Earlier this month, High Tension‘s Karina Utomo commendably called out an instance of sexual assault at her band’s recent gig, wherein a member of the audience decided to grope another punter. Her frustration at the incident, which she addressed via the band’s Facebook page, is palpable and all-too-familiar:

“A member of the audience was groped by another member of the audience during High Tension’s set. We are appalled that this gross behaviour still continues at shows. This behaviour will never, ever be tolerated.

This gross behaviour oppresses not only the persons being violated but also oppresses other metal fans. How are we meant to feel safe and respected when attending shows when we are constantly fearful of putting ourselves at risk of being violated? By continuing oppression of others you are stunting the growth of the metal community, you are breeding fear and affirming the bad experiences of other metal fans that are more vulnerable. Do you ever wonder as to why the attendance of women and members of the LGBTIA community at metal shows is almost always a mere percentage? Even though a love for metal / aggressive music is NOT exclusive to men?”

This follows on from the display of thick-necked bravado that became dangerous, violent behaviour at a Camp Cope gig we attended recently.

Seriously? Not this shit AGAIN.

I can’t say I’m surprised. My lived experiences tell me that there’s at least one asshole at every single gig, club, party, festival, or event who thinks it’s funny, cool, or even remotely okay to touch a strangers’ body without being invited to. At these events, I’ve been grabbed, groped, kicked, thrust at, and more by men who I didn’t know and who I definitely did not want to know. I’d be very surprised if there was a woman alive who has attended gigs or clubs and never once experienced this. The fact is, it just doesn’t matter how you act, what you wear or what you say, simply leaving the house and heading to a public space like a concert or club can pose a risk.

I’ve said it before and I’ll say it again – no, not every man behaves like this (and some women are capable of violence and sexual assault too). Many wonderful guys actively call out and decry this behaviour. The men in my life are all absolutely disgusted by anyone who dares to violate someone’s right to bodily autonomy, because they’re decent human beings.

These reprehensible incidents are the actions of individuals, but you’d have to be living in a fantasy world to not notice that how often it happens, and in how many areas. It’s symptomatic of a much larger, more insidious problem, one that has led to a harrowing misconceptions about public behaviour, expectations and ingrained misogyny, unfortunately still so prevalent in 2016. I’m no sociologist, I don’t have all the answers: my only qualification to speak about these matters is the fact that I’ve lived through them for ~24 years.

Men: it is vital you become active in this conversation, if you’re not already. Unfortunately, the kind of person who thinks it’s alright to grope a strange woman at a gig is more often than not also the kind who values a man’s words above a woman’s. Women, as well as members of the LGBTQIA+ community: I know it’s genuinely anxiety-inducing to make your voices heard in what can be a hostile environment, so look out for each other and yourselves.

Everything I’ve said here has been said a million times over, and I imagine it will be said a million times again. I’m writing this because I think the conversation is important. Maybe having it as incessantly and bluntly as possible is the path to change. Maybe the more people refuse to accept behaviour like this, the more they challenge the perpetrators to look deep within themselves for reason and compassion, the less stuff like this will happen. For that reason, I will keep talking about it until women & members of the LGBTQIA+ community can attend gigs peacefully and without fear.

Things are slowly changing, but it’s not fast enough. Aren’t we all exhausted? I’m tired. I’m bored of this. It’s so simple and so straightforward. Just be better people.

Read more: “The only place for women in music is backstage on their knees”: A discussion about misogyny in music

https://www.facebook.com/HighTensionBand/posts/998239420261156

Image: Facebook

St Jerome’s Laneway Festival is just around the corner, and whilst the festival has become known for its ability to pick the creme de la creme when it comes to indie bands, the festival has been delving into different genres over the past few years. Seeing a stronger inclusion of electronica, hip-hop and more, the festival is quickly becoming one of – if not the – best festival in the country, and this year’s lineup only reaffirms this reputation.

Leading the charge this year in the heavy rock arena is Melbourne outfit High Tension. Known for their in-your-face, all out thrash rock, the band have rapidly become one of the most exciting acts to break through over the past years, and for very good reason. Describing themselves as “aiming high, punching low”, their reputation precedes them as one of the best live acts in the country and their album Bully was one of the most underrated records of the year in 2015. The band were also nominated for the 2014 ARIA awards ‘Best Hard Rock Album’ thanks to their debut record, Death Beat so, you know, they’re pretty fucking good.

Before they truly break through (and trust us, they will), we asked drummer Lauren Hammel which three albums changed her life, and the results are typically as cool and badass as you’d expect from a band like this. Check her answers below and jump on any remaining Laneway tickets (dates below)!

Fugazi, Repeater

This album was given to me on cassette by an older kid at my local skatepark when I was around 13. It was the first time I heard anything like it, or even considered that music like it could exist. I can still listen to this record 17 years later, front to back and get stoked which, in my eyes, is a testament to it’s timelessness. I’ve always been a sucker for catchy riffs, tied in with the old hardcore sound, and they nail it, every time.

https://www.youtube.com/watch?v=rPDJEaqdYjA

https://www.youtube.com/watch?v=looSwGHulFI

Bikini Kill, Revolution Girl Style Now

I remember hearing this as a young teenager, 13 or 14. I didn’t own the record until I was in my 20’s but I held onto those songs all through growing up. It was my first introduction to Riot Grrrl, not just the music but the movement; the politics, feminism, values and ethics. The way these women demanded space in a scene where no room was made for them. The lyrics to Suck My Left One floored me and Kathleen Hanna’s ruthlessness and brutality, not only in content but delivery is something that I’ll never get sick of hearing.

https://www.youtube.com/watch?v=LVoMCuemhxc

https://www.youtube.com/watch?v=NH-9Pow-2oE

Propagandhi, Less Talk More Rock

Another record from my teenage years, I would have heard this around the same time I was hearing Fugazi. I found Propagandhi by visiting small town, second hand music stores and reading the thank you lists of CDs in the ‘punk’ section. Propagandhi are one of those bands that have eternally solid and consistent politics while being able to honestly talk about global issues like war, poverty, racism and animal welfare. They are, and always have been, so far removed from typical white dude punk; taking accountability, moving away from individualising world issues and communicating that with sounds young people can relate to. Also, the coloured pressing was limited to 666 copies on root beer coloured vinyl – ripper.

https://www.youtube.com/watch?v=fbRQieiX1H0

https://www.youtube.com/watch?v=QPDQ9ns_7Ds

 

St Jerome’s Laneway Festival dates:

Friday 5 February – Harts Mill, Port Adelaide (16+)
Saturday 6 February – Brisbane Showgrounds, Brisbane (16+)
Sunday 7 February – Sydney College of the Arts, Sydney
Saturday 13 February – Footscray Community Arts Centre And The River’s Edge, Melbourne
Sunday 14 February – Esplanade Reserve and West End, Fremantle

 

Tickets here