It’s video roundup time! Once again, Howl And Echoes are coming in hot with the freshest, most eyeball stimulating music videos to be dropped by the artists you love and some of the artists you don’t know you love yet, of this week. We do all the dirty work and herd them all into one convenient web-based location for you to enjoy every Friday so that you don’t have to. Have yourself a good old gander at the latest offerings from:
The Murlocs – Compensation
https://www.youtube.com/watch?v=VwCdcF0OfHI&feature=youtu.be
Good to see one of my favourite up and coming Australian bands starting off the year with some brand new music. Compensation is The Murlocs’ first single from their just announced upcoming album Young Blindness.
Compensation is the kind of tripped out rocker that had me lunging for the repeat button ad nauseum when I first heard The Murlocs with Space Cadet. Frontman Ambrose’s unmistakeable B-movie shriek keeps you mesmerized, backed by old time rock and roll piano and fuzzy guitars, it’s a sub-three minute gem.
The video is probably deliberately frustrating (it’s like trying to watch an HD movie on an old as dirt computer) but its warped out visuals complement The Murlocs’ sound just perfectly
Young Blindness is out March 18th via Flightless/Remote Control Records
Fat Freddy’s Drop – 10 Feet Tall
https://www.youtube.com/watch?v=xbfLNTxncbE&feature=youtu.be
Some honey-drizzled soul from our New Zealand neighbours and national treasures Fat Freddy’s Drop comes this week in the release of their newest single 10 Feet Tall, taken from their recently released third studio effort BAYS.
Rich and deep, full of warm brass and laidback rhythms, 10 Feet Tall grooves along at such a contented pace, it’ll suck you in and spit you out the other side feeling nothing but chilled.
The video to go along with it is a stunner, shot in the coastal locale of Pakiri, just north of Auckland. Plenty of lush green and the track will have you levitating 10 feet off the ground like the kids in the clip for sure, if only figuratively.
Catch Fat Freddy’s Drop as they tour Australia throughout February.
Low – Into You
https://www.youtube.com/watch?v=wgp6ZnNsw5g&feature=youtu.be
Coming from their latest album, 2015’s Ones And Sixes, is the new video from Minnesotan indie rockers Low for the slow-burning and positively goosebump-inducing Into You.
Minimalistic, with a soft backbeat, intermittent and wavering guitars and the focus planted predominantly on the gorgeous vocals of frontwoman and drummer Mimi Parker, the chorus just soars.
The video accompanying that offers a shimmering view from the crowd at one of Low’s tour dates in Glasgow. The rapt expressions on the faces of the audience tell the entire story.
Catch Low out in Australia on tour this April.
Lion Babe – Where Do We Go
https://www.youtube.com/watch?v=NsFokAUkXjs
The name Lion Babe is one you’re going to have to start getting used to after today. Marking the release of the New York, New York duo’s debut record, the appropriately titled Begin. They’re a stellar pairing of artists artist and have the industry approval to go with it, having already collaborated with names like Pharell Williams, Childish Gambino and Disclosure.
Where Do We Go is the latest single from Begin and is out to help launch the album. Anchored by rapid-fire trap beats, the disco influences are all over the track, with vocalist Jillian Hervey positively searing her presence all over the track with some fiery and soulful vocals, the production from her partner-in-crime Lucas Goodman just slick.
The video sees the pair on a night out in what looks like NYC’s famous Chinatown, full of dancing, bright lights and brighter costumes. As visually stunning as it is sonically mesmerising.
Begin is out today via Universal Music.
Pussy Riot – Chaika
https://www.youtube.com/watch?v=VakUHHUSdf8
The latest music video from Russian punk rock protest group Pussy Riot is bad news if your name is Russian General Prosecutor Yuri Chaika, the girls going for the throat with their latest music video for their song named after him.
For context, Yuri Chaika faced allegations of corruption and ties to gangsters from Russian opposition leader Alexei Navalny. It was a shitstorm, and the Pussy Riot ladies have lent their talents to the situation, creating a video mocking the General Prosecutor to absolutely no end.
The satirical video, shot in various locations in Moscow, depicts Chaika torturing prisoners, accepting cash bribes (and immediately showering in them) and generally being a real piece of shit. Also taking their lumps in the song and video are Vladimir Putin, the Kremlin and Russia’s justice system. There are English subtitles to help non-Russian speakers along.
Just another reason we love the work of Pussy Riot.
White Denim – Ha Ha Ha Ha
https://www.youtube.com/watch?v=F6iXz7WQADE
From Moscow, Russia to Austin, Texas comes the latest single from four-piece experimental rockers White Denim, who today released the audio video for Ha Ha Ha Ha, the first taste of their upcoming seventh LP Stiff.
Liberal lashings of vintage funk, pure Texas guitar licks and the Chris Cornell-esque vocals of frontman James Petralli combine to create one hell of a song, the accompanying video a visual fever dream filled with pinecones constructed of lips, cacti just everywhere (including underpants) and doves flitting in and out.
Stiff is out March 25th via Downtown/Sony Red.
Elliphant – Step Down
https://www.youtube.com/watch?v=UeGgyT0ADzo
Having just dropped the tracklist for her next album Living Life Golden, multifaceted Swedish artist Elliphant has everyone looking very much forward to that album, now known to feature names like Skrillex, Major Lazer, MØ, Azealia Banks and Twin Shadow.
Today she gave us another reason to look forward to it with the release of the video for the second single from that album in Step Down. It’s a pissed off electro pop track sounding like the inside of your head on a bad hangover. The video might detail the cause, a fancy dinner party that goes all kinds of south and ends up positively Caligulan.
We can’t wait for more from Elliphant. Living Life Golden is out March 25th via TEN.
Spookyland – God’s Eyes
https://www.youtube.com/watch?v=37HXyAK-kRk&feature=youtu.be
Having drawn comparisons to both Kurt Vile and Wavves, Sydney-quartet Spookyland are riding an absolute pipeline of hype ahead of the release of their debut record Beauty Already Beautiful due out this year. This week they’ve gone about justifying it with the release of God’s Eyes, the lead single from that album.
Sweet Jesus, is every single bit of hype deserved. God’s Eyes is a Springsteen-esque rock anthem that is absolutely shattering. Building and crashing and burning, intelligently-written and utterly gripping, the towering crescendo to end the song will leave you weak at the knees.
The video accompanying it is a simple black and white band video as they run through the song dressed in black in an all white room. The video could be of paint drying for all I care though, this song is just something fucking else.
Beauty Already Beautiful is out May 6th via Inertia Music.
FIDLAR – Why Generation
https://www.youtube.com/watch?v=Z9e7flqqENo
Out in Australia right now to get ‘loud and obnoxious’ and absolutely tear Laneway a new one are LA noisemakers FIDLAR. To mark the occasion they dropped us a brand new video for Why Generation, one of the hardest hitting tracks from their sophomore 2015 record Too.
Years from now, when trying to describe this generation, they’ll probably talk of our obsession with Emojis. FIDLAR have thus given us what I think (using my very half-assed research) might be the very first music video made entirely of those little smiling bastards (if you don’t count drummer Max eating a burrito at the start).
Clever as fuck is what it is, and also hilarious. Give it a watch and see how many of your most frequently used get a run! And make sure you catch FIDLAR while they’re here.
Los Angeles shredders FIDLAR are this week back in Australia as part of the monumental Laneway Festival 2016 lineup. Their sophomore record, Too, dropped last year and has been met with critical acclaim and gone for a wild run on the charts and the airwaves around the globe and especially so here in Australia.
The record came three years after the release of their self-titled debut LP, a fireball of nihilistic and fucked up fun which catapulted them to fame and got them kicked out of their communal house. Too saw them venture down a darker and more introspective path with noticeable differences in sound and tone. Is this a different FIDLAR since they were here last or are they still shouting ‘Fuck the clock’? We had the honour of a chat about it all with frontman Zac Carper.
https://www.youtube.com/watch?v=D2srovkhf0w
Hey Zac how’s it going?
I’m good man, just in Greensborough in Melbourne at the moment. How are you?
Sweating it up in my car doing this interview but I’m good. I can see from FIDLAR’s Facebook that you’ve been catching a bit of surf while you’ve been here, how’s it been?
Yeah it’s amazing. I tried surfing here last time and it wasn’t great surf then but it’s been so good this time. I rented this thing called a Wicked van which is apparently a huge thing for tourists down here and I went surfing at all these different spots. I just went on the Great Ocean Road and just stopped by places with surf and slept in the van.
Living the summer dream. Speaking of surfing, has Max (Kuehn, drums) learned how to yet?
(Laughs) No way! You know what though, if someone asks him he’ll be like ‘Oh yeah I can’ and totally lie about it but he can’t. No way.
https://www.youtube.com/watch?v=dRLW0gBvLi4
It’s on the record here, Max Still Can’t Surf. I also know this trip isn’t entirely a surfing vacation for you though, you’re with our local heroes Dune Rats at the moment helping out with their next album, how’s that going?
Australia’s finest right there. Yeah yeah I’m recording and producing their new record and it’s fucking awesome, I’m super stoked on it. It’s gonna be a good one for them.
Definitely. It was just good to see you working with them. I know you guys have a pretty good friendship and I hope that’ll come across in the next album. What’s it like to work with those guys.
They’re one of the only like, it’s a rare thing I’ve found in bands in that they’re an actual unit you know? It’s not just one dude calling the shots or anything like that, it’s like all three of them working together. It’s pretty amazing.
And you just got back from what looked like a pretty massive tour with them.
Yeah man that was a long one. That was like a two month tour or something like that! Yeah. It just kind of worked out like I heard some of their new demos and I was just like ‘Oh God these are amazing songs’ and we went to the Joshua Tree to hang out and talk about the record and stuff like that and we just kind of did it. I came out here and we’re in Melbourne recording and it’s fun. A lot of work but it’s super fun.
https://www.youtube.com/watch?v=BYbJmQj5VkE
You’re also down under at the moment and your FIDLAR bandmates will be joining you quite soon for a little festival we put on here called Laneway. Second time out here for a festival, last one was Splendour In The Grass back in 2013, what can people expect? I mean there’s probably going to be a fair few people in that crowd who may not have caught you out here the last time and never seen a live FIDLAR show. What can they expect from it?
Loud and obnoxious (laughs)
Are they letting you bring the R. Kelly dolls on the plane over or do you need to buy an extra seat for them?
I hope they do. I’m leaving that one up to Brandon (Schwartzel, bass). We gotta figure out something to do for these Laneway shows though.
We can only hope he makes the trip. Well I very vaguely remember seeing you at Splendour that year and wondering how there were no fatalities in the moshpit for songs like Cheap Beer and Wake Bake Skate, how have your newer songs transferred into that live environment as far as that pure intensity I can remember goes?
It’s definitely… the new record definitely has this new weird production stuff and these weird effects and stuff like that but behind it is just still all these songs that I just wrote on guitar. That’s usually how it works out anyway so there’s always this good foundation of it being just a rock song.
I guess they’re a little bit slower on this record but I noticed on this tour with Dune Rats in America that by the end of the tour the kids started going off you know. I think we were starting to get tighter and they were just getting to know the songs.
https://www.youtube.com/watch?v=1790d7dhcAQ
The pace might have slowed but they all still go really hard. I read an interview where you said the follow-up to your first record was terrifying. Did you find it a big relief once you’d finished recording initially or was then having to follow that up playing these songs in a live environment as daunting a task too?
Ehhh, not really. At first I thought it would be, you know, but you can’t really over-think these things. It’s more like, what I’m trying to learn is the longevity of stuff. How do we do a two month tour without cancelling shows or not going crazy? You know what I mean? I think we’re working that out and we’re getting there.
Talking of longevity, I thought it was really interesting the way you approached the writing and recording of Too, how you decided that exploring different sounds and genres of music to what you put out for the FIDLAR LP. You were sort of saying that people might think you were selling out by making such a different record but that your idea of selling out would be to just continue to be comfortable making the same record.
With me, I’ve gotta keep challenging myself. It got to the point where for me I’d just written songs about getting fucked up (laughs). Like I’ve done it myself with the first album at my house by myself so it was like, I’ve already done that side of it, what haven’t I done? I had to challenge myself to learn from this experience and that’s when the whole thing came about of like, what if we change the sound?
It’s just constantly trying to push yourself creatively, you know? With some people though it’s cool that they don’t do that. Like I wouldn’t want, let’s see, who’s a good example… I don’t know. Oh, you wouldn’t want a band like Blink-182 to come out with a record that sounds like fucking U2 or something like that. You want Blink-182 to be Blink-182.
God help us if Blink-182 start sounding like U2.
Yeah. Also I think that singing songs about doing speed and heroin can only get you so far.
Before people start to wonder if you’re going to be around to make a next record?
Yeah exactly. And I’m just like, I got fed up with thinking about… no I’m not fed up with thinking about drugs but I just got fed up with writing about getting fucked up. And now I’ve been writing songs about being fed up with that and that’s just the way it is, I go through phases.
https://www.youtube.com/watch?v=ztlZq_qqu-4
As far as FIDLAR the band goes, how much has changed for you guys? I know you were talking about Dune Rats being a tight unit and that was actually the vibe I got from your first record, like I was a fly on the wall of a big fucked up road trip with the four of you. Is there still the same unity for you all as a band now?
Yeah it’s definitely crazy but you don’t realise, when you’re playing all these tours and stuff, you don’t realise by the end of the tour how tight you guys are and stuff like that.
Stuff like our live shows coming along too. I’m probably the least technically skilled musician in the band, the other three of them are just such shredders (laughs), so we definitely lucked out with that and we’re getting to a good place there.
But we don’t have a spot anymore. A big chunk of what happened with our second record was me and Brandon got kicked out of our house which was also our recording studio. Our house was like the central hub and then when that went away we just didn’t have anywhere to hang out. And everybody got girlfriends so we’re just like ‘oh shit, what do we do?’
Hopefully they’re not all Yokos at the very least.
(Laughs) Yeah.
https://www.youtube.com/watch?v=SAUpOohn8iw
So Too was a whole lot darker and more introspective, which I guess would be a natural result of some of the circumstances you’ve just mentioned. As far as your progression goes, FIDLAR was like the wild party and Too felt kind of like the hangover and the aftermath of the first record, for me at least. I just wanted to know where you go next from here?
Yeah definitely. I mean I know that I go back and forth really. I want to get another space, I want to get like the hub again instead of just going into a studio and recording an album I want a central space for FIDLAR-related stuff. I don’t want to make another record like… this new record was a fucking hard record to make, it was just a lot of emotions and a lot of bullshit and I don’t want to make another record like that, I’ve done that now. This new record that just came out it just needed to happen the way it happened. It was a tough record to make, like we just went into a studio and kind of just made an emotional record which was different for us but it needed to happen that way.
Oh, a kangaroo!
Yeah I saw Dune Rats posted a video of some of the wildlife they had hanging outside of the house you’re all staying in, I guess that’s a brand new experience for you?
(Laughs) Yeah it’s crazy. What was I saying? Oh yeah, I think I just want to write about being in FIDLAR again instead of just Sad Zac (laughs).
There was a lot of frustration that you could feel coming through in those songs, was it cathartic in the end for you or just painful?
Well a lot of it was kind of making fun of myself for just like being this emotional dude. The other side of it was just, yeah, I was in a lot of pain at that time both physically and emotionally and a bunch of crazy unfortunate events happened so the way I just dealt with it was by locking myself in my room and writing a bunch of songs.
https://www.youtube.com/watch?v=iJy8VgB83OQ
Not a bad way to deal with it at all, if you can go through all that and come out the other side with a hit record then you’re doing ok. After you’re done here playing Laneway what are your plans? Is there more touring for you guys, have you got any time off planned?
Not really sure yet. Me and Brandon are going to Bali for five days after which is gonna be siiiiick! (laughs)
You’ll be rubbing elbows with some more of Australia’s finest over there.
(Laughs) Yeah. I’m also working on this brand new t-shirt line I’m starting up called ‘Shred Aloha’ and I just bought the trademark for Australia so I’m gonna be doing that and then I’m also looking for a space to do the new FIDLAR record. Somewhere we can spraypaint the walls and put a halfpipe in and I can just write some new FIDLAR songs with the boys!
Da boiz! Hey good to see you keeping your foot on the pedal heading into 2016. Cheers for the chat this morning Zac, we’ll see you and the rest of FIDLAR at Laneway!
Right on man, thanks so much.
You can catch FIDLAR live at all stops on the Laneway Festival this year as well as the official Laneway after parties at:
Sun, Feb 7th: Oxford Arts Factory, Sydney
Sat, Feb 13th: Max Watt’s, Melbourne
(Photo from Pitchfork)
I’ve been a fan of Los Angeles band FIDLAR ever since Cheap Beer grabbed me by the nuts with all its scuzzy fury a couple of years ago. Trying to follow their activity over social media is pretty tricky though, the dudes are kinda vague in their very infrequent posts, just the occasional plug for a bar gig in LA somewhere with little mention of any songwriting or recording for their follow-up album to last year’s eponymous debut, an album that really needs to happen.
Well trick or flippin’ treat, it looks like the FIDLAR boys haven’t just been surfing and drinking 40s this whole time, because they’ve literally just half an hour ago gifted us with a new track (it’s actually an Elvis cover) and seedy accompanying video with Devil In Disguyzzz, just in time for your Halloween hangover!
More in the vein of No Waves than their harder rocking stuff, this is bouncy and shouty and fuzzy and provides a brilliant little twist of California surf punk on a rock and roll classic. Hopefully it’s a sign of increased productivity from the FIDLAR dudes and some more new stuff is on the way, enjoy.


































































