Eight months ago, Perth-based producer/singer/songwriter Kučka, real name Laura Jane Lowther, released her single Divinity. Though she already had a following with her previously released music, Divinity swept the country by storm, getting smashed on all major radio stations and even getting a remix EP with reworks by Mazde and Milwaukee Banks. The last eight months have seen her playing shows all around the country, featuring on tracks by the likes of Cosmo’s Midnight and Andrei Eremin, and now, releasing her second EP, Unconditional.
Unconditional is the product of the last year of Kučka material. Some of the EP seems so familiar, because it’s been getting so much airtime, but it never gets boring or predictable. The seven-track release kicks off, of course, with Divinity – a perfect opening track both for new and old fans of her work. Listeners unfamiliar with her other work are automatically familiar with her biggest release, and older fans get a nostalgia trip before being shown what she’s been up to.
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While her first release over three years ago, titled Kučka debut EP, largely focused on her production, this EP is completely dominated by her vocals, with her production merely being a vehicle to transport her voice. I spent a good long while trying to come up with the perfect way to phrase how the EP makes you feel, and I realised that Unconditional is music to float to. The thick, warm sounding synths, the percussion that can switch up from mega slow to jumpy and frantic, and of course Kučka’s vocals that lure you off your feet like the smell of a cartoon pie. That’s not to say that this isn’t stuff to dance to. Though I definitely prefer closely listening to the layers upon layers in each of the tracks, it’s so groovy. It’s music to throw your hands in the air to.
Though on her first EP her voice sounds largely unchanged, on Unconditional it’s always layered on top of itself, bent in some way and sounding so soothingly and hauntingly breathy. It shows her development not only as a musician and producer, but also in the maturing of her vocal style. While her voice is gorgeous on every song, the title track of the EP (which she first released over a year ago), Unconditional, is where her singing shines brightest. Super minimal production makes obvious the contrast between this and the other songs on the EP, with her voice being almost completely un-altered. The lyrics too completely draw you into her serenade, Kučka saying that she wants to stay up late and not say goodnight too soon. It’s beautiful music, plain and simple, and it’s so hard not to fall in love with her, let alone her voice.
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She bounces off her production so easily, often using her voice entirely as an instrument and sample to drive that production. Speaking of production, she’s stepped up her game in a big way since her last release. There’s no part in any track that feels like it doesn’t belong there, with each sound and beat serving a purpose. The final track of the EP, Recovery, is largely about her production, and it’s one of the most interesting to listen to. Switching from light and soft at the beginning, to dark and eerie to finish is an impressive transformation to listen to. At five minutes, it’s a movement rather than a track, and shows how far she’s come instrumentally as well as vocally.
The balance between vocals and instrumentals is almost perfect on this EP – it’s just so consistent, and really feels like she’s found her voice. With so much national attention already, even before this EP, I’m sure that Unconditional will mean even bigger and better things for Kučka. Hopefully we’ll be seeing even bigger collaborations, more releases, and more development of her sound in the very near future – it’ll be really exciting to watch her grow even more.
Cop Unconditional here.
Here’s our five favourite videos to come out this week so far:
Twin Caverns, Drown
I’ve followed this Sydney duo since their first track, so I’m very excited to share their first ever video here too. As beautiful and eerie as the song itself, find yourself mesmerised by the hypnotic, sensual smokiness (literal and figurative) of their clip for Drown. Follow the story through a deep, green forest and you’ll really get into the track’s atmosphere.
Kucka, Divinity
Another song I fell in love with on first listen, Perth artist Kucka has just dropped the video for her new single Divinity. Like Twin Caverns, the video is as sensual and intimate as the single, it’s essentially Kucka in the shower, but it’s artistic and powerful beyond just being sexual – and you don’t see that too often.
Alt-J, Pusher
Wow, this was somehow unexpected. Soon in town for another series of shows, Alt-J have released a bleak video for Pusher. It’s gloomy and strange, featuring businessmen in dark suits standing around a single man yelling/preaching, breaking down and eventually snapping his own neck. One of their most intimate songs, the video is emotional and incredibly confronting.
The Prodigy, Wild Frontier
In town this week for Future Music Festival, The UK electronic stalwarts have released the third track – and video – off their upcoming album The Day Is My Enemy. The funny little clip features a series of animated characters, mostly dealing with hunting, roadkill, motorcycle accidents and one moose’s revenge. I’m not so sure about the song but I love this clip.
Public Service Broadcasting, Go
Ahead of their album release later this week, these space age artists have released another space-age video. Recordings from space flights intertwine with synths, and the video kind of does the same – black and white scenes of controllers and control rooms mashed up with clean shots of the band and their instruments. It’s simple and beautiful, with a lot of little visual delights throughout.
It’s that time again! Here’s my favourite new tracks this week. Mostly down-tempo soulful electronic today. Enjoy 
- Milwaukee Banks x Andrei Eremin, Van Gogh
Melbourne producer Eremin’s new work with MB isn’t as deep and soulful as some of his other work, but there’s something so slick and catchy about it. Gorgeous rap-ish vocals with a flippantly electronic soundscape, this is a sweet collaboration. - Cln, Satisfy ft. Lou Millar
Another great collab to kick things off, cln has teamed up with Twin Caverns’ stunning vocalist Lou Millar for Satisfy, a husky blend of electro-beats with a trip hop vibe and a whole range of gorgeous, genuinely interesting layers and rhythms. - Ou Est Le Swimming Pool, Dance The Way I Feel (Paces Remix)
I’m SO digging Paces right now, and his blissful remix of Dance The Way I Feel is fucking excellent. It’s bright and plinky-plonky, contrasted perfectly with a heavy-ass bass and a heaving beat. It’s big, it’s fun, it’s bloody glorious. Love it. - Willow Beats, Chess
Another beautiful single from the uncle-niece duo, Chess combines a catchy beat with ethereal vocals and lush melodies, subtle synths and a couple big drops too. One of my top picks from their EP Water, strong on so many levels. - Lanks, Beach Houses
Mmmmmmm mmmmmm! This might be my favourite one this week. This dreamy blend of summer-vibes and hypnotic melodies, flute trills and a a whole lot of beautiful instrumental layers. What a smooth tune. I want so much more Lanks.
- Grace, Pluto (Basecamp remix)
Basecamp has done a fine job on remixing this new track, contrasting a deep, dark bass with those eerily husky, oddly toned vocals. It’s haunting and captivating from start to end. There’s a lot of variety with the beat and rhythm, overall, I dig. - Torfason, Feel Like Letting Go
Ooooh, this is a funky one. A great mix of electronic and instruments, I particularly love the bass work here. This track is hard to pin down, but it sure is interesting. A cool debut from the Brisbane group, I’m looking forward to seeing what’s next. - KUČKA, Divinity
This is an intriguing, hypnotic new single from the mysterious Perth artist. While the track doesn’t change or move a huge amount, there’s so much going on throughout this understated track that I can’t help but feel mesmerised. - Tobtok, Free ft. Hoodlem
I’ve been a little bit in love with Hoodlem for a while now, so any time I hear something new, I love it. This is a shiny electro- soul track with a solid beat and catchy hooks, topped by Hoodlem’s gorgeous vox. This track simply oozes cool. - The Occupants, Hindsight
Aaaaand now for something completely different. Ending a down-tempo playlist full of subtle electro beats with sensual female vocals with what I can only describe as indie-prog-rock might seem weird, but I was so taken by this track from The Occupants, featuring former members of none other than Cog! Not gonna write more about it, just give it a listen