Bruce Springsteen and The E-Street Band’s live performances have become legendary tales of three hour epics filled with hits, rarities and covers, verging on a spiritual awakening, and tonight’s first Melbourne show is no different.
While the music on that beautiful summer’s night was a form of escape for most, Springsteen has become more outspoken on politics as he’s grown older and continues to use his music as a way to get his opinion across. With America in political upheaval, The Boss doesn’t miss the opportunity to take a jab at Donald Trump and Malcolm Turnbull’s telephone conversation about America accepting 1,250 refugees currently locked up on Manus Island and Nauru. Trump apparently deemed the arrangement “the worst deal ever” and it’s clear from the outset Springsteen has something on his mind.
Arriving to mass applause from the sold out crowd, the Boss takes to the mic to declare, “We stand before you, embarrassed Americans.” He continues, “We’re going to use this to send a letter back home,” kicking off proceedings with an acoustic cover of the Orlons’ 1962 pop hit, Don’t Hang Up. The political theme is current throughout the night, with American Land, Wrecking Ball and Irish-influenced protest song, Death To My Hometown, showing Springsteen’s intent. Keeping the commentary strictly lyrical, The Boss never comes across as pushy or demanding with his message, simply allowing his music to explain he thoughts and feelings on the current political and social climate.
[youtube https://www.youtube.com/watch?v=Yph45NhYqSk]
Politics aside, Springsteen and co’s marathon 29-song performance is an emotional journey covering over three decades of rock and roll anthems. The Promised Land, Glory Days, Mary’s Place, and 9/11 call to arms, The Rising, have the crowd getting boisterous and singing along. The Ties That Bind arrives early and immediately showcases the chemistry between Springsteen and his bandana wearing close friend and guitarist Steven Van Zandt. Facing each other, the two share the microphone during the chorus, with Van Zandt’s smile never leaving his face. While the two have performed together since the E Street Band first formed in 1972, there seems to be an extra kick in his step tonight, with the accomplished musician and actor showing a warmth towards the Boss not seen on previous tours. It would be rude to single out only Van Zandt, as the entire E Street Band are on point tonight. Max Weinberg’s drumming is rhythmically crisp as he sits chewing gum without a hair out of place. Nils Lofgren stalks the stage as he alternates between his guitar and slide guitar looking eerily like an American version of Keith Richards. Garry Tallent keeps to the side as his bass anchors the band, Roy Bittan dazzles on the keyboards while Soozie Tyrell’s soaring backing vocals and violin work adds another dimension to the arrangements. Then there’s the escapable and towering presence of Jake Clemons. Since the death of his uncle and E Street legend, Clarence Clemons, Jake has assumed the role of saxophonist with gusto and fast become the ideal replacement for his uncle.
The hits continue roll out as the night passes by in a blur of good time rock anthems. A powerful rendition of Murder Incorporated follows Nebraska cut Johnny 99. Atlantic City is given an up-tempo makeover, Badlands has the seated sections of the crowd out their seats and a rollicking cover of Patti Smith’s “Because Of The Night” has the crowd in full voice.
The Boss is in fine form throughout the night, making his way along the front barriers and standing on raised platforms in the audience while continuing to entertain. He’s offered half a beer and downs it like a champion and happily shakes hands with fans during instrumental parts of songs. Despite his age – 67 – The Boss has lost none of his enthusiasm or energy, and much like a fine wine, just gets better with age.
[youtube https://www.youtube.com/watch?v=gQ79EfXQ9LE]
The quieter moments are just as impactful, with Bruce performing an emotive I’m On Fire and being joined on stage by the Melbourne Symphony Orchestra on a breathtaking New York City Serenade. An acoustic take on Long Walk Home adds gravitas to a song about Springsteen’s relationship with America and kicks off a whirlwind six-track encore. Born To Run blasts around the stadium with the impact it still had when first released over 30 years ago and Dancing In The Dark finds Springsteen pulling a number of women whose signs have caught his eye on stage to dance with him, with one lucky lass even getting Lofgren’s guitar to play. Tenth Avenue Freeze-Out, played at every show as a tribute to fallen comrades Clarence Clemons and Danny Federici, gets a rousing reception and allows Springsteen to introduce the members of his band with his famous, “You’ve just seen… the heart-stopping, pants-dropping, house-rocking, earth-quaking, booty-shaking, Viagra-taking, love-making, le-gen-dary E Street Band!”
With the floodlights turned on and illuminating the near 50 thousand capacity crowd, Springsteen leans against the microphone stand in the centre of the stage with refuel smile. As his band continue performing a cover of The Top Notes’ Twist And Shout, The Boss looks out into the masses, breathing heavily. With his red check shirt open to the chest and saturated with his sweat, Bruce, much like his audience, looks exhausted yet euphoric. “This is it. I can’t go on anymore,” he explains, the smile never leaving his face. Screams for “more” ring around AMII Park as Springsteen and his band repeat the chorus one last time before bringing things to a deafening close, proving once again that there is no better live experience than Bruce Springsteen and The E Street Band.
Image: The Beat (Tony Proudfoot)
Bruce Springsteen – Chapter And Verse
The term “legend” is often bandied about when it comes to famous and successful musicians, but it’s a word that describes Bruce Springsteen to a tee. The Boss is universally recognised as one of the greatest artists of all time. He’s written dozens of hit songs, and his ability to write music you can relate to has been the key to his success. There’s also his live shows, that have to be seen to be believed. There’s no performer who puts as much energy into playing live as the Boss, and he remains the greatest artist I’ve ever had the pleasure of witnessing in the live arena.
Along with being a musician, Springsteen can now add accomplished author to his bio with the release of his memoir, Born To Run. The book traces Springsteen’s rise from a New Jersey punk to rock and roll stardom, and by all reports, is an engrossing and entertaining read that reveals more about the man behind the artist. Along with the book, Springsteen has released an accompanying album, Chapter And Verse. The album contains 18 tracks handpicked by Springsteen, including five unreleased track from his early days playing in a variety of different bands.
All the favourites are included, such as Badlands, The River, Born To Run, Born In The U.S.A., and The Ghost Of Tom Joad, although there’s no room for Dancing In The Dark. Album cuts like Nebraska’s My Father’s House, Lucky Town’s Living Proof and Long Time Coming off Devils & Dust give an insight into some of Springsteen’s lesser celebrated songs that obviously have a greater meaning for him.
Of course any Springsteen fan would already have the majority of these songs on record, with the real gems being the unreleased tracks that open the album. The first two, the 60s rockabilly of Baby I and You Can’t Judge A Book By The Cover are from his time with, The Castiles, one of the first bands he played in. The quality isn’t very good and neither song hints at the talent he possessed, but both are an intriguing look into Springsteen’s early beginnings. Springsteen then went on to front Steel Mill, an outfit that also included future E-Street band alumni Steve Van Zandt, and offers up the Deep Purple-ish He’s Guilty (The Judge Song), with the Boss’ trademark vocal clearly audible on what’s a pretty decent tune. The final two unreleased tracks, Ballad Of Jesse James and Henry Boy, were both recored in 1972 and are clear indications Springsteen was a talent on the rise. The acoustic Henry Boy in particular, demonstrates Springsteen’s familiar rough and ready delivery and downtrodden lyrics.
For casual fans who most likely own a Springsteen great hits album, you can probably pass on this, but for die hard fans this is a must. Listening to a collection of songs handpicked by the Boss as his favourites, as well as a number of unreleased tunes is an absolute treat.
Verdict: For the die hards.
[youtube https://www.youtube.com/watch?v=utVR3EgQkHs]
Lloyd Banks – All Or Nothing: Live It Up
Three years on since G-Unit member Lloyd Banks dropped his acclaimed mixtape, All Or Nothing: Failures Not An Option, the East Coast MC is back with the follow-up, All Or Nothing: Live It Up. Once again teaming with DJ Drama, this mixtape is another shout out to New York from Banks that once again highlights the Punchline King’s lyrical wordplay.
Banks enlists a number of producers across the 15 tracks, including the likes of Doe Pesci, Mr. Authentic, Tha Jerm, and Ty James. All provide gritty, street beats that are all part of the sound that make up a Banks release. Mr Authentic in particular contributes two top notch beats in the form of the soulful trap number Land Of Opportunity and street anthem Seniorities.
Reap What You Sow, the tape’s first official single, is also one of the best tracks, with Banks rapping about the price you pay for the things you do in life, while tracks like Insomniac, Blood, Sweat & Tears and final track Price Of Life all feature Banks quality lyricism.
There are also a handful of guest verses from some of New York’s finest, with Prodigy and Vado entertaining on Seniorities, fellow G-unit affiliate Tony Yayo mumbling his way through Work Hard, Styles P cementing his status as a New York great on Land Of Opportunity and Joe Budden sounding focused on Transitions.
Verdict: Another Banks beauty.
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Juicy J – #MUSTBENICE
The latest mixtape from Juicy J finds the Southern rapper embracing the dark trap sound he’s made his own this year. With the majority of production handled by TM88, the man also responsible for Juicy and Wiz Khalifa’s collaborative project, TGOD Mafia: Rude Awakening, #MUSTBENICE is another 808s heavy mixtape about sex, drugs and living the high life.
#MUSTBENICE is the prelude to Juciy’s forthcoming release, Rubba Band Business: The Album, and if it’s anything like this tape, then Juicy is heading in the right direction. Kicking off with the Gucci Mane and PeeWee Long Way banger, Trap, #MUSTBENICE is 17 tracks of murky hip-hop sure to soundtrack many a seedy nightclub. Juicy raps about all the women he has on Plenty, fake bravado on Whatcha Gone Do, the haters trying to get him down on It’s Ok and his love of mixing syrup with high quality weed on the icy Super Fire.
Along with his solo tracks, the features are all top notch. Jeremih provides a silky hook on Panties, Khalifa and Project Pat weave their magic on Talk That Talk – also one of the tapes best tunes – and young guns Young Dolph and 21 Savage rep the new breed on bonus cut LIT.
Verdict: Trap goodness.
[youtube https://www.youtube.com/watch?v=itl686CGncg]
Image: Rockol.com
Nina Simone once asked “please don’t let me be misunderstood”. That is a pretty plain message right there, but often we don’t fully comprehend what musicians are trying to say. We soundtrack our lives with heartfelt ballads to sob to, slushy love songs for gazing into each other’s eyes and pumping anthems for all those good times.
But what if we’ve got it wrong?
Some other smart person once noted that “we only hear what we want to hear”, and music is a pretty perfect example of that. Growing up with The Police often on the stereo, it was clear to me that Every Breath You Take was a simplistic, if sickly, love song. These days it’s common knowledge that those lyrics were written with darker and uglier meaning, although opinion is divided as to whether Sting is narrating the part of a stalker, or governmental big brother.
Listening to The Stranglers gentle melodies, you would be forgiven for assuming that Golden Brown was some kind of endearment to a lover, as “she lays me down, with my mind to run”. Not a byword for heroin, as confirmed by the band’s singer and lyricist Hugh Cornwell. And even as the world went crazy for Gangnam Style, who amongst us realised that the song was mocking the excessively wealthy lifestyle of the Gangnam district in Seoul?
Here are five more songs that may not mean quite what you thought they did. If ever there was a time for a ‘spoiler alert’, this is it…
Total Eclipse Of The Heart – Bonnie Tyler
This is the ultimate power ballad pleading for a lover’s return, right? Wrong! Bonnie’s mega-hit from 1983 was actually about vampires.
In 1981, Tyler took on a new manager who, in turn, set about looking for a new producer to work with her. After seeing Meat Loaf perform Bat Out Of Hell live, they approached producer Jim Steinman. In the course of recording, Steinman presented Tyler with Total Eclipse of the Heart, which went on to become her most successful song.
In speaking about the track, Steinman is quoted as saying “with Total Eclipse of the Heart, I was trying to come up with a love song and I remembered I actually wrote that to be a vampire love song. Its original title was Vampires In Love because I was working on a musical of Nosferatu, the other great vampire story. If anyone listens to the lyrics, they’re really like vampire lines. It’s all about the darkness, the power of darkness and love’s place in dark…”
And he isn’t lying. As Bonnie’s “holding on forever” to the love that’s “like a shadow on me all of the time / I don’t know what to do and I’m always in the dark”, it all becomes clear. And who could blame her for being “a little bit terrified” at the thought of dating the undead?
https://www.youtube.com/watch?v=lcOxhH8N3Bo
Born In The U.S.A. – Bruce Springsteen
This track is possibly the most publicly, and phenomenally, misinterpreted song of all time. Despite the fist pumping chorus, Springsteen was actually making a fairly damning, bleak commentary on the life that awaited returned veterans of the Vietnam War.
Released in 1984, Born In The U.S.A. was actually original demoed for Springsteen’s earlier album Nebraska. A somber, acoustic based release by Springsteen, Born In The U.S.A. grew out of that sensibility. Protesting the harsh conditions of the working class life in America, portraying a broken character isolated from his family and from the government.
Oddly enough, the song was then , and somehow still is today, taken up by American political figures as a sort of anthem and affirmation. Cited by critics and politicians as the embodiment of American values, as a figure of hope, Springsteen was even praised by President Ronald Reagan; the man behind the administration that Springsteen was condemning.
All can be blamed on that infectious chorus refrain “Born in the U.S.A.”, despite the intended irony. In 2000, journalist Brian Doherty made the interesting point that even though the song is continually misunderstood, “who’s to say Reagan wasn’t right to insist the song was an upper? When I hear those notes and that drumbeat, and the Boss’ best arena-stentorian, shout-groan vocals come over the speakers, I feel like I’m hearing the national anthem.”
https://www.youtube.com/watch?v=EPhWR4d3FJQ
Waterfalls – TLC
Anyone born before 1990 knows that this song is for putting your arms around your girlfriends and singing along – preferably loudly and a little out of tune. It is the R&B ballad of the era, the gentle encouragement that pushed us 90s kids to follow our dreams and not to chase waterfalls, encouraged by the maternal vocal stylings of Left Eye, T-Boz and Chilli.
Actually, Waterfalls was written to tackle the illegal drugs trade, promiscuity and HIV/AIDS. The band wanted to make their point without “seeming like preaching”, hence the slightly ambiguous chorus.
Once you start listening to the lyrics though, you hear the story of the mother who sees her son caught up in crime “Cause he can’t seem to keep his self out of trouble / So he goes out and he makes his money the best way he knows how / Another body laying cold in the gutter”. Or the tragedy of the AIDS virus as it sweeps through populations; “His health is fading and he doesn’t know why / Three letters took him to his final resting place”
Critics often comment that the famed chorus is urging audiences to stick to the calmer, safer dreams, characterising those waterfalls as seemingly exciting and adventurous ideals, which in reality are dangerous and will carry you too fast into peril.
https://www.youtube.com/watch?v=8WEtxJ4-sh4
My Sharona – The Knack
Another belter, this one is best for driving with the windows down to. My Sharona is unmistakably a love song, if a raunchy one, but did you know that the titular Sharona was only 16?
In 1979, the song was famed as “the song that killed disco”, as one of the very few rock songs charting at the time. Obviously about a girl, the lyrics were talking about a girl that The Knack singer, Doug Fieger had met and fallen for. Fieger, then 25, had struck up a relationship with Sharona Alperin, who was underage. She actually appeared on the single’s cover at the time of release.
Most people simply skirted over the more telling lyrics in the song; “Such a dirty mind, always get it up / For the touch of the younger kind” that went alongside unmistakable innuendos like “When you make my motor run”. The couple continued to date for several years, and Sharona inspired more songs for the band, including the worryingly titled That’s What Little Girls Do.
https://www.youtube.com/watch?v=F2dicpOe4HE
Imagine – John Lennon
Lennon’s hope for the world has lived on in this song ever since its release in 1971. The poster boy, and indeed the poster song, for world peace and unity. Imagine was played on nearly every radio station after the 9/11 bombings, often voted as Britain’s favourite song and described by Rolling Stone as “an enduring hymn of solace”.
There is a general sort of assumption as to the meaning of Imagine, but it’s only when you look a little deeper that you encounter widely differing interpretations. Yoko Ono has said that “It was just what John believed — that we are all one country, one world, one people. He wanted to get that idea out.”
But at the time, Lennon was quoted as describing the lyrics as “virtually the Communist Manifesto”. He went on to explain. “Even though I am not particularly a Communist and I do not belong to any movement…. But because it is sugarcoated, it is accepted… Now I understand what you have to do,” Lennon noted. “Put your political message across with a little honey.”
It has also proved divisive, hinting at a kind of Communist utopia, others have questioned whether it is similarly fatally flawed. Or commented on the hypocrisy of the vastly wealthy Lennon imagining no possessions or “No need for greed”. Bono has told how he loves ” the Buddhist core of the song”, and Tori Amos is certain that “It’s a song about sanity”. Iconic protest singer Joan Baez has said of Imagine that “It has tremendous meaning in places that are in the throes of social change.”
And maybe that is the key to the song. It is not so much a matter of being misunderstood, but actually that Lennon managed to write a song that was so utterly open to interpretation. It may have been the manifesto of John and Yoko, but it has also been moulded into thousands of personal and global manifestoes, with thousands of different meanings.
https://www.youtube.com/watch?v=DVg2EJvvlF8
Image: Youtube
Bruce Springsteen is the latest artist to boycott the recent anti-LGBT laws passed in North Carolina, cancelling an upcoming concert via Facebook post this morning. The laws in question include the absurdly archaic “House Bill 2″, implemented to force transgender people to pick a male or female public bathroom according to their biological gender at birth, and stipulations which essentially make it easier to discriminate against LGBT people in a workplace – you can read more about it here.
Springsteen’s statement explains that the law “dictates which bathrooms transgender people are permitted to use,” and that it”also attacks the rights of LGBT citizens to sue when their human rights are violated in the workplace. No other group of North Carolinians faces such a burden.
“To my mind, it’s an attempt by people who cannot stand the progress our country has made in recognizing the human rights of all of our citizens to overturn that progress.”
“Some things are more important than a rock show and this fight against prejudice and bigotry — which is happening as I write — is one of them. It is the strongest means I have for raising my voice in opposition to those who continue to push us backwards instead of forwards.”
Springsteen is not the first artist to cancel a show in protest – last year, Wilco cancelled a show in Indiana over anti-gay religious laws, while a number of film stars including Anne Hathaway and Seth MacFarlane recently threatened to boycott the film industry in Georgia for the same reason. Some of the world’s biggest companies, including Apple, Facebook and Bank of America have also criticised the laws.
Springsteen’s guitarist Steven Van Zandt also weighed in on the decision, telling the media at the Rock & Rock Hall of Fame ceremony this week, “We just felt the issue was just too important… This really vile and evil discrimination is starting to spread state to state and we thought … we better take a stand right now and catch it early, and set some kind of examples for others.”
https://twitter.com/YohanaDesta/status/718604666347655169
Others have chimed in to support his decision via social media, including presidential candidate Hillary Clinton, who ‘liked’ the above Facebook post.
I ❤️ Bruce @Springsteen.
— The Ellen Show (@TheEllenShow) April 8, 2016
https://twitter.com/melissamccarthy/status/718611426206736384
https://twitter.com/charlieputh/status/718575874535198724
Just when you couldn't love @springsteen anymore! What a man. https://t.co/AT1ChPnE77
— James Corden (@JKCorden) April 8, 2016
Image: BBC / Getty Images
Bruce Springsteen performed a touching tribute to the late Glenn Frey when he covered the popular Eagles hit Take it Easy overnight while on his worldwide The River tour.
Just a day after the sad passing of the country rock legend, Springsteen took to the stage in Chicago and honoured his fellow rocker.
It was a stripped back version of the massive hit that saw him standing amongst a sea of lights at the suitably named United Centre. He was later joined by violinist Soozie Tyrell as the song built to its climax. The name of Frey reverberated around the stadium as Springsteen repeatedly called it out to loud cheers from the crowd.
https://twitter.com/springsteen/status/689672762219171840/photo/1?ref_src=twsrc%5Etfw
Frey, who was a founding member of the hugely popular Eagles, died at the age of 67 on Monday.
In a post on Frey’s Facebook page, a statement read, “Glenn fought a courageous battle for the past several weeks but, sadly, succumbed to complications from Rheumatoid Arthritis, Acute ulcerative Colitis and Pneumonia.”
The Detroit native got his first real break when he moved to Los Angeles towards the end of the 1960’s. It was there that he would soon meet drummer and fellow founding member of the Eagles, Don Henley. The two played together as members of Linda Rondstadt’s backing band, and later formed the Eagles in 1971.
They went on to become one of the true giants of 1970’s music, as they fine-tuned their sound to become a radio staple. Their mega hit Hotel California went on to define the sound of that particular time and also dominate the charts in the process.
Not long after, the Eagles released a Greatest Hits (1971-1975) album to celebrate their phenomenal success, and it went on to become the second best-selling album of all time, second only to Michael Jackson’s world conquering Thriller record.
Watch the touching cover below:
https://www.youtube.com/watch?v=-zEuh4Psius
Something that has been really interesting to notice about the tragic passing of David Bowie is just how far flung his influence really was. It isn’t just your average person feeling this loss, but people of all ages all over the world. It’s times like this that music brings people together, but it is kind of surreal to see people like Brian Eno, Ricky Gervais and Arcade Fire also expressing their grief at the loss of the musical icon. It’s even more surreal to hear Bruce Springsteen talk about the time he caught a Greyhound bus to see Bowie in the studio, before launching into a cover of Rebel Rebel.
That’s exactly what happened over the weekend, and because the internet is both a beautiful and cruel place, some kind soul has uploaded footage of the whole thing for us to enjoy as well. During the opening night of his River tour in Pittsburgh, Pennsylvania, Springsteen recalled his long history with Bowie, calling him his “good friend” and saying “he supported our music way, way back in the very, very beginning.” He also told the audience about how he went to Philadelphia to visit Bowie as he was making the Young Americans album in 1973, and that Bowie had previously covered Springsteen’s music, so it was quite fitting that The Boss now returned the favour.
Giving it that Springsteen flavour, Bruce did Rebel Rebel absolute justice. It took the audience no time at all to get into it, and provided the perfect atmosphere to pay homage to his late friend. You can catch the clip below:
https://www.youtube.com/watch?v=CgmhF0XV8uA
Read our retrospective Flashback Friday on Bruce Springsteen’s ‘Born To Run’
Image via Spin
Two undisputed legends Bruce Springsteen and Paul McCartney joined forces to perform the festive hit Santa Claus is Comin to Town on Saturday Night Live at the weekend.
The surprise appearance of Beatles legend Paul McCartney was a welcome holiday treat as he sauntered on stage alongside hosts for the night, and SNL veterans, Tina Fey and Amy Poehler. The rest of the sketch show’s cast joined in on the song as well, complete with Christmas hats, and looked as surprised at McCartney’s appearance as the man himself did. It is actually yet to be established if he was just lost and stumbled onto the stage mistakenly, or if it was pre-planned.
Springsteen led the fun-filled track with his usual rousing energy and voice. He pushed his guitar up into the air halfway through the song to salute the New York crowd, while McCartney joyfully lurked in the background joining in on baking vocals with guitarist Steven Van Zandt.
Bruce Springsteen and the E Street Band had earlier performed two tracks from their just released The Ties That Bind: The River Collection box set. The ever busy Springsteen has recently revealed that his upcoming 2016 tour will celebrate his classic 1980 album The River. The re-released album was put out just in time for Christmas and will no doubt prove to be the perfect stocking filler for Springsteen fans.
Meanwhile, where would we be without the legend that is Paul McCartney? There certainly wouldn’t be a Yesterday. This year he worked with speech interrupter, shoe designer, and self-proclaimed biggest rock star in the world extraordinaire Kanye West on a new tune, where he spoke of his admiration for Kanye while comparing him to his old friend John Lennon. McCartney’s appearance comes as a further present, after it was recently suggested that the Beatles entire discography will make its long awaited appearance on streaming sites.
[youtube https://www.youtube.com/watch?v=nYLSc2nt1Ag]
Read our special Flashback Friday editions on the The Beatles here and Bruce Springsteen here.
Rumoured to be on their last tour ever, The Who are currently bringing their iconic sounds across the US – and are definitely pulling out all the stops.
When Pete Townshend and Roger Daltrey rolled into New York last week, they were joined on stage by none other than the Boss, Bruce Springsteen. Together, they performed My Generation and Won’t Get Fooled Again at the MusiCares Benefit Concert.
Townshend was honoured at the concert with the Stevie Ray Vaughn award for his work supporting a charity that assists musicians with addiction recovery – the MusiCares MAP Fund. Springsteen gave a touching speech about him, recounting his first rock concert ever, which happened to be The Who. Ending the tribute beautifully with, “So Pete, I’m here to say, congratulations, well deserved, and thanks for not just Who’s Next and ‘Who Are You,’ but for who I am,” Springsteen gave an insight into just how much The Who, and Townshend himself had touched his life. You can read the full transcript below.
Read the full transcript of Bruce Springsteen’s speech (via NJ.com)
“The first American tour that The Who were on, and I was in a long line staking out Convention Hall down the boardwalk. The billboard read in big type ‘Herman’s Hermits and The Who.
“I was a young pimply-faced teenager who managed to scrap enough together to go see my first rock concert ever. Pete and The Who were young pimply-faced teenagers with a record contract, a tour and a rude aggressive magic. They were on this tour of all things opening for Herman’s Hermits and there was no justice.
“So I scrambled to my seat in the cavernous Convention Hall and I waited for the rumble to start. The first band out I think was a band called the Blues Magoos out of New York City … They came out and they had these electric suits and when all the lights went out in the hall, all the electric suits lit up and it was high-level special effects.
“The Who came out and they played for probably a little more than 30 minutes. Pete, in a cloud of smoke, demolished his guitar bashing it over and over into the floor and his amplifier. The audience was filled with a significant amount of teeny-boppers who were waiting for ‘Mrs. Brown, You’ve Got a Lovely Daughter.’ So they sat there with their mouths agape wondering: ‘Who are you’? Who are these guys? Whay are you doing? Why are they doing it?’
“All I knew, for some reason, this music and the demolishing of all these perfectly fine instruments filled me with incredible joy and I never looked back.
“So I went out and bought a smoke bomb and a strobe light and I brought them over to the gig. and as the night neared its end, I wasn’t able to smash my guitar – it was the only one I had! – so I lit the smoke bomb in the Catholic school basement and turned on the strobe light and I climbed on top of my amplifier holding a vase of flowers that I stole from one of the upstairs classrooms, and with this huge flourish I raised the vase of flowers as the flickering, blinding strobe lit me, with smoke all around me, and as the nuns looked on in horror, I smashed them onto the dance floor. I jumped off the amp and stomped all over the petunias!
“The vase of flowers simply failed to have the grandeur of a newly minted Telecaster being smashed to splinters, but we worked with what we had. I went home smiling, feeling a blood bond with Pete Townshend, and I never looked back.
“As I grew older, the Who’s music seemed to grow with me the sexual frustration, politics, identity. These things course through my veins with every concurring Who album. I always found myself there somewhere in their music,” Springsteen continued.
“‘The Seeker’ is the guy in ‘Born to Run.’ There’d be no ‘Down in Jungle …. LAND’ without Pete’s slashing bloody attack on his instrument. Pete is the greatest rhythm guitarist of all time. He showed you, you don’t have to play any lead. It’s an amazing thing to behold.
“Pete managed to take the dirty business of rock and roll and somehow make it spiritual and turn it into a quest. He may hate this, but he identified the place where it was noble, and he wasn’t afraid to go there.
“I took a lot of that with me as the years passed by. So Pete, I’m here to say, congratulations, well deserved, and thanks for not just Who’s Next and ‘Who Are You,’ but for who I am.”
In the lead up to Born To Run – A Tribute to Bruce Springsteen being held this weekend at Brisbane’s The Triffid, we asked Moses Gunn Collective, Sahara Beck, Good Oak, Halfway and Love Hate Rebellion what their favourite songs were by The Boss! Ranging from big hits, to the overlooked phases of Springsteen’s back catalogue, their choices are diverse as ever and have us extremely excited to see what they’ll be performing this weekend!
Remember, we are giving away a double pass to one lucky person!
1. Like Howl & Echoes on Facebook
2. Email giveaways@howlandechoes.com with “BRUCE SPRINGSTEEN” in the title and your name in the email.
That’s it! We’ll be notifying the winners this Thursday, April 9.
MOSES GUNN COLLECTIVE
State Trooper
Bruce in all his double denim, bad boy, generally not giving a f**k glory. A smouldering salute to insane outlaws everywhere.
Streets of Philadelphia
A beautiful ramble that feels like it’s just wafted out of a heavenly gutter somewhere in deep America. You’re down ‘n out but it’s all good, Brucey is there with you.
SAHARA BECK
Radio Nowhere
I love this track. It’s passionate and driving and like he is searching for some soul in the crap that gets played on the radio.
Hungry Heart
I love the sing along in this – the cheesy key change the oooohhhhhs and ahhhhhhs – it’s perfect.
GOOD OAK
Atlantic City
This has to be one of the all time great songs, it’s my favourite Bruce song. I love the way they recorded the Nebraska album and it suits this song perfectly.
Ain’t Got You
This is such a fantastic performance from Bruce. It sounds like it’s out of the 50’s with limited instrumentation and a vocal that only Bruce could deliver.
HALFWAY
Tougher Than The Rest
From the often overlooked late 80’s record tunnel of love, his first officially without the e street band. Just a beautifully tempoed love song with a hint of desperation, and a typically great Springsteen bridge.
Hungry Heart
The first single from The River. A Phil Spectorish pop song with the e-street band in full, spectacular flight. He actually wrote this for The Ramones but decided in the end to hang onto it himself.
LOVE HATE REBELLION
I’m On Fire
From the moment the picking and rimshot fade in, you know you’re onto something a little sweet and sad. Yet at the same time it’s a surprisingly sexy song. More than hinting at many edges of human desire, the song also represents the keyboard sound that so defined the era. Hearing this song, you know you’re not only hearing The Boss, you’re hearing the Eighties.
Dancing In The Dark
It’s a Springsteen classic! Put this on at a party and people get moving even in 2015. You can’t start a fire without a spark and you can’t listen to Springsteen without Dancing in the Dark. Like many of his songs, it captures that get up and go working spirit that’s so often underpinned by longing. And again, there’s a tangible romance to it, which always makes music better.
In our last instalment of Flashback Friday, we paid tribute to Bruce Springsteen‘s Born to Run, and it seems we aren’t the only ones with what I like to call “Boss Fever”. That’s right, Brisbane venue The Triffid’s temperature has reached a critical level, so they’re putting on a special night to pay tribute to the living legend that is The Boss.
The 20 time Grammy winner will be honoured on April 11 at one of Brisbane’s newest and most exciting venues, with the likes of Moses Gunn Collective, Good Oak, Love Hate Rebellion, Halfway and Sahara Beck stepping up to perform hits from Springsteen’s extensive back catalogue. Each act has been successful in their own right, from Moses Gunn Collective nabbing the opening slot for the Byron Bay Fall Festival to Sahara Beck‘s final round nomination for Most Popular Female in the Queensland Music Awards.
Pull out your finest double denim outfit and jump on tickets now, this one is sure to be a night to remember!
We’re so excited that we’re giving away a double pass, so that you can be there to celebrate The Boss with us. It’s super easy to enter:
1. Like Howl & Echoes on Facebook
2. Email giveaways@howlandechoes.com with “BRUCE SPRINGSTEEN” in the title and your name in the email.
That’s it! We’ll be notifying the winners next Friday, April 3.
