Joey Badass has kicked off triple j’s Like A Version 2018 with one of the most original tracks in recent memory. In town for a headline tour along with an appearance at Sugar Mountain Festival, the 22-year-old rapper stopped by the triple j studios to reinvent a Prince classic.
Hailed the biggest Like A Version in history, complete with a ten-member band and full purple lighting, Joey adapted Prince’s When Doves Cry into a soulful, rap-heavy tune re-titled When Thugs Cry.
The tune isn’t so much a cover as a new track with Prince sampled. After the beautiful performance, Joey revealed he’d been sitting on When Thugs Cry for some time—in fact, it was supposed to end up on his 2017 album All-AmeriKKKan Bada$$, but they weren’t able to clear the Prince sample.
Joey then thanked presenters Ben and Liam for giving him the opportunity to share the song regardless. We’re joining in the thanks, because this track is bloody lovely.
https://www.youtube.com/watch?v=dPcclBGKAMw
The rapper, singer and Mr. Robot actor has certainly set the bar high. If this is how Like A Version is beginning for 2018, it looks like we’ve got a great year ahead.
Image: triple j
Joey “I’m a better rapper than Tupac” Badass has officially revealed all the big details for highly anticipated new album.
According to information seemingly leaked via iTunes New Zealand, the album will be called All AmeriKKKan Bada$$ or (AABA). It’ll be twelve tracks long as is set to feature both of Joey’s new singles, Land of the Free and Devastated. The album artwork is also revealed to be an American flag with a paisley design:
Following the iTunes listing, Joey Badass then tweeted the information out himself, along with a thirty second teaser video and a series of hashtags: “#AABA #AABA #AABA”
https://twitter.com/joeyBADASS/status/837361050706051072
https://twitter.com/joeyBADASS/status/837359607190282242?ref_src=twsrc%5Etfw
Joey Badass has recently released three singles: along with Devastated and Land of the Free, he recently dropped Victory, a promotional collaboration with the NBA and Mountain Dew.
The “Amerikkka” in All AmericKKKan Bada$$ has showed itself numerous times throughout hip-hop. Ice Cube’s AmeriKKKas Most Wanted came out in 1990 and many have since paid homage. On the Run The Jewels track A Christmas Fucking Miracle, Killer Mike says, “Still spell America with a triple K”. Additionally, Badass wore a shirt saying “Make AmeriKKKa Suck Again” on the Land of the Free album artwork.”
We’ll keep you posted when more information is available.
Read more: Watch Joey Badass Teaching At New York University
Image: Instagram
Joey Badass is getting ready to drop his highly anticipated sophomore album ABBA, and last month treated fans to the first taste, the seething, politically charged Land Of The Free. Today, he sidesteps his own album for a moment to release a brand new single Victory, released for The Courtside Project, a promotional collaboration between the NBA and Mtn Dew (more details here). It’s not his first partnership with the soft drink brand, having released Unorthodox with DJ Premier for them back in 2013.
“I’m excited to be a part of The Courtside Project,” he told Billboard, who premiered the track. “It’s the fusion of several different worlds — from basketball to music, style and art — that are not all separate streams anymore, they are interconnected. I always want to encourage the youth to be themselves and pursue their dreams, whether those are hoop dreams, Grammy dreams or PhD dreams.”
Featuring production from Kirk Knight and Adam Pallin, the track has a bright, trumpet-led instrumental and a bright, clear percussive rhythm. Badass’ verses are clear-headed and strong, with slick references to basketball and the game in general; “And this feels like victory, the competition looks slim to me” he seethes in the chorus, while the verses including references to Kyrie Irving, looking out at the crowd, teamwork, and doing it “just for sport.”
If this isn’t good advertising then I don’t know what is.
Image: Mtn Dew
Joey Badass has had a pretty amazing start to 2017, earning his very first gold record for Devestated, released last May and taken from his then-new album B4.DA.$$.
The artist shared the news over Twitter this morning, thanking his fans for their dedication and support. In the tweet, he also revealed that brand new music will be on its way as soon as next week.
https://twitter.com/joeyBADASS/status/819688767489445888
Now before we continue, let’s just speak about that gold certification for a moment. For a record to receive a gold certification, it must have sold 500,000 units. An incredible feat, but one that doesn’t even come close to actual stats. Devestated currently sits at 41.7 million Spotify streams and 5.1 million views on Youtube alone. This is a pretty amazing look at the state of the music industry and revenues streams for artists. But that’s another article for another time.
Anyway, Joey Badass’ birthday is next week, January 20. He released B4.DA.$$ on his birthday last year, so it totally makes sense that he’d release new music on his birthday – he’ll be 22 – this year too.
https://www.youtube.com/watch?v=87zvcCAcY68
Although he didn’t do much in terms of music last year, he did make his acting debut as a frequent guest on smash hit TV series Mr Robot, playing Leon, friend to main character Elliot Alderson (Rami Malek).
Here’s hoping he comes through with the promise and we’ve got some new music real soon!
When ScHoolboy Q announced the Australian leg of his Blank Face LP Tour I was saving for this trip to America. I resolved that this would be a gig I had to miss out on. But, while scanning websites for gigs in New York I saw that Q would be in the Big Apple at the same time as I, and he was bringing Brooklyn future royalty Joey Bada$$ with him. How could I refuse?
Terminal 5 is an interesting venue, it reminds me of the Palace Theatre in Melbourne with multi-level areas and standing room. Joey took to the stage and the room went wild. As he bodied through classics like No, 99 and Christ Conscious I remembered just how perfect of an album B4.DA.$$ was and how important Joey is about to become in the global hip-hop scene. After bringing out a large portion of his Pro Era label crew, he closed his set with his latest single Devastated which blew the roof off the venue. It’s great to see people not only turn up for the support, but treat the support with the same level of enthusiasm as they would treat the headliner.
In between Joey and ScHoolboy Q the DJ begins dropping TDE bangers from the likes of Ab-Soul, Jay Rock and of course Kendrick Lamar. The mood was electric as the DJ proclaimed “Ey yo! But this is New York right?” as the opening notes of Harlem rappers A$AP Ferg and A$AP Rocky‘s Shabba send the crowd into a frenzy.
The time is right as ScHoolboy emerges from the dark, while neon lights spell out Blank Face LP Tour in the background. The kid intro for Oxymoron‘s lead track Gangsta is heard and the room just explodes. From the very first bar to the very last of the set, ScHoolboy is 100% on point. When I first heard Blank Face LP I wasn’t sure how I felt about it, but after seeing Schoolboy Q perform it live in a packed NYC venue, it’s easily been confirmed as one of the best hip-hop records of the year (read our review here).
By Any Means, a standout from the new album, followed while Q basked in awe of his audience. “I know this is the Blank Face LP tour, but I gotta do Oxymoron too cause y’all are lit!” before launching into What They Want (sans 2 Chainz). Collared Greens followed and Q walked up and down the front row asking “Who knows Kendrick’s verse?” One lucky fan was given the opportunity to spit alongside Q in place of King Kendrick – talk about big shoes to fill.
Unfortunately the kid just wanted to get up on stage and jump around, he didn’t actually know any of what is one of the best verses on Oxymoron. It’s one of those moments where at the back of the venue you say ‘I could’ve nailed that’ but probably would freeze up if you actually had to get up there. Q shook his head before turfing him off the stage, launching into WHateva U Want.
https://www.youtube.com/watch?v=uQ_DHRI-Xp0
It’s at this point ScHoolboy Q takes a moment for reflection. “I wanna thank you, before y’all I was a fuckin’ loser.” He smiles at his screaming fans. “Now I have custody of my daughter, I can put food on her plate and now I can send her to the best school in LA!” as cheers erupt from the crowd at each achievement.
He notes that he’s only contracted for an hour set, but is nowhere near done. The encore of the show is a masterclass in excellence. Man of the Year gets the crowd fired up, Hell of a Night is an explosion of hands, strobes and lasers. With all said and done there’s only one thing left: Blank Face LP‘s mammoth lead single THat Part. Being the Saint Pablo tour just wrapped up in NYC and Kanye West was still in the city for New York Fashion Week, I had hoped for a cheeky appearance, but no luck. Q closed his set as he opened, with absolute precision and talent.
Schoolboy Q touches down in Australia in November – tickets, dates and more details found here.
Image: Live Nation
Cross-brand marketing in music is a strange, strange world. Lost Ones is a new track from Joey Badass and Jim Jones, released as part of a three-track hip-hop release from Compound Gold, a project presented by condom brand Magnum (Magnum Large Size to be specific).
The first track in the series featured Dave East and BJ The Chicago Kid, while the forthcoming third track is set to feature Beanie Sigel and Jadakiss.
The song opens with ominous electronic production courtesy of Don Cannnon, before Annalise Azadian’s guest hook adds an airy, melodic tone.
Joey’s verse is intimate and powerful, speaking about someone he loved and lost. It’s remarkably introspective and incredibly personal. Jones’ verse comes in after the second hook, his vocal tone an interesting contrast against Joey’s deep voice. His verse also talks about someone that he’s lost, adding to the dark and sobering feel of the song.
Say what you will about branding and advertising – whether this track will make you want to go out and buy Magnum condoms or not isn’t the point of this review. The song is really great, and I’m happy to leave my judgement about its funding at the door.
This review has been republished with permission from Indie Shuffle
Image: Soundcloud
In case you missed it, last week T.I’s concert at Irving Plaza, New York, was tragically cut short after a then-unknown gunman opened fire backstage, killing one person and injuring three – with rapper Troy Ave since being arrested for the crime. Today, Joey Badass announced via his Twitter that his show taking place at Irving Plaza this Thursday night had been cancelled. In a now deleted tweet, the rapper initially blamed the NYPD. While this would not have come as a surprise to many, considering NYPD Commissioner William Bratton’s comments about rappers as “basically thugs” the day after the shooting, more details have since followed.
While initially many believed the cancellation to be as a result of an ongoing investigation at the venue, it soon came to light that a show was happening the night before – Train’s tribute to Led Zeppelin II. While many news outlets jumped at the opportunity to have a dig at anyone trying to stereotype and target hip-hop, which is honestly understandable in the wake of Bratton’s ridiculous statements. However, the venue has now cleared up any confusion.
Speaking to Rolling Stone, a venue spokesperson said, “In light of last week’s tragic event, we are acting with an overabundance of caution and coordinating a going forward strategy with the New York Police Department that may also include a curfew. Because these discussions with New York Police Department are ongoing, we will be postponing a few of our upcoming shows.”
These shows included Mac Miller and Vince Staples at Irving on Friday and Saturday respectively, and a Guns N’ Roses cover band and Canadian rock duo Black Pistol Fire at Gramercy (Live Nation’s other venue), also Friday and Saturday respectively. So, it seems that there isn’t any real stereotyping going on here. Though we don’t know the extent of these “discussions”, we’ll have to wait and see what further comments are made about hip hop by the NYPD to be sure.
Image: Craveonline
Until recently, the majority of public opinion comes from mainstream media. Industry experts, professors and politicians provide their own opinions, in turn helping to form those of the masses; however, in the social media age that we live in, anyone and everyone is able to share their thoughts instantly across a number of incredibly far reaching networks.
These alternative points of view help to create a more in-depth dialogue about issues as trivial as memes, as universal as ethical issues, as controversial as politics and religion and as topical as race relations and immigration. Artists, as an umbrella term, are a group of people that have always engaged in this dialogue. A painter painting, a writer writing, and a musician making music, all respond to issues and themes in some shape or form.
In the digital age, this participation in conversation has become less passive for artists and much more direct. Rather than relying on their work to speak for them, creatives can now give their own opinions directly to their audience via a number of channels of communication. Recently and more frequently, one of these channels of communication has been via lectures and discussions, most often at universities and in video series.
It was just last month that the Red Bull Music Academy hosted a roundtable discussion with some of hip-hop’s biggest producers – Zaytoven, Sonny Digital and Metro Boomin. The Atlanta boys discussed their musical origins, the process of sampling, labelling genres and their careers over the course of an hour and a half. The full interview was only posted a number of hours before writing this article and has already racked up several thousand views, but would videos like this have been so successful only a few years ago? Would people have been as responsive to the ideas and experiences of producers, rappers and everyone in between?
Definitely not, but let’s take a look at why that’s changed.
https://www.youtube.com/watch?v=GkJbkixcpcU
Let’s get this out of the way early: the rise and prevalence of social media is a huge contributor. We live in a time where I can know everything that Drake is doing and has done at the push of a button, or at the touch of my thumb. Being able to keep up to date with what any artist you’re interested in is doing means that they appear in our news feeds, and consequently our lives, much more.
Articles being written about what they’ve said or what they’ve done means they’re on our minds as often as our friends. From there, it’s only a small jump to people that maybe aren’t as interested in them as someone else. No doubt almost every person alive today knows about Kanye in some form, and they’re more likely to be even a little interested in what he’s got to say (even if a lot of it is wildly outlandish). Social media is its own universe though and most of what is said online isn’t particularly insightful and intelligent, so let’s make a big distinction here. Yes, social media is the way in which most opinions are shared and spread, but let’s take a look at how hip-hop and in depth discussion, academics, and education are overlapping.
Over the last year alone, a number of huge names in hip-hop have held lectures and classes for students at some of the world’s most renowned universities. Harvard has seen Pusha T quizzed about his role as new president of G.O.O.D Music and the dispersal power of music platforms, Chance The Rapper was there last May discussing streaming and police brutality and J. Cole visited all the way back in 2013 to talk about his upbringing.
Joey Badass gave a lecture at New York University for Black History Month, Killer Mike made an appearance at MIT to talk about race relations, Stormzy was at Oxford talking domestic violence, and Kendrick’s got a storytelling class based on his work at Georgia’s Regents University. It’s a long list, but there are many more that we don’t have the space to mention. So, why?
https://www.youtube.com/watch?v=2JPVNA44CQs
There’s no doubt that rap has become the mainstream. Look no further than the charts, where Drake’s One Dance and Desiigner’s Panda are sitting comfortably at Billboard number one and two respectively. While rap had previously been labelled as aggressive and intimidating, seen most obviously in criticisms of artists such as Wu-Tang Clan and N.W.A, it’s now, at long last, a respected artform.
As a result, rappers are now enjoying a time in the mainstream that was previously only enjoyed by pop and rock musicians. For this reason, their music is being appreciated both on a base level and at a deeper level. Though many fans listen to hip-hop and appreciate the way it sounds and the intelligent bars being spit, as has always been the case, there are those fans who wish to understand lyricism on a different level and to look at it in relation to the person’s own life.
Hip-hop is largely an artform born out of struggle. The marginalisation of black youth, the hardships of growing up in often problematic families, and the documenting of the gangsta lifestyle – these are all themes which have run through the veins of hip-hop (though not all hip-hop of course) since its inception. As these real world struggles become more and more a topic of mainstream concern, rather than pushed to the side as they have been for so long, hip-hop becomes a seemingly endless resource for the understanding of these themes.
The opinions and experiences of its proponents thus become invaluable to people trying to better understand what they, and many people like them, have gone through and experienced. Coming from these backgrounds and essentially having to become masters of business to survive properly as an artist also gives them a very unique perspective on the industry in general. They’ve experienced it all first hand, and their opinion is invaluable both in understanding how music operates currently, and the direction that it will be moving in.
While it goes without being said that each artist speaking or lecturing is giving a very different point of view on contemporary topics of discussion, the inclusion of these people in the dialogue offers opinions that have been so far lost for so long. Hip-hop is the telling of stories that many of us haven’t experienced, and it’s this first hand knowledge that will help in the solution to some of the problems that many rappers and producers alike have faced.
What will the rappers of tomorrow be lecturing on at Harvard in 20 years time? We’re looking forward to finding out.
Image: Rolling Stone
Joey Bada$$ stopped by Sway In The Morning to unleash a vicious 5 Fingers of Death freestyle, and everyone in the genre is loving it. Well, except maybe one person – Troy Ave.
Earlier this year, Ave dropped his controversial track, Bad Ass, which fired shots at Joey, calling him a “filthy backpack rapper” and saying he had a “drug dealer face,” which are childlike insults along the vein of “your face is.” But, where Ave crossed the line was when he took aim at Joey’s deceased Pro.Era collaborator Capital Steez, mocking his suicide and saying he was “burning in hell.”
Joey had remained quiet on the subject until today, when his freestyle addressed all aspects of the beef. He goes the hardest in the second section of the freestyle when defending Steez:
“He took a leap of faith and only brightened his light/You took a cheap shot of hate and only shortened your life/The difference between you and him is that he lives forever/You’ll be the first to die that nobody ever remembers/Because the city never need you ever/You committed career suicide and made New York better.”
Check out the whole freestyle below and listen to Joey spit that fire. It should serve nicely as a warning to anyone including Ave that Joey is the real deal and will not take disrespect lightly.
https://www.youtube.com/watch?v=USdUm8lVgB4
Clearly Ave didn’t appreciate the greatness that is Joey Bada$$ as he took to his (private) Instagram to hit back at the diss, which you can see a screenshot of below. It’s obvious from the caption Ave isn’t fazed one bit, although we’re not sure if this was a wise move on his part.
Not only that, he also dropped the visuals for his diss track Bada$$ (Joey Mada$$ ‘Ready Diss’ Reply). It doesn’t really add anything new to the beef, but it does have a suicide prevention PSA at the start of the video. It is hard to take the PSA seriously when you know the contents of the song, so I can only assume it is another shot at Capital Steez. Check the video below.
https://youtu.be/MG_CRiCAAjA
Image: theproera.com
Arguably the king of the East Coast at the moment, Joey Bada$$ has once again linked up with producer, DJ and friend Statik Selektah for the new track Ready, which may or may not be released on his up and coming LP, now announced to be coming out later this year.
The track definitely has a different feel to how we’ve heard Joey on his past projects. Similar to the Glass Animals feature, he is demonstrating a new flow and vibe, pushing the boundaries of his past styles. In the first verse we hear this newfound conflict:
“Niggas think because we conscious we don’t really get it popping”
“They got me mistaken.
Critics try to box me.”
In an interview with Noisey a while back, Joey touched on this further, saying, “You know what the biggest misconception about me is. How I can only make 90’s sounding music”.
“Cause I do real shit, that’s it. I do what I feel in my heart. I can do anything,” He said.
With this in mind, despite what may seem like a different pathway, Joey still maintains the high quality of lyricism that he has shown before. He discusses how the media restrains him and how his path to independent success will cement him in the game for a ‘real long time’. He just hopes you’re ready for what he’s about to do next.
With this hard, boom bap beat and several nods to his crew Pro Era, Joey also manages to bring up old beef and slip in a little diss towards Troy Ave, saying, “My nigga Kirk just outsold Troy Ave”
Recently, in parallel to his conscious music, Joey has now begun a university lecture tour speaking to students about his life and career as an upcoming, independent hip-hop artist.
He’s definitely having a good start to the year.
Image: RapGenius




