George Maple is one of the nicest people I have ever spoken to. Her cool, relaxed and bubbly personality was extremely refreshing as we chatted to one another halfway across the globe. As we talked production, men picking apart her lyrics and her new track Buried, I was once again reminded how friendly Australians are. But, George Maple aka Jess Higgs is now an artist of the world, spending most of her time in Los Angeles and jet setting between her hometown Sydney and London, where she relocated to several years ago. She’s got friends in many places and she isn’t afraid of audiences: casually mentioning she was dancing on stage the night before in front of fifty thousand people for DJ Snake’s set at EDC in Vegas.

Where are you at the moment? I know you like to travel and move around a lot, from Australia to London, to New York to LA, so I’ve found it a little hard to pinpoint where you are at the moment. 

*Laughs* I’m in Vegas.

Amazing!

We had EDC last night, it was crazy!

How was it?

It was intense. It was awesome.

How you feeling today?

I’m good! It’s so funny, I ended up on stage with DJ Snake at his main stage in front of fifty thousand people but because there was no mic and he didn’t have any instrumentals I ended up just having to dance. I was like, what am I doing?

How long are you in Vegas for?

I have to leave tomorrow, I may have to go to Paris or I may have to go to LA. I will find out in the next few hours.

Are you still moving to LA? Cause I read somewhere you were thinking about moving there to further your songwriting.

To be completely honest I don’t really have a proper home yet, but I base myself mostly out of LA at the moment because it makes the most sense. It’s between London and Sydney and I’ve got so many incredible friends there. I had my birthday the other day and you know when you’re in a place and it’s not your home and you have a birthday and you’re like, maybe I’ll have a couple of friends… But I ended up with this party of twenty-five people or something, and I just realised how many incredible friends I have in LA. I really enjoy it there.

I’m loving your new single Sticks and Horses ft Goldlink, and the remix package you’ve added to it. 

Thank you so much.

https://www.youtube.com/watch?v=OI546yWtNTA

How long have you been doing production for?

I never really meant to do production, it was not on the cards. I didn’t even know I was producing, I was just making things. To me it was just writing. I wanted it to sound a certain way and eventually my manager at the time asked, who’s producing your demos? I was like, what do you mean producing? They’re written. She was like, no, this is production. There were a few instances when I was younger that people would bail on studio sessions and I remember being really down about it and it was something I really cared about. I’m very controlled with everything and for me, to be able to at least have the ability to do something on my own is really important. Whether I choose to do it all the time is a different thing, but having spent all this time working on production I think I’ve probably been doing it for three or four years or so. Being able to produce a track on my own, it hasn’t been that long, probably one or two years. I don’t want to do all the production on my own, I like working with other people. But sometimes you’ve got something in your head and that’s what ends up happening. It’s definitely not a rite of passage.

It would be easier for you though, you can kind of just smash it out.

I just think being self sufficient is important, it’s really just about continuing be able to challenge yourself to gain new skills. If you stop doing that, you’re kind of screwed. It’s all about trying and failing, trying and failing.

Your new track Buried with What So Not featuring Rome Fortune just dropped, and it’s really cool. I’m really feeling Rome’s vibe and I really like his style. Can you tell us a bit more about the video and how the collaboration came about?

The collaboration with Rome happened when Chris (What So Not) and I were in a car about three years ago and this track came on FBi Radio in Sydney – it was Rome’s track but it had been produced by Four Tet. We just thought that was so cool a rapper was working with an underground electronic producer. So we went and Googled him to find out a little bit more about him, and then him and I started talking on Instagram or something about fashion. Eventually we all met at Fool’s Gold’s Day Off  in Atlanta and then Chris got into the studio with him. We’d already written the track so he just added the verses. We actually finished working on the track with our friends in LA with a group called THC (Kendrick Lamar, Drake) so it was a big family affair.

It was shot on a phantom camera underwater and it was funny cause everyone told us we couldn’t do it, but we managed to pull it off. You need so much light when you’re filming: we were filming it at fifteen hundred to three thousand frames per second so you need a lot of light to make that work!

https://youtu.be/OH_u_OiDChE

Where was it filmed?

You know what, I’m from the Nothern Beaches of Sydney, and it was actually filmed in our local aquatic centre. Chris and I grew up in the same area and when Leticia Dare (Sticks and Horses) called us and we looked at the run sheet, it said it was being filmed at the aquatic centre. We were like, we used to do swimming carnivals there, is this really happening?

I know a lot of your songs are about sex, love and lust, do you find when you start dating someone or you get into a relationship, they start to pull apart your music or your lyrics or get nervous you’ll write a song about them?

If they do, they do not stay! *Laughs* But, it’s a really difficult thing. I think to be with an artist is difficult in itself, but to be with an artist that writes their own lyrics and potentially is writing about other people and their experiences or drawing from other experiences that aren’t necessarily their own, I imagine if you indulged in trying to pick apart the lyricism it would drive you crazy. I’ve had boyfriends in the past that have and they’re not there anymore.

Are you excited to come back out to Australia for your tour?

Yeah I’m so excited!

You’re playing all around Australia, including the Maroochydore Music and Visual Arts Festival. Discussing your music videos and how you like to have a lot of visuals and production, what can we expect from this tour?

I think that it will be theatrical. I’ve spent a lot of time syncing up the music and how the show flows with the lighting, the performance aspect and costuming. I love all that stuff so much and I love the idea that the music is being given a new space to live. It really excites me that I have full control of what that is. I mean obviously there’s limitations, I wish I could have a Beyoncé LED light behind me, but it will certainly be theatrical.

You have a very unique style, who are some of your style icons?

I really love divas. I love Donna Summer, Diana Ross, Cher in the 70s, Bianca Jagger. I just love strong women. I love that fashion and choice of garments are able to completely transform someone into what they are trying to represent artistically. I just think it’s so powerful what a costume or what a piece of clothing can do, not just in making people feel good. I guess that’s a generic representation of fashion, but I think that it has the power to create a story and it’s an extension of an artistic vision and I have so much respect for the fashion industry.

Grab tickets to see George Maple on her biggest Australian tour to date here.

George Maple also performs at Maroochy Music & Visual Arts Festival, Saturday September 10. Tickets at www.mmvaf.com

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Image by Darren McDonald

Kwasi has dropped the visuals to his latest single Fast Lane, describing the video as, “an interesting clip with cult inspired images, something to tantalise the senses.” 

Haunting and visually mesmerising from the opening scene, the video moves between a picturesque scene of a purple skyline to a smoke filled room with Kwasi shirtless and exposed. The storyline may be simple, but its somewhat sensual and stimulating effects don’t distract you from his progressive sound. Directed by Daniel Dunn, the accompanying video further highlights Kwasi’s artistic conception while showcasing the versatility in Australian hip-hop.

https://www.facebook.com/soundslikekwasi/videos/1025724234150081/

Working hard behind the scenes since dropping The Golden Voyager last year, the Melbourne based MC/Producer has been busy live gigging and collaborating with Midnight Green label mates. Kwasi explains, “I’m going into 2016 with energy, with no plans of slowing down. This is a taste of the thrashy R&B/Hip-Hop sound aesthetic I’ve been creating with producer HFNR. We have another three tracks that are near completion and will be releasing them over the coming months.”

We’re looking forward to seeing what’s next for the venturesome artist.

You can purchase The Golden Voyager here and stay up to date with Kwasi here.

Dylan Joel is bringing a new flavour to Australian hip-hop. Mixing acoustic melodies, soulful singing and lyrical dexterity, the MC, singer and song writer has catapulted into the music industry after releasing his debut album Authentic Lemonade. Currently on his second headline tour, Dylan is giving his audience a refreshing and authentic sound with his acoustic guitar and catchy hooks.

Teaming up with the ladies at KissFm’s Back to the Future, we recently had a chat with Dylan while he was on the road to discuss all things hip hop, what sets him apart from his peers and tour life.

I know you’re just about to go on stage, where are you tonight?

I’m playing Wollongong, at Uni Bar, which I’m real hyped for.

Fantastic. And how far along are you on your tour at the moment?

We are five shows deep I think. And we have five more shows to go.

How’s the crowd response been on this tour?

So good! The vibe has been awesome and it’s only the second headline tour we’ve ever done. For me, I was kind of nervous about it, I was like, are people even going to come? You know, I’m rocking up at cities that I don’t really know anyone in and hoping people will come, but it’s been awesome. Everyone who’s come so far has just been there for good spirit and have really appreciated it.

You have, or you have in the past, had some acoustic kind of stripped back versions of songs in your set. Are you doing that again in this set? And if so, how has it been received? 

Yeah we’re definitely doing that in this set. We’ve probably had more acoustic guitar in this set than we ever had before, which has been awesome. It’s funny, we’re playing a brand new song that’s acoustic, or mostly acoustic and that’s been one of the biggest songs in the set so far. I’m really stoked on that and people are really loving it. It’s weird too, sometimes I watch social media and watch back on what people have been filming and without a doubt most of the time if people film anything it’s always the acoustic songs. They’re kinda of like, screw the rest of the set we just wanna watch him play guitar! So it’s been received super well.

https://youtu.be/kzIa3nuIaag

I think for you it’s a point of difference and what sets you apart from other Australian hip-hop acts.

The hip-hop culture itself is known for innovation, so it’s important to be able to bring something new to the table and a new element and a new idea or a concept. That is so much what hip-hop is based around.

What I’m really liking seeing you do lately is the live feeds on Facebook. Is that really important to you to be available for your fans and really show that authentic side of who you are as a person?

The Facebook live thing has been so cool because it’s giving people a chance to get to know me outside of the music. You know, you jump on stage and you perform and you play your songs, and they hear you recorded but there’s so many elements amidst that. So I think it’s really important and for me it’s been awesome to chat, talk about whatever and answer people’s questions on there.

How important is it to have grounded people around you? Is that something you’ve consciously strived to do or do you just attract those kind of people?

I think it’s definitely a bit of both. I think you definitely attract what you project, so I feel like the people that are around me now I see a lot of myself in, which is really cool and special. And I guess that’s why you get along with the people that are close to you, but it is really important. I mean when you’re on the road you spend so much time with these people and you can be in kind of high stress situations. So many things go wrong with every show and you can kind of be at each others throats, so to have people that are really similar to you, to be able to deal with things in the same way and have the same morals and the same priorities is really key. I think I’m super lucky I have such a rad team that are all really inspiring people in their own way and that’s definitely shaping me.

Image by Michelle Grace Hunder

Image by Michelle Grace Hunder

Who are you listening to at the moment? Who are you feeling and who are you influenced by the most?

There’s quiet a few people at the moment. It’s so funny, I’m listening to more Kanye than I’ve listened to in a long time, probably ever. I’ve always listened to Kanye’s stuff, but more recently I’ve become more of a fan and I’m starting to really understand the depth of his talent: he’s creatively genius. So many people just hate people for saying that, but that’s because they can’t see past some of the the flaws in his personality, but creatively he’s a freak. But definitely two of my favourite rappers for sure would be Vic Mensa: he’s just doing stuff that hasn’t been done before on a whole new level and definitely Chance The Rapper. That guy’s the definition of genuine, so I got a lot of love for those guys.

You’ve been doing a lot of touring, are you at a stage now where you don’t have to be doing a job on the side?

Yeah that kind of only just changed about two months ago; I was doing youth work three to four days a week. And then about two months ago I got to the point where music was too busy and I was doing an average job at my youth work job and I was doing an average job at music. So I was like, I’ve got to make a change, what’s my priority right now? I’ve been doing youth work for awhile now and I still love it but I was like, if I’m going to give music a shot I’ve actually got to give it a shot. So, I ended up quitting and I’ve just been doing one day of youth work a week but the rest is all music.

https://soundcloud.com/dylanjoel/blank

Who have you got your eye on in terms of the Australian scene right now?

Honestly, there’s so many, it’s such an exciting time for Aussie hip-hop. There’s so many people making crazy stuff that’s new, innovative and unique. I’m just so amped to be involved in that. Specifically though, one of the dudes that hasn’t released a whole lot but a little birdy told me he will be fairly soon, goes by the name of LTC in Canberra. There’s something he’s got that’s real crazy and I’m pretty amped to see what he puts out. And then I feel if anyone really digs Australian hip-hop and they’re talking about people that are exciting, it’s definitely Remi and Sensible J; they’re always doing new stuff that hasn’t been done before out here and I think they are definitely paving a way for everyone else to able able to go out on a limb and try something new.

I think another one that’s on the House of Beige label is Man Made Mountain, who are on tour as well.

Oh word! Thank you for saying that because they’re on tour with us right now and I haven’t seen them play live before, so last night we played in Canberra and I watched the whole set. I just snuck out into the crowd, the shit they’re on is next level. I’ve never actually seen anyone look so effortless and chill and calm and spit so hard so calmly. It’s just the weirdest thing. They’ve got so much groove, so much talent. Definitely go watch Man Made Mountain, they’re next level.

Now we always end our interviews with quickfire questions. I’m going to say two things and you’re just going to pick one of the things that I say.

Okay, lets do it. Try me!

Type or write?

Write.

Bus or plane?

Plane.

Lemonade or coke?

Lemonade, everytime!

Vinyl or digital?

Ahhhh, no! This sucks! I’m gonna say… Nah I don’t have an answer because I would say vinyl if I had a choice to bring a record player with me everywhere I go, but that’s not possible. I’m going to have to say digital because then I wouldn’t be able to listen to music everywhere I go.

City or rural shows?

I’m going to say rural.

Vic Mensa or Chance The Rapper?

Haaaa, that’s the worst question!

Funnily enough I had that prepared before you said they were your two favourite rappers. 

That obvious hey! Umm, I’m going to say Chance. I think I like where his heart’s at a little bit more.

And last one, stage or studio?

Damn, these are so tough, that’s such an annoying question cause stage is fun, and you get to connect with people in person, but I don’t like being up the front all the time so I’m gong to say studio.

Thank you so much, really appreciate your time Dylan hope you have a great show tonight.

 Thank you so much, thanks for having me!

https://www.youtube.com/watch?v=3LRmrpUV6iQ

Catch Dylan in a town near you and cop his album Authentic Lemonade here.

This interview comes to you as a collaboration between Howl & Echoes and Back to the Future.

Image: Michelle Grace Hunder

Ivan Ooze is on a roll. He recently supported Wu- Tang while there were down under, recorded with Ghostface Killah, released his new mixtape The 93 KFC Rotisserie Gold, followed it with a national tour and has just announced the Vibe City underage shows. We recently sat down the the Melbourne MC in-between the madness to chat about his mixtape, recording with Ghostface and bringing the hype to his live shows.

This interview can also be found on Kiss FM’s Back To The Future Hip-Hop.

You’ve dropped a new mixtape, The 93 KFC Rotisserie Gold. Where did this name come from?

Awhile ago I was a little high and was looking through KFC stuff and saw there was the 93 KFC Rotisserie Gold, which was the first rotisserie chicken that was advertised by a fast food company. It was a new thing: it was fresh, had nice flavour and all that. And I was thinking, I can sort of compare my music to this and try and make a mixtape of the chicken side of thingsSo I just mashed it up and it sort of just formed in that way. It has a ring to it.

Do we have a lot of songs about chicken on here?

No we actually have none. I don’t think I even say chicken in any of the songs. The Colonel hates me. *Laughs*

I want to ask you about your name, because I know it’s a Power Ranger character and he’s quiet an evil character, how did that come about?

It’s more to do with my anger, like, when I started rapping I was a pretty angry kid. Ivan Ooze is a character where people hate him but they sort of like him because he still has that charisma and is still funny. I used to watch The Power Rangers movie all the time so I took that away from his character.

So that’s more your stage persona?

Yeah for sure. If you see me on stage you kind of see my eyes popping and I look a bit scary. I’ve seen pictures of myself and I’m like, Wow! I didn’t know I looked like that.

You’ve built quiet a cult following here in Australia. How did you build up your fan base?

Pretty much just by talking to people, being on social media and responding to everybody who has a question. Trying to get around to it now gets a bit full on because I get about thirty to forty messages a day but it’s still good to just talk to everyone, and doing the videos on Facebook when they get shared around.

https://www.facebook.com/mcivanooze/videos/1234093276609264/

You were one of the first people I saw doing the videos. I definitely draw some parallels between yourself and Allday in the way you relate to your fans and how you’ve built that fan base up through social media. I think you two do it the best that I’ve seen. I think that’s very commendable using social media to its best power.

Yeah for sure, social media is such a big tool now. You’ve got to be on social media. I don’t hear of many people who aren’t on social media.

You were recently on tour with Wu-Tang which would have been pretty exciting. And I saw you did a track with Ghostface, how was that? 

It was pretty surreal, especially sitting in the studio and watching him write. I already had a track that was done, so I showed it to him and he liked it, so we went into the studio and he sat down for forty or fifty minutes and wrote his verse and did the same with the recording. Then we bounced it in the car and he was down ass for it. Then we went UGG boot shopping *laughs*

One of the things that I’ve always been impressed with is your skill to freestyle. It can be rare to see someone who is able to freestyle as well as they can rap. Is that a skill you have to hone all the time?

It really does depend on what time of the day it is when you wake up and how you feel that day. It also depends what’s going on in your headspace. If you’ve got a real clear headspace I think you can do it better cause there’s more words that riddle off the top of your head. Also, I haven’t been smoking cigarettes, I can freestyle better, whereas if I smoke cigarettes I feel like I revert back to the same word.

Your style on stage is super energetic, who are your biggest influences and how have you won over some of those tougher crowds?

For stage presence I’ve been watching a lot of Flatbush Zomies but it’s more to do with how people work the crowd. I watch acts when I’m on tour and bring that to my set. I think the main people I watched was Cypress Hill and they can control a crowd without even moving. It’s crazy, they have a power. I just try to do that. I spoke to my hype man, who does back flips on stage, about how we want to make it the most energetic set that we can because I know when you go to some hip-hop gigs you can go there and you’re partying and enjoying the music but you didn’t move as much. So what we try to do is make it so you’re jumping around and having a good time but still enjoying the music.

Image by Jacob Pedersen at Alter Ego Visuals

Image by Jacob Pedersen at Alter Ego Visuals

I’ve definitely seen you guys do that, two really strong memories; one was Cypress Hill which I think was one of the toughest crowds I’ve seen to win over, and also Azealia Banks.

I think to deal with those types of crowds is, that they’re only there to see who they paid to see, they don’t know who the support act is, so why should they care? But at the same time if you try to connect with them and get down to their level and go in front of them and say what’s up, and give them props or whatever, they’ll be like oh, this guy’s alright and pretty nice.

Every hip-hop act that’s out there should take that advice! I’ve seen so many that don’t take that seriously and don’t bring any energy, and are intimidated by the crowd.

 Yeah you can’t be intimidate by the crowd.

So we always finish our interviews with some quickfire questions. I’ll give you two options and you just give me one answer.

Okay.

Type or Write?

Type.

Bus or Plane?

Plane, now.

Wayne of Garth?

Wayne.

KFC or Maccas?

KFC.

Vinyl or Digital?

Vinyl.

City or rural shows?

Ummm, crural. It’s like half half.

VB shots or Indica spots?

VB shots.

Cypress Hill or Busta Rhymes?

Busta Rhymes.

Ninja Turtlers or Power Rangers ?

Power Rangers.

Skateboard or bicycle?

Skateboard

Stage or Studio?

Stage, definitely.

https://www.youtube.com/watch?v=wkIPwtcKTAA

Get The 93 KFC Rotisserie Gold for free download here.

This interview comes to you as a collaboration between Howl & Echoes and Back to the Future.

Read more: Ivan ooze tells us his 5 biggest influences

Image: Nicholas Murphy

Last month I poured my heart and soul out in my feature article about Bob Marley and The Wailers’ Legend, and now I’m interviewing his son, Ziggy Marley. If there was ever a moment to say everything is connected, and all cliches aside there really is One Love, then this would be the moment. The seven-time-Grammy-award winning musician, activist, actor, author and artist has just released his self-titled sixth studio album on May 20th. In between releasing his new album, getting ready for a 35 stop North American tour and raising a family, I got the chance to have a chat with the oldest son of Bob and Rita Marley to discuss his new album, how to evolve oneself, social media, hemp and how he stays grounded on tour.

You’ve just released your sixth studio album, I’ve been listening to it a lot this week and I’m really enjoying the summer vibes to it. We’re entering into winter here in Australia, so it’s kind of taking me on that little trip I feel like you’re trying to achieve. I’m going to keep listening to it all winter.

*Laughs*

Could you tell us a bit more about the album and the progression of your music and the message behind it?

With this album, I’ve kind of started speaking about things that is happening in the world, which I haven’t done in my last few albums. Usually I talk about my feelings and spirituality, but this album is definitely addressing some topics that I think is important today. The division that I see amongst people, the wars, the profiteering from wars and the profiteering from division of the people through politics and religion, these are things I have some feelings about. When I see people suffer, it touches me and I need to speak about it. We need to find a better way to live our lives on this earth than continually fighting against each other. I think there is a better way and we will find that way.

I feel like the overall message is about love, unity and respect, and that’s something that carries through your family, so it’s really nice to listen to. Listening to the lyrics of Love is a Rebel, “We’re fighting against spiritual oppression, and societies perception,” why do you think people are in such a hurry to try and fulfil societies perception?

It’s the idea of success in the modern society and what it means and what it takes to be successful in that terminology. We view success in a way that it takes certain things and sacrifices, certain indulgences. So if you’re not going that way then they might look at you differently. But we can’t live up to that, we have to live the right way; we have to live how we’re supposed to live. To help each other with unselfishness and less materialism. That is the way to live.

In saying that, how do you find living in Los Angeles where there is such an emphasis on success and material possessions? You have moved from Jamaica and are now living in LA, how do you find balance in the culture there?

Well, we talk about perception. How I perceive it: when I look at it, I see the planet Earth. I don’t see LA, I see the trees, I see the mountains, I see the birds. Same thing as I see in Jamaica. I see people, I see human beings. I don’t judge human beings, you know, I don’t pre-judge anyone in any way. Society has one way of perceiving something, and we have one way of perceiving something. This is how they see it and you have to choose which way you want to see it.

How do you feel about social media? You discuss “dividing us and categorising” in We are the People. How do you feel social media has a part in that, and how do you feel about using social media?

Social media, just like anything else in our society, is a tool. Can be used for good and bad. It’s just a tool really, but who are you going to listen to and who are you going to emulate? Some social media is very influential to people. Some kids get trapped in social media and get influenced in negativity and certain abuses, which is wrong. Some people get brain washed, and decided to kill people and go out and do bad things because they get brain washed over social media. Some people become so materialised over social media.

But then again, you can use social media to achieve some positive things. We just have to be careful who we’re listening to and what we’re listening to. We have to use it the way we want to use. I like it, I like communicating with people, my friends, my family. It’s good for communicating; sometimes we go back and forth a little bit but I enjoy it. It expands my world, it expands me, my mind. To know there are other people out there and I’m not just living in my own little bubble. It’s good in certain ways.

You once said, “We must think for ourselves, and formulate our own ideas and that we were created to evolve, and each individual must evolve themselves spiritually and consciously.” If someone reached out to you seeking guidance, looking to evolve where would you recommend to start?

*laughs* where would I recommend…

*laughs*

I don’t know what I would recommend. Listen, it’s not a thing that is written in a book, you know? It’s your own life, it’s your own consciousness, it’s your own intention. What is your intention? Have an intention. My intention is to love and spread love and be a positive influence. That is my intention and that can guide me and that can start me on the road to evolve. To evolve I have the intention of knowing: this is what I want to do and this is a positive intention. But everyone is different and that is why I can’t answer this question correctly, because everyone has a different road. There is no one way for everyone. Just have an open mind to think and an open mind to learn. Don’t close your mind.

So it’s all be about connecting with yourself and that truth in you.

Yeah, that is the key. It is there. It is really there. It is really in you, it really is. It’s there. It was there long before.

It is always there, and that’s why I ask about social media, because I feel like in a way that it’s trying to take that from us. Like, we’re trying to engage in other people and something else and forgetting what’s in us.

True, that is true too. It’s a balance. Everything is about balance. That is the whole thing with the universe, balance. Once things come out of balance, that’s when you get discard and disruption and corruption. It doesn’t mean equal balance; it’s balance in the right proportion. That makes everything work together.

How do you find that truth in yourself when you get lost?

I think you find the truth in time. Really and truly, it’s not like you find it one moment. It’s like you experience it through your lifetime. You learn to recognise it through your lifetime. And then, every now and again, if you fall off, or if something is going on, you have the realisation that this truth exists because you have experienced it. Even if you are in a bad way right now, you know it exists because you have experienced it. That’s key, as long as you have an open mind, you will experience it I think. You just have to have an open mind; we must not be closed-minded. That only stops us.

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Image: www.ziggymarley.com

I feel like that kind of ties in with the message of Ganga or herb as you would call it, and how it opens up your mind. I find it really fascinating what your whole family is doing right now, with the Marley Natural and the products of weed and hemp. I want to ask why you find it so important?

Well this is a plant we’re talking about. It’s a plant that everyone should be able to grow in their back yard. Just like I should have some tomatoes and some potatoes in my back yard, I shouldn’t be going to the store for tomatoes and potatoes. I should grow them in my backyard, you know what I’m saying? This is the way it’s supposed to be, really. This plant has its purpose and its use and yet it is not for everyone. Not everything is for everyone – some people might have a reaction that’s not positive, so we still have to be truthful and not too fantastical about it, we must maintain a reality about it, and a standard. And be careful, don’t misuse and abuse it. The more free it gets, the more we have to make sure it maintains its own integrity, because the plant is for special use. It has an integrity and if we start manipulating it and messing with it then it looses its natural integrity. Because we start trying to make it more potent than it’s supposed to be, so the more natural everything is the better it is. In anything we can check out in life. The more natural it is the better it is for us. So that is what I have to say about it really.

Well you’re saying the more natural, the better. How do you feel about hydroponic? Do you agree with that?

We are mankind, we will always try and mess with stuff. And that is who we are, but I like natural things, that’s what I will say. I like natural. I like the way nature intended it to be, for me to have it that way. Whether it’s what you eat, what you smoke or what you drink, what you breath, I want it to be the way nature made it, not how some guy made it you know.

I love that you have created Marijuanaman and by doing so, you’re saying Marijuana is not a villain. Can we expect another comic from you? 

Nah, that is just one thing. There’s one Marijuanaman. We’re doing some other stuff. We’re putting out a cookbook soon, and I’m working on another children’s book.

And you’ve got your organic line also.

Yeah the non GMO coconut and hemp seeds. The hemp seeds was a way to kind of get into the position to speak about hemp, because we talk about marijuana a lot but we don’t talk about hemp a lot, and I think that hemp is just as important in terms of environmental impact, industrial impact that we can have on the planet. Hemp is really important. I tell people we need to talk about the whole plant, not just half of the plant, not just half of the story. Let’s not fool ourselves anymore with half stories, lets get whole stories. And use all of the plant, it benefits mankind in more ways than a thousand.

Well, there’s still a long way for it to go here in Australia. We have our election coming up and I was walking down the street before and saw one of the advertisements for a party, Legalise Cannabis Now! I found that really interesting.

*Laughs* That’s cool, I like that.

I just want to get back onto your album and the music. You’re following the album with a 35 stop North American tour, can we expect you on our shores anytime soon?

Yeah man! Next year, we’re hoping to come out there next year and play in New Zealand, Japan, Hawaii and the Pacific. It’s been a while and I really want to come play some music in Australia.

How do you stay grounded on tour? If you’re doing a 35 stops, that’s a long time. Do you take your family with you?

Sometimes if the children aren’t in school, they come or my wife come with me. But otherwise I stay grounded, by just living in the moment and realising that this is it. This is real, this is life, this is a part of what we’re doing. Take it day by day and just live life. This is my situation, I accept it and just live, and play music.

Well, we appreciate what you’re doing and thank you so much for your time today.

Thank you very much.

Get Ziggy Marley here and here.

All images: ziggmarley.com

Melbourne MC REMI and musical collaborator Sensible J have been busy. After winning last year’s Australian Music Prize for Raw X Infinity, the duo have launched their own label House of Beige Recordsdropped the single For Good featuring Sampa The Great, followed it with an accompanying video, announced a national tour and to top it all off, are working on their new album Divas and Demons.

https://www.youtube.com/watch?v=UrW7GNFwPsM

So, I’m really excited to hear your new album. Can you tell us about it and how it differs from your first album ? What’s the progression, what sounds have you’ve been inspired by for this album?

Sensible J: Musically it’s quite similar, but this time I got actual musicians to replay my basic musicality. I got S I L E N T J A Y and Simon Mavin from Hiatus Kaiyote to replay all my keyboard parts and that has added to the evolution of our sound, getting it to where I want it to be.

Do you feel any pressure from the first album with winning the AMP?

J: It’s exactly the same, as long as myself and Rem are happy with the tracks, then I’m happy. You can easily fall into that vortex of worrying about what others are going to think after winning an award, you see how easy it would be and sometimes I have to check myself and be like, “It doesn’t matter, we’ve already won it, not gonna win it again.” So, there’s actually no pressure.

Remi: I was definitely conflicted after that stuff came through, but exactly what J said, we’re not going to win it twice and we only won that shit doing all we know how to do. So if we feel any pressure, it makes no sense. We just gotta do this next record.

So you’re starting your All Good tour next week, and then your tour with Seth Sentry. Are you guys excited to be on the road again?

R: I’m excited to go and see our fans again. We’ve done a lot of shows here and there and played at a few festivals but we haven’t been on our own tour since July last year. We’re looking forward to getting back to places like Perth which we haven’t been back to for almost eighteen months. We’re looking forward to connecting with people we haven’t seen for a long time.

I just want to go back in history a little bit. Can you tell us about your musical upbringing. Did you have a lot of music played at home, and what was the type of music that was played at home?

J: My folks were in a band when they met: mumma was a back up singer and dad was a guitarist. There were always guitars, basses, bongos, a toy drum kit for me when I was four. So yeah, the house was a very musical house. Dad would put records on and had speakers hooked up under my bed, so on a Sunday morning to wake me up he would turn music on loud. It would be artists like Stevie Wonder or George Benson so I couldn’t complain. At the time I was complaining, but now I see it, I’ll probably do the same when I have kiddies. Annoy them with Stevie Wonder.

R: My parents definitely weren’t in a band. My dad wishes he was in a band, but they played a few very integral albums as I was growing up. Off The Wall, Thriller, Marvin Gaye’s Let’s Get It On.

J: Your parents were playing that?

R: Yeah.

J: In the privacy of their own room?

R: Nah man, in the middle of the house. Marvin was for the people.

J: Not that album bro.

R: *laughs* But yeah, Mum was always playing piano and they were both playing in Church. Listening to any other interview, that would sound like some incredible shit. D’Angelo’s dad was a preacher, so was Marvin’s, but it’s not like that in Australia.

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Image: Michelle Grace Hunder

Can you tell us one thing no one knows about you?

J: I like trap music.

That’s a lie. You gotta say something truthful.

J: I like The Fast and the Furious. They’re the most classic movies I’ve ever seen. From the cinematography to the screenplay, the writing and the acting…

R: This may sound like a lie, but it’s the truth.

J: As if that doesn’t inspire you to get out and drift your car, no matter what car you have.

What about you Remi?

R: I was an OshKosh model when I was three or four years old. It was messed up, ’cause they asked me what I wanted to be when I was older, and I said I didn’t know. So, on the video of me walking down the runway – I literally had just learnt how to walk – I’m walking down and they say, “This is Remi and he wants to be a soldier when he grows up. I was like bullshit, no way do I want to be a solider.”

J: You didn’t say bullshit when you were three!

R: Nah, when I was older when I watched it, I was like “Hell no! You can’t be putting that stuff in a child’s mind.”

Can you tell us the most surprising thing you’ve ever heard or read about yourself?

J: I was listed as Special J in Perth. I thought that was pretty funny.

R: By a friend!

J: Who didn’t mean it, and who wasn’t trying to give me crap.

R: Still cold-blooded.

We always finish our interviews with quick fire questions. I’ve got six, so I’ll ask you three each.

Okay

Type or write?

R: Type

Bus or Plane?

J: Bus

Pasta or Kebab?

R: Pasta

Vinyl or digital?

R: Vinyl

Slum Village or The Roots?

J: Roots.

R: That’s cold-blooded. Sorry Slum.

J: I got into Slum Village because of a Roots album, when Questlove said to check out J D on the track Dynamite! so that’s why I had to pick The Roots. I’m sorry.

Catch REMI in a town near you.

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This interview also aired on Back To The Future Hip Hop on Kiss FM 

Image: Michelle Grace Hunder

 

“The greatness of a man is not in how much wealth he acquires, but in his integrity and his ability to affect those around him positively.” – Bob Marley

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Image: www.island-stage.com

I found myself on the back of a bus wailing into the arms of a stranger, limp and red faced. I just finished watching The Wailers perform Legend at Bluesfest 2016, an amalgamation of Bob Marley’s finest work, and was on my way back to where I was staying. It was my third day at Bluesfest and I was searching for some type of reconnection with my childhood and deceased father.

My dad was a huge Bob Marley fan and I feel like he was more of a religion to him than any real religion. My father was a musician, creative and partygoer. He would organise parties, music and charity events, was always the last one left at the Byron market drumming circle and was known to some around the shire as Mr. Delightful. He always had something to celebrate. Growing up, he would say to me, “When I die, I don’t want you to be sad. I want you to throw a massive party and celebrate my life.” Celebrate we did. The Byron Shire (Byron Bay and its regions) threw him one last hoorah in the mountains of Mullumbimby, full of food, music and dance. I wrote and printed around 200 flyers with a short description and a photo of him smiling and handed it out to his near and dear at the party.

It’s been almost five years since my dad passed away, and nine since I moved to Melbourne. In the midst of trying to go through life without a father, find my place in the world, study, pave myself a career and still be fucking fabulous, I got lost. Overstretched and overstressed I needed to escape the concrete jungle of Melbourne and return back to my roots in the Bay. Reading the lineup and discovering The Wailers were performing over four of the five nights, with each night to feature a different Bob Marley album, I bought myself a pass to Bluesfest, booked my flight and headed home in the hope of finding something I lost along the way to adulthood.

As I stood in the crowd watching Dwayne ‘Danglin’ Anglin encapsulate the true essence of Bob’s message of love and unitya message Anglin states, “People all over the world need,” I began to get that feeling I got as a child laying on the floor in our lounge room, in my what I would call a birds nest of blankets and pillows, listening to my dad cover Could You be Loved on guitar, singing at the top of his lungs.

https://www.youtube.com/watch?v=QbSdviY1JLQ

As The Wailers moved through the set of Legend, I went from feeling a little stiff and somber to dancing with a big grin on my face in the mud (it rains every year at Bluesfest,) singing along to the classics: Stir It UpJammin, Three Little Birds, Could You Be Loved, No Woman No Cry and Get Up Stand Up. As they wrapped their set up, I let out a sigh of relief and began walking to the cloak room to collect my things. As I waited for the girl to collect my belongings, I gazed around the tent. Racks of jackets and bags stood in the middle of the tent and I looked around aimlessly.

Then I looked up to my left and there he was. My dad smiling down at me. The flyer I wrote for his party was pinned to the wall next to another photo of a young girl who passed away around the same time.

Written above them were the words: cloakroom angels. I asked who put it up there, and the girl pointed to a guy walking out of the tent. I told her it was my father with tears swelling in my eyes and she tried to run after him, but he was already gone. It was probably a good thing – the waterworks were in motion. Shuffling out of the festival grounds, I cried the whole walk back to the shuttle bus. I cried in the bus line and sat at the back of the bus, in the corner, covering my face with my hair. I didn’t want to cause a scene, I just wanted to cry. A couple sat next to me and asked me to move over a little; I thought the woman was being a little aggressive but maybe I was just being sensitive. The crowd was chaotic, and the guy sitting in front of me obnoxiously yelling and swearing nothingness into the crowd pouring into the bus. The couple next to me challenged his rudeness and I tried to contain my tears. I curled up next to the window, my earphones in listening to Fortune‘s Bomber EP, with the lyrics, “A coat of armour on me like your arms around me” penetrating my ears, causing more tears to fall down my already puffy face. The lady next to me noticed my tears, stopped arguing with the dude in front, leant over, wrapped her arms around me and whispered, “Don’t worry girl, I’ve got you.” And she did. She sat there holding me while I weeped into her arms for a good 20 minutes. This woman showed me nothing but love in one of my most public displays of vulnerability since 2011. I wasn’t crying because I was mourning my father, I cried because in these moments, I realised: there really is One Love and everything is connected.

I felt like Bob was up there on the stage singing with The Wailers. I felt like my dad was dancing next to me as I swayed to the sounds that reminded me of him. He was watching me while I collected my things. He was wrapping his arms around me through this stranger’s embrace.

Legend is what Bob shared with the world and Legend is what my dad played for me. They both tried to spread the message of love and unity through music. I felt like, because of music and its profound message of love this woman on the bus wasn’t afraid to show me kindness and compassion, something that seems so scarce in this day and age of indispensable relationships and notification gratification.

To me that is true embodiment of One Love and I’m grateful I was open to it.

https://www.youtube.com/watch?v=FTY8H7zjdtc

Image: Island Records

Ekali, aka Nathan Shaw, is on the scene and is in no time ready to slow down.

The 2014 Redbull Music Academy student recently stopped by Australia and New Zealand before his debut performance at SXSW. Heavily influenced by Burial, composer Nobou Uematsu, and anime, Ekali’s production is a unique blend of electronic, hip-hop, and heavy drum and bass with a touch of ambient vocals.

Growing up in a family of musicians, Ekali’s introduction to music started in grade four when he began learning violin. After several years of classical training, he switched to learning guitar and then bass, joining Vancouver based Indie-rock band Said the Wale as the bassist at the age of 19. In his four years with the band, they produced four studio albums and won the Juno Award for Breakthrough Group of the Year.

Ekali discovered his passion for making electronic music after spending a day in a dance tent at Washington Sasquatch Festival. When he returned home, he took to learning production basics on Logic, carving his self-proclaimed signature sound of “R&B and anti gravity bass music.” At the same time he was developing this sound, he joined the Vancouver collective Chapel Sound as well as signing to artist collective and record label Flo-FiWith thanks to Soundcloud, Ekali has gained an audience of hundreds of thousands and garnered attention from the likes of Drake, who sampled his Unfaith single on his most recent album If You’re Reading This It’s Too Late where it was combined with vocals from fellow Canadian artist PARTYNEXTDOOR.

In his short time as a producer, Ekali has received and kept the attention most producers spend years hoping to achieve. Peep at the pictures below taken by Michelle Grace Hunder while he was in Melbourne on his debut Australian tour.

https://www.youtube.com/watch?v=u45cTkN0QdU

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G-Eazy was recently in town on his When It’s Dark Out world tour, promoting his album of the same name. His live performance has quickly built a reputation of it own, and he played to huge crowds across the country. Our lovely ladies at Melbourne radio program Back to the Future spent a few minutes having a quick chat with the man himself about his growing success, musical upbringing, what he’s currently listening to – and what he’s most afraid of.

Read our review of G-Eazy live in Melbourne

Check out our photo shoot and live photos of G-Eazy in Melbourne

https://www.youtube.com/watch?v=bSfpSOBD30U

Great to have you G-Eazy, is this your first time in Australia?

Nah, I was actually here almost to the date a year ago, we toured here for the first time and I fell in love with it out here, the energy is just different. The concerts and the crowd are more hype, more rowdy.

It must be nice to come from somewhere like the states and see that your music is translating all the way over here.

You can’t put that into words. That’s like the, “I have to pinch myself every day” kinda thing, or when I look at a map and how far away we really are; it’s a beautiful thing.

Can you tell us how long you’ve been making music and how you originally started getting into rapping and producing?

I started when I was fourteen. Basketball was some people’s calling, football or soccer, you guys call it football here I guess, but I was just drawn to music. I’ve always been creative since I was little, whether I was drawing or whatever, and I just got into music. I grew up with hip-hop, so that was naturally what I was drawn to.

Do you have a musical background? Where your parents listening to music? What was the type of things you were listening to as a kid?

Both my parents are visual artists: they’re hippies who grew up in the sixties, so they would play a lot of sixties rock around the house. But the music I was listening to was Tupac, E40, Mac Dre, Eminem.

Do you remember what drew you to that music originally?

I mean, it was what I was around as a kid, culturally. My aunt and uncle were in rock band and I really looked up to them and would go to their shows on weekends.

Your song Me, Myself and I went gold and platinum, your album These Things Happen went gold and your sophomore album When It’s Dark Out went gold! What does that feel like after coming from a background of slinging mixtapes at a hotdog stand? What does that success feel like?

*laughs* Yeah, there’s two sides of the equation. One, it’s very humbling, to get that kind of recognition after working this hard for this long, to see it come together the way it has and to be recognised with that sort of certification of “gold” and “platinum”, that’s a big deal. These are the types of things you dream of growing up, but at the same time on the other side of the coin, it’s like I’ve always dreamed big, so when you dream big in that sense, I’m just getting started. So you try and maintain that type of perspective.

So your goals are kind of even bigger than that?

Absolutely, I want to keep going as long as I can.

G-Eazy live in Melbourne. Image: Michelle Grace Hunder/Howl & Echoes

G-Eazy live in Melbourne. Image: Michelle Grace Hunder/Howl & Echoes

Can you tell me the first concert you ever went to?

The first concert I ever went to besides seeing my aunt and uncle’s shows was Kanye West. I was like thirteen. He was touring off College Dropout. Ironically, he was given his gold plaque on stage that night. He got it for the first time that night. He was tripping. It was inspiring to see.

Can you tell us one thing no one knows about you?

I’m scared of pigeons. I have a terrible phobia of pigeons.

Does that stem from something in particular?

It stems from nothing! I just don’t mess with birds, they drive me crazy. I can’t walk down the street and be around birds. I’m not really scared of ducks though. I was recently chilling in the park and the ducks were cool.

Seagulls?

 I don’t mess with seagulls, no. If I’m on the beach just chilling on a towel and as seagull comes up I get all uncomfortable and try scare it away.

You went to the University of Layola, and I read you recently went back and gave a lecture. What was that like?

It was really cool to get to go back to my old school. I just felt really inclined to do it, to be able to talk to kids that are in the same shoes that I was in. I remember being there and kinda wanting some proof in the pudding: you go to school, you hate it and you’re like, why am I here? Who ever made it out of here and did anything? I was like, “Yo, I was in your same shoes hating it just as bad as you are but if you really commit to being something and put the work in, it’s all possible.”

That must have been hugely inspiring.

Yeah. I just wanted to go back, like a peer could. Whereas sometimes your old teachers can’t really translate; but it’s like, “What do you really know about how I’m living? Put yourself in my shoes. You’re from a different area.”

G-Eazy in Melbourne. Image: Michelle Grace Hunder/Howl & Echoes

G-Eazy in Melbourne. Image: Michelle Grace Hunder/Howl & Echoes

What are you listening to right now?

 Ty Dollar Sign, Jeremih, BJ the Chicago Kid just put out a new album which is really dope. Goldlink: I play that album a lot. Vince Staples: his album is incredible. I was listening to Common today. Common is one of my favourite rappers, Be is a classic album in my opinion. I just randomly felt like putting on Be.

We always finish our interviews with some quick fire questions. So I’ll give you two choices and you just pick one.

Cool.

Type or Write?

Type

Bus or Plane?

Tour bus definitely. You don’t have to wake up and go through security. You just sleep on the bus.

Mac Dre or Lil Wayne?

Man that’s very difficult but I’ll have to say Mac Dre just for the soil.

Johnny Cash or the Beatles?

Why are you doing this to me?

We always do this. We got to make it hard.

Wow. The Beatles I guess.

Pizza or Chinese?

Chinese.

Vinyl or digital?

Vinyl.

Gardening or cooking?

Oh the G in G-Eazy stands for gardening, so gardening. I don’t really know how to do either one though, at all. I know how to make top ramen. That’s the extent of my cooking. And waffles. I make some fire ass waffles.

Whisky or tequila?

Whisky all day baby.

The Roots or Souls of Mischief?

I say The Roots have a longer and more prolific career, for what they have done and what they have given us but then Souls of Mischeif, that’s for the town. I guess The Roots. I just played with them on Jimmy Fallon, that was an honour.

Playing at a festival or your own headline?

Umm, wow. These are tough. I mean festivals are heaps of fun, but I’d probably say my own headline.

Stage or studio?

I dunno what’s better. Getting paid or getting laid, I just know when I’m getting one the other’s getting away.

https://www.youtube.com/watch?v=CxnaPa8ohmM

Images: Michelle Grace Hunder

 

 

G-Eazy aka Young Gerald took the stage of Max Watts on Tuesday night on his When It’s Dark Out world tour. This was Gerald’s second time in Australia and he wasn’t shy letting us know how much he loves it down here: “The people in Australia go way harder than they do in the States, you make people in the states look like pussies!”

The night started with support act Nico Ghost, a local emcee who recently supported Wu-Tang Clan at their Margaret Court Arena show, and performed at Beyond The Valley festival.

https://www.youtube.com/watch?v=cecrGhzBvew

The venue was packed full of twenty year olds, anxiously awaiting the self proclaimed “rap game’s James Dean”. As I stood stage right, next to the media pit and the artists door, security were flurrying about in a state of stress. One leaned over to me and said, “Everyone’s freaking out, it’s going to get too wild.” I could see why: the sold out show was full of young, horny, suburban kids.

The stage was set up with a DJ and drummer; I find when a rapper has live instrumentals it always makes for a more interesting show, so it got off to a good start. His DJ began the set with m.A.A.d city by Kendrick Lamar, immediately setting the vibe for the night. G-Eazy soon walked out – guarded by four security guards – in his signature leather jacket adorned with pins, skinny jeans, sunglasses, and Comme des Garcons Chuck Taylors. Opening with Random, the song was an explosive way to begin the set, pumping up the audience as he confronts the idea that he just lucked into fame. “This is the anthem”, chants the crowd, knowing every word to the song.

https://www.youtube.com/watch?v=ub9x6AH32zg

The crowd rapped along to each and every song, both from When It’s Dark Out and his 2014 debut album, These Things Happen.

As he jumped around the stage, hyping the crowd to do the same, I looked around and saw a whole venue full of young adults chanting along to Bitch, I got a lot of a hoes and they all up on my dick / All up on my dick, all-all up on my dick.

I couldn’t help but feel uneasy as he rapped about girls being “hoes” and “thots” (a term I think should be eradicated from everyone’s vocabulary) to an audience of predominately young women. I am someone who can appreciate, and at times look beyond ignorant hip-hop, but I found G-Eazy to lack the substance and lyrical content compared to other artists in that genre, meaning that I couldn’t pass his lyrics off has just being within the realms of the hip-hop lexicon. I did appreciate his style, beats, sound, and energy but not his confronting and misogynistic lyrics.

He name-called and belittled his female fans that night. Was I the only one who found it hard to sit through?

https://www.youtube.com/watch?v=eEWYwQR9jPE

I like the foundations of G-Eazy’s music, but as a woman, this show was uncomfortable. I understand a lot of music is reaction based, and there are particular markets an artist wants to tap into, but my concern is: does G–Eazy consider the influence his lyrical content has over his audience? (And are they really his ideals?) The show was entertaining up until the lyrical content took a turn, and I felt like it became more about how many notches G-Eazy has on his belt than an actual hip hop gig.

Image: Howl & Echoes/Michelle Grace Hunder