across the seas we see the aggressive US presidential campaign and the fallout from the UK’s Brexit referendum, but this weekend, of course, will see our own country voting in new leadership.
As we prepare to line up at the polling booths and submit our selections (if you’re unsure, please, please read this handy guide to learn more about the new voting processes and how to make your vote count) four Sydney-based hip-hop artists have taken to the blog of hip-hop label Elefant Traks to share their own thoughts and decisions about tomorrow:
Urthboy
The best way to detect future behaviour is by identifying past behaviour and with this in mind it’s important not to take anything politicians say too seriously. Turnbull has shown he is incapable of navigating the maze of internal party divisions with any authority. He looks anything but a leader. This is one of the most powerful people in Australia, with a background of great corporate success and the towering arrogance that comes with it. Yet loony bit players like George Christensen and Cory Bernardi with their chirping influence, so easily undermine him. It’s baffling how little fight he shows. We’ve seen Turnbull’s short-sightedness on the NBN, stifling technology that should provide infrastructure for generations – this is a classic political compromise that will kneecap us for decades, particularly young people. He’ll be on his $100k + pension and won’t give a shit. We’ve seen a reluctance to tackle housing affordability – the chief reason being that older voters benefit from shutting young people out of the market. It’ll be the LNP that suffer most from the resurgent populism of Pauline Hanson – or whichever straight-talking dimwit captures the imagination of a battling population desperate for someone to blame.
Bill Shorten, I admit, has performed better than I expected. That’s not saying much. The backbone he displays in the occasional speech, is quickly dulled down by a desire to romance the middle. Who cares about conviction when you might actually win? The Howard era was partly defined by how effectively he wedged successive Labor leaders, perhaps that’s become part of the Labor psyche and it’s created an ingrained mentality of being anything but wedged. Don’t be surprised when people think you’re nothing. Part of me wants to believe in Labor, most of me can’t and it’ll take time for that to change.
I lean Green, but I’m not a member nor completely sold. They, alongside the independents, perform a vital democratic role of an alternative voice to the major machines. It’s self-evident that this can be problematic, but to remove this aspect of the political process, is a much bigger problem. I also have a soft spot for any political party that News Corp wants to destroy – they must be alright.
How does an armchair critic like me comment on the internal dynamics of government? What would I know? I’m just a stupid musician who should go back to writing music and stay out of politics.
L – Fresh the Lion
I haven’t decided yet. I know I’m definitely not voting Liberal and I’m very close to ruling out Labor as well. I don’t agree with a wide range of their policies but more than that, I don’t like the culture either of the two major parties perpetuate. I’ve voted Greens for the past few years but I’ve got more research to do before I settle on any particular party.
Solo (Horrorshow)
Tomorrow I’ll be voting for the Australian Greens. There are a whole raft of reasons to vote Green, but one that is particularly important to me is their policies on immigration and asylum seekers – and especially their commitment to getting rid of mandatory and indefinite detention and the abolition of offshore processing in places like Manus Island and Nauru.
I grew up in a Labor household and for a lot of my teenage years I thought of myself as a Labor supporter. However, since the ALP’s hardline decision to expand offshore processing, I have been unable to support either major party and have instead looked to the more humanitarian (and common sense) policies of the Greens.
Asylum seekers and refugees are people too! They’re human beings with rights that Australia has been abusing for far too long. It’s morally bankrupt of us to shirk our responsibilities to some of the most vulnerable people in the world and pass the buck to less developed countries when we have the wealth and infrastructure to take refugees in. It’s sickeningly hypocritical of us to deny the opportunities of living in Australia to others when we as non-Indigenous Australians have benefited immensely from those same opportunities. I want to see an end to this cruelty and madness, and for that reason I’ll be casting my vote for the Australian Greens.
Adit (Horrorshow)
This Saturday I’ll be voting for The Greens. There are many reasons why as you can see, but below is one that doesn’t often get mentioned.
The Greens have the best plan for guiding our economy into the future. They are the only party to recognise that running the country is about more than just balancing a budget. If that’s all it took a thrifty 8 year old could do it! To run a strong economy you must invest in its people, their ideas, and the infrastructure and services that support them.
This is the real job of government. The Greens’ policies are built around taxing those who extract the most wealth out of society, and investing that wealth back into education, health, technology, infrastructure, and social safety nets for everyone. They represent fairness and pragmatism and for this reason are the only party suited to lead us in the 21st century. #liberalsfallback.
I was lucky enough to be invited along to document the second sold out Urthboy show at Howler in Melbourne last weekend, Friday May 27, the beginning of his Second Heartbeat tour. It’s always a pleasure when you get to shoot some of the quieter behind the scenes moments before a show as well as all the elements that come together for a live show. Urthboy was joined on stage by special guests Kira Puru, Bertie Blackman, Okenyo and Jane Tyrrell, and was supported by Okenyo and L-Fresh the Lion.
Urthboy is on tour in support of fifth LP, The Past Beats Inside Me Like A Second Heartbeat. See the remaining dates below:
Friday, 3rd June: Sol Bar, Maroochydore
Saturday, 4th June: Woolly Mammoth, Brisbane (SOLD OUT)
Friday, 10th June: Academy, Canberra
Saturday, 11th June: Baroque, Katoomba
Thursday, 16th June: Oxford Art Factory Sydney (+B Wise, Bertie Blackman & Jane Tyrrell)
Friday, 17th June: Oxford Art Factory Sydney (+Montaigne & Bertie Blackman) (SOLD OUT)
Saturday, 18th June: Cambridge, Newcastle
Friday, 24th June: Rocket Bar Adelaide (+Timberwolf) (SOLD OUT)
Saturday, 25th June: Amplifier, Perth
Sunday, 26th June: Mojos, Fremantle
Tickets can be found here.
Okenyo
L-Fresh The Lion With Mirrah
Urthboy
All photos: Michelle Grace Hunder
Following his highly acclaimed debut One, L-Fresh the Lion is back in our ears with the prequel to the story: Become. Flawlessly melding the personal and the political with highly danceable beats and catchy hooks, there is no doubt that L-Fresh is one of the best hip-hop acts in the country.
Pray For Me opens the album and almost serves as misdirection; it’s a groovy R&B jam that gives off perfect vibes, aided by Tre Samuels’ smooth vocals. This track is quickly followed by Get Mine, which blends slick flows with a Bhangra style hook delivered by Parvyn Kaur Singh. “So I rise up but when I finally get a bit/I’m reminded I’m a second class citizen” – L-Fresh delivers hard truths on this record, stories told from a different – and important – perspective.
https://www.youtube.com/watch?v=aiIj-enNs34
Highlights from this record include Hold Up which features Remi, and serves as a conversation between the two rappers about their experiences with ‘fans’ who disrespect them and the ignorance they’ve both experienced. This flows into Be Cool, which details the inner thought process that L-Fresh experiences when he experiences discrimination and racism. “Some battles aren’t worth fighting,” he knowingly spits.
What truly makes this record standout is the focus on L-Fresh’s roots in Punjab, India. Whether that is creating infectious hooks on tracks like Get Mine or Panjab: An Introduction or discussing powerful women in the history of the region in the profound and beautiful Never Alone, Become is sonically rich and thematically poignant. This record is an opportunity for listeners to get an insight into an experience and a culture that they may not have necessarily had the opportunity to do so in the past.
The album’s second single, 1 in 100,000 can only be described as a hard-hitting banger, fast, strong and taking no prisoners. Become comes full circle with Black and White as its soulful closer, which feels pensive and thought provoking, and is a beautiful finish to what is arguably one of the best albums in an already stunning year for hip-hop albums.
https://www.youtube.com/watch?v=rwwtoAzIAWc
L-Fresh, along with a slew of other amazing rappers, represents a shift in Australian hip-hop. Moving away from its traditional ‘Anglo’ focus, not to mention run-of-the-mill subject matter, it is becoming more inclusive and representative of what modern Australian society looks like today, not to mention musically enthralling. Once described by the legendary KRS-One as “he is Hip-Hop”, he is that and so much more. It’s a true privilege to listen to his music and hear his stories.
Become is out now through Elefant Traks.
Words by Chris Palmer
Image: Cole Bennetts
It started off innocently enough.
Detroit rapper Danny Brown posted a picture to Instagram. The photo had been captured by Howl & Echoes photographer Michelle Grace Hunder at his concert in Melbourne last week.
Howl & Echoes has become increasingly vigilant about artists posting our photos without credit, following a recent issue where A$AP Rocky didn’t just post one of our images without credit, but actually used it to promote a new song. Each time we find uncredited photos, we either ask the artists’ publicist or management to add one in, or sometimes we go to the artist direct via social media. Nine out of every ten times, a credit is added – occasionally begrudgingly, usually apologetically. Even A$AP’s team eventually apologised and added one in.
Not Danny Brown.
Read more: Music piracy isn’t okay and neither is photo piracy. Stop stealing our images.
Hunder stated that this wasn’t the first time Brown had used one of her photos without credit. Not willing to let it slide again, we decided to ask him.
He follows us on Twitter, so I got down in the DMs:
He then immediately deleted the photo, unfollowed us and our photographer across all social media mediums.
He could’ve just said no if it was that big of a deal. The time it took to respond, delete the image, find and unfollow us on socials surely took far more effort than just adding a credit.
A few hours later, the topic was picking up some traction on Twitter. Then, Brown posted the following:
https://twitter.com/xdannyxbrownx/status/726785919399796737
Really? Reallllllllly?
Twitter was already going off last night, and by the time I woke up this morning it had already been picked up by at least one photography website, as well as a massive thread unfolding on Reddit. Pedestrian have also just posted all of Brown’s hilariously OTT deleted tweets, during which he somehow proceeds to challenge Project U’s Nic Kelly to a fight in Sydney this afternoon.
To clear it up for those who have been speculating: The photo was taken at Danny Brown’s concert. Hunder and Howl & Echoes had been approved by Live Nation to shoot the show. It’s not like it was an unwarranted paparazzi shot. These images are approved by the touring company and no doubt contractually agreed to by Brown and his management ahead of the tour.
We have removed the photo gallery from our website, so for the record, this is the image in question:
I find it interesting and disappointing that so many people believe there’s no merit to photography and no need to credit photographers. Photography is as much an art form as anything else, and there’s as much copyright and ownership in photography as there is in music. Furthermore, most music photographers work completely for free. Often, a simple tag or credit can make all the difference in getting their work seen and attracting future work.
We’ve had a great response from the Australian hip-hop community. First, 360 explained why an artist can think that it’s okay to use photos without credit, but that he’s faced the consequences himself:
I actually got sued for posting a photo someone had taken and not crediting the photographer. I couldn't understand https://t.co/osaWosy06V
— 360 (@3ree6ixty) May 1, 2016
took me ages for my manager to explain to me that it's their intellectual property and i HAVE to credit https://t.co/osaWosy06V
— 360 (@3ree6ixty) May 1, 2016
i was like "Fuck that, they took a pic of me so i can post it" – i was wrong and sued for 10k https://t.co/osaWosy06V
— 360 (@3ree6ixty) May 1, 2016
i thought it was bullshit at first too but it's actually not, it's their property. It's really hard to comprehend https://t.co/BaF2rYIP66
— 360 (@3ree6ixty) May 1, 2016
often they shooting for free too, this is their career an how they make ends meet.. it took ages for me to get it https://t.co/BaF2rYIP66
— 360 (@3ree6ixty) May 1, 2016
L-Fresh the Lion sent us the following statement:
“It ain’t hard to tag a photographer in a post. It’s the least an artist can do to show an appreciation for the photographer’s work.
Hau also had this to add:
“Not crediting a photographer is mad disrespectful. I realise some artists may not be familiar with the protocol, but once you have been hipped to the game, you should act accordingly. How hard is it to credit someone for their hard work? It’s like if a producer makes you a beat, you release the song and you don’t credit them for producing the song. That’s some sucker shit!”
While Briggs added the following words of wisdom:
https://twitter.com/BriggsGE/status/726932806379544576
Look. Danny Brown is just plain wrong in his thinking that it’s okay to not credit photographers. That’s not how it works at all, and he should know this by now, considering he’s well into his second decade in the music industry. This issue seriously got out of hand. We’re glad that so many people are now discussing photo crediting and copyright as it’s a huge, ongoing issue for music photographers in this country and no doubt beyond, and hopefully this can help to clear up confusion for those who aren’t aware of how important this it.
What’s disappointing is that this issue has spiralled out of control, and that the main focus has now been this weird Twitter fight between Brown and Kelly. While that’s hilarious for sure, it’s totally missing the point of this issue. It’s upsetting that so many publications and outlets, including triple j, have chosen to focus on this issue while almost entirely ignoring the main point about photography, but I can’t exactly say I’m surprised.
Don’t be like Danny. Artists, credit the photographer just like you would a sample or literally any other kind of creative output.
Image: Michelle Grace Hunder/Twitter
This week was a doozy when it came to new songs. Coming at us left, right and centre, it seems just about everyone thought this was the perfect week to drop a great new track. But hey, we’re not complaining because we love great new tracks, but it can be hard sifting through all of them to get to the real gems.
Thankfully, we’ve once again got your back, and we’ve narrowed it down to a handful of the absolute best to get your weekend started. Check it out below!
Sango, Life Without God Is Nothing
Part of the Soulection crew, Sango is a god in my books. His beats are always so solid, with nothing but the highest quality coming from him with each and every release. Focussing on intricate drum patterns, he manipulates the sounds accompanying a soulful vocal samples. It’s clean, tight and fresh with it’s soulful, sensual delivery and relaxed groove. He may have just released an EP, but this bad boy is tagged as “ALBUM MATERIAL” so our hopes are high for more releases on the (hopefully near) horizon. The title Life Without God Is Nothing could be up for debate, but right now we’re thinking the same about a life without Sango.
Jodie Abacus, Space Buffalo (Prod. Royce Wood Junior)
Jodie Abacus is a name you have to get acquainted with, because he is set to truly break through this year. After a string of catchy RnB/hip-hop singles last year, he has returned once again with Space Buffalo, and it’s exactly the type of track he should be releasing to take his career to the next level. It’s a track that highlights his stellar voice, paired with nostalgic soulful production courtesy of Royce Wood Junior. The pair are perfect for each other, and it shows. However, even though it might sound like a feel good number, don’t let those lyrics catch you off-guard. They’re sobering and sad, which is a wonder because if I was making songs this good, I wouldn’t be sad at all!
Nico Ghost, Night Terrors
He just finished supporting Wu-Tang Clan on their national tour, and now he’s about to support G-EAZY at his Brisbane gig, so it’s safe to say Nico Ghost’s name is blowing up, and for very good reason. Just listening to his latest single, Night Terrors, you can hear just how much the Melbourne MC has going on. Representing yet another artist heralding in the new era of Australian hip-hop, he spits over a dark, moody beat with a refined approach and progressive lyrics. He is tipped to be one of the next big things in the local hip-hop scene, and if he keeps putting out tracks like this, that is definitely where he is headed.
San Holo, New Sky
San Holo is sitting on a few million plays of his tracks on Soundcloud, and continues to push not only himself, but his peers with each release. New Sky is yet another example of this. Flirting more and more with the experimental side of things, this track is like Mario Kart meets Blade Runner in an underground trap nightclub somewhere in the best way possible. With shimmering synth jabs and soaring samples, San Holo works his magic to deliver an unsuspecting breakdown and a drop of epic proportions. It’s hard hitting, expertly produced and indicative of yet another huge step forward for the Dutch-future bass producer.
Tourist Dollars, Horse Girl
I was a little late to the party when it comes to Tourist Dollars, but I was instantly hooked once I heard their track, End Of Time, last year. So, it makes me really happy to see another new single from them, this time in the form of Horse Girl. It’s equal parts nostalgic as it is forward thinking, as the band’s love affair with reverb and the 60s is reignited once again here. Frontman Jesse McCormack’s voice has never sounded better, and when he sings the final lyrics, “The future is bright,” you get the feeling he could be talking about more than just the obvious meaning. Big things are coming for these guys.
Argonaut & Wasp, Always
These guys have been on our radar for a while now, but this is hands down my favourite track ever from them. Pop in its best form, Always is a summer anthem waiting to happen. It’s got elements of 80s pop, and features a liberating, feel good chorus that would see any party burst into dance. Reminiscent of the indie pop band explosion of the late 00’s, they’ve picked out all the best elements of that time and have thrust it into the future with their modern thinking production and their always progressive song-writing skills. Argonaut & Wasp are one of the hardest working duos I’ve come across in some time, and their ever-evolving and ever-impressive output only gets better and better.
L-FRESH The LION, 1 In 100,000
L-FRESH The Lion is one of the best hip-hop artists in the country right now, and if you aren’t familiar with him yet, his latest single should serve as the perfect introduction for him. Speaking with triple J, L-FRESH said about his track, “When I think about my journey in music, ever since I started it’s felt like, from every angle people have tried to sculpt me to be to their expectations… This song really just speaks to the voice of self and wanting to stand and be my own person regardless of what anyone says or believes.” Couldn’t have said it better myself, L-FRESH. Just try not getting down to the electronic/hip-hop blend this song is, and keep your ears pricked for the traditional tumbi at the start.
Tiny Little Houses, You Tore My Heart Out (Anatole Remix)
Anything producer Anatole touches turns to musical gold in my opinion, and I will hold that until he proves me wrong. Today is not that day. This week, Anatole has jumped on You Tore Out My Heart by indie four piece Tiny Little Houses. Stripping it right back to the bare minimum, Anatole plays with so many different sounds that he builds it back up as a totally different track. Keeping with the original vocals, he flirts with fluttering synths and bubbling electronica, as well as intricate percussion like light cymbals and crips drum beats. It’s seriously beautiful, and once again proves my theory – musical gold!
Summer Flake, Wine Won’t Wash Away
Summer Flake continues plugging away making jus about everyone who hears her excited for the release of her forthcoming album, Hello Friends, with the release of a brand new single. Wine Won’t Wash Away is a warm and fuzzy song, in the way that it’s got warm vocals and fuzzy guitars. It’s a lot more badass than the initial meaning synonymous with “warm and fuzzy” would make you think. The reverb-drenched guitar is paired perfectly with her poignant and emotive lyrics, and has me even more excited to hear Hello Friends come April 8.
Mat Zo, Sinful (Ft. I See MONSTAS)
A nice, fun one to finish off with! Grammy nominated Mat Zo returns once again with a new track that will embed itself in your brain for days on end. Titled Sinful, he has enlisted the help of British three-piece I See MONSTAS for this one, and it’s one of my favourites from him yet. Funky as all hell, it’s reminiscent of Nile Rogers-era Daft Punk meets Disclosure – in other words, a total banger. It’s also been released alongside some pretty spectacular visuals, and has us desperate to hear what else he’s been sitting on. Thankfully, the March 25 release date of his new album, Self Assembly, is fast approaching and our patience has just about run out!
Image of Sango via HypeTrak
Words by Maxine Johns
Hip-hop has come an incredibly long way in Australia, and wouldn’t be where it is today without the trailblazers of the breakthrough years, who put forth the hard yards and paved the way for the community to survive and thrive as well as it has.
Paying homage to artists such as 1200 Techniques, Hilltop Hoods, Bliss N Esso, Bias B, Urthboy, 360, Kerser, MC Trey, Maya Jupiter, Tzu, Seth Sentry and many more who kicked down the door and made the world take notice of Australia’s hip-hop industry, the following list of artists are a definitive representation of how the local community is evolving, celebrating its diversity and putting Australian hip-hop on the global map.
These artists represent their culture, their creativity and above all else, their undeniable talent, showcasing just how broad and diverse Australia’s hip-hop industry really is. Original, driven, innovative and socially aware, these artists are indeed game changers in our hip-hop community!
BRIGGS – Shepparton, VIC
Adam Briggs, aka Briggs, is an Australian rapper, comedy writer and actor. He is an Indigenous Australian of the Yorta Yorta people with his tribe name tattooed on his forearms, proudly representing for his culture through every song he makes. He has released one EP, Homemade Bombs, and two albums, The Blacklist and Sheplife. His stellar single And The Children Came Back was a standout release for 2015, elevating Briggs to national hero status. He has amassed a loyal following of hip-hop fans, not just akin to his unapologetic and honest style of rap, but as supporters of his active stance against racial injustice and cultural indifference when it comes to matters of Indigenous issue and inequality in the music community. Apart from his music, Briggs also joined television series Black Comedy as a writer and actor for the second season in 2016.
https://youtu.be/3-wMbFntrTo
L-FRESH THE LION – Sydney, NSW
When you first meet L-FRESH the LION, you see a man walking proudly in representation of his traditional Punjab Indian heritage, as he rocks out on stage with the pride in his long beard and turban. L-FRESH is an artist who is sans ego, focusing on creating music with a message and paying respect to those that paved the way to make his journey possible. Like the socially aware hip-hop sages that serve as inspiration to his current wordplay, it is safe to say that L-FRSH The LION can hold court with the likes of Common, Talib Kweli, Chuck D and Mos Def when it comes to rapping for a reason. A big call, some would say, but when you have the great KRS-1 stating that L-FRESH “IS hip-hop,” the ante is upped and the game is changed. L-FRESH has released an album called One and appeared on several singles with local rappers including Hau, Remi and Omar Musa. He is an artist that represents all that is real and true in our community, and is determined to hold Australia in the highest hip-hop light.
https://youtu.be/DPiKjk6isuU
LEE MONRO & ELLO C – Sydney, NSW
Indulging in an exciting collaboration project called Lee Monro x Ello C, the pair are creating a new wave of hip-hop in Sydney, with a growing following, from their two mixtapes Overtime and Overtime 1.5, as well as their live performances. Monro has been active, relative and true to form throughout his journey, which began in the early 2000s as part of Figgkid, stepping up to the mantle as one of our most impressive rappers at the time. Now, in 2016, he is yet to waver as an artist unafraid to spit it like it is. Enter Ello C, the young up and comer from Sydney’s West, of Filipino heritage, who has broken new ground as one of the most lyrically on-point rappers today. With an appreciation for hip-hop beyond his years and solo work that encouraged him to release his No Name Fame mixtape, Ello quickly gained major internet buzz. Strong on their own but indestructible together, the grouping of these two lyrical geniuses will always be one of the best hands the hip-hop gods have played. Honest, raw and real, Lee Monro & Ello C wave the flag for Australian rap holding on to its core values of authenticity, integrity and originality.
https://youtu.be/tDqhLZrvY28
BLAQ CARRIE – Brisbane, QLD
Every once in a while, an artist comes along who just knocks the breath out of you. They are powerful, confident, passionate and fearless in their pursuit of creating hip-hop their way, in a style which not only appeals to you personally, but resonates with your spirit on a greater level. One such artist is female hip-hop artist Blaq Carrie, the Harare-born, Brisbane-based femcee whose style and flow is raising the bar within the independent Australian community. For an artist who is still finding her footing in the ever evolving hip-hop landscape, Blaq Carrie has released a banging EP, Best Wishes, along with an impressive discography on her SoundCloud page, proving she is an artist that possesses a keen sense of storytelling with purpose.
https://youtu.be/QZqmGBk4WzY
B-WISE – Sydney, NSW
B Wise is an African-Australian hip-hop artist whose infectious single, Prince Akeem, an upbeat colourful track named after Eddie Murphy’s character in Coming To America and produced by Raph Lauren of Jackie Onassis/The Meeting Tree, offers a glimpse into the creative narrative of this uber talented Sydney emcee. B Wise, aka James Iheakanwa, is the son of a country girl from Stockinbingal, NSW and a dad from Nigeria, who spent his early years between Sydney and rural NSW before his family settled in the city’s South West. As a product of childhood bullying and racism, Wise drew on the strong sense of African pride instilled in him by his parents and uses it as the main drive in his music today. His first single, Like You, captured the attention of mainstream music media like Rolling Stone and Acclaim, who shone a light on the vocal stylings of this enigmatic emcee. Working on his first full length album featuring production credits from Nic Martin (360), Raph Lauren, Momo (Diafrix), Pro/Gram (Bliss n Eso, Hau) and Colourd Noyz, B Wise is making his position known as Australia’s Prince of hip-hop!
https://youtu.be/ea2vXsWdqnM
KEV HANNIBAL – Sydney, NSW
Watching Kev Hannibal on stage, in the moment where all an artist needs is one mic, you can really see, hear and feel the passion in his music. It’s a performance that grips the audience and delivers the heat – not bad for a young man from the hard knock roots of Southside Jamaica Queens, a suburb in New York synonymous for its pride, passion and servitude to the hip-hop legacy. Before creating a new life in Sydney’s Western suburbs, Hannibal’s childhood was plagued with family tragedy, providing the foundations for enough life experience to write a book on. Using rhymes and a mic as personal therapy, his tracks are empowering and educative. His lyrical skill is unsurpassed, with a talent for beguiling storytelling and in your face delivery, Kev Hannibal is real. His recent single, Colour of Your Skin is enjoying local and international radio love, and his multifaceted talents range from songwriting, production and acting, with Hannibal featuring in films as well as musical releases, continuously pushing the barriers of his hip-hop artistry.
https://youtu.be/ut7i_67w-eg
DIAFRIX – Footscray, VIC
Momo and Azmarino make up Diafrix, a dynamic duo out of Footscray, Melbourne. Having formed back in 2001, the pair have supported everyone from Bliss n Eso to Macklemore and Ryan Lewis, and their single Running was adopted as the official theme for the Western Sydney Bulldogs Football Team in 2013. Both artists hail from Melbourne, with Momo originally born in the Comoros Islands and Azmarino in Eritrea. Representing for the culture through their music, their sound has been referred to as “anthemic” for the multicultural areas they grew up in. With musical influences ranging from Nas to Bob Marley to Fat Freddy’s Drop, three solid albums and a a spitfire new single,The Sign, Diafrix are a creative force to be reckoned with.
https://youtu.be/L9pHTcyoUZY
STAN BRAVO – Sydney, NSW
Stan Bravo is no stranger to this rap game. With over a decade in the industry, he’s experienced the highs and lows that hip-hop can offer, been to the show, and bought the t-shirt in a manner of speaking. Considered a well-versed veteran in the game, Harlemite Stanley Campbell aka Stan Bravo has continued to do what comes naturally, spitting forth handcrafted rhymes that leave his contenders in the dust. As an APRA Award winning songwriter, he has featured on numerous singles with Jeremy Gregory, Ricki Lee and J Wess, released a highly successful and official mixtape compilation Blazin’ Vols 1, 2, 3 & 4 with DJ’s Nino Brown & DJ Samrai and plenty more. With a newly minted album just released last December, Bravo continues to rep for Sydney’s Western suburbs, never forgetting his Harlem NYC roots!
https://youtu.be/qtakak7AXNM
KWEEN G – Sydney, NSW
This Ugandan born, Sydney raised Queen is no stranger to struggle and knows that to get what you want in this life, you have to settle for nothing less than the best of yourself. As the only daughter in a family of three boys, Kween G grew up listening to the hip-hop that her brothers played, including Tupac, Biggie Smalls, Nas and Rah Digga, soon foraying into the frays herself, cultivating one of the illest femcees to have ever come out of Australia. With more than just emcee on her resume, Kween G is an award-winning dramatic producer who has studied at NIDA and beyond. Her single Speak Up is as powerful, raw and fearless as she is:
https://youtu.be/WKerjKsbSss
HAU LATUKEFU – Canberra, ACT
For this Queanbeyan, ACT, born and bred musician, his Tongan heritage is at the forefront of all he creates. Having already built up a widely praised discography from his Koolism years, his solo career kicked off in grand style with the nationally lauded success of 2014 mixtape Football, Feasts & Funerals. As the Hau steam train continues, he gives us his current single Kill I Am, an edgy, abstract and catchy hit that is off his upcoming debut album The No End Theory, due for release in late May. Regardless of where this hip-hop journey takes him, Hau is always humble, authentic and true to himself and his craft. Never one to take himself too seriously, Hau is as real as it gets when it comes to his insight, knowledge, passion and respect for hip-hop and its culture!
https://youtu.be/EgBxTKcHmwU
JERIET DWIGHT – Sydney, NSW
Jeriet Dwight is a force to be reckoned with. Jeriet, or JD, is a South Sydney hip-hop artist breaking new ground since the release of his debut single All Falls Down in mid 2015. JD has been chasing his dream of hip-hop infamy since his teen years, when hip-hop became the soundtrack to his life. Raised in Austria for most of his young life before moving to Australia, JD is fast becoming the name on everybody’s lips. All Falls Down was produced by famed Australian hip-hop producer Cam Bluff (Illy, Hilltop Hoods.) The single gained major traction across hip-hop and urban radio shows across the nation, and with Triple J giving Dwight the Unearthed Artist blessing earlier last year, on top of electronic collaborations with Hermitude and Flume, things are definitely looking up for this super talented songwriter and rapper.
https://youtu.be/ST33TartZx8
REMI KOLAWOLE – Melbourne, VIC
Melbourne’s Remi Kolawole is a definitive groundbreaker. Born in Australia, Remi’s mother is from Tasmania and his father from Nigeria. His message encompasses racism, partying, social justice and urban dislocation, a collective representation of all parts of his heritage. As the recipient of the Australian Music Prize for his album Raw X Infinity in 2014, Remi is the first hip-hop artist ever to win the country’s premier music prize, putting him in a league all his own. Remi carries with him the pride of finally achieving hip-hop recognition on an industry-wide basis in the Australian music community. The beauty about a socially and politically aware artist like Remi is that his hip-hop is of a purpose, and his reach is that of those hear hip hop and not just listen to it. His unique vocals and raw appeal has gained him major international success and respect from artists such as Danny Brown, Vic Mensa, De La Soul and Joey Bada$$, and his live performance skills, alongside producer/beatmaster Sensible J, are second to none.
https://youtu.be/pyL_Y_Krk4I
MIRRAH – Sydney, NSW
Mirrah encapsulates the very essence of what it means to be multi-faceted and multi-talented. She calls Australia her adoptive home, and is proud of her multi-cultural background and beginnings. Yet, this humble but fiercely passionate rapper, performer, writer, radio personality, mentor and humanitarian holds her ground on an international stage that has seen her perform alongside some of hip-hop’s most iconic names. Mirrah is a woman whose mission in life is to create music and a dialogue that stretches beyond society’s definition, to inspire urban youth all over the world to seek their own path through music and to be an original in all she does. Last year she dropped the powerful single Wassup, and is gearing up to drop an EP this year under Green Room Studios. Touring as hype woman and cherished member of L-FRESH The Lion’s band, Mirrah is a quintessential artist, focused on not only empowering fellow women in hip-hop, but on creating music that is positive in sound, delivery and message, ensuring the youth of our community have strong female role models to look up to in this industry.
https://youtu.be/Svr6v-VGw9o
SAMPA THE GREAT – Sydney, NSW
A poet, singer and songwriter, pint-sized Sampa the Great was born in Zambia and grew up in Botswana before relocating to Sydney. Last year saw her release The Great Mixtape to critical acclaim, showing off a stunningly conposed marriage of jazz, neo-soul and hip-hop. Having opened for artists including Hiatus Kaiyote, Thundercat and Little Simz, it’s only a matter of time before Sampa takes on the world. One of the most lyrically proficient, rhythmically talented rappers Australia has ever seen, she can float between Lauryn Hill-esque sensuality and Angel Haze-esque aggression in a matter of moments. Known for putting on some of the most energetic, lively and quite simply, fun live performances in the country – either with a DJ or a full band including backup singers and multiple percussionists – there is absolutely no doubt that she will go on to become one of the most well-known and revered artists in Australia and beyond.
https://www.youtube.com/watch?v=lHoE43gcB1A
GILL BATES – Brisbane, QLD
African-Australian electro/hip-hop artist Gill Bates may be a relative newbie on the scene, but he’s already touring nationally, with an ever-growing fanbase that continues to break new numbers on the daily. Born in Sudan, Gill lived in Sydney’s Parramatta before relocating to Brisbane with his family in 2004. Life has been nothing but surreal since first emerging onto the Australian music scene in early 2015, when he received major industry attention and public love for first single She Knows featuring Allday, second release Don’t Mind, and his recent single release Diamonds & Gold. Definitely one to watch, Gill Bates is unassuming and not about the hype, rather focusing on creating music that people can vibe to and sharing with the world his message through music.
https://youtu.be/eGbVPmxc2EE
OMAR MUSA – Canberra, ACT
Omar Musa is a rapper, author and poet from Queanbeyan, ACT. For this Malaysian-Australian rapper, his artistry is more than just hip-hop fame and glory, he is an artist of purpose and reason. With two solo records, spawning singles Dead Centre and the recently released Laksa, plus an album with international duo MoneyKat, Musa has gone on to share stages with acts such as Dead Prez, Pharoahe Monch, Gil Scott-Heron, Horrorshow, Thundamentals and Daniel Merriweather to name a few. He has appeared on ABC’s Q&A and received a standing ovation for his performance at TEDx at the Sydney Opera House. On top of that, his debut novel Here Come the Dogs was longlisted for the Miles Franklin Award, and he was named one of Sydney Morning Herald’s Best Young Writers in 2015. Musa is an artist pushing the envelope for hip-hop in Australia to be a vehicle of positivity, social change and awareness on a global scale, and by sharing his message through spoken and written word, is fast becoming one of the nations most lauded creatives.
https://youtu.be/EHMMEFfcWqE
Written by Sam Armatys & James Tait
This week saw us drowning under a mountain of video clips so good we just had to share them all in a super sized edition of our round up. ALL OF THE VIDEOS. Expressionistic dance, stunning landscapes, public park rage, regurgitated spaghetti, and 90’s revival; we’ve got it all.
The Brian Jonestown Massacre – Pish
The video to accompany single Pish off upcoming oddly titled Mini Album Thingy Wingy, has all the trappings of a cinematic epic contained in just over five minutes. About to embark on their 25th Anniversary Silver Jubilee tour, the track throws back to the classic BJM shoegaze sound, with drawling vocals and guitar lines for days. Frontman and mastermind behind the band, Anton Newcombe, has expressed a strong interest in creating soundtracks to films, and this video obliges with a beautifully shot exploration of a Japanese woman’s obsession with dance. It is a story about being consumed by your passion night and day and all the joy and madness that ensues. With a brilliant performance from actress Hinako Matsumoto, it is a must see.
[youtube http://www.youtube.com/watch?v=zlwQVZUTdJA]
Toiné Houston – Summertimmme (Reminiscing Part 1)
If your days have been warming up and you have been searching high and low for some smooth sounds to groove away a sunny afternoon, then look no more. Toiné Houston brings a silky anthem for the summer with her latest track, and has a video that is just too damn cute to pass up. The clip traces the blossoming of a childhood romance with a 90’s production quality that makes it feel like a cross between a Brandy video and the movie My Girl. It’s full of nostalgia and a great track from the neo-soul songstress’s upcoming Love States EP.
[youtube http://www.youtube.com/watch?v=u_9qhQGPGdc]
Floating Points – Nespole
Remember when Sia released the Chandelier video and everyone was blown away? Well, it seems she has opened the door for more and more music to be brought to life by expressionistic dance moves, with varying levels of effectiveness. One of the best to follow the path has landed this week, with the latest clip from Floating Points, for single Nespole. Every sound of the minimalist electronic track is mimicked by two ballerinas (both played by dancer Kiani Del Valle), with hypnotic motions that explore the malleability of the human body. Light and dark, they spar off against each other across a vast auditorium in a beautifully choreographed sequence. The track comes from EP Eleania, out November 6th.
[youtube http://www.youtube.com/watch?v=kfYP7uTZX8Y]
Hedge Fund – Boyfriend
Sydney indie post-punkers Hedge Fund have released a video for new track, Boyfriend, that demands your attention. If you have ever felt so sad and angry you want to rip up the grass, roll in the dirt and beat the shit out of tree, then this is the clip for you! The clip follows YouTube sensation Jordan Markovina (you might know him better as the hilarious and awesome friendlyjordies) as he goes on a shirtless rampage in a public park, and you can’t help picturing bewildered passersby marvelling at the scene. The high energy track is fistfuls of fun to match and will be stuck in your head for days.
[youtube http://www.youtube.com/watch?v=2rzk0Lt1jaI]
Loose Buttons – Thrill
These indie rockers from NYC released new single Thrill last month and have followed up with a video that embraces their sound, with lo-fi hues that bring back memories of blowing on VHS ribbons after too many plays. Director J.D. Aronson says of the clip “I think we ultimately stayed true to the notion of ‘the thrill’— living in the moment, and being the most authentic version of yourself.” The video traces a night of shenanigans from skating behind cars, to dancing in the street, to the kind of night swimming that would make R.E.M. proud. If you ever taped Rage and re-watched it, you will be oh so familiar with those streaky lines and yellow hues, and it’s a fun little exploration into creating memories.
[youtube http://www.youtube.com/watch?v=gDXxKRtLN-A]
Elk Road – Not to Worry feat. Governors
Not to Worry is the first track from young Perth producer Elk Road that was released earlier this year and has since received loads of attention. The video clip to accompany it was released this week, and plays like a post card to the artist’s hometown. With stunning landscapes that could find themselves in a tourism commercial, it’s beautifully shot by production duo Matsu & Parks. Juxtaposing the vertical lines of feeling trapped in café’s and office buildings with the horizontal lines of freedom on wide open roads and fields of flowers, it’s an ode to stepping out of the monotony of daily life. You can check out Elk Road at Your Paradise festival next month, Sydney’s Electronic Music Conference in December.
[youtube http://www.youtube.com/watch?v=SNSnxC7QkwQ]
Cosmo’s Midnight (feat. Kučka) – Walk With Me
I’m not usually one for pop music, but this is a damn near perfectly crafted slice of the artform from Sydney twins Cosmo’s Midnight. The vocal assist from Perth electronic songstress Kučka is a sugary falsetto delight that never threatens to become sickly sweet. The dream pop beat is infectious, the synths all kind of lush and the chorus guaranteed to stick in your head. The video is the perfect accompaniment too, Kučka lazing around her bedroom with a Husky, the Cosmo’s Midnight boys riding scooters around an affluent suburb in a pair of tracksuits robbed straight out of the lost property bin at a 90s squash court. There’s pickup basketball, scooter rap squats and Kučka in a kiddie pool before the trio meet up to throw down some of the sweetest choreographed suburban street dance moves you’re likely to see all year. Perfect.
https://www.youtube.com/watch?v=KLXJzKdIlXE
Frøkedal – First Friend
Sticking within the pop world, although dialing it back just a little bit, is this absolutely NSFW video from Norwegian artist Frøkedal to accompany First Friend from her debut I See You EP. It starts out innocently enough, a young couple (portrayed by a pair of Norwegian actors) getting all touchy-feely in the late afternoon balcony sun, I can dig that. But then all of a sudden there’s a hand spider-walking with the creepiest of movements across the railing and then she’s regurgitating spaghetti into her partner’s mouth like some kind of messed up but honey-throated mother bird. The lyric ‘in an ordinary world I want nothing more than having you inside me’ is taken to graphically visual heights, with the woman spending the last minute of the song literally eating her partner, blood everywhere and grinning like a maniac. Shit escalated quickly, but it’s a cool and quirky film clip that swipes right with an ice cold pop song.
https://www.youtube.com/watch?v=Jts61jbBeCk
Little May – Seven Hours
Just shy of releasing their debut album For The Company this week, Sydney trio Little May have given us an absolutely stunning music video for their song Seven Hours. The song is rock at its most hauntingly beautiful. The video features a back and forth living room ballet between a couple tangled up in their emotions. My favourite part of the entire thing is the menacing black storm cloud hanging above them as they lay on the bed together before the dude wakes up to find his bed out to sea and a humpback whale almost blowing him out of the water. Even if the song was garbage (and it is the absolute polar opposite of that) we’d watch this video over and over again just for the mindblowing visuals. Amazing.
G-Eazy – You Got Me
Sordid is probably the best way to describe the latest music video from Oakland born and raised G-Eazy. The trap beat is positively grungy, the bass turned all the way up as G-Eazy and his entourage enjoy a seedy night out on the West Coast. They visit (and eventually are thrown out of) a dankly fluorescent strip club, choosing instead to roam the streets in the wee small hours clutching bottles of champagne and riding around with the windows rolled down. It’s ratbag and it’s glorious.
https://www.youtube.com/watch?v=-3wlroM2gZ8
L-Fresh The Lion – Get Mine (feat. Parvyn Kaur Singh)
If you don’t watch this video and immediately wish you had a crowd around you to start a slow clap then I don’t know what to tell you. L-Fresh The Lion comes straight out of Sydney’s southwest with a pretty simple message (if you read between the lines of his verbose and socially conscious rapid fire flow) for the sadly perpetual horde of un-Australian racists and bigots he probably has to deal with on a daily basis: fuck off. The video features L-Fresh looking dapper as all get out, delivering an address to an unseen crowd with Australian flags adorning the background, interspersed with grainy television footage of past Prime Ministers (Tony Abbott’s shit eating mug getting quite a look-in), as well as from dark days in our recent history like the Cronulla race riots and those fuck-awful Reclaim Australia rallies. And the man is a goddamn talent, sharp as a tack. He wrote an op-ed piece to accompany the release of this video that is absolutely spot on; highlighting how the words and actions of our political leaders have a poisonous trickle-down effect on our national narrative.
L-Fresh The Lion, doing Australian hip hop proud and a name you need to watch out for.
https://www.youtube.com/watch?v=aiIj-enNs34






































