Dylan Joel is one guy who is too busy doing his own thing to be playing the game. After sweeping the Australian Hip Hop scene last year with his debut release Authentic Lemonade, Dylan has gone on to collaborate with some of the most talented producers and artists in the industry, including touring with the likes of Seth Sentry and Drapht – and he’s just getting started. His unique finesse is grounded in soulful songwriting and rhythmic dexterity and is fresh to the scene right now. Also, he’s one helluva nice dude.

He’s currently touring with indie/ folk sensation Tyne-James Organ, and we managed to take a few snaps before their Sydney show, hot off the plane from Brisbane.

Read our interview with Dylan Joel

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Photos: Dani Hansen/Howl & Echoes

Parramatta’s premiere summer festival The Plot returned this year ready to bring Plotters some of the biggest up and coming names in Australian music. Part I features Gold FieldsIndian SummerOcean AlleyPolographiaTash SultanaIvan OozeZiggy AlbertsDylan Joel, MontaigneVera BlueElizabeth RoseAlex LaheyPierce Brothers, Confidence Man, Luca Brasi, Japanese Wallpaper, Allday and The Bennies. Check the action below.

Continued from Part I featuring Nicole Millar, A.B Original, Running Touch, Tired Lion, The Belligerents and more.

Gold Fields

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Indian Summer

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Ocean Alley

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Polographia

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Tash Sultana

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Ivan Ooze

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Ziggy Alberts

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Dylan Joel

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Montaigne

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Vera Blue

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Elizabeth Rose

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Alex Lahey

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Pierce Brothers

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Confidence Man

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Luca Brasi

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Japanese Wallpaper

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Allday

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The Bennies

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Photos: Teresa Pham/Howl & Echoes

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Manu Crook$

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Mallrat

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Gill Bates

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Dylan Joel

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Tuka

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Spit Syndicate

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Allday

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Drapht

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All photos: Danielle Hansen / Howl & Echoes

Dylan Joel is bringing a new flavour to Australian hip-hop. Mixing acoustic melodies, soulful singing and lyrical dexterity, the MC, singer and song writer has catapulted into the music industry after releasing his debut album Authentic Lemonade. Currently on his second headline tour, Dylan is giving his audience a refreshing and authentic sound with his acoustic guitar and catchy hooks.

Teaming up with the ladies at KissFm’s Back to the Future, we recently had a chat with Dylan while he was on the road to discuss all things hip hop, what sets him apart from his peers and tour life.

I know you’re just about to go on stage, where are you tonight?

I’m playing Wollongong, at Uni Bar, which I’m real hyped for.

Fantastic. And how far along are you on your tour at the moment?

We are five shows deep I think. And we have five more shows to go.

How’s the crowd response been on this tour?

So good! The vibe has been awesome and it’s only the second headline tour we’ve ever done. For me, I was kind of nervous about it, I was like, are people even going to come? You know, I’m rocking up at cities that I don’t really know anyone in and hoping people will come, but it’s been awesome. Everyone who’s come so far has just been there for good spirit and have really appreciated it.

You have, or you have in the past, had some acoustic kind of stripped back versions of songs in your set. Are you doing that again in this set? And if so, how has it been received? 

Yeah we’re definitely doing that in this set. We’ve probably had more acoustic guitar in this set than we ever had before, which has been awesome. It’s funny, we’re playing a brand new song that’s acoustic, or mostly acoustic and that’s been one of the biggest songs in the set so far. I’m really stoked on that and people are really loving it. It’s weird too, sometimes I watch social media and watch back on what people have been filming and without a doubt most of the time if people film anything it’s always the acoustic songs. They’re kinda of like, screw the rest of the set we just wanna watch him play guitar! So it’s been received super well.

https://youtu.be/kzIa3nuIaag

I think for you it’s a point of difference and what sets you apart from other Australian hip-hop acts.

The hip-hop culture itself is known for innovation, so it’s important to be able to bring something new to the table and a new element and a new idea or a concept. That is so much what hip-hop is based around.

What I’m really liking seeing you do lately is the live feeds on Facebook. Is that really important to you to be available for your fans and really show that authentic side of who you are as a person?

The Facebook live thing has been so cool because it’s giving people a chance to get to know me outside of the music. You know, you jump on stage and you perform and you play your songs, and they hear you recorded but there’s so many elements amidst that. So I think it’s really important and for me it’s been awesome to chat, talk about whatever and answer people’s questions on there.

How important is it to have grounded people around you? Is that something you’ve consciously strived to do or do you just attract those kind of people?

I think it’s definitely a bit of both. I think you definitely attract what you project, so I feel like the people that are around me now I see a lot of myself in, which is really cool and special. And I guess that’s why you get along with the people that are close to you, but it is really important. I mean when you’re on the road you spend so much time with these people and you can be in kind of high stress situations. So many things go wrong with every show and you can kind of be at each others throats, so to have people that are really similar to you, to be able to deal with things in the same way and have the same morals and the same priorities is really key. I think I’m super lucky I have such a rad team that are all really inspiring people in their own way and that’s definitely shaping me.

Image by Michelle Grace Hunder

Image by Michelle Grace Hunder

Who are you listening to at the moment? Who are you feeling and who are you influenced by the most?

There’s quiet a few people at the moment. It’s so funny, I’m listening to more Kanye than I’ve listened to in a long time, probably ever. I’ve always listened to Kanye’s stuff, but more recently I’ve become more of a fan and I’m starting to really understand the depth of his talent: he’s creatively genius. So many people just hate people for saying that, but that’s because they can’t see past some of the the flaws in his personality, but creatively he’s a freak. But definitely two of my favourite rappers for sure would be Vic Mensa: he’s just doing stuff that hasn’t been done before on a whole new level and definitely Chance The Rapper. That guy’s the definition of genuine, so I got a lot of love for those guys.

You’ve been doing a lot of touring, are you at a stage now where you don’t have to be doing a job on the side?

Yeah that kind of only just changed about two months ago; I was doing youth work three to four days a week. And then about two months ago I got to the point where music was too busy and I was doing an average job at my youth work job and I was doing an average job at music. So I was like, I’ve got to make a change, what’s my priority right now? I’ve been doing youth work for awhile now and I still love it but I was like, if I’m going to give music a shot I’ve actually got to give it a shot. So, I ended up quitting and I’ve just been doing one day of youth work a week but the rest is all music.

https://soundcloud.com/dylanjoel/blank

Who have you got your eye on in terms of the Australian scene right now?

Honestly, there’s so many, it’s such an exciting time for Aussie hip-hop. There’s so many people making crazy stuff that’s new, innovative and unique. I’m just so amped to be involved in that. Specifically though, one of the dudes that hasn’t released a whole lot but a little birdy told me he will be fairly soon, goes by the name of LTC in Canberra. There’s something he’s got that’s real crazy and I’m pretty amped to see what he puts out. And then I feel if anyone really digs Australian hip-hop and they’re talking about people that are exciting, it’s definitely Remi and Sensible J; they’re always doing new stuff that hasn’t been done before out here and I think they are definitely paving a way for everyone else to able able to go out on a limb and try something new.

I think another one that’s on the House of Beige label is Man Made Mountain, who are on tour as well.

Oh word! Thank you for saying that because they’re on tour with us right now and I haven’t seen them play live before, so last night we played in Canberra and I watched the whole set. I just snuck out into the crowd, the shit they’re on is next level. I’ve never actually seen anyone look so effortless and chill and calm and spit so hard so calmly. It’s just the weirdest thing. They’ve got so much groove, so much talent. Definitely go watch Man Made Mountain, they’re next level.

Now we always end our interviews with quickfire questions. I’m going to say two things and you’re just going to pick one of the things that I say.

Okay, lets do it. Try me!

Type or write?

Write.

Bus or plane?

Plane.

Lemonade or coke?

Lemonade, everytime!

Vinyl or digital?

Ahhhh, no! This sucks! I’m gonna say… Nah I don’t have an answer because I would say vinyl if I had a choice to bring a record player with me everywhere I go, but that’s not possible. I’m going to have to say digital because then I wouldn’t be able to listen to music everywhere I go.

City or rural shows?

I’m going to say rural.

Vic Mensa or Chance The Rapper?

Haaaa, that’s the worst question!

Funnily enough I had that prepared before you said they were your two favourite rappers. 

That obvious hey! Umm, I’m going to say Chance. I think I like where his heart’s at a little bit more.

And last one, stage or studio?

Damn, these are so tough, that’s such an annoying question cause stage is fun, and you get to connect with people in person, but I don’t like being up the front all the time so I’m gong to say studio.

Thank you so much, really appreciate your time Dylan hope you have a great show tonight.

 Thank you so much, thanks for having me!

https://www.youtube.com/watch?v=3LRmrpUV6iQ

Catch Dylan in a town near you and cop his album Authentic Lemonade here.

This interview comes to you as a collaboration between Howl & Echoes and Back to the Future.

Image: Michelle Grace Hunder

National Youth Mental Health Foundation Headspace is getting big ups from the hip-hop community. Over the weekend, M-Phazes and Dylan Joel will be playing a charity event in support of the mental health provider’s Collingwood branch and their work raising awareness and providing early intervention for youth mental health issues.

The event, called Hip-Hop: A United Front, will also feature a number of local artists including MzRizk, Thaddeus Doe, Mistress, Verbal Tactics and Man Made Mountain. In addition to music, the charity event will also feature live DJs, graffiti artist and a rooftop exhibition, where pieces created by local artists and photographers will also be up for sale.

The event follows the parody single Doin’ Numbers put out by Triple J breakfast hosts Matt and Alex last year, all proceeds from which went to Headspace. In our interview with him last year, Joel – who is employed as a qualified youth worker– spoke about the importance of music, especially when to comes to connecting with and supporting young people.

Headspace supports young people in Australia across a number of issues, including but certainly not limited to: drug and alcohol counselling, homelessness, bullying, depression and anxiety and Indigenous social and emotional well-being. If you are a young person who feels they need assistance dealing with mental health issues, you can contact one of the Headspace centres via their website or on the phone. The national number is 1800 650 890.

Hip-Hop: A United Front
Sat, Jan 16: The Evelyn Hotel (tickets here)

Birdz
Dylan Joel
M-Phazes
Mistress and Dizz Beats
Mz Rizk
Thaddeus Doe and Lotus
Verbal Tactics
Cleggs
Man Made Mountain

Full details for United Front

https://www.youtube.com/watch?v=3LRmrpUV6iQ

“Haha that’s funny as! No, there’s no problem, mine’s actually just sitting at my feet right now so all good.” The laugh on the other end of the phone line comes from rising hip-hop talent Dylan Joel. His dog is, evidently, far better behaved than mine. With my apology for any strange background noise courtesy of my dog out of the way, we begin our interview properly.

A multi instrumentalist (he learned drums around the age of ten before teaching himself guitar) out of Melbourne, Joel’s skills as a vocalist are evenly matched by his talents as a rapper. He’s just returned from a support slot on Seth Sentry’s massive 50-date Strange New Past tour, and he’s also busy readying his debut album. In just under two weeks, he’s headed back out on the road on his own headline tour. I offer that it’s been a while coming, but he’s not necessarily quick to agree. “I was a bit worried that this was a bit too early to be doing out own tour … My manager always says that I downgrade where we’re at. I always say ‘I’m not ready for that’ or ‘I think this is moving too quick’. But I’m really hyped for it! I think the whole numbers thing can sometimes take away from why you love doing what you do. I’m just gonna appreciate it for everything that it is.” This sentiment reflects an excitement about music and a dedication to quality over quantity that is prevalent throughout the entire Dylan Joel narrative.

Take the album, undercut with the theme of dedication to authenticity, for example. The title of the LP (Authentic Lemonade) and lyrical content (especially on tracks like Numbers, Ain’t You and Always Fresh) aside, the entire thing took about two years to finish. “We could have just put it out earlier but why not make it as good as we can and have some fun with it? I don’t think it’s a good idea to rush your debut album.” Live instrumentation sourced from all corners of the globe now replace elements originally produced through a program. Brass sections were played in New York and sent over, while drums and keys were replayed in the studio and gospel vocalists were brought in to add harmonies. The extra five months have paid off, producing a sound that is truer to the musician who has always played with a band and finds inspiration in the musicians around him.

“My first taste of live music was from church. There was a keys player who would play Hammond Organ and rolling electric keys at the same time. So one hand would be playing organ and the other hand would be playing keys. And there were these two gospel singers… They were just some of the most talented musicians I have ever heard.  I really connected so much with that stuff and I really wanted to incorporate a lot of that background element into the record.” Part of that ability to go back in after essentially finishing the album is down to a solid working relationship with producer Cam Bluff. After their first session produced three ideas, they worked on the entire album together; Bluff as executive producer, Joel as his co-producer. “That first day session was almost two years ago today.”

So, how does all that live instrumentation translate to the stage? “We’ve got a set up where we can loop everything. So my drummer plays drums and he sings vocals. And then my bass player now plays bass, synth, guitar, keys, sample pad and vocals. So he has this station where he does everything. And then I’m singing and playing guitar. We’re doing everything ourselves.” The looping also means that rather than pressing play on a track, they can improvise and change things up with each set if they want to. “I think it’s hard with hip-hop sometimes because you have a track that you press play on and you can’t really improvise.”

https://www.youtube.com/watch?v=3LRmrpUV6iQ

Discussing the video for the single What’s Good, I learn a bit more about Dylan Joel’s undeniably positive nature. Originally meant to be an outro to the album, What’s Good was picked up as a single. When the time came to brainstorm an idea for a video, the suggestion of a house party didn’t feel natural. Instead, Joel and Co. held a fundraiser called the What’s Good Pop-Up Op Shop at Melbourne’s Section 8The cause was one close to Joel’s heart, having heard of friends living in Nepal, who lost their houses in the recent earthquake the devastated the country. “The media talks about this stuff for a week and then it gets old and they go to another story but the devastation will continue for years.” So, with sponsorship from Savers, and signed donations from industry heads and musicians alike (Hilltop Hoods, Bliss n Eso and Alison Wonderland to name a few), they managed to raise over $10,000 for the Australian Himalayan Foundation. “It was way bigger than I ever expected and its exactly what I think the song says… to focus on the good in the world. There’s a lot of bad shit but it needs to be balanced out.”

https://www.youtube.com/watch?v=sb-w0g65IBw

“Music is so rad… it connects with people and it’s so relatable so why not use that to do some good?”

There’s a sense of community and a desire to engage that pervades most of what Dylan Joel does. Aside from being a musician, he’s also a youth worker, though he’s not sure how long he’ll be able to keep the balance. The first show of the tour is as the main support for Ivan Ooze, another support act from the recent Seth Sentry tour and it’s an all-ages gig. “I think they’re super important. But it depends on the artist and the message they’re trying to get across.” He says, speaking on his experience with all ages’ gigs and organisations like Victoria’s The Push that are dedicated to music accessibility for young people. “I think it’s cool if artists can remember what it’s like being that age and play and talk between songs with those [good] intentions. You can really set a really rad precedence for live music from there on. Because as soon as you turn 18 and you go to shows… you don’t know what to expect if you’ve never been to one.”

He continues as a youth worker two days a week currently, while the rest of his time is dedicated to music. But the idea of never being involved? “That picture kind of scares me a bit because that’s a huge part of what I do. I want to stay as involved as I can so hopefully they’ll work together. That’s my aim!”

https://soundcloud.com/dylanjoel/blank

Authentic Lemonade is out today. You can catch Dylan Joel throughout October and November at the following shows:

Fri, Oct 2: Oct Wrangler, Melbourne (Under 18’s)
Buy tickets here

Thu, Oct 15: Black Bear Lodge, Brisbane
Buy tickets here

Fri, Oct 16: Boardriders, Gold Coast QLD
Free entry

Wed, Oct 21: Transit Bar, Canberra ACT
Buy tickets here

Fri, Oct 23: Goodgod Small Club, Sydney NSW
Buy tickets here

Sat, Oct 24: Rad, Wollongong NSW
Buy tickets here

Fri, Oct 30: The Workers Club, Geelong
Buy tickets here

Sat, Nov 07: Rocket Bar, Adelaide
Buy tickets here

Sun, Nov 08: Jimmy’s Den, Perth WA
Buy tickets here

Fri, Nov 13: Howler, Melbourne
Buy tickets here

Fri, 27 – Sat 28 Nov: Gorgeous Festival, McLaren Vale SA
Buy tickets here

Hip-Hop wonder-kid Dylan Joel has been riding a pretty decently sized wave of success as of late. Fresh from his slot as the main support for Seth Sentry‘s recent national tour, he’s just announced he’s hitting the road for his first ever solo tour in support of his debut album, Authentic Lemonade. The current single Blank follows previously released Swing and Numbers. All three tracks have been occupying some pretty impressive airtime with Blank putting the Melbourne MC’s flair as at singer at the forefront, supported by a vibrant, catchy hook you’re sure to hear all over the place.

The open and chorus of Blank do admittedly, leave something to be desired: it feels as though there’s a significant element missing from those particular sections and they take a while to warm up to. The loop of “blank for days” is a bit confusing and perhaps unnecessary. Joel has a great singing voice, but it’s not supported as well as it could be throughout this track. The verses however, come rapid and fluid with influences from across the wide spectrum of Aussie Hip-Hop prevalent but never holding a sense of imitation. The song takes a few listens, but it does seep in and settle down as a decent track that introduces Joel’s talents as both a singer and rapper with the verses particularly enjoyable and making up for a somewhat confusing loop. The overall vibe of the track is one of a summer-time staple that should serve as a decent introduction to the upcoming album, as well as push Joel further into the spotlight as a great multi-talented artist.

Having been on the scene for a while now, Joel has a earned himself status as a solid multi-talented rapper, vocalist and musician. Having worked with some of the biggest names in Australian Hip-Hop (including quite possibly the nicest dude ever: Mantra, who features with DJ Izm on Swing), Joel has been building up to this debut album and solo national tour for some time now.

Authentic Lemonade is out October 2. You can catch Dylan Joel throughout October and November at the following shows:

Fri, Oct 2: Oct Wrangler, Melbourne (Under 18’s)
Buy tickets here

Thu, Oct 15: Black Bear Lodge, Brisbane
Buy tickets here

Fri, Oct 16: Boardriders, Gold Coast QLD
Free entry

Wed, Oct 21: Transit Bar, Canberra ACT
Buy tickets here

Fri, Oct 23: Goodgod Small Club, Sydney NSW
Buy tickets here

Sat, Oct 24: Rad, Wollongong NSW
Buy tickets here

Fri, Oct 30: The Workers Club, Geelong
Buy tickets here

Sat, Nov 07: Rocket Bar, Adelaide
Buy tickets here

Sun, Nov 08: Jimmy’s Den, Perth WA
Buy tickets here

Fri, Nov 13: Howler, Melbourne
Buy tickets here

Fri, 27 – Sat 28 Nov: Gorgeous Festival, McLaren Vale SA
Buy tickets here