Midas.Gold & Tkay Maidza
If you haven’t heard the name Midas.Gold yet, you’re missing out on one of the brightest young talents in Australian hip-hop right now. With just a single EP, For What It’s Worth, under his belt, the young MC is set to take over the country with his infectious rhymes over some stellar and innovative production from studio running-mate Jangus, showcasing his charisma and talents supporting another of Australian hip-hop’s new generation in Tkay Maidza, who continues to win fans over around the world with her fiery and energetic brand of hip-hop that leaves most listeners in an uncontrollable state of dance.
The tour is happening right now, so if you missed catching these two in Brisbane, Melbourne or Perth then that’s unfortunate, but you can still catch them in Sydney, Adelaide and Hobart on these dates.
Thu, Nov 10th: The Metro, Sydney
Fri, Nov 18th: HQ, Adelaide
Sat, Nov 19th: Uni Bar, Hobart
https://www.youtube.com/watch?v=OzODkysbl3c
I Know Leopard & Holy Holy – The Darwinism Tour
Having just signed to Ivy League Records, Sydney quartet I Know Leopard are a band on the up. They’ve got a new single Rather Be Lonely currently spinning and they’re just a few days shy of heading out on tour supporting the always electric Holy Holy, who are continuing to ride the lightning set off by debut album When The Storms Would Come as well as the anticipation for new material with the release of latest single Darwinism.
This one promises to get all kinds of loud.
Fri, Nov 11th: Corner Hotel, Melbourne
Sat, Nov 12th: The Worker’s Club, Geelong
Sun, Nov 13th: Karova Lounge, Ballarat
Thu, Nov 17th: Cambridge Hotel, Newcastle
Fri, Nov 18th: Metro Theatre, Sydney
Sat, Nov 19th: Uni Bar, Wollongong
Sun, Nov 20th: The Basement, Canberra
Thu, Nov 24th: Miami Marketta, Gold Coast
Fri, Nov 25th: Solbar, Sunshine Coast
Sat, Nov 26th: The Triffid
https://www.youtube.com/watch?v=p7IdTtcgW-Q
Crowded House – Encore
Could there be anything more iconically Australian than a series of Crowded House shows played on the forecourt of the Sydney Opera House in the waning days of Spring? Well it’s 2016 and that is fortunately still a reality, with the legendary group set to punch everyone in earshot in the feels with live renditions of their classics across four separate dates. Neil Finn and co will be playing four consecutive nights at the Opera House and if you’re looking for a live music experience you’d be hard pressed to find one better than this.
Nov 24-27, Sydney Opera House Forecourt, Sydney
https://www.youtube.com/watch?v=J9gKyRmic20
Husky – Late Night Store
Melbournians Husky are heading back out on the road again, their latest single Late Night Store the first taste of the band’s upcoming third record to be released next year. Having spent a year overseas, Husky’s Australian homecoming has been a long time coming for fans, who will be eager to see the effect their gap year in Berlin has had on the band’s live set. We can’t wait to have Husky back home at any rate.
Thu, Nov 17th: Art Gallery of Western Australia, Perth
Sat, Nov 19th: Lighthouse Folk Festival, Norah Heads
Sat, Dec 3rd: The Foundry, Brisbane
Wed, Dec 7th: Newtown Social Club, Sydney
Thu, Dec 8th: Fat Controller, Adelaide
Thu, Dec 15th: Howler, Melbourne
https://www.youtube.com/watch?v=XRw8AlwkAaU
Allan Smithy – I See A Palm Tree
Allan Smithy has just dropped his debut EP I See A Palm Tree last week and it’s an absolute gem. To celebrate this milestone, he’s embarking on a free (as in it will cost you not one of your dollars) tour of the East Coast at the end of November. It’s the perfect tour for that time of year when our wallets are all feeling a little pre-Christmas fragility, so if you miss the chance to catch him live and not spend a cent in doing so then you’ve got rocks in your head.
Fri, Nov 25th: Waywards, Sydney
Thu, Dec 1st: Barbara, Brisbane
Fri, Dec 2nd: The Penny Black, Melbourne
https://www.youtube.com/watch?v=nJdTlnkhjI8&feature=youtu.be
Abbe May – Doomsday
Perth’s Abbe May is enjoying a comeback year in 2017, releasing two singles in Are We Flirting and Doomsday Clock. It’s the latter she’s taking out on tour from next week as well as celebrating her fresh WAM awards for Best Single and Best Female Vocalist as well. The Doomsday tour are Abbe May’s final dates for 2K16, as she prepares to release her incredibly anticipated new record Bitchcraft early next year. Possessing one of the best voices in the country, this is one you don’t want to miss.
Thu, Nov 17th: Newtown Social Club, Sydney
Fri, Nov 18th: Transit Bar, Canberra
Sat, Nov 19th: Rad Bar, Wollongong
Thu, Nov 24th:: Northcote Social Club, Melbourne
Fri, Nov 25th: The Grand Hotel, Mornington
Sat, Nov 26th: Queenscliff Music Festival, Queenscliff
Fri, Dec 2nd: The Workers Club, Geelong
Sat, Dec 3rd: The Grace Emily, Adelaide
Fri, Dec 9th: The Beach Hotel, Byron Bay
Sat, Dec 10th: The Bearded Lady, Brisbane
Fri, Dec 16th: Jack Rabbit Slims, Perth
https://www.youtube.com/watch?v=vtQ4TgyP340
Methyl Ethel – World Tour
Sticking with the West Coast for this next one, with this year’s breakout darlings in Methyl Ethel. They’re quickly making a name for themselves here and abroad off the back of massive singles like Idee Fixed and the anthemic Twilight Driving. Latest single No. 28 is no different, a warm and foot-stomping rocker that bends and weaves in a myriad of directions, and the Methyl Ethel boys are keen to show it off back home before embarking on a world tour in 2017 at some of the best summer festivals in the country.
They’ll play Woodford Folk Festival, Lost Paradise and Sugar Mountain before what will be a raucous homecoming in Perth and a pair of headline shows. This is your chance to see one of the best new bands in the country on a skyrocketing upswing.
Tue, Dec 27th: Woodford Folk Festival, Woodford
Thu, Dec 29th: Lost Paradise Festival, Glenworth Valley
Sat, Jan 21st: Sugar Mountain Festival, Melbourne
Sat, Feb 18th: Fremantle Arts Centre Courtyard, Perth
Thu, Feb 23rd: Howler, Melbourne
Fri, Feb 24th: Newtown Social Club, Sydney
https://www.youtube.com/watch?v=glxQCwtDm5Y
PVT
After three years dormant, electro rockers PVT are back in 2017. They have a new album coming, their fifth in New Spirit due for February, and they’ll be taking a quick East Coast jaunt to celebrate its release. If the release of first single Morning Mist, Rock Island Bend, a nine minute sprawler of a track, is anything to indicate, PVT are looking to push a whole lot of boundaries in the new year and we can’t wait to see it.
Fri, Feb 24th: National Gallery of Victoria, Melbourne
Sat, Feb 25th: The Foundry, Brisbane
Fri, Mar 3rd: Oxford Art Factory, Sydney
https://www.youtube.com/watch?v=bnRhMDlxDq8
Boy & Bear – Regional Australian Tour
If you live in regional Australia, chances are you know all too well the sting that comes when your favourite acts cruelly look over your area in favour of the big three of Brisbane, Sydney and Melbourne. To that end, Boy & Bear are making it their business to cover as much of regional Australia as they possibly can in the space of a month, with a mammoth 20 dates around the country planned.
With the warm glow from last year’s stellar LP Limit Of Love still hanging in the air, this will be a special tour.
Wed, Nov 9th: Regent Theatre, Ballarat
Thu, Nov 10th: Ulumbarra Theatre, Bendigo
Fri, Nov 11th: Costa Hall, Geelong
Sat, Nov 12th: The Cube, Wodonga
Wed, Nov 16th: C. Ex Coffs, Coffs Harbour
Thu, Nov 17th: Miami Marketta, Gold Coast
Fri, Nov 18th: Beach Hotel, Byron Bay
Sat, Nov 19th: Lake Kawana Community Centre,Sunshine Coast
Sun, Nov 20th: The Mills Precinct, Toowoomba
Wed, Nov 23rd: Pilbeam Theatre, Rockhampton
Thu, Nov 24th: MECC, Mackay
Fri, Nov 25th: Tanks, Cairns
Sun, Nov 27th: The Venue, Townsville
Fri, Dec 2nd: Albany Entertainment Centre, Albany
Sat, Dec 3rd: 3 Oceans, Margaret River
Sun, Dec 4th: Fremantle Prison, Fremantle
Wed, Dec 7th: Orange Ex-Services Club, Orange
Thu, Dec 8th: ANU, Canberra
Fri, Dec 9th: Waves, Wollongong
Sat, Dec 10th: Wests City, Newcastle
https://www.youtube.com/watch?v=LEUY7dXsxrk
Remi – Divas And Demons
Another young star flying the flag for Aussie hip-hop’s new generation is Melbourne MC Remi, whose September sophomore album Divas And Demons impressed in spades. He and PIC Sensible J are heading out on a November tour in support of that album and cracker new Jordan Rakei-featuring single Lose Sleep. Shows are already selling out for this one and tickets aren’t going to last long given his surging popularity so get in right quick if you want a good look at the future of hip-hop Down Under.
Fri, Nov 18th: Karova Lounge, Ballarat
Fri, Nov 25th: Railway Club, Darwin
Sat, Nov 26th: Rocket Bar, Adelaide
Wed, Nov 30th: Transit Bar, Canberra
Thu, Dec 1st: Newtown Social Club, Sydney
Fri, Dec 2nd: Newtown Social Club, Sydney
Fri, Dec 9th: Black Bear Lodge, Brisbane
Sat, Dec 10th: Republic Bar, Hobart
Fri, Dec 16th: Howler, Melbourne
Sat, Dec 17th: Howler, Melbourne
https://www.youtube.com/watch?v=B8TjpHcQ8gI
Image: Pilerats
Award-winning Perth artist Abbe May has recently released a gorgeous new single, Are We Flirting? and is currently on the road for the first time in three years. Her last album, Kiss My Apocalypse came out back in 2013, and the artist has seen a remarkable transformation and journey in the years since. She will now be releasing her long-awaited fifth album, Bitchcraft, re-introducing herself to the world, having emerged from a self-destructive downward spiral. In a press release, May states, “I spent 2 years recovering by clearing everything out of my life that wasn’t working for me. I got rid of people, habits, attitudes and parts of my lifestyle that made me stressed or anxious or depressed. I’m actually so grateful the whole horror happened. I had to access my inner bitch in order to cut myself loose. That’s why the new album is called Bitchcraft. It would never exist if I hadn’t channeled the bitch.”
It’s safe to say that May’s journey is not only incredible and admirable in her own right – anyone who has ever found themselves in a similar place can no doubt attain to the immense difficult and determination of escaping – but inspiring for her audience, and for those who may be facing the same challenges.
The attitude and punch felt on this track, both lyrically and musically, is fucking cool and incredibly impressive. Observe:
https://www.youtube.com/watch?v=50MXpXrimUc
We wanted to learn a little more about some of May’s own favourite albums, so we asked her to share three albums that changed her life.
Funkadelic, Maggot Brain
I don’t do drugs. But if I did, I would hope that my trippin’ would be something like the soundscape of this record. Deep, dark, profound, psychedelic, and at times, hilarious! This is definitely some of the funkiest shit I’ve ever heard and it’s a classic for a reason.
https://www.youtube.com/watch?v=8rrOdcnFbAY
Dead Can Dance, Anastasis
I heard this for the first time two years ago while in London, and staying in an apartment in Soho. That handsome movie dude who was once married to Madonna was living in what I can only presume to be an unimaginably massive apartment above ours. I wanted to listen to lots of Madonna at the time because I love a bit of 80’s and early 90’s Madonna in particular, but I also didn’t want to be a jerk. Who knows – maybe her ex husband still hurt from the divorce? You know? No need to be an asshole. Anyway, I looked around for alternatives and I saw this record and gave it a spin and I tell you no word of a lie – I have listened to this album in its entirety EVERY.GODDAMN.DAY. SINCE. and I am all the better for it. It has changed my soul. Check out Kiko in particular.
https://www.youtube.com/watch?v=HMTbJq-SiGo
Amy Winehouse, Back To Black
Because she had it all. Her talent was immense. Her voice, her lyrics –
I don’t tend to lament the deaths of celebrities. But she was more than a celebrity. She was a truly great artist and this album is absolutely magnificent. What a talented woman. I wish she hadn’t died.
https://www.youtube.com/watch?v=TJAfLE39ZZ8
Abbe May is currently on tour, the remaining dates are as follows:
FRI JUL 8: Northcote Social Club, Melbourne
With Bec Sandridge and Jack Stirling & The perfect
Tickets
FRI JUL 15: Mojo’s Bar, Fremantle
With Bec Sandridge and ABACAXUVA
Tickets
Image: David Collins
It’s video roundup time! Once again, Howl And Echoes are coming in hot with the freshest, most eyeball-stimulating music videos to be dropped by the artists you love and some of the artists you don’t know you love yet this week. We do all the dirty work and herd them all into one convenient web-based location for you to enjoy every Friday so that you don’t have to. Have yourself a good old gander at the latest offerings from:
Louisahhh!!! – Ready
https://www.youtube.com/watch?v=mTZi1sH7TAQ
One of the best and brightest young producers out of Los Angeles is Louisahhh!!!, whose Shadow Work EP released last year has swiftly become a club favourite. Her latest single from that EP is Ready, a sprawling, near robotic techno track that cascades with layers of sound juxtaposed with powerful spoken word across its near six minutes to create a unique listening experience.
The video, directed by Philippe Cuendet, looks like a warped tape played on a VHS system that needs its heads cleaned. It’s full of pulsating waves of static and flashes of subliminal messages to keep your eyeballs entranced along with your ears.
Shadow Work is out now on Bromance Records. Louisahhh!!! is also enjoying a residency on Triple J across June.
HABITS – Ether
https://www.youtube.com/watch?v=ONFwGDpc184
Having just released their latest EP Ugly Cry to a sellout crowd at the Northcote Social Club, Melbourne duo HABITS have just launched the video for one of the standout tracks on that record in Ether. Haunting and ethereal, a slow-burning and multilayered backbeat builds beautifully to create a track absolutely perfect for a cold winter night with the lights dimmed.
The video is a clever combination of lo-fi footage of the duo on an animated bank of monitors, the dark and dull shades throughout fitting the sonic vibe of the song just perfectly.
Ugly Cry is out now on HABITS’ Bandcamp.
Bassnectar – Reaching Out
https://www.youtube.com/watch?v=exQIlfAkbMU
Moving to Santa Cruz for this next one and the all powerful Bassnectar, who has a stunning new single ahead of his Unlimited LP landing today. Reach Out is the name, boasting an utterly lush and vibrant soundscape of production that showcases exactly why Bassnectar is at the top of the electronica game.
The video is equally as eyeball-grabbing, with plenty of birth symbolism and some absolutely jaw-dropping visual effects showing the protagonist breaking forth and floating as if through water inside an endlessly spacious room.
Unlimited is out today on Amorphous Music.
LASTLINGS – You
https://www.youtube.com/watch?v=p6HcQo0g8qY
Gold Coast sibling duo LASTLINGS are back with a brand new single and video after a fantastic 2015 on the back of debut EP Unreality. You is their latest, a gorgeous track anchored by shimmering electronic production and singer Amy’s icy vocals. The chorus absolutely pops.
The video, directed by ORFN (who shot to fame after directing the video for Hoops by The Rubens) was shot across multiple locations in Tokyo and captures some of the better recognised aspects of Japanese aesthetic such as Geisha and cherry blossoms just beautifully.
Catch LASTLINGS as part of the Purple Sneakers 10th Birthday celebrations at Vivid Live in Sydney this weekend.
Clarence Clarity – Splitting Hairs (ft. Pizza Boy)
https://www.youtube.com/watch?v=ptf5HlXr6Tk&feature=youtu.be
London meets St. Louis in this next one, with the former represented by electronic singer-songwriter Clarence Clarity and the latter by the fantastically-monikered Pizza Boy. The two have joined forces on Clarence Clarity’s brand new one Splitting Hairs.
Pizza Boy’s flow positively simmers over the off-kilter production, Clarity singing a throaty and infectious chorus. It’s a unique pairing that works tremendously. The accompanying video is not your average lyric video, Clarity and Pizza Boy performing in just one window of a very active browser (lots of cats of course).
Look for more great stuff from both these artists in the near future.
Abbe May – Are We Flirting
https://www.youtube.com/watch?v=50MXpXrimUc
Perth songstress Abbe May has a brand new one too in the smouldering Are We Flirting? With her ghostly falsetto juxtaposed with her smoky, almost spoken word delivery, May has the listener feeling hot under the collar throughout (and that guitar solo is pure heat).
If you like cats you’ll love this video, a nice little grey one slinking around Abbe May almost in time to the music. We can’t wait for what else she has in store for us with the impending release of her next album Bitchcraft later in 2016.
The Creases – Impact
https://www.youtube.com/watch?v=Haty0SVGTwc
One of my absolute favourite bands ever to come out of Brisbane are The Creases, and we’ve been loving huge new single Impact something chronic since it was released just a couple of weeks back. Grandiose, ambitious, catchy and just a wonderful stomping rock tune, it’s been ripping up the airwaves and for good reason and now it has an accompanying video.
While the band rips it up in a vintage living room, the camera pans between a bunch of other rooms where an assortment of characters enjoy the song in their own unique ways before meeting up with the band for a raucous finish. The very first time The Creases have used an outside director (Sophie Hayward) for a music video, it bottom line looks like it was one of the most fun shoots ever.
You can feel Impact for yourself live when The Creases tour Brisbane, Sydney and Melbourne from July 2.
Violent Soho – So Sentimental
https://www.youtube.com/watch?v=XmTFmf8DKBI
And wrapping this week’s roundup up with another of the greatest Brisbane bands in Violent Soho and the video for their huge single So Sentimental. Already a live standout and an absolute belter, a chugging guitar riff building into a big singalong chorus fans have been going bonkers for since it was released on their smash album WACO earlier this year.
The video sees the Violent Soho boys heading out for a sunny day on the road in a beat up station wagon, starting their day with a carton of XXXX Gold (as every good day ever has started), the rural landscapes reeking of fresh air and serenity, before stopping at the beach for an impromptu jam. Very warm and fuzzy stuff.
WACO is out now via I Oh You.
Image: YouTube
Another week, another few hundred (maybe even thousand) new singles to get into your earholes. We know it’s hard work, so we’ve done it for you! Check out a list of the best new songs from this week below:
PLGRMS, Fools And Their Gold
What do you get when you combine an exceptional singer-songwriter and a multi-instrumentalist/songwriter? Something like Sydney based duo PLGRMS, and their stellar new single, Fools And Their Gold. Indie pop at it’s darkest and most brooding, with a hint of mystery and intrigue, PLGRMS have really stepped up to the plate with this latest song. Following on from their previous single, Pieces, PLGRMS are just so damn impressive here. With so much going on, it’s a dynamic exercise that pairs flutters of percussion with heavy drums and staggered synths, all swirling together in harmony whilst vocalist Jacob Pearson’s stunning voice soars over the top. It’s a dream.
ABBE MAY, Are We Flirting?
Abbe May returns! And she’s got even more sass than ever before. Releasing Are We Flirting? to herald her arrival back on the scene and in our ears, this features a swaggering bassline, erratic percussion and intermittent electronic noises firing off whilst her voice shows off an impressive range effortlessly conveying her lyrics with just enough seduction to keep you hooked, but a certain nonchalance like the sonic embodiment of the “swerve” emoji (you know the one, with her hand at her shoulder smiling with her dead, not-caring eyes). Coming back after a triumphant battle with serious health issues that saw an untimely departure from the scene when it looked all but hers back in 2013, Abbe May is hungry to pick up where she left off, and Are We Flirting? (and by extension, her forthcoming record, Bithcraft) are definitely going to see her get there.
SAATSUMA, Floating
Saatsuma is a collaboration between Melbournites Memphis Kelly, Cesar Rodrigues and Joel Ma, and their latest single, Floating, is a beautiful take on solitude and the feelings that come with insomnia. Themes that are normally dark and alienating are given new life by Saatsuma, thanks to hypnotic electronica and soulful, enchanting vocals in this song, and proves the group aren’t afraid of tackling big issues – or their realities. As someone who struggles with these issues a lot, it hit particularly close to home, but it was more like a hug than a hit, and that’s exactly what you need sometimes. The trio are an exciting addition to Melbourne’s sonic landscape, and it will be really great to see where they go.
High Water, Changed The Locks
Released via Nicolas Jaar’s OTHER PEOPLE label, this bad boy is about the strangest song you would have heard this week. Described as “a mongrel, electro-acoustic jazz” in its press release, it’s the twisted brain child of one Will Epstein and is an experimental aural journey from start to finish. With pained, impassioned vocals over guitar loops and tinkering drums, Epstein sounds like a more electronic Nick Allbrook. Not down to compromise himself or his sound one bit, it’s one month until the release of his forthcoming debut album, Crush, and it’s shaping up to be a remarkable release indeed. Taking inspiration from his labelhead, Jaar, Epstein plays and experiments with sounds in a way that surprisingly works, combining a kind of controlled chaos that isn’t pulled off by just anyone. No, Epstein is onto something really good here, and Changed The Locks is a shining example of whatever it is he is trying to do.
Soto Voce, Better
Better is Soto Voce’s first single EVER, and it’s so impressive you’d think they’d have been in the game for much, much longer. It’s a slow burner, erring more on the pop side of the R&B spectrum, but captures a certain emotional element that is often missing from this kind of style. As it goes along, it continues to unravel itself revealing from brooding R&B to a soulful build before unleashing into a buzzsaw synth breakdown. It’s expansive, immersive and irresistible. It’s also incredibly ambitious and will serve them very well for future releases. I have very high expectations for this Oakland duo!
Arthur Wimble, It Breaks
Just one week out from the release of his debut, Hearts, the elusive Arthur Wimble has shared one more cut in the form of It Breaks. Pairing glitchy, upbeat, computerised beats with modulated vocals that almost moan the hook, Wimble plays with so many different sounds and styles, whilst keeping it tight and refreshing – always keeping an arm’s length from the fray on standard producers that make this kind of pixelated dance music. Out via tastemaker label TEEF Records next week, Hearts is looking set to see Wimble start to get some widespread acclaim, so I’m not sure how much longer he can try to remain elusive for. Enjoy it while you can Arthur!
Young Greatness, Moolah Remix Ft. Yo Gotti & Lil Wayne
Mhm, this is a banger. Chasing those dollar bills comes naturally to these three, and together they hustle hard. The song is a bright, sunny banger; all three of them rapping about their love of all things $$$ with huge smiles on their faces. Recognising their struggle in the come up, Yo Gotti and Lil Wayne inject fresh life into the original, with their verses about getting “back in the kitchen for that moolah,” and being a “chef and a jeweller.” It was initially suspected Young Thug was going to share his own remix after teasing it online, and whilst that would be pretty great as well, Yo Gotti and Lil Wayne will do us just fine!
Unknown Mortal Orchestra, First World Problem
Unknown Mortal Orchestra share their first single since their 2015 widely acclaimed album, Multi-Love, and whether it was what fans were hoping for or not, their slightly more dance-y direction has been amped up in this new single. Titled First World Problem, it is definitely one of their most fun singles, all upbeat and groovy. It’s in the same vein as Can’t Keep Checking My Phone where it’s a total earworm that has an irresistible hook, and is exciting if it is signifying a slight deviation from their usual psych sounds. Although I never really pictured UMO being a must-have in a party playlist until last year, they’re doing a great job at making sure they stay there!
Bugs, Pretty
Brisbane band Bugs shared their latest album this week, and it’s yet another example of how strong the scene is in Brisvegas. Fronted by the prolific Connor White, who is involved in more bands/projects than I’ve had hot dinners, pop punk has never sounded so good. His deft lyricism is paired with in your face guitars and explosive choruses, and some lovely thrashy drums. With an impeccable knack for making really great songs, Bugs and by extension White lay down another impressive tune here in an album absolutely brimming with them. With a consistent output of quality music, Bugs are gathering a loyal following around their hometown, but it’s only a matter of time before that extends beyond and out into the rest of the world.
Cleopold, Not Coming Down
Cleopold burst onto the scene last year thanks to some fantastic singles and a few guest features (one particular one on a Miami Horror single), but he seemed to have disappeared towards the end of the year. Now it’s been revealed he was busy working on his soon to be released debut EP, Altitude & Oxygen – the first taste of which we have heard this week! Titled Not Coming Down, Cleopold’s new single is a reminder of everything he is about and everything he can do: exciting, upbeat electro beats, a stunning voice and deft lyricism that still fit in the pop world. Out June 10 via Chet Faker’s Detail Records, this could be the year of Cleopold, and I’m already loving the sound of it.
https://www.youtube.com/watch?v=65zXUif2QvQ