Having hit us with their first full length in 2014, then trotting the globe cutting their teeth as a successful international live act, Brisbane’s favourite sons Dune Rats decided they’d give the record label business a red hot go. To that end they’ve launched their very own label, Ratbag Records, as well as inking Byron Bay punks Skegss as the first in what will no doubt be a debaucherous stable of like-minded artists.
Coming direct to your ears today, Fun is the lead single from their upcoming debut EP, 50 Pushups For A Dollar, recorded in the Converse Rubber Tracks Studios in the heart of Brooklyn.
If you dig your punk with a side of jangly surf and the guitars set to ‘Dr. J’s afro’ on the fuzz scale, you’ll enjoy the shit out of this. Off the back of some rabidly received shows in both Australia and abroad in places like San Diego and the aforementioned Big Apple, the hype is huge and the band are looking set to capitalise on it, taking out the local division of the Triple J Unearthed Splendour In The Grass competition and subsequently playing the main stage there next Saturday.
With the aim of Ratbag Records to give similar artists a leg up into the world of touring and recording, expect a whole lot more revelry in the immediate future.
50 Pushups For A Dollar is coming soon via Ratbag Records. Catch Skegss and Dune Rats next week at Splendour In The Grass!
With Splendour in the Grass headlining acts like Blur, Florence + The Machine, Of Monsters And Men and The Wombats to name just a few, smaller, lesser known acts have big expectations to live up to.. But hey, that doesn’t mean they can’t fulfill them, hell, even smash it out of the ballpark.
I often think the smaller acts during the day or in the early evening are the best. In fact, my favourite performance of last year was on the last day of Splendour 2014, watching Chrome Sparks play to a tiny, worn out crowd of devoted revelers. It was such an incredible, happy experience for me, and definitely one of my best Splendour mems.
These lesser-known artists often cater to a very niche, dedicated group of fans who will show up rain or shine to see them. And plus, the benefits of being in a smaller crowd means that you can have a stronger connection to act you’re seeing.
So now we launch into a list of non-headliners who we can’t wait to see perform at Splendour in the Grass 2015. Most of these acts are playing Splendour in the Grass sideshows too, so jump on those if you can’t make it to Byron Bay!
- Dune Rats (Saturday)
You can assume that any band that makes a song called Dalai Lama Big Banana Marijuana, and a music video, which includes them smoking, bong after bong, gives absolutely zero fucks about, oh well, just about anything.
But it also means they are a really good time. Fans of the Dune Rats (calling themselves ‘Dunies’) are so dedicated to the band that they will get tattoos saying the aforementioned to forever immortalise their love for the trio.
We can’t make this shit up
They will definitely make for one of the most bangin’ acts there. Don’t believe us? Check out their red hot music video for Red Light Green Light below.
[youtube http://www.youtube.com/watch?v=IAkBYSbMYA8&w=560&h=315]
Check out our interview with them here.
- Years and Years (Saturday)
Burning up the charts with their hit King, British electronica trio Years & Years is definitely an act not to miss. Frontman Olly Alexander’s impressive vocals will have you attempting to reach the same heights as him, only to fail miserably, because let’s face it – who can actually sing that high? Singing’s not his only talent – he appeared on the seventh seasons of Skins Pure.
[youtube http://www.youtube.com/watch?v=g_uoH6hJilc&w=560&h=315]
- Safia (Saturday)
Which big Aussie act hasn’t collaborated with Canberra three-piece Safia yet? The dumb ones, that’s who. Since winning Triple J’s Groovin’ the Moo competition back in 2013, the Canberrians have gone form strength to strength.
Included by the likes of Alison Wonderland and Peking Duk into their works, perhaps we can hope to see an onstage performance between the aforementioned?After all they’re also appearing at Splendour, so we may be getting a triple dose of Safia and his hauntingly beautiful vocals.
[youtube http://www.youtube.com/watch?v=Rv_FnbBqnWs&w=560&h=315]
- Hayden James (Saturday)
Sydney Singer/songwriter/producer Hayden James is just more evidence of the amazing electronic acts coming out of Oz in recent years. His works have been remixed by fellow electronic demi-gods Touch Sensitive and Charles Murdoch, and track Permission to Love created some serious buzz when it was released.
Signed to the music label with the Midas touch, Future Classic, he’s toured with ODESZA and already played at Splendour in the past, so James is definitely an easy predication for awesomeness.
[youtube http://www.youtube.com/watch?v=_mVJJvx04_w&w=560&h=315]
- Mansionair (Friday)
Oh. My. God. I am literally obsessed with this band. Their two releases Hold Me Down and Second Night are just so incredibly beautiful to listen to. Jack Frogatt’s vocals soar to incredible heights with members Lachlan Bostock and Alex Nicholls using a ethereal, magical blend of guitar, bass and electronics to create something so beautiful and enchanting. If their recent performance for Triple J’s Like a Version, covering Future Islands Waiting On You, is anything to go by, they will be show stopping live.
[youtube http://www.youtube.com/watch?v=O5AInHhyXzE&w=560&h=315]
- Porter Robinson (Friday)
This guy achieved international superstardom by the time he was 18 and three of his records had reached number one on Beatport by the time he was 21. He’s collaborated with Thomas Jack and ODESZA, been commissioned by Avicii and Lady Gaga for official remixes and is a self-taught producer.
Needless to say, Porter Robinson is kinda a big deal. With millions of streams on Spotify and SoundCloud, and a song like the one below, he’s going to be fucking incredible live.
[soundcloud url=”https://api.soundcloud.com/tracks/200818581″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]
- San Cisco (Friday)
An easy prediction for greatness here. Their performances at Groovin’ the Moo and at my uni were incredible. They give their all and sound great live with their effusive brand of charming indie-pop. Definitely catch them when they play for their acclaimed hits like Awkward and their excellent cover of Daft Punk’s Get Lucky.
[youtube http://www.youtube.com/watch?v=cLCaVZ3fmU0&w=560&h=315]
- Catfish and the Bottlemen (Friday)
The best British indie-rock group to come out in years, Catfish and the Bottlemen put in 110% effort for every performance, just read our review of them here.
The charming lead vocalist and guitarist Van McCann’s crowd interaction will leave you guffawing, and their feel good, old-school rock will have you jumping up and down for the entire set. Despite their modesty and self-proclaimed mediocrity, they really bring something special and genuine to all of their performances.
[youtube http://www.youtube.com/watch?v=xrrcVxnjJO8&w=560&h=315]
- George Maple (Friday)
The beautiful and very talented George Maple always puts on a good show. How could you not with those powerful, soaring vocals, amazing wardrobe and Touch Sensitive on keyboard? She is, without a doubt, the Next Big Thing coming out of the Australian music scene.
Why you ask? Take a look at her hauntingly beautiful live recording of her song Vacant Space, which sounds like a manifestation of the name of the song itself.
[youtube http://www.youtube.com/watch?v=pcRnr7HlkqA&w=560&h=315]
Having had seen her play at the Future Classic Xmas Party, I can attest to the fact that she is a genuinely talented and beguiling as she seems. And Future Classic has very good track record of picking up and representing hugely talented artists. Flume anyone?
- Client Liaison (Friday)
Holy shit. If I could stress that you absolutely go and see one band, it would be these guys. You simply have to catch these 80s revivalists live. When you think of someone putting on a show, these are the kinds of artists who do it. They do not mimic the whole 80’s thing – they live, breathe and eat it. They inhabit it. Their performance at Secret Garden Festival was one of the best things I’ve ever seen full stop.
These guys are the real deal
Lead vocalist Monte Morgan strutted across the stage like he invented the damn thing. A bevy of aerobics-clad dancers with their leotards pulled up eye-wateringly high, mirrored his swagger, while Triple J’s Tom Tilley was killed it bass.
[youtube http://www.youtube.com/watch?v=GVv79XEent8&w=560&h=315]
Simply a must see. Above all, they are hella fun. Don’t believe us? Check out our review of their Pretty Lovers tour here, and our interview with them here.
The 2015 edition of St Jerome’s Laneway Festival is perhaps the most exciting line up they’ve had in recent years. Renowned for their selections in up and coming acts, and working as almost a showcase for the years to come, some of the world’s bigger artists have played at Laneway.
One of these acts includes Brizzo legends Dune Rats. After their brand of garage punk rock really hit it’s stride this year, they’ve toured extensively all over the world, consistently sold out shows in Aus and have released their debut album to critical acclaim. What started off as a two piece of Danny Beus and BC Michaels extended to a third member, Brett Jansch, before really taking over. We had a quick yarn with BC ahead of their ripper set at Festival Of The Sun, to talk skitz crowds, industry pressure (or lack there of) and just how Dunies tunes are received in places like Bangkok!
Okay so first up, I saw on your Instagram you were in a studio yesterday! What were you getting up to there?
We were writing these funny jingles for theses webisodes we’ve been doing which shows what we’ve been doing on the road and stuff. We’ve been writing an opening song and little songs for segments, and they’re gonna be in the show!
Where were they filmed – all whilst you were overseas?
China, South Africa, South East Asia, and Australia – those kind of places. We’ve also got some sick tours coming up that we want to be filming and putting out there!
I just saw your Dalai Lama, Big Banana, Marijuana clip that came out today – what the fuck is going on there?
Yeah, it’s a bit fucked up hey!
What was happening there? Where did that idea come from?
Good question! It just came out of our brains collectively…
You just wanted to make a fucked up film clip?
Yeah! Pretty much!
Let’s talk about beginnings now; there was a period of time where no one wanted to manage you because they thought you might die on tour, right?
Yeah! We had a meeting with this guy who runs a record label who wanted to sign us. We didn’t really want to sign the contract, but we thought maybe he’d want to manage us. Then, he said to us, “You’ll probably have lots of trouble getting a manager. No one will really want to manage you for the same reason, because to be honest everyone kind of thinks one of you might fucking die!”
Haha! Do you think that fear is still there when you tour now?
I don’t know, I think it’s a bit of a gee up.
With your live show, do you do much rehearsing now having been touring so much? You guys play drunk a lot, don’t you?
Yeah! Yes, we do. We don’t really have a place where we rehearse necessarily. We’re at the studio now rehearsing, or writing these jingles. We’ve rehearsed a few times before this next gig but we haven’t rehearsed in ages. We just play so many shows it’s just not necessary.
I know at the last Dunies show I personally crowd surfed twice – you must be used to some pretty gnarly shows. What’s the craziest thing you’ve seen happen at a gig?
The craziest thing I’ve heard is from my friend Alex who plays in Guttermouth; someone threw a syringe at him whilst they were playing!
What about at your shows?
At Wollongong at this festival, and at CIRCO festival in Perth, we were playing on these big stages with a 3-metre gap between the barrier and stage. People were jumping over the barrier, dodging the security guard and jumping up on stage and trying to jump back to the crowd, but the gap was too far so they’d just run and fuck themselves and other people up! I heard someone broke their back at a show with FIDLAR once!
What the fuck!
Yeah! What else has happened? There have been a few things… One time in China, we were playing this audience at this bar at this stadium. We got put up in 5 star hotels and we got catering and all this shit like fine dining and shit. But, when we got to the venue, there were about 10 people there who we were playing to, all sitting at the bar with their backs to the stage. Then this chick got up and started screaming in Chinese at the top of her lungs on the microphone during our set! That’s probably the funniest shit; we just could not get over that!
You’re booked to play Laneway next year, which is pretty huge! What are your thoughts on that?
I’m fucking stoked! This will be the first time that I will have been on an actual festival tour. We have played lots of festivals, and I’ve even played Laneway before with a band called Comic Sans, which was pretty classic.
But actually touring this time and playing all the dates!
Yeah exactly! It’s going to be sick; meeting the bands and actually being able to hang out with them.
Playing Laneway normally means that bands are going to have a pretty big year – does that put any pressure on you?
I don’t know, I don’t really give much of a fuck about what happens I guess. I know we’ve got big plans for overseas in February. Once we finish Laneway we’re going overseas and playing this huge tour with another mad band I don’t think I can say yet. That’ll take us fucking everywhere for a long time. We’ll have good audiences there. Then we’ll come back. We’ve been writing sick songs too. The pressure is pretty non-existent. I’m just looking forward to having fun at the places and enjoying it, as opposed to freaking out.
Do you find there is more pressure on you to bring in your partying ways as you become more successful and more well known, or are you more like, “Who gives a fuck”?
Yeah, well, people are constantly trying to get us to do shows with us and shit. You run into people at shows and every one of them just wants you to like – well, not every one of them, but heaps of cunts just want to get really fucked up with you. So you get fucked up with one person, but then some other guy wants you to get on the fucked up train with him but you’re already fucked up, so you get really fucked up. Then, some other cunt wants you to get fucked up and they put pills in your mouth!
Where are the wildest Dunies fans, then? You guys have toured to so many places, do crowds go as crazy as Australians?
There are a few different places we’ve played we’re received really well. Last time we were in Bangkok, we didn’t know if anyone was even going to come and see us because we’d never played there before and because, you know, it’s Bangkok. Maybe 100 people came to the show, and drugs are really illegal there, but everyone was just smoking weed inside the venues and jumping off the speakers onto each other and going fucking skitz. They bought every bit of merch we had – it was just fucking nuts.
The other place is South Africa, when we go over there. We put a picture of Puss In Boots up on Facebook, and asked if someone wanted to pay for our flights to go to some crazy place like India or Africa or China. This was in the early days, and this guy responded and said that his brother worked for Virgin and he can get staff prices, and that he had heaps of money and he’d pay for us to go to South Africa, China and South-East Asia!
What a legend!
I know! I emailed Vice to see if anyone in South Africa knew anyone that could book us some shows over there. We didn’t know what it would be like; we thought it would be hell ghetto. They put us in touch with Martin from Purple Sneakers in Australia who put us in touch with this guy Hank, who is one of our really good mates now. He booked us this sick tour and promoted us really well over there! By the time we got over there, everyone was coming to the gig and giving us weed and shit.
The crowds were fucking skitz; our first one was just this small show in this 200 cap room, but it was just packed! We played these festivals there with a couple of thousand people and they were getting photos with us! We went back a year later, and it was the same – it was just fucking awesome!
That’s unreal!
Yeah! China was just straight up fucking weird. No one could speak English and we couldn’t speak Chinese. One of the cities was sick; they all got it and really liked it. The other ones were just fucking weird. Bali was good, but they aren’t really local – they’re just white people coming to the show from Australia and other places.
What can we expect next from you guys? There’s been some talk of a new album – are you going to record it in Brett’s mum’s shed again?
*laughs* Probably not! Not this time around. I think we’re just taking it full easy with this one. We’ll probably go to a bunch of different locations and keep writing songs throughout the year. There aren’t any set dates for it, like there aren’t any set in stone plans but we’ve written a few songs that we like a lot. We’ve got some good touring coming up too!
Monday 26 January – AUCKLAND – SILO PARK
Saturday 31 January – BRISBANE – BRISBANE SHOWGROUNDS, BOWEN HILLS (16+)
Sunday 1 February – SYDNEY – SYDNEY COLLEGE OF THE ARTS (SCA), ROZELLE
Friday 6 February – ADELAIDE – HART’S MILL, PORT ADELAIDE (16+)
Saturday 7 February – MELBOURNE – FOOTSCRAY COMMUNITY ARTS CENTRE (FCAC) AND THE RIVER’S EDGE
Sunday 8 February – FREMANTLE – ESPLANADE RESERVE AND WEST END

