Snoop Dogg – COOLAID

As he states on opening salvo, Legend, Snoop Dogg is a “Motherfucken legend.” In a career spanning more than two decades, Calvin Broadus has done it all. He’s sold over 35 million albums worldwide, had multiple film and television roles, had his own brand of cannabis products (Leafs By Snoop), and was this year inducted into the celebrity wing of the WWE’s Hall Of Fame.

Throughout his career he’s consistently put out an album every few years, although not always up to the standard we expect from the Californian icon. Between 2006 and 2013 Snoop released a collection of albums (Ego Trippin‘, Malice N Wonderland, Doggumentary, Reincarnated) that demonstrated a lack of focus from one of rap’s stalwarts. Thankfully last year’s Bush was a return to form, and the follow-up, COOLED, is a record that stamps Snoop Dogg’s legacy as one of hip-hop’s greats.

Bush was Snoop’s attempt at recreating the magic of his Pharrell collaboration, Drop It Like It’s Hot, but COOLAID is Snoop revisiting his West Coast roots. The album is imbedded in Californian sounds with splashes of R&B and funk reminiscent of 2004s R&G (Rhythm & Gangster): The Masterpiece. The G-funk era is brought back on tracks such as Ten Toes Down, the Wiz Khalifa collaboration Oh Na Na, and gang banging Affiliated. Elsewhere Snoops gets soulful on What If and Let The Beat Drop (Celebrate), drops gangster raps on Super Crip, samples Gary Newman’s Cars for the J Dilla produced My Carz, and teams with Timbaland on the bouncy Got Those.

Jeremih joins Snoop on the soulful bump and grind of Point Seen Money Gone, one of the album’s strongest collaborative tracks. Along with Jeremih, Wiz Kahlifa appears twice, E-40 jumps on the sleazy Double Tap and Swizz Beats’ slow return to the spotlight continues, with Alicia Keys better half showing up on three tracks, the best being the piano lead party number Light It Up.

At 20 tracks, COOLAID is a little long in the tooth, but the combination of great producers and guest verses, along with Snoop’s soothing and on fire flow, help make this one of his best releases in years.

Verdict: Snoop Dogg re-establishes himself as a relevant force in the hip-hop.

[soundcloud url=”https://api.soundcloud.com/tracks/271181785″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=’450′ iframe=”true” /]

Metronomy – Summer 08

As our interview with Metronomy mastermind Joseph Mount discussed, times have changed for the English creative. Now married with two young children and living in France, it was always going to be interesting to see what the band would come up with for their fifth album, Summer 08. Like the title, it’s a record immersed in the sounds of Metronomy’s breakthrough year, doing its best to capture the excitement and pure bliss of their 2008 sophomore album Nights Out.

Opening with the energetic throwback, Back Together, it’s safe to say Mount and co have managed to convey a sense of nostalgia with this record. Summer 08 is a melding of 80s synths, slick bass lines, electro-pop melodies and Mount’s playful vocals. Mick Slow is a magical downtempo dose of electronica, Miami Logic drowns in heavy synths and Old School pairs 80s era hip-hop beats with a good amount of cowbell. The albums best tracks are the club ready Back Together and Robyn featuring near-perfect pop single Hang Me Out To Dry.

Verdict: Great, feel-good album that will leave old fans with feelings of nostalgia.

[youtube https://www.youtube.com/watch?v=b1YZOWvBzAA]

Curren$y – Stoned On Ocean

As incredible as it sounds, Stoned On Ocean is Curren$y’s seventh mixtape of 2016. The New Orleans rapper has a creative energy almost unmatched in hip-hop circles, and although many of these projects are less than 10 tracks, they are of the highest quality in terms of productions and lyrics, with Curren$y always striving to deliver the goods.

Stoned On Ocean doesn’t disappoint on any front. Cool & Dre handle the mixtapes production, supplying laid back beats with touches of funk and soul, while Curren$y bounces over the beats with his underrated flow, dropping rhymes mainly concerning drugs and women. The albums title-track has a downtempo electronic beat with Curren$y spitting, “Rollin’ up while we still smokin’ / high, everything in motion,” Anything sounds like an old soul number and Rhymes Like Weight features a flute instrumental and Curren$y echoing Ice Cube’s, “I push rhymes like weight,” hook from Pushin’ Weight.

Of course it wouldn’t be a Curren$y release without a guest verse from Wiz Khalifa. While he doesn’t float my boat, he and Curren$y always gel well together on wax, and on the exotic Speedboat, the two flow together seamlessly over the tribal production. Styles P also makes an appearance on Higher, rapping about his extravagant lifestyle.

Verdict: Curren$y getting the job done again.

[youtube https://www.youtube.com/watch?v=QemG1xUmIlE]

Image: Snoop Dogg

The Strokes – Future Present Past EP

The first taste of new material in three years, four track EP Future Present Past finds The Strokes at a crossroad in their careers. At one time labeled the worlds biggest band soon after dropping their classic debut, Is This It?, The Strokes have never been able to capture the sheer exuberance of that release, with 2013’s Comedown Machine the lowest point in their career. Currently working on their sixth album, Future Present Past is a possible taste of what’s to come, and if that’s the case, I’m not overly excited.

This isn’t a bad release by any means, but there’s nothing fresh or eye raising about Future Present Past. Recored with the help of producer Gus Oberg in New York, the EPs three new songs represent the future (Drag Queen), the present (OBLIVIOUS) and the past (Threat Of Joy), with the final song a remix (OBLIVIOUS) by drummer Fabrizio Moretti.

After multiple listens I can’t really distinguish the difference between the three songs as they are all very Strokes sounding. While there are subtle differences, Julian Casablancas’ distinct distorted vocals are present throughout, with all three tracks channelling the early to mid-00s indie rock The Strokes helped define. If you’re a longtime fan you’ll be all over this, happy the band have gone back to their roots, but for the rest of us, it’s just another Strokes release from a band that aren’t overly relevant in the current music scene.

Verdict: One for the die hards.

[youtube https://www.youtube.com/watch?v=Qvhcs93C2x8]

Curren$y – The Legend Of Harvard Blue

Few MC’s release music as often and consistent as New Orleans stalwart Curren$y. Having already dropped five mixtapes this year, the currently on tour Spitta isn’t showing any signs of slowing down with the release of latest project The Legend Of Harvard Blue.

Inspired by pimp-turned-hitman Harvard Blue (played by the legendary Yaphet Kotto) from the 1974 blaxploitation film, Truck TurnerThe Legend Of Harvard Blue is a rich tapestry of colourful lyrics backed by probing production from YoungStarr.

As you’d expect from a collection of tracks based on a pimp, the lyrics are centred on sex, drugs and the sleazy world of the 70s, with many of the tracks sampling dialogue from the film. There’s a real seedy feel to the beats, immersed in the sex and drugs culture of the blaxploitation era. Game For Sale, The Collective and Leroy could easily pass as actual songs from the films soundtrack, while the heavy snares of Ferrari Saga and Kilo Jam inject the tape with modern rap sounds.

Verdict: Another great mixtape from one of the hardest working men in the game.

[youtube https://www.youtube.com/watch?v=RikKvUnrzAs]

Young Dolph – Bosses & Shooters

The influx of Southern rap releases continues with Memphis raised Young Dolph’s first mixtape of 2016, Bosses & Shooters. The follow up to his debut album, King Of Memphis, the tape is an introduction to Delphi’s crew, the Paper Route Empire. While he features heavily, particularly on many of the songs hooks, the mixtape is more of a showcase for label mates Bino Brown and Jay Fizzle.

Both Brown (Tony, Maintain) and Fizzle (Fuck A N***a, Now They Mad) get their chance to shine on solo tracks, although there’s nothing to suggest either will be a star in their own right. As for Dolph, he continues to rap about the streets, hustling and living the high life on tracks like All About and Taking Care Of Business, but it’s just not interesting enough to keep my attention. When the high point is an appearance by Waka Flocka‘s (Ball), you know things aren’t going to plan. This is unfortunate as Dolph isn’t a bad rapper,  but I just can’t get into this one.

Verdict: Pass

[youtube https://www.youtube.com/watch?v=l1doNCnUN8A]

You can follow Tobias Handke on Twitter.

Image: RipItUp

A slew of new hip-hop video clips have hit the net today, so to make it easy for you, we’ve gathered together the best for your viewing pleasure below. Enjoy!

YG & Lil Nipsey Hussle, FDT (Fuck Donald Trump)

YG and Nipsey Hussle let their thoughts known about Presidential hopeful Donald Trump with the video for FDT (Fuck Donald Trump). The filming of the protest video was shut down by police a few weeks back, but that hasn’t stopped the two from releasing what footage they could gather. The black and white clip – with flashes of patriotic red and blue – opens with a short message reminding people of the advances made by President Obama and how if the wrong candidate is elected in the current race to the Whitehouse, all Obama’s good work could be reversed.

This isn’t actually a bad track. While the refrain, “Fuck Donald Trump,” isn’t the most positive of slogans, I applaud YG and Nipsey Hussle for using their position to advocate their political beliefs

[youtube https://www.youtube.com/watch?v=WkZ5e94QnWk]

Trouble, Ready (Remix Ft. Big Bank Black, Young Thug & Young Dolph)

Released last month, Atlanta rapper Trouble delivers the film clip for the remix of hit cut Ready. Joined by Southern alumni Big Blank Black, Young Thug and Young Dolph, the four MC’s kick it in the street with their posses as 90s visual effects flash on screen.

[youtube https://www.youtube.com/watch?v=iX34S53M4a0]

Bankroll Mafia, Out My Face

The latest in a long of hip-hop super groups, Bankroll Mafia is lead by the team of T.I. and Young Thug with able support from Shad Da God and Peewee Roscoe. While Roscoe is currently facing prison time following the shooting of Lil Wayne’s tour bus last year, the group look set to continue as a trio, as evident by new single Out My Face. Fellow Hustle Gang label mate London Jae joins the three on this trap banger, with the video showing the quartet hanging out in a warehouse with their crew while footage of money burning is intercut throughout.

Bankroll Mafia’s debut album is set to drop this Friday April 22.

[youtube https://www.youtube.com/watch?v=vLQtqMQYO1w]

Curren$y, Grand Theft Auto

Ahead of the release of Curren$y’s 4/20 celebrating project, Bourbon Street Secrets, the New Orleans rapper has dropped the visuals for new tune Grand Theft Auto. Produced by frequent collaborator, Purps of 808 Mafia, Curren$y’s smooth rhymes float over the bouncy production as he stands around some fancy cars smoking spliffs. What a life.

Bourbon Street Secrets is released this Friday April 22.

[youtube https://www.youtube.com/watch?v=fq8eidzw-ks]

Homeboy Sandman, Talking (Bleep)

Stones Throw Records’ Homeboy Sandman is less than three weeks away from dropping his new album Kindness For Weakness (May 6), and today sees the video release for recent single Talking (Bleep). It feels like a kind of parody take on the typical hip-hop gangster video, with boxing and martial arts, street shootings, running from men in black suits and so on.

Homeboy’s crystal clear storytelling lyrics slow down the video’s dramatic pace just enough to allow you to take in each scene. Remarkably surreal, mostly due to the small embellishments, like how some characters’ mouths are stretched wide, are creepy and eerie to say the least. The pace and lyrics work in an interesting way with the video, with the clear storyline essentially making the entire visual experience even more hyperreal and off-kilter.

https://www.youtube.com/watch?v=xgsossmuDXA&feature=youtu.be

Remi, For Good (ft. Sampa The Great)

Undoubtedly the best Australian hip-hop track of the year so far, Remi‘s For Good, featuring Sampa The Great, now has its own visual accompaniment. This is the first single from Remi’s forthcoming album with Sensible J titled Divas and Demons, and if it’s anything to go by, we’re in for something truly special.

The video splices scenes of Sampa and Remi dancing and performing with theatrical scenes of a lone girl sitting at a restaurant table, having been stood up on a date – by the guy we soon see riding in a car with two girls and a bottle of wine. He’s having a great time, she’s feeling incredibly low. After a minute he eventually shows up, so late that he sees another guy chatting to her. Fed up when he begins to argue with the other guy, she leaves, obviously distraught.

It’s not exactly a feel good clip. Here’s Remi explaining the song’s straightforward inspiration: I was a scandalous prick, and I wanted to outline how it went down and how it effected everyone involved. The best way to do this was to have both the male and female perspective.”

https://www.youtube.com/watch?v=UrW7GNFwPsM

Written by Tobias Handke & Lauren Ziegler

Image: Billboard