It’s that time of year again: the denim jackets are peeled off, the BBQs begin to sizzle in backyards across Australia, and we’re suddenly hit with a veritable cornucopia of incredible music events to signal the march towards the end of the year. There are festivals being announced left right and centre, sure, but not all of us are wallet-endowed enough to skip from fest to fest just to catch our favourite acts for a paltry 30 minute set. Thank god for the Spring headline tour. But, you might say, there are so MANY tours being announced! I feel overwhelmed with choice – how can I make sure I won’t miss the best of the bunch? Shhh. We got you. Credit cards at the ready, fam, let’s dive into the creme de la creme of upcoming tours over the next few months.
NGAIIRE – Inside Blastoma tour
Ngaiire’s rise has been nothing short of meteoric and we are bloody stoked as hell about it. Her album Blastoma climed to #41 in the ARIA charts, #6 on the Urban charts, and is shortlisted for the Australian Music Prize. Ngaiire is fresh off touring with Listen Out festival, before that she absolutely SLAYED at Splendour in the Grass (I should know, I was there). She’s insanely talented, a phenomenal live performer, and even has Grimes‘ stamp of approval. Oh, and the incredible Woodes and Wallace are supporting. Literally what the hell other reason do you even need to pony up the dough and head along to her last headline tour of the year?
Tickets for Ngaiire on sale now via www.ngaiire.com.au
Fri 25 Nov | Corner Hotel, Melbourne
Fri 2 Dec | The Factory, Sydney
Fri 12 Dec | The Zoo, Brisbane
[youtube https://www.youtube.com/watch?v=pYmbZkP3LfU]
Polish Club – Beat Up tour
I’ve been on the Polish Club train for a very long time now and it warms my heart to see that they are finally embarking on their very first headline tour. The thing about seeing Polish Club live is that you will feel very euphoric, then utterly confused as to how the fuck two people can make such a glorious racket, and then very euphoric again. You’ve probably heard their rock banger Beeping, because it climbed its way up into triple j’s 15 most played tracks for a while there. They played BIGSOUND this year and have racked up a laundry list of supports featuring music’s who’s who: Courtney Barnett, Northeast Party House, Gang Of Youths… it’s a little bit ridiculous actually. Oh, and they’re releasing their debut album next year. Why are they so talented? I bet you they’re really nice guys, too.
Tickets for Polish Club on sale now via www.polishclub.co
Sun 20 Nov | Long Jetty Street Festival, Central Coast
Fri 25 Nov | Black Bear Lodge, Brisbane
Sat 26 Nov | Great Northern, Byron Bay
Sat 10 Dec | RAD Bar, Wollongong
Thu 15 Dec | Karova Lounge, Ballarat
Fri 16 Dec | Northcote Social Club, Melbourne
Sat 17 Dec | Newtown Social Club, Sydney
Horrorshow – If You Know What I Mean tour
This one has actually already kicked off, so if you’re a fan of not missing out on cool things then you might want to jump on tickets very, very quickly. Horrorshow are touring the country – yes Perth, you included! – in support of their super-tight track If You Know What I Mean. To add onto the pile of very good reasons to catch the Sydney duo, rapidly rising MC B Wise will be joining Solo and Adit across the run of dates. Watch the Harry Hunter/ENTROPICO (Hayden James, Touch Sensitive, The Meeting Tree) directed video for If You Know What I Mean below and get keeeeeen.
Tickets for Horrorshow on sale now via HORRORSHOW.COM
Wed 12 Oct | Transit Bar, Canberra
Thu 13 Oct | UOW Uni Bar, Wollongong
Fri 14 Oct | Cambridge Hotel, Newcastle
Sat 15 Oct | Factory Theatre, Sydney
Thu 20 Oct | Republic Bar, Hobart
Fri 21 Oct | Howler, Melbourne
Sun 23 Oct | The Gov, Adelaide
Thu 27 Oct | Mojos, Fremantle
Fri 28 Oct | Amplifier, Perth
Sat 29 Oct | Triffid, Brisbane
Sun 30 Oct | Sol Bar, Sunshine Coast
[youtube https://www.youtube.com/watch?v=0rRAc7_Z4G4]
Julia Jacklin – Don’t Let The Kids Win tour
Julia Jacklin seemed to come out of frickin’ nowhere (although, of course, this is never the case) to dominate the back half of 2016. The accolades are stacking up faster than you can say “fuck, I missed out on tickets” – with BBC 6, LA Times, Uncut and Mojo all heaping praise on the alt-country singer and her raw, stunning debut album Don’t Let The Kids Win. There’s only one other Aussie artist whose rocket-fuelled trajectory has taken off this fast in recent memory and her name rhymes with Schmourtney Schmarnett. So you should probably catch Jacklin on this tour before she starts playing her tunes on the US late night television circuit and appearing on Ellen.
Tickets for Julia Jacklin on sale now via Oztix
Thu 17 Nov| The Foundry, Brisbane
Wed 23 Nov | Jive Bar, Adelaide
Thu 24 Nov | Howler, Melbourne
Thu 1 Dec | Transit Bar, Canberra
Fri 2 Dec | The Small Ballroom, Newcastle
Fri 9 Dec | Oxford Art Factory, Sydney
Sat 10 Dec | FourFiveNine, Perth
Sat 16 Dec | The Carrington Hotel, Katoomba
[youtube https://www.youtube.com/watch?v=fua9nrkUYew]
LANKS x Hein Cooper – Co-headline tour
Q: What’s better than one innovative Melbourne musician embarking on an 8-date tour? A: Two innovative Melbourne musicians embarking on an 8-date tour together. You likely don’t need an introduction to either of these dudes. LANKS, perennial striped shirt-wearer and top notch human being, just wrapped a national support with Vera Blue and released his second EP Viet Rose, and I honestly have no words for how good it is. Basically, he’s been busy dominating and it really doesn’t seem like he intends on stopping. Hein Cooper is like Ed Sheeran if Ed Sheeran was cool and made good music (there I said it). To hear his gorgeous singles Art Of Escape and Rusty (together they boast over 3 million streams on Spotify) is to feel feelings. They’re gonna make a formidable duo and if you don’t go see them you’re dumb.
Tickets for LANKS x Hein Cooper available via lanksmusic.com/tour
Thu 1 Dec| The Basement, Sydney
Fri 2 Dec | Miranda Hotel, Miranda
Thu 8 Dec | Black Bear Lodge, Brisbane
Fri 9 Dec | Nightquarter, Gold Coast
Sat 10 Dec | The V Room, Noosa
Thu 15 Dec | Workers Club, Geelong
Fri 16 Dec | The Curtin, Melbourne
Sat 17 Dec | Rocket Bar, Adelaide
[youtube https://www.youtube.com/watch?v=VQNvaGJyraA]
Good Boy – Plum EP tour
Hi, have you been living under a rock? Good Boy are a band that are, as their name suggests, very Good. They are also all Boys I guess. They’re touring in support of their EP Plum, aka one of the best, most self-aware snapshots of the Aussie youth zeitgeist we’ve seen in recent memory. Their set at BIGSOUND was so packed I had to stand on a chair and triple j are smashing their tunes basically on the daily, like new single S.O.G.K. They put on a bloody good show. Get your butt to one of them.
Tickets for Good Boy available from Oztix
Fri 7 Oct | The Grace Darling, Melbourne
Sat 8 Oct | Problem Child, Nexus Arts Centre, Adelaide
Fri 14 Oct | Rad Bar, Wollongong
Sat 15 Oct | Oxford Art Factory, Sydney – FREE SHOW
Fri 21 Oct | Elsewhere, Gold Coast
Sat 22 October | The Foundry, Brisbane
[youtube https://www.youtube.com/watch?v=3rm6zVEsvXc]
Brisbane’s Good Boy must be genuinely exhausted. After a massive year, and off the back of an absolutely packed BIGSOUND showcase (I literally had to stand on a chair to catch a glimpse of them), they’ve just released their second EP, Plum. And, kinda like its namesake fruit, it’s juicy in its incisive intelligence and sweet in its charming, irrepressible vocal hooks.
First out of the gate, the five-track EP kicks things off with a little bit of early Bloc Party-esque nostalgia in Sycophant. The track is tense and driving, with incredibly tight percussion and chiming guitars – but it never feels crowded. There’s something incredibly satisfying about the tried-and-true “call out” song. You know the type: The Offspring‘s Why Don’t You Get A Job, Lily Allen’s It’s Not Fair, The Angels‘ Am I Ever Gonna See Your Face Again, et al. Not to say there’s necessarily any musical resemblance, but how damn good does it feel to let somebody else articulate all the frustration that’s been boiling under your skin and messing with your blood pressure for months? You don’t need to bitch about that one girl/guy who’s got you down, just let frontman Rian King do the verbal sparring for you. The best part? No ugly fallout, just a self-satisfied smile on your face.
Although previously insisting they’re “not a political band”, next track and latest single SOGK feels pretty damn outspoken. That’s a compliment, by the way. King’s lyrics articulate a tolerance of freedom of religion, but rejects it as a framework for his own life (I don’t need to have faith/Cos I cut out the middle man/I have faith in myself). In today’s climate of unbridled hate speech and intolerance, this feels like a mighty timely balm – a gentle reminder that it genuinely doesn’t matter if someone else has a different invisible sky friend to you (or if they don’t have one). Also, this song features the best example of King’s casual falsetto since Transparency.
Okay, real talk: Ya Mum’s Ya Dad might be the best song name to ever exist. Try arguing with me – you can’t. It’s just a fact. Seriously though, this is incredibly insightful and succinct summary of what a quarter/mid-life crisis feels like. Social expectations surrounding home ownership, career paths, and marriage can really feel incredibly crushing sometimes (It’s getting harder each week). I’m getting some pretty serious Boys Don’t Cry (The Cure, not Frank) vibes here too – homage though, not a carbon copy.
Love songs are tough to nail because there are just. so. damn. many of them. Weaving in regret, ennui, youthful idiocy in the lyrics – letting instrumentation take a back seat – it’s a tricky balancing act. As an avid connoseuir of the “shoulda coulda woulda” sadboy love song, I don’t say this lightly: Millie might be the best I’ve heard all year. The line Some bright ideas never stray far affected me just as deeply as The Whitlams‘ I’ll always keep the light on for you did when I heard it for the first time. The entire Plum EP shows incredible promise, but to me, this is the standout. I have absolutely nothing at all to be sad about and this song made me sad. That’s no easy feat.
Closing track Poverty Line needs absolutely no introduction. If you don’t sing this when you’re sinking tinnies with your housemates you’re a goddamn liar. This is probably the youth anthem of the year, which is a huge credit to Good Boy, and unspeakably depressing to everyone else.
This week, as with every week, the competition has been fierce when it comes to new releases. Constantly spoiled for choice, below are ten of the best songs that have been released over the past seven days, and once again there is something for everyone.
My city, Brisbane, features heavily in this one, with SIX entries into the playlist. I swear it wasn’t intentional, but it’s a great coincidence considering Young Franco, Emma Louise, Golden Vessel, Machine Age, White Wash and Good Boy are all exciting acts in their own rights, and all brought their A-games for their latest releases. In between them, we’ve got some UK talent in Jodie Abacus which has been reworked by the amazing Armand Van Helden, another fantastic remix of Shura‘s Touch by Four Tet, a fantastic collaboration from German music makers Moglii & Novaa and of course, the incredible Boys Noize to round things out. Enjoy!
Jodie Abacus, Hot Kitchen (Armand Van Helden Remix)
Jodie Abacus’ Hot Kitchen has been on high rotation since it’s release last year, but the news that the one and only Armand Van Helden had been locked in for a remix was almost too much. The results are unsurprisingly ridiculously good, with Van Helden’s reputation preceding him. Sounding like Jodie Abacus suddenly became a member of Duck Sauce (remember that song?) which, funnily enough, Van Helden was one half of, the funk is amped right up to breaking point, and Van Helden’s groovy synths provide a warm bed for Abacus’ soulful vocals. It’s a song made for dancefloors, and is more than enough to rival the original in terms of good vibes.
Young Franco, Drop Your Love (Ft. DiRTY RADiO)
Brisbane producer Young Franco takes his time with his releases, but it’s okay because they’re always worth it. Drop Your Love is the latest release from the young gun, and it continues along in the direction he was heading in with last year’s Don’t U Want Me. It might sound a little too similar at times to his previous single, but it’s a tight disco funk track nonetheless, with some liberating good vibes to bring it home. Teaming up with DiRTY RADiO for vocals, we have our suspicions things are just getting warmed up for Young Franco, and we can’t wait to see where he goes next. This single also comes alongside the announcement he has linked up with a new crew by the name of Of Leisure, which you can learn all about from their hilarious introductory video. Big things to come!
Emma Louise, Talk Baby Talk
Emma Louise has one of the best voices in Australian music, and her new material shows off her incredible set of pipes beautifully. Talk Baby Talk comes after last year’s sensational comeback single, Underflow which actually got the remix treatment from none other than Little Dragon. This latest single is a seductive number, with thick synths, trudging beats and a warm bed of ambient sounds that provide the perfect backdrop for Emma Louise’s vocals. It’s rich in emotion, dripping in vulnerability and frustration, and once again shows her in all her glory. We can’t wait to hear what comes next!
White Wash, Time
White Wash is the electronic persona of Brisbane music maker Connor Brooker. He’s also in a band called Bugs, and a surf rock band called Pro Vita, as well as probably a bunch of other things that we can’t keep track of. However, we’re not talking about that, we’re talking about White Wash and his new track, Time. Sounding like a combination of Phoenix and Gypsy & The Cat, Time sounds like it was taken straight out of the indie-electro boom of the late 00’s and thrust into 2016’s production styles. It’s nostalgic, catchy as hell and a whole lot of fun. Brooker, whilst a very clearly talented man, doesn’t ever take himself too seriously in his many projects, and I think this is the key to his success.
Good Boy, No Love For Back Home
Fresh from opening up the Brisbane leg of Laneway festival this year, Good Boy are wasting no time capitalising on this momentum, and have shared another great new track to add to their catalogue. Titled No Love For Back Home, the boys are getting better at just about every element of their sound, and I just can’t get enough of it. The intricate little intro quickly changing into a loud, rock’n’roll growl, the unique vocals that borrow influence from the likes of Mac DeMarco among others, and the groovy breakdowns that intersperse the track throughout, No Love For Back Home is their best single yet, and I wouldn’t be surprised if they get invited to play more and more festivals throughout the year by the sounds of this! GREAT boys more like it!
Shura, Touch (Four Tet Remix)
I have to admit that I haven’t been entirely sold on Shura just yet, but this remix is enough to sway me. The one and only Four Tet shared this bad boy only last night, and it’s now sitting at a cool 34.7K plays in just 15 hours (at the time of writing). Not. Bloody. Bad. It makes sense though, thanks to the stunningly lush rework that he’s given. Working in beautiful harmony with Shura’s delicate voice, Four Tet always seems to know what’s best, and Touch is yet another shining example of this. It’s a track that just makes you feel good from the inside out, with the sped-up vocals, funky bass line and garage beats. Her exposing, vulnerable lyrics still maintain that sensitive side, but they’ve found a new home on a late night dancefloor, and that is something we are very okay with!
Golden Vessel, Do You Think About Me (Ft. MTNS)
Brisbane is bringing the goods this week, with two more of the River City’s finest teaming up for a new track. Titled Do You Think About Me, Golden Vessel has joined forces with MTNS for his first release in a fair while, but proving that it was definitely worth the wait. If you look on his Instagram, the kid is constantly in the studio, and it seems his hardwork is now paying off. Preferring to play with his own styles instead of sticking to the mainstream styles of Australian dance music, Golden Vessel’s production gets better and better with each release, and Do You Think About Me is his best so far. MTNS provides some almost RnB vocals over GV’s forward thinking future-electro beats, which are lush in the way his synths swirl and bloom over the shifting drums. Do You Think About Me is a really great song and an even more exciting step further for both artists, but especially Golden Vessel. Keep your eyes peeled for this guy!
Machine Age, Don’t Look
This song technically came out last week, but it kind of counts for this week if I only heard it on Monday. Machine Age is new on the scene in the scheme of things, but is already showing prowess and raw talent beyond his relatively short time. Taking influence from the likes of Seekae, Machine Age works dark, haunting electronica into Don’t Look, a track that sticks with you from the first listen. Pulling out all the stops, it’s rich and vibrant whilst still dreary (in the best possible way) and forlorn, playing with dark, industrial synths and his dramatic vocals. Hold tight for around the 3:30 mark, where things get even bigger – it can almost bring you to your knees.
Moglii & Novaa, Down Under
German based musicians Moglii and Novaa have come together to release a 5-track collaborative EP titled Down Under, and this week they have shared the first of these. Sharing the same name as the EP, the pair are a match made in musical heaven, and this track is as harmonious as they come. Vibing off each other perfectly, Down Under is a glitchy but serene, smooth but stuttering tune that feels almost alive in the way it quickly deviates when you least expect it. With its warbling bass, future bass break downs, serene vocal harmonies and more, every time you listen to this one, you hear something you hadn’t before. It’s the musical gift that keeps on giving, and what it is giving is pretty fucking good. Keep your ears pricked for the next four tracks, which will hopefully be just as great as this one.
Boys Noize, Euphoria
Any week that Boys Noize releases new music is a good week in my books. The legendary techno wizard’s reputation precedes him, and I can credit him for absolutely blowing my mind at FOMO festival earlier this year during his Australian tour. Euphoria is just hours old, but is well on it’s way to becoming one of this week’s, maybe even this month’s, most played tracks. The simple computerized, acid house beat works so well with featured artist Remy Banks, who only says three words for the entire track- “Inhale, Exhale, Euphoria“. It’s a glitchy trip you can’t help but getting lost in, and I think Banks himself summed it up best when he said of making music with Boys Noize, “From the moment I walked in the studio, I knew something dope was going to be made.” Dope indeed.
Brisbane band Good Boy received some very good news indeed last year, when they found out they had won the triple J Unearthed comp to open their hometown leg of St Jerome’s Laneway Festival for 2016.
They’ve already supported the likes of Viet Cong and Brisbane stalwarts Velociraptor, and have been quickly accruing a loyal fan base around their city thanks to their true blue alternative guitar pop – so it only makes sense that they won and are ready for this next step up in their sure and steady rise to success.
Ahead of the festival, we asked the fellas which acts they were keen to see at the festival. Delivering a list that features DIIV, Thundercat and Battles amongst others, Good Boy show they have even better taste. Check out their top picks below (complete with an accompanying playlist for your convenience) and be sure to check them out from 11:50am on the Good Better Best Stage this Saturday, February 6 at the Brisbane Showgrounds. Get on the remaining few tickets here.
Rian:
Royal Headache
With two insanely great albums under their belt and a high energy, fast paced live set, Royal Headache are by far the band I am most looking forward to seeing. They all seem like they don’t really care about anything but the music, and thats what i look for in a band. Apparently Shogun is a real showman on stage so it should be a ripper.
Blank Realm
I’ve seen Blank Realm around 6 or 7 times and no matter the circumstance or situation they are always incredible. Their chaotic sound and their songwriting is near perfect and since their latest 2 albums, they’ve just gotten better and better every time.
Tom:
DIIV
I sort of missed the bandwagon with these guys when they brought out their debut album in 2012. But I’ve been all over every one of their latest singles leading up to their next big release. DIIV are sure to captivate audiences across the Laneway circuit with their spacious indie dream pop. P.S. Take note of the bass line in this track.
Thundercat
I discovered Thundercat through his incredible work on the Flying Lotus albums. That’s right, this guy is the mad genius behind the bass playing in most of the Flying Lotus tracks/albums. That fact alone should be enough reason to save a spot for Thundercat in your laneway schedule.
Stu:
Methyl Ethel
I first heard of these guys when i saw them at Bigsound this year and have loved their tunes since then. Rogues is a #banger and has been my go-to jam while I’m work. I can’t wait to see these dudes again!
Battles
Icecream is one of the catchiest songs out there with a bloody insane drum line and I’m dying to seeing the intro drum fill at 0.56 seconds. How good?!
Japanese Wallpaper
I was pretty late to the party with this guy only just having a good listen to his tracks late last year, but this guy is crazy talented for his age, dropping hit after hit at only 17 or something? I can’t wait to see this dude’s live show. A must see on every punters’ laminated laneway schedule!
Spoiled for choice this week, when it comes to new music? Sounds about right. Don’t worry though, because we’ve got you. Lots of Aussie talent (RaRa, Zone Out, GL and many more) flexing their knack for making damn good music, a killer hip hop collaboration from two of America’s finest, some dramatic synth pop and more – these are the ten songs from this week you need to hear NOW!
RaRa – young n dramatic
Melbourne hip hop act RaRa are quickly becoming one of my favourite acts in the country, and for good reason. If you’re yet to catch on, their latest track young n dramatic is the perfect introduction. Forward-thinking production, intelligent lyrics, four lead singers and their individual styles and some serious feels – this track has it all.
Zone Out – Inside
Zone Out are part of the legendary crew of Deaf Ambitions, sitting alongside acts like Crepes and Leisure Suite, so they’re in pretty good company. Inside marks just their second track on their SoundCloud, and what a doozy it is. Dream pop at it’s absolutely finest.
Autre Ne Veut – Panic Room
We caught up with Autre Ne Veut just last week, so it goes without saying that his latest single would be in this playlist. Crazy vocals, unpredictable synths, a whole lot of uncertain emotion – the man sounds quite panicked indeed. Taken from his latest album, Age of Transparency (which is out today!) this is Autre Ne Veut at his best.
GL – Number One
GL smashed it out of the park at last week’s OutsideIn festival in Sydney, then dropped this superb track just days after when fans were begging for more. It’s been a while since the release of their 2014 EP, Love Hexagon, but this track sees them welcomed back with wide open arms. Shimmery, fun, and just the right amount of 80’s nostalgia, this track sounds like Kylie Minogue-era Neighbours but with a modern touch.
KYLE – Remember Me? (Ft. Chance The Rapper)
It seems Chance The Rapper just can’t stop collaborating! This time, it’s with Californian rapper KYLE, and the results are a total dream. They’ve worked together previously back on The Social Experiment‘s Surf, and now they rejoin forces for Remember Me? Taken from KYLE’s upcoming album, Smyle, the Cali rapper said this was one of the hardest songs he’s had to write, but it definitely doesn’t show. Showing a bit of a slow and more pensive side to himself, Remember Me? is a soulful track with a lot to give.
Kuren – It Still Hurts
Yet another Australian producer making you feel bad about how little you have accomplished in your life, Kuren took the nation by storm this week with the release of It Still Hurts. Clearly taking note from the big dogs of the game, writing down their key moves and working them to his advantage, Kuren represents everything good about Australian dance music right now, and It Still Hurts is the proof. This song is a fucking jam.
Good Boy – Transparency
I’ve had my eye on Brisbane band Good Boy for a while now, and they definitely did not disappoint with their latest track. Sounding a little like a beer soaked version of The Ocean Party, their songs are refined and considered, and Transparency represents a big step forward for the trio. They’re about to go on tour, and I strongly recommend seeing them in action. More details here.
Hermitude – Ukiyo (Tina Says Remix)
Perth producer Tina Says is one of my favourite homegrown talents, and for very good reason. She almost keeps to herself in a way, and doesn’t get anywhere near as much recognition or traction as she deserves, but still she goes along, dropping mixes here and there to devoted fans. This Hermitude remix is yet another example of how much she’s got going on. Perfect for a sunny day or getting down in the club, she heaps a whole lot of genres and influences into the one track and cooks it up until it’s just right. Here’s hoping the rest of the country catches on soon.
Erykah Badu covers Drake – HOTLINE BLING BUT U CAINT USE MY PHONE MIX
Well, shit. Whenever Erykah Badu does anything, it’s time to prick up your ears. When she takes on what is arguably the biggest R&B track of the year, you down a few espressos and stand to complete attention. This is a ridiculously cool cover from the neo-soul legend. I’ll be honest – I prefer this to the Drizzy original. Drake should be honoured that she took it on. I’m honoured just because I get the chance to listen to it.
Kyler Slater – Black Eyes
Dark and seductive, this is kind of a halfway point behind The Weeknd and Chet Faker. Kyler Slater’s latest track is smooth and sensual, with a deep, enveloping beat and a massive bass that really gets under your skin. The overtly sexual lyrics don’t leave much up to the imagination – and pared with the intense beats, it makes for one visceral damn listening experience. Of the track, Slater says, “When you are at the edge of destruction and loss, you are inspired to write songs that, without diving too deep, can help you process emotions and move forward.